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    Anusha
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    Joined:

    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • Vguy72
    Joined:
    Unfortunately.....

    ....there have been no official shows released that I attended. And the count is 50+. Oh well. One day. Attended every Vegas show. One day.
    Got a couple of Phish show's though.

  • bob t
    Joined:
    Today Sirius noon show was 6/16/85.... Greek Theatre

    Had this show since summer of 86. Got in the car when Samson was starting... Listening to right now, Love the Scarlet>Fire!!!!

  • Mr. Ones
    Joined:
    Shows Seen, Shows Liked

    I only saw the Dead between 1980-1988. I would love it if they released one of those shows one day, but I don't lie awake at night thinking about it.
    I started listening to the Dead in 1974, and as a result (I think), I only really liked live stuff from '68-'73. I started out only buying Dick's Picks from this era. Road Trips also. And boxed sets too.
    However, when 30 trips came out, I only really wanted the first 10 shows from the box. I started ebaying them right on the day they were released. After acquiring the first 10 shows, I then picked up the '76 & '77 shows. Then I found the box (minus cds) for just about $100.00. Then I just kept looking at set lists, and wanting to try another and another. The 1984 show was the biggest surprise to me, a fantastic show. Eventually there were 5 shows I would NEVER buy. Funny thing but I now have all 30 shows!!
    I payed WAY more a la carte than I would have the box, but don't think I could have kept both the box and the bill a secret. Also, by getting shows a little at a time, I had much more time to enjoy each one.
    I learned that there were shows from ALL eras that I could enjoy, even though '66-'74 still get the most replays. I am only missing 4 boxes ('78, both '90's sets, and the 5 show '77 box). The only one I regret missing was the 5 show '77 box. I am only going to pick up the stand alone release from this new set, but that's enough to satisfy me.
    It's ok to pass on certain releases (obviously), but we don't have to call people who DO buy them stupid (or something worse).
    I truly enjoy having the option to listen to any version of the band, and I think it's cool that I have at least one show from every year.
    I very much enjoy these (almost philosophical) discussions on eras, what we like, and why we like it. Keep it coming!!

  • mcgrupp216
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    Joined:
    Chapell Hill ‘93

    Love those shows, Alvarhanso. Love a lot of those Sp93 shows, for that matter. That Rosemont run is honestly among my favorite shows in the entire catalogue. ‘93 easily the most underrated year. Actually listening to 3/17 right now, really good, too!

  • CaseyJanes
    Joined:
    A warning for friends...take heed!

    Beware of the Wolf
    Appearing quite Dire
    He collects his dues
    While we sing
    Round the fire
    Wearing sheep’s clothing
    Got two eyes don’t see
    I was bitten this week
    Not one time but three

    You internet art peddler
    Please don’t murder me
    And don’t steal from me either
    I trusted you see
    But you dealt that deal anyways
    Shame on you
    Now shame on me

  • alvarhanso
    Joined:
    Era preferences

    I'm one of the younger post-Jerry busriders, so don't really have too much homer investment, as I didn't attend any shows, though it could be homerism that makes me want a Greensboro box set. They played the Coliseum 7 times I think from 1980-91, and some good shows. Like this Giants box set, Greensboro had a great Dark Star with Bruce in the mix for April Fool's Day no less. I also wouldn't mind at all if 3/24/93 Dean Smith Center in Chapel Hill were to be released as a Dave's with filler from the next night. Or even if 4/12/78 at Cameron Indoor at Duke were part of the returned Bettys. I've seen the black and white video of that one quite a bit, and that's a high energy show. But I'm more about great sounding shows that have really top notch jamming. I agree the batting average is very good, certainly higher than Ty Cobb's .367, and the only deviants from the norm are somebody else's holy grail, so it balances out. There are a LOT of Dick's Picks and Download Series shows I don't listen to, so an occasional bump isn't bad at all. Just one less thing in an ever expanding rotation of great music. In the Download Series I even found that there are 1972 shows I don't like. That Seattle one from 7/21 just isn't my cup of meat.

    I'm going to get this box, and I imagine I'll enjoy it quite thoroughly. Though how many times I'll listen to it is hard to say. I'm not even diving into the PNW Box as much as I thought I would. Everybody and his brother had 5/19/74 as a top, top show, and it has its moments, but it doesn't blow me away as much as 5/17 or 6/22/73. But I also don't really have the time to re-check that analysis. They've released so much excellent stuff that I've ignored most of Europe '72 Complete in the last 5 years or so. I wish we all had Dick Latvala's schedule for listening to Dead at exceedingly high volumes, but alas.

  • icecrmcnkd
    Joined:
    Last few listens

    Living room:
    12-3-79 (3 times since receiving)
    12-9-81
    8-7-82
    7-31-82 set2 (playing now)

    Boise 83 up next.
    Thought that I’d listen to some of the most maligned releases.
    I listen to all eras and can accept if 1 out of 4 DaP’s is from a cassette master.

    It’s possible for me to listen to these shows in the living room this week because I balanced it with the several hours I spent listening in the car this week.
    2-13-70
    2-14-70
    5-2-70

    Hmmmmm.....how about a Plangentized “Fillmore February 1970 - East Meets West” Box? Opens up like a briefcase with Fillmore West on the the left and Fillmore East on the right.
    I’ll buy it.

    I listen to 1965-95 and buy all the complete, or nearly complete, show releases. I didn’t subscribe to RT at first because I didn’t want partial shows or compilations, but did buy the complete shows and eventually everything except 79 compilation and Cal Expo. I missed out on a few bonus discs for not subscribing.
    Missed out on FW 69, I think it sold out before I saw the email. Didn’t have internet in my apartment at that time. I did get copies and now have 27 and 28 on vinyl (which have been Plangentized).
    Missed out on the 72 steamer trunk because I hesitated (had bought a house a year earlier and was putting money into the house) and it was gone. I then paid the same amount for the AME. Learned a lesson there.

    The only released show that I was at is 7-17-89 (and it’s missing the end of the first set).
    I don’t need the shows I was at to be released, except for Tinley Park 90 (Brent’s last) on audio/video, since I already have copies of many of the shows. What’s missing are SBD copies of 6-27,28-95. Only AUD copies exist, don’t know why the SBDs aren’t in circulation, it’s not like these shows will ever see commercial release.

    Glad to be getting the Giants Box.
    Keep the releases coming and Plangentize all the good sounding reels.
    Also, are there 90’s DAT or PCM masters that are worthy of release? I would like to hear what one of those sounds like after getting Normanized.

  • Oroborous
    Joined:
    William Tell has aimed his bow...

    Hhhmmmm? Interesting stuff gentlemen?
    If the recent wave of opinions here are any indication of just how diverse, and unfortunately divisive, this group is, Im not sure you could easily categorize so neatly? I think you could probably find a statistcal significance in a few groups with some similar traits i.e.,
    Early years show goers who prefer to listen to early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Later year show goers who prefer early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Etc, etc....

    But I guess Daverock’s question was how much influence being at a released show is?
    I would assume that most would at least be interested in a RELEASED show if they were at it....that doesn’t mean that all would by it. Maybe they didn’t like the show, or had a bad experience? Or obviously some just don’t like to listen to certain eras. Some perhaps only have so much listening time so tend to stick with thier favorites.
    Also, as we’ve discussed here before how suspect our memories are and how much the experience can sometimes skew our view so much that we’re surprised years later when we finally hear a recording of said show, for good, or for ill.
    Personally, for a long time, I had gotten to the place many are at where I felt “I have enough Dead, I’ll never listen to it all” etc, which of course I’m having to live with now as I missed out on much, and have spent great sums trying to make up for it. Fortunately, their are some extremely kind folks here who have helped with that!!! But...
    My criteria then was;
    1) was I at the show? (I still would like to have some kind of copy of every show I was fortunate to be at, but I sure as hell don’t expect most to be “released”)
    2) and/or if it was “a must have” particularly if it was from one of my favorite years, and that was it, otherwise I would not buy it. IDIOT!
    I passed on E72 partly because of cost at the time, but I know if it was something that I was at or really wanted I would have found a way. But being the dipshit that I am, I was like “the song lists are all the same”.......”I already have Europe 72” IDIOT!! Obviously I hadn’t really caught the Dark Star bug yet and become a full blown junkie! Which is ironic because DS has always been a favorite? I guess just not “the” favorite yet....
    Now, I feel like any show is worth at least considering and feel like if it’s an official release than tptb must of thought it worthy enough to produce it. Obviously that hasn't always played out, but I think most would agree that their batting average is pretty good, and official releases usually have enough of the boxes checked to be worthy of release, even if perhaps the contemplator won’t buy it or it’s not in their preference zone.
    For me that’s often the 77-78 years. I’ll listen to some, but not often, and there has been so much released, that I won’t usually be up to buy more. But I’ll totally agree and understand why those shows are released and would not begrudge another that is into those years etc. Luckily, my cousin usually does so I can get a copy purely for collection purposes, and given the chance, I’ll listen to ANY dead show at least once!
    But for me the fact is If it’s a show I was at it there is definitely I high probability I’ll get it.
    I also think it’s nice when they have multiple options, like being able to just get the main 91 show from this box. I’m sure many folks would like the meat and potatoes without having to buy the whole farm. I haven’t been in that situation yet, but I would think that will happen some time?
    Anyway, interesting thought? I’d be cool to hear others thoughts?

  • boblopes
    Joined:
    LMG - thoughts and prayers to you - may the power of music help

    LMG - thoughts and prayers to you - may the power of music help you thru it. Sending positive vibes your way.

    I'm psyched they're releasing the only two 48 track shows recorded. I think if they grouped it with the other shows on the same tour, the difference in sound quality would be noticeable. Just like the two 1990 boxes sound different. By including shows from other dates with other lineups it won't be as apparent.

    Any word what the Black Friday Vinyl release is as of yet?

  • stoltzfus
    Joined:
    Aagh! LMG!

    I am sooo sorry to hear that.

    I obviously don't know you personally, but we have the grateful connection.

    This summer has been a big reminder of mortality on many levels, personal, national, professional, and virtual.

    Stay strong, my brother. We care. Listen to the music play, and we will, too.

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6 years 7 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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17 years 5 months

In reply to by Vguy72

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....ended. Short but sweet, now Wait is up. Dammit. Now I need to listen to the whole record. No regrets.

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17 years 5 months

In reply to by Vguy72

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....now, this particular song is dark as fuck. 12 year old me just enjoyed the rhythm. 51 year old me says "Damn Beatles, y'all getting vengeful."
It's an evil song with an awesome beat.

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My favorite Jefferson Airplane varies from time to time, but Surrealistic Pillow and Crown of Creation seem to consistently occupy that position, both are good from start to finish. Really dig If You Feel on Crown of Creation, and some of the mellow stuff like My Best Friend or How Do You Feel from Surrealistic Pillow, absolutely can't go wrong with either album. Also, if you haven't already, check out Quah by Jorma, some really nice mellow songs on that album.

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17 years 5 months

In reply to by Charlie3

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....Burgers by Hot Tuna just might be better than any Airplane record. Might.
I prefer my Burger with pickles and American cheese.

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10 years 2 months
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My belle
These are words that go together well
my Michelle

Michelle, my belle
Sont des mots qui vont très bien ensemble
Très bien ensemble

How rude.

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Vguy, you are correct, sir, Burgers by Hot Tuna is a great album. The debut Hot Tuna album is awesome as well, just a cool sound to some of that stuff. I saw Hot Tuna at the Chance in Poughkeepsie, NY in the mid-80's and it was a fantastic show. The Chance is an old opera house, so acoustics in the balcony were excellent and it provided a cool view of the stage from above. Good times.

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The JA album Bark is interesting because half of the album seems more like Hot Tuna - songs Wild Turkey, Feel So Good and Third Week in the Chelsea. The song Pretty As You Feel on that album is possibly my favorite single song by JA, and the rest of the album is not my favorite. But the good stuff still makes the album worthwhile, Feel So Good and Pretty As You Feel alone justify the album.

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10 years 2 months
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Not gonna lie...I always get a kick out of those old dance videos. Very impressive. Just like the music, I like the compilations that blend all the different styles.

A great one, to Uptown Funk https://www.youtube.com/watch?v=M1F0lBnsnkE

This one's been around so long, I think it was emitted when the big bang invented the internet: https://www.youtube.com/watch?v=ab9i0s4WEY0

And one you all may know.... https://www.youtube.com/watch?v=RHf6tiFkr2s

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7 years 9 months
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White Rabbit is just a monster of a song. Grace is bone chilling... and I mean that in the sense of, gives me the chills, not baked out across a couch. What's that other single? Somebody to Love. Meh... the early Jefferson Airplane records were like the rest of the San Francisco sound at the time, tinny and thin, horribly produced.

Shout out to Jorma and Jack for being the blues backbone of that band and carving out a subsequent career.

Led Zeppelin (one, the first album) radically improved sonics in the rock album industry. "Distance makes depth," Page would say, regarding miking John Bonham's drums. Of course Bonham wielded his drumsticks like the mighty hammer of Thor, which did make things easier, but still - the first Zep album blew everything else away sonically. The next best at the time would have been what George Martin did with the Beatles. The Stones got there, eventually.

Cream were horribly produced, and it's a damn shame. There's a Cream box called, "Those Were The Days." To my knowledge, it's most everything the band did including a beer commercial - that's right, have a peek:

https://www.youtube.com/watch?v=5Z9tXP5IsRg

Now that both Jack and Ginger have crossed over, it's too bad their groundbreaking work along with Slowhand wasn't produced by Jimmy Page - it's a bit thin.

Which connects this ramble to Jefferson Airplane. Moments of brilliance, disappointing sonics.

Jefferson Starship, however, sounds exponentially better:

Jane
Miracles
Find Your Way Back
Count On Me

(We Built This Shitty) will go unmentioned for obvious reasons.

\m/

Bathing at Baxters was always the stand out JA album for me, and still is.

I also still like the trio of albums that were credited to various people, but were seemingly orchestrated by Paul Kantner ... "Blows Against the Empire" "Sunfighter" and "Baron Von Tollbooth," the latter home to the original Mind Left Body track. All feature Jerry on guitar on some tracks, to great effect.
It should also be noted that although "Blows.." is credited to Jefferson Starship, it is light years ahead of the easy listening mid 70s Jefferson Starship. In my opinion.

The UPS tracking information for my Giants Stadium box set shipment certainly isn't instilling confidence that Rhino has learnt its lesson from the DP31 international shipping fiasco.

Apparently, according to the tracking data, the shipping option chosen by Rhino was UPS Worldwide Saver, which includes:
"Second business day delivery by end of day to Mexico and major metropolitan areas worldwide".

Well that isn't going to be cheap, and the prospects for avoiding further demands for absurd enormous additional freight charges (and refusals to release the package), just like were attempted by UPS with DP31, are looking decidedly not good. Especially as the current status is shown as delayed due to a "missing commercial invoice".

Hope I'm proved wrong, but I'm getting a bad feeling about this.

Anyone else in UK/Europe with tracking updates, or delivery news, that might suggest a reason for optimism?

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In My Life,,, tear jerker for sure, maybe what wows me the most is the difference between the age of the "singer" and the age the "writer" was at the time. Want a nice cover? I always loved Bette Midler's cover of this song on the "For the Boys" soundtrack. (oh yeah, huge shoutout for "Stuff Like That There" from the same soundtrack)

PMJ - How can you not like stuff like that! I'm not use to seeing a tap dancer locked into one place, most be hard. Most tappers seem to "travel" while tapping. (my opinion)

Muleskinner - you sly devil. You put up that "David Hoffman" link. I watched, first you know there is not political talk allowed here. Second I didn't know "Bernie" had a career before politics and went under the name David Hoffman! (…. So then, Earl says to me, Maybe it time we go to lunch and we went, but we did not eat with the top 1%! We ate at a local café and had local food!) (in my best Bernie voice)

Again this site sucking money out of me. Everyone mentions so many artist it's impossible to keep up.

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15 years 2 months
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Foghat

I’m staying positive. My item has been labelled for UPS but doesn’t appear to have shipped yet. It does say they are using UPS Worldwide Saver and that sounds expensive. The UPS website describes this as

‘UPS Worldwide Saver offers guaranteed afternoon delivery in 1-3 days for your international shipments. Export: Delivery by end of day. Next business day delivery to Canada and for documents to Mexico.’

Let’s hope for the best. If anyone from the distribution team reads these pages can they check the correct delivery method is being used before too many leave the warehouse.

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5 years 4 months

In reply to by Colin Gould

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Shipments to the UK seem to be releasing one by one, over a period of time. My order still shows as “processing, not shipped”. Needless to day, my various inquiry emails to Customer Service have gone unanswered...

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17 years 6 months
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Despite the optimistic mail that stated "Good news. Your order is on the way." when I check the UPS tracking, the only entry says "Label created. Order Processed: Ready for UPS" which was dated 11th. It does not indicate that it has shipped yet. Delivery to my address in the Netherlands is supposed to happen by the end of the day on the 14th. I will be extremely surprised to see a shit-brown van pull up outside my house tomorrow.

I cannot figure out why Rhino take a lot of care to get the music mastered to a high standard but then cut as many corners as possible and try to save as much money as possible on CD manufacturing (but that backfired on them), customer service and now warehousing. This really makes no sense to me.

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17 years 5 months

In reply to by simonrob

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Giants; really getting a lot of mileage out of this one. The 87 is nice and tight, of course the 89s are great, FALL 89 DAVE! , but the more I check out 91 the more I want to check out!
Ripping madness: been ripping up discs from dawn till doom.....my Xmas “miracle” just keeps getting better and better...of course went for the 73 and 74 stuff first, TASTY! Probably will shift into 69 position next, get me some dirty dead!
BLU-RAY Audio.......BRING IT! That would be beyond amazing! I’m sure they won’t because probably not enough demand, but you know “a girl can dream”
JA etc.....not as up on all that as I should be.....always sorta love/hate with them.....some stuff is awesome but some is kind of awkward, imho....Blows against the Empire is my go to favorite, Quah is an all time favorite. If I’m in the mood for that style it’s usaully Quah that gets played....Actually one time we saw Jorma he was sitting down like he was playing solo acoustic, but was using an electric with all kinds of peddles and pitch transposers, all kinds of weird shit. It was at this smallish Jazz club back in Buffalo called the Tralf. So we score the table right in front of him, like we were pouring him beers etc......great night! Speaking of cool tiny venues,
THE CHANCE: that place was so cool, saw the Radiators and ? Something else?, perhaps Little Feat? Can’t recall, remember the Rads show though, really fun night.
EUROPE: good luck to all our brothers and sisters across the pond! Hopefully all y’all won’t have all the hassles this time around. But if it helps, I’d say the general consensus is this ones gonna be worth it!! Can’t understand how the modern world with all the so called improvements seems to just completely fuck up even the most simple things. I guess that’s what happens when the only thing that’s seems to matter anymore is money? This darkness has got to give!
Ok, unfortunately these damn bookshelves aren’t going to build themselves, so back to work....

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In reply to by daverock

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The Jefferson Starship of BATE has no relation to the later band and the trademark/copyright issues.
This first starship was a PERRO project (planet earth rock and roll orchestra) ...the bay area musician's
concept... many of which are on that most classic of albums.
cheers

Yassss, a dear departed friend (Died years ago at 42, first friend to go is tuff, especially so young..), he was always turning me on to great stuff I probably otherwise might never heard of (kind of like hanging out here), anyway, he looooved the airplane. That’s where I got turned on to Blows. so I’m assuming he’d have broke out pointed little head, he certainly talked about that and chromium nun a lot.....so maybe I’ve heard, but I don’t remember....perhaps I should talk to Santa bout some space shipped out airplane tuna!
It’s mind blowing how you can spend so much of your life diggin’ tunes and still miss so much!

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17 years 5 months

In reply to by daverock

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....it's a Jack Casady fest!
Airplane are a definitely aquired taste. Some hit. Some miss. Hot Tuna usually hits the target more often than not. Jorma and Jack storming along.

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16 years 5 months

In reply to by daverock

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Among the very finest live albums out there! Jack Casady's bass playing is worth the price of admission. The 2004 remaster has several additional songs and would be the one to look for if you are new to this album and plan to make a purchase. I revisit this album frequently...

All the best...

Thanks guys.....hear that Santa?, I need some more space shipped airplane tuna!

Started listening to this again

Glad to listen on cd
I guess it was hot that day
Not a fan of the hot

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17 years 5 months

In reply to by stoltzfus

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....the best of the box. Apologies to Red Rocks. Sometimes the sweat brings out the best.

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15 years 8 months
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Bluray box number 3769 just arrived safely in the UK this morning within 3 days of being shipped by UPS Saver despite missing part of my address on the shipping label. As expected, I had to pay £26.88 in "Government Charges" (aka VAT/Sales/Import Tax at 20%) and £11.50 in "Brokerage Charges" (aka UPS ripoff fee).

Unclear why the new warehouse (run by Direct Shot Distributing in Franklin, IN) took over 3 weeks to ship but at least I didn't get a demand for £75 freight as happened with Dave Picks 31. Hopefully they'll get DaP32 right.

Listening for after work tonight sorted.

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7 years 10 months

In reply to by IanM

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This sound promising - got the normal email from the deadstore with the information "shipped" /"on it's way- finally... on saturday.
Estimated delivery october 14th - still waiting in Oslo, Norway...

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16 years 10 months
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Waiting for a shipped-mail since weeks. Helplessly waiting ... somebody else?

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9 years 7 months

In reply to by Vguy72

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Vguy-i always loved that first show too. I think that might be my favorite Estimated of all time.

I’ve been getting a ton of mileage out of this Giants box. It is really well done and sounds better than most. I’ve been playing the shows from this box, along with the shows from the 2 Spring 90 boxes on shuffle from my computer at work-has been such a joy (and a great way to make work more enjoyable)....

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17 years 6 months
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Well, my box set is supposedly on its way according to the UPS website. But wait, it arrives when?
In Transit
Rescheduled Delivery Date:
3/10/2020 by End of Day

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6 years 1 month
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Just got my CD/DVD (was ordered some time ago, but as a birthday gift - so only opened it this morning). Its awesome. Well worth the wait. Great packaging and great presentation. Great booklet. Great images. Great, everything. My only suggestion would be that folks who shelled out for the CDs ought to be given a digital download as well. As it is, in order to play this on my iphone, I need to go and rip it off the cds and make it digital on my computer. Not a huge hassle, but not fully seamless. To include the digital download for folks who have purchased the hard copy doesn't seem that difficult (and I know Dead.net has done that for other releases in the past). In any case, I was at each of these shows and reliving the 87 show right now (my poor office mates won't hear anything else today).

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10 years 4 months
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I'm putting it on right now, thanks for the tip. I've listened to that Estimated several times since the box came out, but I may not have been HEARING it, as they say.

One of my favorite things about this message board is finding out what other people think is top shelf. Heck I have a soundboard show from 8/30/69 on my phone titled "Vguy's Dark Star", as well as a warning in the notes field of the DaP 9 Dark Star that says "careful, gives Jim nightmares".

We'll see where a focussed listen to the 7/1/78 Estimated leads me. As far as Estimateds go I've long been a fan of DP 18 from early Feb '78, and I also think the 30 Trips and DaP 15 are pretty good. 78s are where Estimateds are at IMHO.

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13 years 5 months

In reply to by KeithFan2112

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7/1/78 is high on my list too.. but I can never nail down favorite versions. They seem to always be the last one I listened to or the next one I am going to listen too.

7/1 is such an unusual show and I think forcing them out of their fixed grid opened up other areas of creativity. The whole show is crackling with energy.

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06/17/91 Drums. Absolutely amazing. Those two knew how to fill a huge stadium with such strange sounds. I've always loved "drums" from the later Dead days, and this is a great one.

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7 years 7 months
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That falstaff/cream commercial is funny as hell.

Another good Estimated from 1978 is on the bonus disc of Rocking the Cradle, from 9/15/78. They aren't the best shows of the year, these from Egypt, but that Estimated, tucked away out of sight, is one of my favourite versions.

I also agree that 7/1/78 is the best show in the 78 box.

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14 years 10 months
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but to say it's better than 7/8/78...

nnnnnnnnnnnnnnnnnnnnnooooooooooooooooooooo.

through gritted teeth: I am NOT a robot.

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7 years 4 months
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Guess I need to revisit this one. I remember the 4th quarter being really good IIRC, but seemed like the show before that and up to that point had a fair amount of slop and flubs. I'll give it another spin though.

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10 years 10 months
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Easily my favorite of that box as well. That last sequence is simply fantastic! 7/8 I had a copy of for years, and it's a good show for sure, but in a hypothetical world where 7/1 circulated in the same batch of Bettys at the same time, I'd think people would rave about the day the Dead opened for Willie Nelson and blew Arrowhead Stadium away just as much as those Red Rocks debuts. It's not a perfect 2 hours, but not many shows are.

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17 years 5 months

In reply to by alvarhanso

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....i'm bored, so i felt like posting this question. Which song do you prefer. Man Smart, Women Smarter or Iko Iko. Or is it Aiko Aiko?

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Don't forget as late as deadbase VI they still had this show listed as two sets!! All we had were audiences of 7/1, 7/3, and 7/5!! We all had the boards of 7/7/78 and 7/8 and the song list of the second set is so strong especially Estimated through the 3 encores that night that ended with Werewolves!! I love this box set because no one had the first 3 shows on board tapes... One day i hope January or February 79 turns up if they were ever recorded!! House Boat tapes, Owsley soundboards... I really enjoy when we get these upgrades!!! Be good everyone have a good night... bob t

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14 years 10 months

In reply to by stoltzfus

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Mustve been interesting

Grateful Dead

Outlaw country stars

Hooooot

If it had been George Jones instead of Waylon Jennings, it would have been an even more fascinating juxtaposition

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17 years 6 months
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I love that July box , and 7/1/78 is really good. I got that box because of everyone's recommendations and 7/1 was widely regarded in those recommendations. I also think 7/7 is actually a better show than 7/8 at times. I guess I switch.

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13 years 1 month
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In the interest of reading what others are listening to I offer up a Last 5, both GD/non GD.

GD:
1. DP8 5/2/70 Binghamton, NY - Including the NRPS set. A college kid with $5.00 in his pocket couldn't go wrong with this show.

2. Archive: 10/19/71 - the debut of KG as well as 6 new and soon to be classic GD songs. KG sounds like he's been with the band for months. I don't think we'll see this released since it was a radio broadcast...the same reason DaP18 wasn't 7/18/76 and DaP22 wasn't 12/5/71.

3. PNW Vancouver 6/22/73 - 'Bird Song'...'nuff said.

4. Rocking The Cradle 9/16/78 - sans 'Sunrise' & 'OMSN' encore. The 2nd set stands out for me. Best of '78? Nah, but I like it.

5. Giants 6/17/91 - An 'Eyes' opener plus 'Might As Well' and 'New Speedway Boogie'..what's not to like?

Non GD:
1. Poi Dog Pondering - Volo Volo Thanks to Vguy72 for the reminder...I haven't listened to these folks in awhile.
2. Stereolab - Jenny Ondioline/Ping Pong/Wow And Flutter EPs/1 CD.
3. Blind Willie McTell - Atlanta 12 String
4. Richard Thompson - Sweet Warrior
5. Richard Thompson - The Cold Blue Film Soundtrack Thompson wrote the music with instrumentation consisting of a string quartet, 4 French horns, oboe, clarinet, double bass, guitar, harmonica and percussion. The movie/documentary might be of interest to film buffs since it documents the noted director William Wyler's experiences with crews flying B17 bombing missions during WWII. I haven't seen the film myself but can hear how the music would fit the subject matter.

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In reply to by stoltzfus

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There is an interesting point in history that just might collide with 7/1/78 Arrowhead Stadium.

It is well known that Willie is a staunch advocate for legal Marijuana. I read or saw an interview a long time ago where he described the point in time where he gave up (or drastically cut back) on alcohol and decided weed was safer and more productive vice.. He stated it was a reaction to an acid trip he had I think "at a festival" where someone convinced him to take a hit the day he had to play. The context of the interview seemed to be one of the fourth of July parties he had.

He went into detail describing it was difficult to play on acid and singing seemed strained like the way he wanted his voice to sound was not the way it came out. (Lord knows many of us have been there). He walked away from that adventure not doing acid or alcohol but weed seemed just fine. I think my memory is mostly true to the original story he told.

I always wondered if the festival where he dosed might have been his 7/1/78 4th of July Festival? I mean.. No, never mind. There's little to no chance the travelling GD carnival would have willfully dosed Willie Nelson... Never mind.. that's crazy talk :D

Edit: This isn't the original article I read, no mention to alcohol.. but close enough.
https://time.com/3843900/willie-nelsons-pot-lsd/

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