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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • RobbZ
    Joined:
    Ya Know....

    I dig me some 87 and 89......

    https://www.youtube.com/watch?v=orlJKiOBWqE

    https://www.youtube.com/watch?v=PKtrz_fvmoc

  • fourwindsblow
    Joined:
    Another box

    I do feel bad that some will have to wait till next year for new music I really wish there was another smaller box coming of another era I would buy it in a minute.

  • icecrmcnkd
    Joined:
    Yes, sell the video separately

    What’s the worst that could happen, you make more money?

    Or at least offer it with the CD.
    Kind of like Crimson, White, and Indigo; Sunshine Daydream; Egypt.

    Does that mean that a VHS would then come with the vinyl?

    I ordered the BluRay Box. Looking forward to it. A nice addition to the collection.

    It’s been a good Jerry Week so far. I didn’t make it to the movie but I did order this Box, received and have listened to DaP 31 twice, and JGB 11-11-93 was at my door when I got home and is about to go in the CD player.

    Do Rolling Stones fans bash former Stones members when the new live release isn’t the one they wanted?

    Do Allman Brother’s Band fans bash former ABB members when the new live release isn’t the one they wanted?

    I’m grateful for all releases.
    Keep them coming Dave/Rhino/TPTB.
    Just please, put a little more effort into quality control and logistics.

  • fourwindsblow
    Joined:
    ???

    "They're not the best at what they do. They're the only ones that do what they do."

  • icecrmcnkd
    Joined:
    Doc, ice cream

    Blue Moon

    Mmmmmmm........

    https://en.m.wikipedia.org/wiki/Blue_moon_(ice_cream)

  • Forensicdoceleven
    Joined:
    Old age isn't so bad when you consider the alternative..........

    63 12-1-73

    Just for the record: love the band, don't care for the era, I was there so it's not knee-jerk, uninformed choice. I choose not to attack or use personal insult. If somebody gets a box because I pass, good for them. Many don't care for the 90s, or 80s, 70s, or 60s. Me, I like the 50s.

    Besides, life's too short, had one stroke already, not planning on a second because I don't like the current release. If I did, I'd have 30 strokes already.

    This is why there's different flavors of ice cream. Some mysteriously prefer pistachio, while we all know that coffee chocolate chip peanut butter cup cookie dough is the best...…….

    Settle down easy,

    Doc

  • smyler
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    Joined:
    Box Set and Brent Bashing

    I’m delighted for those who’ve been asking for more 80s and 90s Dead, this box is for you guys. I might buy the single show but I won’t be buying the box. I’ve bought around 80% of the releases since One From The Vault came out 28 years ago and, on the basis of these purchases, formed the view that the quality of their performance deteriorated markedly during the latter years of the Dead’s existence. That isn’t to say there weren’t still great moments and great shows, but that, for me anyway, they became fewer and further between.

    I’m not particularly disappointed that this box isn’t for me; I have more than enough GD to keep me going, I’m pleased I won’t need to justify another GD box to my wife, I’m also pleased I don’t have to find another $150 (nearer $200 when U.K. delivery and import duties are taken into account) and then of course this release probably means we’ll be back to something a little more up my street next year. Right now I’m also slightly reluctant to spend any more money at dead.net until the DP31 European shipping fiasco is resolved and left behind.

    Despite not being a particular fan of the 80s and 90s, I really don’t get or like the Brent bashing. My lack of passion for this era has very very little to do with him. Indeed, I say his keyboard playing is one of the more positive aspects of late 80s GD. For me the problem stems from basic musicality; playing in tune and playing in time and together, the latter in particular becomes a more frequent problem for the GD as the years go on. The nadir for me is the Warlocks box which, whilst not without the occasional bright point, is at times cringingly embarrassing. So much that when hearing it for the first time I was half expecting someone to come on from the wings waving their arms and shouting “stop... stop.... STOP! Sorry guys, you’re just not getting it”. That said, I find much of Terrapin Limited, the second disc in particular, reciorded around 6 months later, nothing short of outstanding. I guess that’s the GD for you, particularly the GD in their latter years.

    Then there’s Garcia’s voice, which becomes more and more of a disappointment as the years go on. Others have said they don’t listen to the GD for the singing; I don’t either, but the dead wrote a many truly magnificent songs and it’s always a pleasure to hear these played and sung really well.

    There are other reasons to . . . those interminably tedious Dylan covers for instance . . . but aside from mediocre songwriting (something that wasn’t unique to Brent), these have very little to do with Brent.

    Each to their own. I wish all of you who purchase this box, particularly those who’ve been waiting for something this era, happy listening. I’ll enjoy looking forward to the next 1970s box and spending my $150 on something else 😎

  • muleskinner_blues
    Joined:
    Death is but a door, time is but a window, I'll be back

    34 here.

    First Dead related show..err 6/17/17 Dead & Co at Fenway. Loved it until someone passed out in front of us and some Karen screamed at us for not doing anything for him, as the medics arrived. She had her hand on his shoulder, really stepping up where we didn't. Thanks for your help. Go to hell.

    8 Dead & Co shows now, still a work in progress. More to come.

    Still learning in all eras, coming up on 5 years of starting a 'deeper dive' into the Dead, beyond the big albums, etc. I did pick up the May '77 boxset as well as 11/30/80 randomly in 2013, they were...bewildering compared to Skeletons in the Closet and Europe '72, Vol 1.

    Know very little post-Brent, what was in 30 Trips, etc. Looking forward to all three years in the new set. Used to only know Bruce Hornsby for the song he wrote for 2pac. (.....joke)

    Fired up Dave's 31 for the first time as well, first disc in the car today. Keith is the best acoustic pianist they had in my opinion, that was rock n' roll piano, but Brent's energy and the addition of the B3 is a needle mover. As Sean Connery said in You Only Live Twice:

    Bond: Why do Chinese girls taste different than other girls?
    Ling: You think we better
    Bond: No, just different. Like Peking duck is different from Russian caviar, but I love them both.
    Ling: Darling, I give you very best duck

    Ok that's a terrible out-dated and inappropriate example. Scratch that.

    Waiting for a Dylan Fall tour announcement, as well as the next Bootleg Series (potentially). Sounds like they are exploring '67-69 which will be interesting, though it's been partially covered already. Any John Wesley Harding outtakes would be very interesting. With both being on Columbia, I can see them doing the Dylan / Cash sessions from '69 officially as well. While historic given the two of them, they really are not that good, in my opinion.

    I did get some Dead exposure through Dylan before I knew them better. My first show was in 2006 during college, got in heavily in the year prior, but I heard the boots. When Jerry died, Dylan did dust off Friend of the Devil against in September '95, staying (randomly) in the repertoire through 2002 with a one off at Red Rocks in 2007. But the other tune he chose, starting in October 1995....obviously Alabama Getaway.

    I'd hear talk about this great songwriter Robert Hunter that Dylan teamed up with, the results being Silvio and The Ugliest Girl In The World. :/

    He also joined up with him on Together Through Life, an album I LOVE but maybe not the greatest songwriting testament for these two pillars of the western world. But I don't care, I love it. And despite some silly writing, the peaks are actually great songs.

    Here's one I was at, great show: https://www.youtube.com/watch?v=pYC6VKnPhks

    And a Getaway, before my time (not sure why they chose a '66 photo but sure): https://www.youtube.com/watch?v=HPpmF3154As

  • JimInMD
    Joined:
    My First Show and Age

    All this has become very tricky since I met Bolo and have subsequently had Witness Protection issues, multiple passports, etc...

    My current passport states I am 53, 4/19/82 was my first show. I found my self face to face with with two quite pleasant pieces of paper; nothing has been the same since but in a good way.

    Mama, mama many worlds I've come since I first left home.

    Hey guys and gals, please resist the temptation to call others out by name.. the back and forth is giving me whiplash, and to what end? There is no reason for it.. be general, be positive and push the conversation along. Is it my imagination or does this shit always seem to happen around election time? Perhaps we are all being played?

    Good movie, btw.. whiplash. See it.

  • daverock
    Joined:
    First show

    I loved the first show I saw, in March 1981, but to have seen them in 1972 would have been amazing. I was 15 then, and a shade too young to travel out of my hometown to go to London. Any case, I didn't know who The Dead were in 1972-I saw T. Rex and David Bowie in then-great, but a long way off.
    But those final shows of the tour, at the Lyceum-maybe they were the best ever played by the band on these shores? Great sounding venue, too, going off the sleeve notes for the cds. Bickershaw is a great show, and some of the other bands/artists performing were great-but I didn't much like big festivals-and that one doesn't look to rosy in the pictures.
    Spacebrother- good to read that you are in fine fettle and enjoying life. Don't let the naysayers grind you down. I must say I enjoy being 62 more than I did being 26. You never know what the future holds, but so far so good!

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6 years 6 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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17 years 5 months

In reply to by Vguy72

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....ended. Short but sweet, now Wait is up. Dammit. Now I need to listen to the whole record. No regrets.

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17 years 5 months

In reply to by Vguy72

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....now, this particular song is dark as fuck. 12 year old me just enjoyed the rhythm. 51 year old me says "Damn Beatles, y'all getting vengeful."
It's an evil song with an awesome beat.

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My favorite Jefferson Airplane varies from time to time, but Surrealistic Pillow and Crown of Creation seem to consistently occupy that position, both are good from start to finish. Really dig If You Feel on Crown of Creation, and some of the mellow stuff like My Best Friend or How Do You Feel from Surrealistic Pillow, absolutely can't go wrong with either album. Also, if you haven't already, check out Quah by Jorma, some really nice mellow songs on that album.

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17 years 5 months

In reply to by Charlie3

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....Burgers by Hot Tuna just might be better than any Airplane record. Might.
I prefer my Burger with pickles and American cheese.

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10 years 2 months
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My belle
These are words that go together well
my Michelle

Michelle, my belle
Sont des mots qui vont très bien ensemble
Très bien ensemble

How rude.

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Vguy, you are correct, sir, Burgers by Hot Tuna is a great album. The debut Hot Tuna album is awesome as well, just a cool sound to some of that stuff. I saw Hot Tuna at the Chance in Poughkeepsie, NY in the mid-80's and it was a fantastic show. The Chance is an old opera house, so acoustics in the balcony were excellent and it provided a cool view of the stage from above. Good times.

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9 years 2 months
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The JA album Bark is interesting because half of the album seems more like Hot Tuna - songs Wild Turkey, Feel So Good and Third Week in the Chelsea. The song Pretty As You Feel on that album is possibly my favorite single song by JA, and the rest of the album is not my favorite. But the good stuff still makes the album worthwhile, Feel So Good and Pretty As You Feel alone justify the album.

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10 years 2 months
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Not gonna lie...I always get a kick out of those old dance videos. Very impressive. Just like the music, I like the compilations that blend all the different styles.

A great one, to Uptown Funk https://www.youtube.com/watch?v=M1F0lBnsnkE

This one's been around so long, I think it was emitted when the big bang invented the internet: https://www.youtube.com/watch?v=ab9i0s4WEY0

And one you all may know.... https://www.youtube.com/watch?v=RHf6tiFkr2s

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7 years 9 months
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White Rabbit is just a monster of a song. Grace is bone chilling... and I mean that in the sense of, gives me the chills, not baked out across a couch. What's that other single? Somebody to Love. Meh... the early Jefferson Airplane records were like the rest of the San Francisco sound at the time, tinny and thin, horribly produced.

Shout out to Jorma and Jack for being the blues backbone of that band and carving out a subsequent career.

Led Zeppelin (one, the first album) radically improved sonics in the rock album industry. "Distance makes depth," Page would say, regarding miking John Bonham's drums. Of course Bonham wielded his drumsticks like the mighty hammer of Thor, which did make things easier, but still - the first Zep album blew everything else away sonically. The next best at the time would have been what George Martin did with the Beatles. The Stones got there, eventually.

Cream were horribly produced, and it's a damn shame. There's a Cream box called, "Those Were The Days." To my knowledge, it's most everything the band did including a beer commercial - that's right, have a peek:

https://www.youtube.com/watch?v=5Z9tXP5IsRg

Now that both Jack and Ginger have crossed over, it's too bad their groundbreaking work along with Slowhand wasn't produced by Jimmy Page - it's a bit thin.

Which connects this ramble to Jefferson Airplane. Moments of brilliance, disappointing sonics.

Jefferson Starship, however, sounds exponentially better:

Jane
Miracles
Find Your Way Back
Count On Me

(We Built This Shitty) will go unmentioned for obvious reasons.

\m/

Bathing at Baxters was always the stand out JA album for me, and still is.

I also still like the trio of albums that were credited to various people, but were seemingly orchestrated by Paul Kantner ... "Blows Against the Empire" "Sunfighter" and "Baron Von Tollbooth," the latter home to the original Mind Left Body track. All feature Jerry on guitar on some tracks, to great effect.
It should also be noted that although "Blows.." is credited to Jefferson Starship, it is light years ahead of the easy listening mid 70s Jefferson Starship. In my opinion.

The UPS tracking information for my Giants Stadium box set shipment certainly isn't instilling confidence that Rhino has learnt its lesson from the DP31 international shipping fiasco.

Apparently, according to the tracking data, the shipping option chosen by Rhino was UPS Worldwide Saver, which includes:
"Second business day delivery by end of day to Mexico and major metropolitan areas worldwide".

Well that isn't going to be cheap, and the prospects for avoiding further demands for absurd enormous additional freight charges (and refusals to release the package), just like were attempted by UPS with DP31, are looking decidedly not good. Especially as the current status is shown as delayed due to a "missing commercial invoice".

Hope I'm proved wrong, but I'm getting a bad feeling about this.

Anyone else in UK/Europe with tracking updates, or delivery news, that might suggest a reason for optimism?

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In My Life,,, tear jerker for sure, maybe what wows me the most is the difference between the age of the "singer" and the age the "writer" was at the time. Want a nice cover? I always loved Bette Midler's cover of this song on the "For the Boys" soundtrack. (oh yeah, huge shoutout for "Stuff Like That There" from the same soundtrack)

PMJ - How can you not like stuff like that! I'm not use to seeing a tap dancer locked into one place, most be hard. Most tappers seem to "travel" while tapping. (my opinion)

Muleskinner - you sly devil. You put up that "David Hoffman" link. I watched, first you know there is not political talk allowed here. Second I didn't know "Bernie" had a career before politics and went under the name David Hoffman! (…. So then, Earl says to me, Maybe it time we go to lunch and we went, but we did not eat with the top 1%! We ate at a local café and had local food!) (in my best Bernie voice)

Again this site sucking money out of me. Everyone mentions so many artist it's impossible to keep up.

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15 years 2 months
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Foghat

I’m staying positive. My item has been labelled for UPS but doesn’t appear to have shipped yet. It does say they are using UPS Worldwide Saver and that sounds expensive. The UPS website describes this as

‘UPS Worldwide Saver offers guaranteed afternoon delivery in 1-3 days for your international shipments. Export: Delivery by end of day. Next business day delivery to Canada and for documents to Mexico.’

Let’s hope for the best. If anyone from the distribution team reads these pages can they check the correct delivery method is being used before too many leave the warehouse.

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5 years 3 months

In reply to by Colin Gould

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Shipments to the UK seem to be releasing one by one, over a period of time. My order still shows as “processing, not shipped”. Needless to day, my various inquiry emails to Customer Service have gone unanswered...

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17 years 5 months
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Despite the optimistic mail that stated "Good news. Your order is on the way." when I check the UPS tracking, the only entry says "Label created. Order Processed: Ready for UPS" which was dated 11th. It does not indicate that it has shipped yet. Delivery to my address in the Netherlands is supposed to happen by the end of the day on the 14th. I will be extremely surprised to see a shit-brown van pull up outside my house tomorrow.

I cannot figure out why Rhino take a lot of care to get the music mastered to a high standard but then cut as many corners as possible and try to save as much money as possible on CD manufacturing (but that backfired on them), customer service and now warehousing. This really makes no sense to me.

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17 years 5 months

In reply to by simonrob

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Giants; really getting a lot of mileage out of this one. The 87 is nice and tight, of course the 89s are great, FALL 89 DAVE! , but the more I check out 91 the more I want to check out!
Ripping madness: been ripping up discs from dawn till doom.....my Xmas “miracle” just keeps getting better and better...of course went for the 73 and 74 stuff first, TASTY! Probably will shift into 69 position next, get me some dirty dead!
BLU-RAY Audio.......BRING IT! That would be beyond amazing! I’m sure they won’t because probably not enough demand, but you know “a girl can dream”
JA etc.....not as up on all that as I should be.....always sorta love/hate with them.....some stuff is awesome but some is kind of awkward, imho....Blows against the Empire is my go to favorite, Quah is an all time favorite. If I’m in the mood for that style it’s usaully Quah that gets played....Actually one time we saw Jorma he was sitting down like he was playing solo acoustic, but was using an electric with all kinds of peddles and pitch transposers, all kinds of weird shit. It was at this smallish Jazz club back in Buffalo called the Tralf. So we score the table right in front of him, like we were pouring him beers etc......great night! Speaking of cool tiny venues,
THE CHANCE: that place was so cool, saw the Radiators and ? Something else?, perhaps Little Feat? Can’t recall, remember the Rads show though, really fun night.
EUROPE: good luck to all our brothers and sisters across the pond! Hopefully all y’all won’t have all the hassles this time around. But if it helps, I’d say the general consensus is this ones gonna be worth it!! Can’t understand how the modern world with all the so called improvements seems to just completely fuck up even the most simple things. I guess that’s what happens when the only thing that’s seems to matter anymore is money? This darkness has got to give!
Ok, unfortunately these damn bookshelves aren’t going to build themselves, so back to work....

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In reply to by daverock

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The Jefferson Starship of BATE has no relation to the later band and the trademark/copyright issues.
This first starship was a PERRO project (planet earth rock and roll orchestra) ...the bay area musician's
concept... many of which are on that most classic of albums.
cheers

Yassss, a dear departed friend (Died years ago at 42, first friend to go is tuff, especially so young..), he was always turning me on to great stuff I probably otherwise might never heard of (kind of like hanging out here), anyway, he looooved the airplane. That’s where I got turned on to Blows. so I’m assuming he’d have broke out pointed little head, he certainly talked about that and chromium nun a lot.....so maybe I’ve heard, but I don’t remember....perhaps I should talk to Santa bout some space shipped out airplane tuna!
It’s mind blowing how you can spend so much of your life diggin’ tunes and still miss so much!

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17 years 5 months

In reply to by daverock

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....it's a Jack Casady fest!
Airplane are a definitely aquired taste. Some hit. Some miss. Hot Tuna usually hits the target more often than not. Jorma and Jack storming along.

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16 years 4 months

In reply to by daverock

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Among the very finest live albums out there! Jack Casady's bass playing is worth the price of admission. The 2004 remaster has several additional songs and would be the one to look for if you are new to this album and plan to make a purchase. I revisit this album frequently...

All the best...

Thanks guys.....hear that Santa?, I need some more space shipped airplane tuna!

Started listening to this again

Glad to listen on cd
I guess it was hot that day
Not a fan of the hot

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17 years 5 months

In reply to by stoltzfus

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....the best of the box. Apologies to Red Rocks. Sometimes the sweat brings out the best.

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15 years 8 months
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Bluray box number 3769 just arrived safely in the UK this morning within 3 days of being shipped by UPS Saver despite missing part of my address on the shipping label. As expected, I had to pay £26.88 in "Government Charges" (aka VAT/Sales/Import Tax at 20%) and £11.50 in "Brokerage Charges" (aka UPS ripoff fee).

Unclear why the new warehouse (run by Direct Shot Distributing in Franklin, IN) took over 3 weeks to ship but at least I didn't get a demand for £75 freight as happened with Dave Picks 31. Hopefully they'll get DaP32 right.

Listening for after work tonight sorted.

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7 years 10 months

In reply to by IanM

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This sound promising - got the normal email from the deadstore with the information "shipped" /"on it's way- finally... on saturday.
Estimated delivery october 14th - still waiting in Oslo, Norway...

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16 years 9 months
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Waiting for a shipped-mail since weeks. Helplessly waiting ... somebody else?

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9 years 7 months

In reply to by Vguy72

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Vguy-i always loved that first show too. I think that might be my favorite Estimated of all time.

I’ve been getting a ton of mileage out of this Giants box. It is really well done and sounds better than most. I’ve been playing the shows from this box, along with the shows from the 2 Spring 90 boxes on shuffle from my computer at work-has been such a joy (and a great way to make work more enjoyable)....

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17 years 5 months
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Well, my box set is supposedly on its way according to the UPS website. But wait, it arrives when?
In Transit
Rescheduled Delivery Date:
3/10/2020 by End of Day

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6 years
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Just got my CD/DVD (was ordered some time ago, but as a birthday gift - so only opened it this morning). Its awesome. Well worth the wait. Great packaging and great presentation. Great booklet. Great images. Great, everything. My only suggestion would be that folks who shelled out for the CDs ought to be given a digital download as well. As it is, in order to play this on my iphone, I need to go and rip it off the cds and make it digital on my computer. Not a huge hassle, but not fully seamless. To include the digital download for folks who have purchased the hard copy doesn't seem that difficult (and I know Dead.net has done that for other releases in the past). In any case, I was at each of these shows and reliving the 87 show right now (my poor office mates won't hear anything else today).

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10 years 3 months
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I'm putting it on right now, thanks for the tip. I've listened to that Estimated several times since the box came out, but I may not have been HEARING it, as they say.

One of my favorite things about this message board is finding out what other people think is top shelf. Heck I have a soundboard show from 8/30/69 on my phone titled "Vguy's Dark Star", as well as a warning in the notes field of the DaP 9 Dark Star that says "careful, gives Jim nightmares".

We'll see where a focussed listen to the 7/1/78 Estimated leads me. As far as Estimateds go I've long been a fan of DP 18 from early Feb '78, and I also think the 30 Trips and DaP 15 are pretty good. 78s are where Estimateds are at IMHO.

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13 years 5 months

In reply to by KeithFan2112

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7/1/78 is high on my list too.. but I can never nail down favorite versions. They seem to always be the last one I listened to or the next one I am going to listen too.

7/1 is such an unusual show and I think forcing them out of their fixed grid opened up other areas of creativity. The whole show is crackling with energy.

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17 years 4 months
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06/17/91 Drums. Absolutely amazing. Those two knew how to fill a huge stadium with such strange sounds. I've always loved "drums" from the later Dead days, and this is a great one.

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7 years 7 months
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That falstaff/cream commercial is funny as hell.

Another good Estimated from 1978 is on the bonus disc of Rocking the Cradle, from 9/15/78. They aren't the best shows of the year, these from Egypt, but that Estimated, tucked away out of sight, is one of my favourite versions.

I also agree that 7/1/78 is the best show in the 78 box.

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14 years 10 months
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but to say it's better than 7/8/78...

nnnnnnnnnnnnnnnnnnnnnooooooooooooooooooooo.

through gritted teeth: I am NOT a robot.

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7 years 4 months
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Guess I need to revisit this one. I remember the 4th quarter being really good IIRC, but seemed like the show before that and up to that point had a fair amount of slop and flubs. I'll give it another spin though.

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10 years 10 months
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Easily my favorite of that box as well. That last sequence is simply fantastic! 7/8 I had a copy of for years, and it's a good show for sure, but in a hypothetical world where 7/1 circulated in the same batch of Bettys at the same time, I'd think people would rave about the day the Dead opened for Willie Nelson and blew Arrowhead Stadium away just as much as those Red Rocks debuts. It's not a perfect 2 hours, but not many shows are.

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17 years 5 months

In reply to by alvarhanso

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....i'm bored, so i felt like posting this question. Which song do you prefer. Man Smart, Women Smarter or Iko Iko. Or is it Aiko Aiko?

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Don't forget as late as deadbase VI they still had this show listed as two sets!! All we had were audiences of 7/1, 7/3, and 7/5!! We all had the boards of 7/7/78 and 7/8 and the song list of the second set is so strong especially Estimated through the 3 encores that night that ended with Werewolves!! I love this box set because no one had the first 3 shows on board tapes... One day i hope January or February 79 turns up if they were ever recorded!! House Boat tapes, Owsley soundboards... I really enjoy when we get these upgrades!!! Be good everyone have a good night... bob t

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14 years 10 months

In reply to by stoltzfus

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Mustve been interesting

Grateful Dead

Outlaw country stars

Hooooot

If it had been George Jones instead of Waylon Jennings, it would have been an even more fascinating juxtaposition

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17 years 5 months
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I love that July box , and 7/1/78 is really good. I got that box because of everyone's recommendations and 7/1 was widely regarded in those recommendations. I also think 7/7 is actually a better show than 7/8 at times. I guess I switch.

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13 years
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In the interest of reading what others are listening to I offer up a Last 5, both GD/non GD.

GD:
1. DP8 5/2/70 Binghamton, NY - Including the NRPS set. A college kid with $5.00 in his pocket couldn't go wrong with this show.

2. Archive: 10/19/71 - the debut of KG as well as 6 new and soon to be classic GD songs. KG sounds like he's been with the band for months. I don't think we'll see this released since it was a radio broadcast...the same reason DaP18 wasn't 7/18/76 and DaP22 wasn't 12/5/71.

3. PNW Vancouver 6/22/73 - 'Bird Song'...'nuff said.

4. Rocking The Cradle 9/16/78 - sans 'Sunrise' & 'OMSN' encore. The 2nd set stands out for me. Best of '78? Nah, but I like it.

5. Giants 6/17/91 - An 'Eyes' opener plus 'Might As Well' and 'New Speedway Boogie'..what's not to like?

Non GD:
1. Poi Dog Pondering - Volo Volo Thanks to Vguy72 for the reminder...I haven't listened to these folks in awhile.
2. Stereolab - Jenny Ondioline/Ping Pong/Wow And Flutter EPs/1 CD.
3. Blind Willie McTell - Atlanta 12 String
4. Richard Thompson - Sweet Warrior
5. Richard Thompson - The Cold Blue Film Soundtrack Thompson wrote the music with instrumentation consisting of a string quartet, 4 French horns, oboe, clarinet, double bass, guitar, harmonica and percussion. The movie/documentary might be of interest to film buffs since it documents the noted director William Wyler's experiences with crews flying B17 bombing missions during WWII. I haven't seen the film myself but can hear how the music would fit the subject matter.

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There is an interesting point in history that just might collide with 7/1/78 Arrowhead Stadium.

It is well known that Willie is a staunch advocate for legal Marijuana. I read or saw an interview a long time ago where he described the point in time where he gave up (or drastically cut back) on alcohol and decided weed was safer and more productive vice.. He stated it was a reaction to an acid trip he had I think "at a festival" where someone convinced him to take a hit the day he had to play. The context of the interview seemed to be one of the fourth of July parties he had.

He went into detail describing it was difficult to play on acid and singing seemed strained like the way he wanted his voice to sound was not the way it came out. (Lord knows many of us have been there). He walked away from that adventure not doing acid or alcohol but weed seemed just fine. I think my memory is mostly true to the original story he told.

I always wondered if the festival where he dosed might have been his 7/1/78 4th of July Festival? I mean.. No, never mind. There's little to no chance the travelling GD carnival would have willfully dosed Willie Nelson... Never mind.. that's crazy talk :D

Edit: This isn't the original article I read, no mention to alcohol.. but close enough.
https://time.com/3843900/willie-nelsons-pot-lsd/

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