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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • Vguy72
    Joined:
    Unfortunately.....

    ....there have been no official shows released that I attended. And the count is 50+. Oh well. One day. Attended every Vegas show. One day.
    Got a couple of Phish show's though.

  • bob t
    Joined:
    Today Sirius noon show was 6/16/85.... Greek Theatre

    Had this show since summer of 86. Got in the car when Samson was starting... Listening to right now, Love the Scarlet>Fire!!!!

  • Mr. Ones
    Joined:
    Shows Seen, Shows Liked

    I only saw the Dead between 1980-1988. I would love it if they released one of those shows one day, but I don't lie awake at night thinking about it.
    I started listening to the Dead in 1974, and as a result (I think), I only really liked live stuff from '68-'73. I started out only buying Dick's Picks from this era. Road Trips also. And boxed sets too.
    However, when 30 trips came out, I only really wanted the first 10 shows from the box. I started ebaying them right on the day they were released. After acquiring the first 10 shows, I then picked up the '76 & '77 shows. Then I found the box (minus cds) for just about $100.00. Then I just kept looking at set lists, and wanting to try another and another. The 1984 show was the biggest surprise to me, a fantastic show. Eventually there were 5 shows I would NEVER buy. Funny thing but I now have all 30 shows!!
    I payed WAY more a la carte than I would have the box, but don't think I could have kept both the box and the bill a secret. Also, by getting shows a little at a time, I had much more time to enjoy each one.
    I learned that there were shows from ALL eras that I could enjoy, even though '66-'74 still get the most replays. I am only missing 4 boxes ('78, both '90's sets, and the 5 show '77 box). The only one I regret missing was the 5 show '77 box. I am only going to pick up the stand alone release from this new set, but that's enough to satisfy me.
    It's ok to pass on certain releases (obviously), but we don't have to call people who DO buy them stupid (or something worse).
    I truly enjoy having the option to listen to any version of the band, and I think it's cool that I have at least one show from every year.
    I very much enjoy these (almost philosophical) discussions on eras, what we like, and why we like it. Keep it coming!!

  • mcgrupp216
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    Joined:
    Chapell Hill ‘93

    Love those shows, Alvarhanso. Love a lot of those Sp93 shows, for that matter. That Rosemont run is honestly among my favorite shows in the entire catalogue. ‘93 easily the most underrated year. Actually listening to 3/17 right now, really good, too!

  • CaseyJanes
    Joined:
    A warning for friends...take heed!

    Beware of the Wolf
    Appearing quite Dire
    He collects his dues
    While we sing
    Round the fire
    Wearing sheep’s clothing
    Got two eyes don’t see
    I was bitten this week
    Not one time but three

    You internet art peddler
    Please don’t murder me
    And don’t steal from me either
    I trusted you see
    But you dealt that deal anyways
    Shame on you
    Now shame on me

  • alvarhanso
    Joined:
    Era preferences

    I'm one of the younger post-Jerry busriders, so don't really have too much homer investment, as I didn't attend any shows, though it could be homerism that makes me want a Greensboro box set. They played the Coliseum 7 times I think from 1980-91, and some good shows. Like this Giants box set, Greensboro had a great Dark Star with Bruce in the mix for April Fool's Day no less. I also wouldn't mind at all if 3/24/93 Dean Smith Center in Chapel Hill were to be released as a Dave's with filler from the next night. Or even if 4/12/78 at Cameron Indoor at Duke were part of the returned Bettys. I've seen the black and white video of that one quite a bit, and that's a high energy show. But I'm more about great sounding shows that have really top notch jamming. I agree the batting average is very good, certainly higher than Ty Cobb's .367, and the only deviants from the norm are somebody else's holy grail, so it balances out. There are a LOT of Dick's Picks and Download Series shows I don't listen to, so an occasional bump isn't bad at all. Just one less thing in an ever expanding rotation of great music. In the Download Series I even found that there are 1972 shows I don't like. That Seattle one from 7/21 just isn't my cup of meat.

    I'm going to get this box, and I imagine I'll enjoy it quite thoroughly. Though how many times I'll listen to it is hard to say. I'm not even diving into the PNW Box as much as I thought I would. Everybody and his brother had 5/19/74 as a top, top show, and it has its moments, but it doesn't blow me away as much as 5/17 or 6/22/73. But I also don't really have the time to re-check that analysis. They've released so much excellent stuff that I've ignored most of Europe '72 Complete in the last 5 years or so. I wish we all had Dick Latvala's schedule for listening to Dead at exceedingly high volumes, but alas.

  • icecrmcnkd
    Joined:
    Last few listens

    Living room:
    12-3-79 (3 times since receiving)
    12-9-81
    8-7-82
    7-31-82 set2 (playing now)

    Boise 83 up next.
    Thought that I’d listen to some of the most maligned releases.
    I listen to all eras and can accept if 1 out of 4 DaP’s is from a cassette master.

    It’s possible for me to listen to these shows in the living room this week because I balanced it with the several hours I spent listening in the car this week.
    2-13-70
    2-14-70
    5-2-70

    Hmmmmm.....how about a Plangentized “Fillmore February 1970 - East Meets West” Box? Opens up like a briefcase with Fillmore West on the the left and Fillmore East on the right.
    I’ll buy it.

    I listen to 1965-95 and buy all the complete, or nearly complete, show releases. I didn’t subscribe to RT at first because I didn’t want partial shows or compilations, but did buy the complete shows and eventually everything except 79 compilation and Cal Expo. I missed out on a few bonus discs for not subscribing.
    Missed out on FW 69, I think it sold out before I saw the email. Didn’t have internet in my apartment at that time. I did get copies and now have 27 and 28 on vinyl (which have been Plangentized).
    Missed out on the 72 steamer trunk because I hesitated (had bought a house a year earlier and was putting money into the house) and it was gone. I then paid the same amount for the AME. Learned a lesson there.

    The only released show that I was at is 7-17-89 (and it’s missing the end of the first set).
    I don’t need the shows I was at to be released, except for Tinley Park 90 (Brent’s last) on audio/video, since I already have copies of many of the shows. What’s missing are SBD copies of 6-27,28-95. Only AUD copies exist, don’t know why the SBDs aren’t in circulation, it’s not like these shows will ever see commercial release.

    Glad to be getting the Giants Box.
    Keep the releases coming and Plangentize all the good sounding reels.
    Also, are there 90’s DAT or PCM masters that are worthy of release? I would like to hear what one of those sounds like after getting Normanized.

  • Oroborous
    Joined:
    William Tell has aimed his bow...

    Hhhmmmm? Interesting stuff gentlemen?
    If the recent wave of opinions here are any indication of just how diverse, and unfortunately divisive, this group is, Im not sure you could easily categorize so neatly? I think you could probably find a statistcal significance in a few groups with some similar traits i.e.,
    Early years show goers who prefer to listen to early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Later year show goers who prefer early years
    “ “ “ “ who listen to all years
    “ “ “ “ who prefer later years
    Etc, etc....

    But I guess Daverock’s question was how much influence being at a released show is?
    I would assume that most would at least be interested in a RELEASED show if they were at it....that doesn’t mean that all would by it. Maybe they didn’t like the show, or had a bad experience? Or obviously some just don’t like to listen to certain eras. Some perhaps only have so much listening time so tend to stick with thier favorites.
    Also, as we’ve discussed here before how suspect our memories are and how much the experience can sometimes skew our view so much that we’re surprised years later when we finally hear a recording of said show, for good, or for ill.
    Personally, for a long time, I had gotten to the place many are at where I felt “I have enough Dead, I’ll never listen to it all” etc, which of course I’m having to live with now as I missed out on much, and have spent great sums trying to make up for it. Fortunately, their are some extremely kind folks here who have helped with that!!! But...
    My criteria then was;
    1) was I at the show? (I still would like to have some kind of copy of every show I was fortunate to be at, but I sure as hell don’t expect most to be “released”)
    2) and/or if it was “a must have” particularly if it was from one of my favorite years, and that was it, otherwise I would not buy it. IDIOT!
    I passed on E72 partly because of cost at the time, but I know if it was something that I was at or really wanted I would have found a way. But being the dipshit that I am, I was like “the song lists are all the same”.......”I already have Europe 72” IDIOT!! Obviously I hadn’t really caught the Dark Star bug yet and become a full blown junkie! Which is ironic because DS has always been a favorite? I guess just not “the” favorite yet....
    Now, I feel like any show is worth at least considering and feel like if it’s an official release than tptb must of thought it worthy enough to produce it. Obviously that hasn't always played out, but I think most would agree that their batting average is pretty good, and official releases usually have enough of the boxes checked to be worthy of release, even if perhaps the contemplator won’t buy it or it’s not in their preference zone.
    For me that’s often the 77-78 years. I’ll listen to some, but not often, and there has been so much released, that I won’t usually be up to buy more. But I’ll totally agree and understand why those shows are released and would not begrudge another that is into those years etc. Luckily, my cousin usually does so I can get a copy purely for collection purposes, and given the chance, I’ll listen to ANY dead show at least once!
    But for me the fact is If it’s a show I was at it there is definitely I high probability I’ll get it.
    I also think it’s nice when they have multiple options, like being able to just get the main 91 show from this box. I’m sure many folks would like the meat and potatoes without having to buy the whole farm. I haven’t been in that situation yet, but I would think that will happen some time?
    Anyway, interesting thought? I’d be cool to hear others thoughts?

  • boblopes
    Joined:
    LMG - thoughts and prayers to you - may the power of music help

    LMG - thoughts and prayers to you - may the power of music help you thru it. Sending positive vibes your way.

    I'm psyched they're releasing the only two 48 track shows recorded. I think if they grouped it with the other shows on the same tour, the difference in sound quality would be noticeable. Just like the two 1990 boxes sound different. By including shows from other dates with other lineups it won't be as apparent.

    Any word what the Black Friday Vinyl release is as of yet?

  • stoltzfus
    Joined:
    Aagh! LMG!

    I am sooo sorry to hear that.

    I obviously don't know you personally, but we have the grateful connection.

    This summer has been a big reminder of mortality on many levels, personal, national, professional, and virtual.

    Stay strong, my brother. We care. Listen to the music play, and we will, too.

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Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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I LOVE this box and I do think 7/1 may be my fave. I love the size of the box and I think the art work is THE best of all of the boxes. Just true Dead.

I am just finishing up the 2nd '77 box in the car and will then start the '78 box once again. In the house it has been nothing but the Giants box since it arrived. I have listened to the whole thing, in order 4-5 times. A truly outstanding box. I think the '89 shows may be my faves. If you have not yet pulled the trigger, and you love the Dead, you have got to jump on this while there are still some available.

Rock on

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In reply to by IanM

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IANM

Just checked UPS tracking and I needed to pay £37.74 plus £11.50. It makes you wonder how they assess the charges? At least it is now paid for so I should see it tomorrow. It should be a good day.

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Iko

even though the first time I heard MSWS 7/18/82 and on the subsequent tape of that show, I really liked it.

both are essentially two chords and a whole lotta choruses

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In reply to by Colin Gould

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One of my two box set orders came today for which no charges. The other is due tomorrow (according to an email but 3/10/2020 on the website!) for which I paid a little over £44. Go figure.

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Some say Iko Iko but I say no. Women are Smarter run the Iko like a puppet show.

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In reply to by frankparry

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Frank/Colin,

My guess is that the correct charge should be 20% of the purchase price in VAT (sales tax) plus the UPS ripoff of £11.50. The (opened) commercial invoice attached to my copy was USD159.98 for the Bluray box which should make the VAT chargable at just under USD32.00 (£25.13 at today's exchange rate). So total charge should be in the order of £36 to £37. Slightly less for the DVD box.

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In reply to by IanM

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Depends on the situation......played Women Are all the time, so Iko seemed like more of a treat, but I think I’ve seen/heard them rip it up more on Women are than Iko. Generally speaking, Iko seemed like more a novelty whereas Women Are they could really blast off i.,e 7/4/89, watch the fat man dance not just rock. He and Brentski seemed to really get into the song during this era.....downside they played it a lot, perhaps too much?

EDIt: slow dog, That’s Right!
Dennis, nice video, gotta dig little Mickey, er a little Ricky on the skins!

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The box arrived today in Switzerland and I had to pay 35,55 Swiss Francs to UPS in charges.
But it doesn't matter how much I paid: I'm just happy, finally "in the shadow of giants"!

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In reply to by SpaceBetween

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I believe there is a show, can’t remember the date, with guests, I think members of the Neville Brothers, where the two songs were played back to back.

Glad to hear that boxes are showing up in Europe. Not sure that a VAT can be applied. What value was added by shipping it across the pond?

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It may be called Value Added Tax but in this situation it is effectively just a sales tax. We pay no sales tax in America on items ordered from there but are obliged to pay it when the goods are imported to Europe.

Goverments have agonized endlessly over downloads. They are unable to find a way to tax them simply because they are unable to know about them.

Apparently my box has just landed in Germany and should be delivered tomorrow.

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In reply to by IanM

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IANM

They can also charge 20% on the freight charge so that might explain why I had to pay more if the value on the package was shown differently. It’s all swings and roundabouts, sometimes you pay nothing and sometimes you do. At least we should all get the boxset soon.

Dave's Picks. As we look forward to 32, I was thinking where Dave would go for #33. Based on past experience the first picks of the year have been 77 (1, 25 and 29) 74 (9, 13) and 73 (5 and 21).
We know it won't be back to back 73 releases, so I have my money on another 77 release. Maybe late September or October? Unless Dave decides to buck the trend, how about a solid 87? So unlikely, but I would love it.

Right you are, Cone Kid. I was at this one... Ticket to New Years, but most of the third set was not included on the DVD.

12/31/87
Oakland Coliseum Arena - Oakland, CA

Set 1:
Bertha
Promised Land
Cold Rain And Snow
Little Red Rooster
When Push Comes To Shove
When I Paint My Masterpiece
Bird Song
The Music Never Stopped

Set 2:
Hell In A Bucket
Uncle John's Band
Terrapin Station
Drums
The Other One
Wharf Rat
Throwin' Stones
Not Fade Away

Encore (third set):
Man Smart-Woman Smarter
Iko Iko
Banana Boat Song
Knockin' On Heaven's Door

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In reply to by DeadVikes

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Here’s a Breakdown of Dave’s Picks (not including 31 or 32)
Year: Total # of Releases/ How Many Releases since../Release.#
69: 2 / 21 / #10
80: 1 / 23 / #8
74: 4 / 14 / #17
81: 1 / 11 / #20
73: 3 / 10 / #21
78: 3 / 8 / #23
72: 3 / 7 / #24
71: 3 / 5 / #26
83: 1 / 4 / #27
76: 3 / 3 / #28
77: 4 / 2 / #29
70: 2 / 1 / #30

- 80 has only had only 1 release, 25 releases ago (including 31&32), so how about Gainesville? But probably not a 1st cycle choice...
- 69 has had 2, but not for 23 releases (including 31&32), Totally due!
- 74 has had 4, but not in 16 releases, how bout 7/25/74! DUE!
- 81 is due, but it won’t be the first cycle...
- 73 were getting next
- that pretty much leaves 72 or 78, the rest have been covered during the last couple years...
78 meh, plenty of 72 to break out! Perhaps some fall 72. What ever it is hopefully it will have a Dark Star.

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As always when this conversation comes up, and someone such as Oroborus kindly assembles a list, I am struck by the fact that there have been 0 releases from 68. Maybe the tapes aren't of good enough quality? However, based on previous series (Road Trips, Dicks,) there seem to be some out there. Perhaps all of the good ones have been mined? Dunno. I for one would like to see a release that features two of the shorter 68 shows... Primordial Dead emerging from the ooze...

Also, I've been really enjoying October 84 shows this month, including today's (10/15). I know there are issues with the recordings being on analog, etc. and I doubt it would be a first run of 2020, but 84 certainly has some killer stuff, and nary a Dave's to show for it!

And as always, what about Gainesville?!? We need a Shakedown in this series!

Peace

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Avalon Ballroom - San Francisco, CA

Disc 1

Set 1: 4-5-69

Dupree's Diamond Blues
Mountains Of The Moon
Dark Star
St. Stephen
Turn On Your Love Light

Set 1: 4-6-69

Good Morning Little School Girl
Beat It On Down The Line
It's All Over Now Baby Blue
I'm A King Bee

Disc 2

Set 2: 4-5-69

Hard To Handle
Cosmic Charlie
China Cat Sunflower
Doin' That Rag
Cryptical Envelopment
The Other One
Cryptical Envelopment
The Eleven
It's A Sin
Alligator
Feedback
And We Bid You Goodnight

Disc 3

Set 2: 4-6-69

Cryptical Envelopment
Drums
The Other One
Cryptical Envelopment
Death Don't Have No Mercy
Turn On Your Love Light

Encore:
Viola Lee Blues
What's Become of The Baby
And We Bid You Goodnight

Two complete shows from 1969.

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In reply to by Thats_Otis

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Some 69 too.

#33 FourWinds 69 selection
#34 68, 2 shows across 4 discs
#35 7-15-84
#36 Fall 72

I’m ready to subscribe!

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Certainly nothing wrong with this version. This is the year they stretched out the early solo that starts around 3:30. In 1977 the solo lasted about 20 seconds; by Dick's Picks 18 it was almost 2 minutes in duration (Feb 3rd I believe). There is an intensity to the Garcia solo on DP 18 that builds to a fantastic crescendo......and then back into the reggae arrangement; and you can hear the crowd erupt in appreciaton of the rocket ride Jerry just took them on. I don't quiiiite get that out of 7/1, but I'll take just about any '78 Prophet over '77 in a steel cage match.

Iko Iko. I went to JFK on July 7th 1989 with no knowledge of the Grateful Dead except for Touch of Grey, Hell in a Bucket, and Throwing Stones. They opened with Hell in a Bucket - bit of a rocker. Seemed like any other concert as far as the crowd demeanor went. I wouldn't have known there was anything unique about the audience or the band except for the tye dyed apparrel, which I was kind of expecting. And the weed.

After Hell in a Bucket they booted up Iko Iko, and it was as though I'd walked through the wardrobe door into Narnia. The essence of 100,000 Dead Heads came to life across the stadium like a good vibe wave. I saw spinners, smokers, shakers, swayers - hands in the air like they just don't care - all in sync with this contagiously catchy rhythm and melody. And the band was.....what the f**k were they doing up there......yeah, no doubt about it, they were smiling. Having fun. Well shit I thought: if I could get old the way these guys were doing it, don't you know it's gonna be - alright.

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In reply to by Angry Jack Straw

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....love the gift that arrived in my mailbox even more by a kind soul here, but I digress.
Spinning 2.27.69 for the first time.
....is it Iko or Aiko? Don't ask me. My tapes are pretty much 60/40 Aiko.

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Love the '78 box, with 7/3 and 7/7 being my favorites of the bunch. Something about 7/7 though just puts it above the rest for me.

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Has anyone else in the UK been sent an imports fees invoice by UPS?

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In reply to by BillN

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BILLN

Yes. I was charged UKP37.37.

Unfortunately, there is no way to avoid this as importation rules in the United Kingdom state that Value Added Tax (VAT, aka Sales Tax) and Customs Duty must be charged on the total cost (including shipping charges) of all goods arriving from outwith the European Union that have a value of more than UKP15.00. For CD's/DVD's, VAT in the UK is currently set at 20% but there is presently no Customs Duty.

My Giants box was sent with a declared total invoice cost of USD159.98 with no shipping cost meaning it attracted a 20% VAT charge of USD31.996 (around UKP25.11 at today's exchenge rate).

All delivery companies then add their own handling charge to cover the cost of collecting the Tax/Duty of behalf of the UK Government. UPS charge UKP11.50, DHL 11.00 and UK Royal Mail 8.00 at present.

What I don't understand is why different people here in the UK have been charged different amounts varying from no charge to UKP47.00.

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Vguy, I can't let that question go unanswered a third time. Only Dick and Heady Version spell it Aiko. Oh, and all of the tapes that circulated in the pre-digital days.

I've had some opportunities to listen to a couple of near-entire releases lately. Geocery store Sunday night - DaP 30 sans the repeats. Went in reverse order (Cold Rain & Snow show first), but I have to admit, I did throw the Dark Star / St. Stephen / The Eleven trifecta into the mix early. While it usually takes me a couple hours to find everything on that damn list, I wasn't taking any chances on missing that group of songs.

Then at work I had a long stretch of time to work at my computer without any phone calls interrupting. I put in the Dave's Picks EIGHTEEN shows, also skipping the repeats. I have to admit I put all of it together in an alternate folder and included the Help / Slip / Franklin from opening night of that Orpheum run. It could have been there... It should have been there... The soundboard quality is almost as good as the release... It's there. And and it's a much better release for it. In situations like that I just make a whole new folder and throw it in my soundboard section. I can't very well have my digital library bastardize like that, so the original theatrical release is in its proper place. The moral of the story is oh, I forgot how great Garcia sounds on this release. Jeffrey Norman needs to listen to how loud Jerry is on this to track and then go back and remix all the multi-tracks with him that loud. Actually I take that back, just give me the multitrack tapes and I'll do the work. I've always been an advocate for releasing Europe 72 in computer software format so we can mix it ourselves. A little distortion here little reverb there..

And in the spirit of '71 I go with this concoction:

Dark Star => Wharf Rat 4/26/71
Dark Star 4/8/71

The 1971 dark stars were mostly shorter ones, as is the case with these two. I like mixing them together with that Wharf Rat in between to mimic Port Chester, 2/18/71. What you end up with is about 35 minutes of no-nonsense bliss.

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In reply to by Oroborous

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Could be wrong, but, I believe "Little Ricky" wasn't Little Ricky, but a child actor who played the part!

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My copy, #3319, has arrived and looks good. I hope to get some time to listen to it in the next day or so. Thanks to everyone at dead.net for continuing to service our need for further releases. The DaP 2020 subscription should become available soon. That will bring the series up to the same length as DP’s.

My last few listens include:
A 5 cd box set of Morton Feldman’s piano music on the Another Timbre label.
Live in Hyde Park by Gong from their ‘Love from Planet Gong’ box set.
A Love Supreme by John Coltrane.
One World by John Martyn.
The Madcap Laughs by Syd Barrett.

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My box arrived at the UPS depot in Rotterdam this morning. Had to pay 46.18 Euros - 30.45 Government charges, 13.00 Brokerage charges and 2.73 VAT. How that is arrived at I don't know, but I paid it online so no hassles with having to have the exact amount in cash at the door. Somewhat later in the morning the status of the delivery changed from "By the end of the day" to "Exception - Due to operating conditions, your package may be delayed". I guess that is a catch-all term that means that something has gone awry but they ain't gonna tell you what. I will wait and see what transpires, as if I haven't waited long enough already...

BILLN

We have to accept the random nature of charges on items coming into the UK. I bought the full ‘30 Trips around the sun’ and didn’t pay a penny in import charges, on another occasion I bought a single cd from bobdylan.com and for some reason once the handling charge was added to the import charge I paid more to collect it than to cost to buy it and have it posted to me..
I have come to accept whatever the charge is. I think I am probably still ahead overall on charges.
These charges are why I no longer order non-exclusive items from dead.net. The November release would cost me around £22 from dead.net when postage costs are added and there might be a further cost if the disc attracts import charges. The same disc is no more than £9.99 from Amazon.co.uk since I have a pre-order price guarantee which means it could get cheaper and I don’t have to pay any postage.

Good to see boxes begin to arrive outside the US. I hope your first listens will be in line with mine. Great sound, inspired performances.

I have to admit though.., this release is starting to lose it's new box smell. But with some deep tracks from '73 just two weeks away, I should be ok.

After a couple/few listens.. there is one small item that is beginning to agitate my skip finger.. I think I saw Throwing Stones>NFA a couple (or a couple dozen) times too many. I know there are many that really like these two songs, but to me it had become formulaic and predictable by the mid to late 80's... well, for me it just doesn't go down as my all-time favorite song duo. I'll take a GDTRFB>NFA over TS>NFA any day of the week. First world problems I know. Still, a big thumbs up on this box after a couple weeks of listening.

It also motivated me to hit a few other 80's shows. There were some high energy shows during this period. I didn't have my reading glasses on last night, and accidentally dialed the wrong show and hit play. I didn't start at the beginning rather post space, and then the fun was to try and figure out what show I was listening to. By the time She Belongs To Me came on, I knew it was Dick's Picks 21, 11/1/85. The Gimme Some Lovin' is pretty sloppy, but don't let that distract you from how high energy it is and even with some miscues they do a pretty good job of keeping it together and dialing the energy up. Jerry, in particular, kept things in high gear until the end until he delicately slides into She Belongs to Me. What a wonderful song. I wish they played this more than the ten times they did. And I forgot about the bonus tracks 9/2/80, Space>Iko Iko (that's how it was spelled on this release, but it was released posthumously after Dick left us)>Morning Dew>SleepyTimeInMD. I always liked this released, but I perhaps I am biased.

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In reply to by BillN

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Billn- got my second box today. First no charges, second £44 so balances out ok. Relieved. In a couple of weeks will probably forget that I promised not to buy 2020 DaP!

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...Missed this anniversary by one day but it's still close enough for a shout out - 10/15/89 is a pretty great show (IMHO) but is often overshadowed by it's fully-released brother, 'Nightfall of Diamonds'.

And contrary to Jimmy's stated lost love for TS > NFA, this one has it - but I am in the same camp Jimbo, I'll take a NFA > GDRFB any day . But this pairing does the job nicely, and the Not Fade Away is fairly jammed out. And who can really complain about a NFA chant to bring the boys back?

But the real treat for me is the Crazy Fingers as well as the Estimated > Eyes; I mean, check out Jerry's midi-work on that Estimated. He's playin' a frickin' xylophone at one point. Totally cool although not for everyone. The Eyes rips along nicely, too. I'm a sucker for said paring.

The first set is pretty good too - I always liked 'Let the Good Times Roll' as an opener - it, well, gets the good times rollin'. And, after a closer listen I'm now hearing the 'Victim or the Crime' here is the same one from Without a Net. Naughty, definitive. Which makes sense. Given that we know the next night's performance was recorded to 24-track, that means this show was too I would assume, in consideration of its appearance on W/O A Net. I'd love to see this one officially released. Would make a perfect companion piece.

https://archive.org/details/gd1989-10-15.sbd.walker-scotton.miller.8329…

Sixtus

Dennis, say it ain’t so, but right you are. All those years growing up watching Lucy we had no clue!
https://en.m.wikipedia.org/wiki/Richard_Keith_(actor)

9/2/80, believe that was my first Dew? Front row by Phil. First GA front row show, at good ole Crotchfester, and a real beauty eh! Wish they had the rest of the tapes for that one...
Stones/NFA; yeah, saw that combo a bit too much over the years. Like any, if the galaxy aligned and the Xfactor was working I liked any song they did, but sometimes it was “oh, bummer, not again” Eventually it got so formulaic that you could predict The second set, if not the whole show.....”oh, their doing the key of E stuff, and they did Dew last night, so bummer, Stones/NFA tonight boys”......or some such banter. For a while it was mostly the NFA we were tired of, but then Stones/Lovelight kinda took its place and Bob burned that out too, imho....
Sorry, don’t mean to be negative, just after 40 something years there are some tunes it helps to be in the mood for...
Anyway, so far that’s my only nit pick with this box, too many Stones/NFA....

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I saw the guys numerous times, acoustic and electric, and they were always Hot!

Back in '75 they had a habit of playing all night. They played at my college, and at midnite they went off and they asked the TPTB if they could continue all night. They were told no, but that they could play one more song as an encore. So they came out and played one more tune FOR AN HOUR! Lol. The whole show, J & J were drinking something out of this bong type thing, so maybe that had something to do with their stamina! We were talking to them back stage and Jorma dropped his guitar pick. As he bent to reach for it, my friend stepped on his hand! I thought the whole show was going up in smoke! But no damage was done.

Saw them in 2001 at the Kent Community Center in Kent, CT. Google that place! You cannot even believe anybody would play there. We were in the 2nd row. They had a stage that was about 2 feet off the ground. It was just Jorma & Jack on 2 folding chairs, playing acoustic. AMAZING! It was like seeing them in my living room. I think these guys aged better then JA did.

Rock on

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Funny to hear Gimme Some Lovin' and Throwing Stones in the same discussion, since I downloaded the two of them on the same day several years ago. There was a time when I was a casual Dead fan, and I had just recently picked up on the Jam in the middle of Throwing Stones. So like the addictive personality I am, I went in online to supplement my collection of Dead music, which at that time was pretty much all of the nationally released multi-tracks.

The Throwing Stones were all pretty good, but I enjoyed the Download Series best, with the Reprise. Some fine fine synth support while Jerry tears up the solo, and then there's another 5 minutes of the jam in the Throwing Sones "reprise", which is really just visiting the jam portion of the song again. This is glue. Strong stuff.

I downloaded the following in that period:

Dick's Picks 21:
* Gimme Some Lovin'
* Gloria"

Dick's Picks 17:
* Throwing Stones
* The Mighty Quinn

Dick's Picks 27 :
* Throwing Stones
* Baba O'Riley
* Tomorrow Never Knows

Road Trips Vol. 4 No. 2
* Throwing Stones

Download Series 11:
* Throwing Stones
* Throwing Stones [Reprise]

In The Dark Bonus Track:
* Throwing Stones (Live)

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In reply to by Sixtus_

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I agree with Sixtus this was a sneaky hot show that got overshadowed by the next night.

Good Times -> Aiko opener was so much fun
Very good Victim and SOTM
Not a clunker in set 2

If they would have played the Let it Grow that Bobby started to go into after STOM would have been even better!

Great call Sixtus!

So about that DSO show in Pittsburgh. I had a blast! Lost my voice and sore as heck the next day from dancing. Met some kind folks too. As for the music I think the songs are very well played. Can’t wait to see them again. My lingering thought is how lucky I was to have seen the real thing 🙂✌🏻

I ended up having to be in DC Saturday, so no DSO Saturday for me. Next year for sure.

Love the Hot Tuna discussion. Great band with lots of history. They put out an under the radar CD called and Furthurmore about 20 years ago that never seems to come up in discussion, but I'd personally put it above Burgers. I think it was recorded during the 1998 Furthur Festival tour or something like that. Long out of print, but I bet of you poke around it will present itself...

Hot Tuna seems to be putting out newly released digital only shows like mad these days.. It seems every other day Tuna or King Crimson are letting something slip out of their vault.. Perhaps I should start buying more of them..

Good timing for a palate cleanser, no new GD music for a couple weeks...

https://www.amazon.com/Furthurmore-Hot-Tuna/dp/B00001U05F/ref=sr_1_1?ke…

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I forgot about that one KF, thanks for the reminder. I just put on the whole kit 'n kaboodle. I think '91 was their best year since '77.

KF that ppst you wrote with list of Philly shows you went to. You seriously had tickets to a Motley Crue show and didn't go in so you could do balloons? Did you just lose track of the time or what happened that's crazy.

Jim I did not picture you as a reading glasses guy :8

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7 years 6 months
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Your from Sudbury right? You feeling this rain/wind storm? 10-4 in Framingham.

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14 years 9 months

In reply to by carlo13

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Springfield

Just saying

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14 years 9 months

In reply to by stoltzfus

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Theres a lot of CRAP on TV

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7 years 6 months
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It's Iko Iko on this box set. Weird how they change the spelling of it from time to time.

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16 years 11 months
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Down in Stamford CT for work, wow what a storm and wind and rain the last 5 hours!!! What a way to end the first set of this show. I was there, wet cold and tired after the first hot day followed by two days of non stop rain!! Lawn seats so no shelter.... Watch it on Youtube..Jerry's vocals on Desolation Row will just melt you if you have never listened to this version or not a fan of this song. Just listen to "Between the windows of the sea where lovely mermaids flow".... with Jerry singing along.. And then the Deal is just insane... the jam is awesome... my friend from Vermont that was with me was cooked and wanted to leave, and i said you won't want to after you hear this song....... we didn't.. be safe New England friends... Bob t

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