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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • stoltzfus
    Joined:
    Submitted for your approval:

    2/11/89

  • direwulf
    Joined:
    Led and any curious parties...

    Yup, that percussion is none other than Danny Carey, the man who had a drum kit made of melted down Paiste drum cymbals, yes you read that right, and one were the drum bodies are made from a sustainably harvested tree that produces the vines used in ayahuasca brews. He is probably the single most amazing drummer I have ever come across and dare I say a step beyond, Moon, Bonham, Mason, Baker, and the Rhythm devils. Not so much better, just picking up where they left off and blasting into f-ing space with it. Literally one of the most humble but intensely interesting people you can find out and talk to, especially in music. Check out his side project Volto! for some nasty jazz fusion where he really gets into some nasty technique. He is also a student of Aloke Dutta and explores numerous different cultures explorations of rhythm and time.

    Here is a sample for any others just wondering what all the fuss is about and you get glimpse of his melted cymbal drum kit.

    If you enjoy hearing phenomenal musicians explain themselves, their technique, and equipment checkout the first clip in the list, it's a 1of 3 part interview.

    Artist spotlight and TOOL from Boston, MA. Part 1 of 3.
    https://www.youtube.com/watch?v=2t1lt99CWnA

    Lateralus Drums:
    https://www.youtube.com/watch?v=zqftunIOqe0

    Random Fake Mustache Drum Solo
    https://www.youtube.com/watch?v=i4WeTxbYeQw

    Drum Clinics:
    https://www.youtube.com/watch?v=Dh3z__10bhg

    https://www.youtube.com/watch?v=CwjsGPMIhxc

    VOLTO! Grip it.
    https://www.youtube.com/watch?v=C_D_Ds6pWTg

    VOLTO! Tocino.
    https://www.youtube.com/watch?v=DIChFldH6Y0

    Sorry for the long posts, but it should be obvious that TOOL makes me too excited, gives me verbal diarrhea, and its embarrassing.

  • icecrmcnkd
    Joined:
    8-13-75 anniversary

    That one sounds pretty nice on vinyl too.

  • LedDed
    Joined:
    New Tool

    That new Tool song is fantastic! Rolling Stone has a link to it. I can't believe how great the production is - the percussion alone is among the finest things I've ever heard. Can't wait for the album to drop. \m/

  • Oroborous
    Joined:
    Light

    Have seen, but forgot about that video, sooooo mtv, love the leather jackets and hairdos ; )
    Think that was my favorite Brent tune. Thanks for that Vguy. Can’t remeber if there were more? Rember TOG obviously, and the Bucket video with the duck, this one and???
    That back lighting totally reminds me of the first time Lee Esdee and I hung at a show. It was the first time I saw the new vari lights and at a “certain” point where I was convinced I’d died and gone to heaven, Candace had the lights all white behind the band, and being in the front row they were sort of blinding to my aaaaa, “affected” vision, eventually as I could start to focus again I came to the realization that I may have died, but it was alright cause the dead was playing in front of the light at the end of the tunnel 😃

    Edit: have only seen videos but yaaassss that Billy Strings does look awesome!

  • Thats_Otis
    Joined:
    Billy Strings

    I'm going to see him on Saturday at a festival outside of Baltimore called Hot August Music Fest (formerly Hot August Blues.) On the same bill is JGB with Melvin and the ladies. No idea whose else is playing with them, but it will be nice to see Melvin. A local jam band Pigeons Playing Pingpong is also playing, and while they are not my usual cup of tea, what I've heard sounds like it will be fun :)

    I've also had a chance to see Billy at a local brewery here in town, and he is a damn fine musician, (and does a killer Deal!)

    Peace

  • Sixtus_
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    re: Light

    ....Just a Little Light was a great tune IMHO - there are some good ones on the Spring 90 boxes, one of which (I can't recall the exact show) that was played late in the tour was exceptionally good - sort of an extended intro between Jerry and Brent; then when they get into it, there is a pretty spacey/drawn out jam where Jerry sort of goes off on a walk around the block, wah-wah included. I always loved when Jer would fire up the wah-wah pedal and I feel like this tune had some fantastic potential to really open up on that - using the aforementioned example as a reference/starting point.

    Had no idea there was a video - MTV's gems uncovered....well done VGuy

    Sixtus

  • CaseyJanes
    Joined:
    Right on DW

    Great information as well. I had no idea the bands were linked as such, and would have never thought it, but just goes to show........

    Think I will wait for this next one on vinyl....maybe turn it up to 11 after a veggie pizza and see what happens....what could go wrong? I will check out Aenema again as well. This is one reason I hang out here, and truth is I listen to music totally different then I did back then...my GD listening habits probably being the best example of that.

    Side note: my cousin told me that the new CD has a miniature chargeable speaker in it and also a USB drive or something similar...sounds gimmicky but might be fun to check out...wonder if the vinyl will have that or something similar?

  • Dark-Star
    Joined:
    Are You Lonely

    Another great song. Only available on Dick's Picks 30. Unless you get into the Jerry Garcia Band. Donna sounds great. Can't hear Keith.

  • direwulf
    Joined:
    I'm a complete TOOL loser.

    Awesome that you are diving in head first with a friend. You are spot on with your first observations about them and GOGD. Ive seen TOOL over 20 times since 1998 and been listening to them from before. They've been psychedelic since the first album and Al Jorgensen (Ministry) apparently dosed them during a 1991 Lollapalooza tour stop. Al was living with Tim Leary in an apartment at the time and would give him liquid to take on tours. Well, Al would put some in Jack Daniel's before every tour stop and would drink it before and during a show, one day he passed the bottle off to the next young man walking on stage, after a congratulatory "great show!". He forget he had dosed the bottle and the rest is history. TOOL while heavy and not your typical "tripping" music, but is more akin to the feeling some might get smoking large amounts of DMT or being blasted apart in fractalized white light at the heart of a galaxy. Heavy? Yes. Psychedelic? Oh most certainly but only for the most intrepid of travelers. I mean Third Eye came out in 1998, and if that's not psychedelic, I quit life. Once anyone starts down the TOOL rabbit hole, listen to the lyrics (they make tongue in cheek references to the GD), understand how they put their music together (Lateralus is nice example), and check out their art ya know it's nothing but from the divine. Maybe not so much the Ken Kesey crowd vibe, more so the Tim Leary vein, but both are cut from the same "cloth." One of their songs that mentions the GD though in a somewhat sarcastic and possibly mocking tone is called "Lost Keys(Blame Hoffman)"->"Rosetta Stoned". Not that they mock the GOGD just the prevalence of "Estimated Prophets" that Bobby has already warned of :)

    Anyone who starts collaborating with Alex Grey to start do their artwork has been off the deep end more than once. :)

    In case its not obvious I'm obsessed with TOOL, and they are carrying the torch of psychedelic expansion, personal evolution, and disruption of perception of established social norms more than any "band" around right now. And like most hard trips, it's not really acceptable for many, if most jamband music is akin to mushrooms, TOOL is like a shaman mainlining ayahuasca into your cerebral cortex.

    It's all finally on streaming platforms after all these years so check it out. Aenema is arguably the single greatest rock album ever made, though that's a hard sell when all their albums are THAT good.

    I could make more comments but feel like I've said too much, like someone's first experiences with psychedelics it should develop naturally without too much input from some one else. "Just start climbing that spiral up and out, and watch out for your brother (and sisters)."

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6 years 6 months

Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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15 years 11 months
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3/24/73 Philly Spectrum seems to be the final release of this year.

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16 years 5 months

In reply to by jaydoublu

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For something a little different try Gimme Some Lovin' from Traffic's live album, Welcome to the Canteen. Good chance you will get up and dance!

Take care...

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In reply to by carlo13

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Carlo...that's me in Sudbury (VGuy = Vegas Guy; aka Senator-in-the-making) - we recently moved here about a month and a half ago. Naughty storm last night indeed; we now live in the middle of the woods and the trees were a-swayin' for sure. Our driveway is littered with tree-fallen detritus.

Speaking of the move, we've finally nailed down a date for our Homecoming Bash - Saturday November 9th. Any locals on this board who may have an interest in a swing-through, open invite!

Welcome to the Canteen is a great album; my first Traffic.

Sixtus

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First recorded by James "Sugar Boy" Crawford in 1953 as Jock-A-Mo. Copyrighted as "Iko"
Here's some interesting background though; "Aiko" may be closer to the original Mardi-Gras chant:

https://www.youtube.com/watch?v=Hj6-irrsnsw

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Iko seems logical, not Aiko

I had a button that read Aiko Aiko, with an Eye of Horus on it.

I had a coworker named Aiko (her true name), so I gave the button to her.

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In reply to by JimInMD

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I can not afford to come to this site anymore! Jim, you had me look up And Futhermore, simply because you said "out of print",,, a challenge I had to investigate. And there, on Amazon, used, like new, out of Georgia for only 20 bucks. Had to buy! Checked my Hot Tuna folder and found woefully under represented. So I checked out Burgers, said WTF and dropped in cart. Then this box set comes up, everything a sucker like me wants. Limited and gimmicky, WITH RARE photos, not the common ones you have in your daddy's bottom drawer. So this week alone on Hot Tuna you bastards have made me spend about 125 bucks.

Thanks!??

box set infor

Limited numbered 12 x 12 LP size box set containing eight original albums on hi-def CDs in cardboard mini LP sleeves: Hot Tuna, First Pull Up Then Pull Down, Burgers, The Phosphorescent Rat, Yellow Fever, Americas Choice, Hoppkorv and Double Dose (two CD set includes the full live performance). The boxset also includes an LP size luxury 28 pages booklet with liner notes by Richie Unterberger, rare photos and memorabilia, reproduction of the original eight LPs album art in a 12 format and original Art 1 x 2 tour poster designed exclusively for this boxset by legendary graphic and poster designer Dennis Loren.

....for $9.95 per month for Spotify Dennis, you can get a shitload of live shows!!
And yes. Vguy is born and raised in Sin City. Moved to Elko, Nevada for three years then realized i hate the cold. Went back to being a desert rat. Plus, Eguy doesn't have the same ring.

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Ah. I did not remember who, so I took a shot. Lots of damage around here and no power. Thanks for the invite too.

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In reply to by Vguy72

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Has anyone come up with a way to record what you are listening to on spotify? Short of having a reel to reel recorder plugged into your pc.

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You know what they say, Dennis - a collector and his money are soon parted.

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17 years 4 months
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Box finally arrived in Scotland today number 05913. Import charges of £44 but overall will still be cheaper than buying off ebay when one appears. Glad the box is smaller as I have run out of room on top of all my units. Listened to the first show this afternoon while doing other things and enjoyed it but looking forward to a proper listen with headphones. Happy listening for the next few days and will save the Blu ray for last.

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#8801 arrived late this afternoon at the Isle of Fehmarn in Northern Germany.
UPS charged total EUR 45,86 for VAT, Taxes and their rip off fee (EUR 11,50).
Box looks fine but half of the CDs are full of cratches. Checking the worst one
at the moment sounds fine, no skippings.
Takes 3 delivery days this time from the US to my hometown.
Waiting now for DP32.
By the way: Last five on my players:
Dead - East Rutherfords 06/17/91
Dead- By the time we got to Woodstock (Vinyl)
Dead - Boston Tea Party 12/31/69
ABB - Bear's Sonic (Fillmore 70) Vinyl
Neil Young - Hamburg 1989 Vinyl

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In reply to by icecrmcnkd

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Theft from the new warehouse.
(Pure speculation on my part).

Found this on the message board for problems with GD store orders.

———————-

August 30, 2019 - 4:29pm#2
WHISKYHAWK

Joined:
November 27, 2013

Still Waiting For DaP 30 To Be Delivered
Anyone else having this issue?

Per Dead.net Customer Service, 'Our new warehouse has advised that they have been unable to locate any numbered copies of Dave’s Picks Volume 30. With that confirmation, we have decided to produce a small, separately-numbered run of this title. We will use these copies to replace your missing or damaged Dave’s Picks Volume 30 shipment. Our production team has advised that the new, limited-edition run will be available in 2 months. "

Well, it's been two months and no word, no communication. Very frustrating.

——————-

How do you lose a batch of numbered copies?

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Last Five
GD - 2/27/69
Dire Wolves - Grow Towards The Light
Rush - Permanent Waves
Jethro Tull - Stand Up
Sly and the Family Stone - Stand

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In reply to by carlo13

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Ha!! For what it's worth, I really like Furthurmore, honestly my favorite Hot Tuna CD or I wouldn't have brought it up. The first 8 or 9 songs are simply outstanding and it's an off the radar sort of release. Great album art too.. notice the fish on the cover does not have a beard nor a skeleton head.

One other ill-related artwork comment.. I love the CD art on Dave's Picks 32. The real attraction is skeleton is peering into a bright orb of some sort that gives him clarity into the Spectrum. So bright in fact you really cannot tell if the skeleton has a beard or not.. so all the fans of bearded skeletons should be fine with it.. on the other hand, if the skeleton has a beard, you cannot see it. Win/Win.

I don't have Spotify, but doing a quick google search it looks like there's a product called Spotify Downloader that streams to file. I bet lossy though, most of these are. For what it's worth, WinAmp lets you stream lossless to file from the archive. Not that I would ever do that.. All the soundboards circulate pretty freely, you just gotta poke around.

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Great album Charlie3. I think Permanent Waves and Moving Pictures sound exactly the same. Like they could have been a double album.

I had seen Rush on every tour since Power Windows, and at that point in their touring career they didn't really go too deep into their "classic" albums. The tour would consist of 2/3 or more of the album they were supporting, plus all of their radio hits. There would usually be one somewhat deeper cut, like Xanadu or La Villa Strangiato or even the Prelude to Hemispheres (all truncated to some extent).

And then along came the Test for Echo tour, and one of the greatest live rock bands in the world kicked it up a notch, threw away the standard two hour concert plus opening act nobody was interested in, and they started playing two sets with an intermission in between. Total amount of Rush music went up from two hours to two and a half hours, maybe even a little bit more. And the deeper cut started coming out. I had second row seats the first time I saw them on this tour. As if the unexpected full rendition of 2112 to end the first set wasn't enough, they blew us away with Natural Science from permanent waves in the second set. That song hadn't been played since permanent waves came out, around 16 years prior. And there were no live albums with that track. Hope you got to see that one. They began to play it often after that, right up until retirement.

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Keithfan2112, yes, Permanent Waves is a great album from start to finish. I was a casual Rush fan early in high school, early '80's, before getting into the Dead. I had Signals and Moving Pictures on cassette and Exit Stage Left on vinyl, which I still have. Listened to a bit of Yes during that time as well. When I switched to CD's I picked up a Rush greatest hits collection and didn't really listen to a lot of Rush. Actually, Kiethfan2112, it was some of your Rush related posts that got me thinking I ought to start filling in the Rush collection and revisiting Moving Pictures and Exit Stage Left. At this point I have everything from Permanent Waves to Signals. I suspect it's just a matter of time till I pick up most or all of Rush's albums up to Signals, maybe beyond. I always dug Signals.

On a tangent, if you haven't already, check out the movie "I Love You Man" with Paul Rudd and Jason Segal. The movie is not about Rush, but the two main characters are Rush fans. Nothing ground breaking, but it's a pretty funny movie. It amused me anyway.

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...lot of time on the school bus, high as a kite, blasting that album through my Sony Walkman at ear damaging levels. Good times..

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First but not last. Last 5. 1. The canned heat cookbook 2. Donovan-Troubadour 64'-76'. 3. CSNY 1974 tour. 4. Jimi hendrix band of gypsys 5. Wagner- Tristan und isolde.

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They're the same song . . .

Kind of like Shakedown and Feel Like a Stranger are the same song.

And the women ARE smarter, as I've come to realize . . .

Jockamo was originally written by James "Sugarboy" Crawford in 1953, and the Dixie Cups recorded a song called Iko Iko in 1965 that stole the rhythm and most of the lyrics straight from Jockamo. In 1967, Crawford settled a lawsuit which gave him a cut of royalties on performances, but lost any claim to authorship. Even worse, the Dixie Cups sued somebody 30 years later for claiming authorship, and they established sole authorship, even though they had ripped it off. Man Smart uses a similar rhythm, which Iko/Jockamo is a Cajun beat, and Man Smart uses a Calypso beat, which are very similar and the Bo Diddley beat is pretty close to it as well. Man Smart was written in the 1930s, but became popular in 1956 when Harry Belafonte did it, three years after after Crawford wrote and recorded Jockamo. And the Bo Diddley beat is from 1955, which Buddy Holly stole in 1957 for Not Fade Away (though Norman Petty, Holly's producer stole a writing credit on the song by simply putting his name on it).

Stranger and Shakedown are quite different to me. Feel Like a Stranger is very similar to Fly Like an Eagle though, except for the move to C#m on the second part of the riff.

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I listened to 10/19/71 again yesterday-it never fails to impress. The first show that Keith played and no less than 6 new songs. The country rock songs rattle along at a fair old pace, and the Other One is the show case jam-unique with Keith on organ. Its not perfect, some of it seems a bit rushed, but there is a real sense that the band has started a new beginning, and knows it.
Great period, Fall 1971, with many top shows-some of which have been Dave's Picks of course. But not necessarily the best shows.

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Got it for Christmas 1982. I was 10. Only knew Tom Sawyer from the year before, and Subdivisions was on the radio a lot. I used to pop on side 1 and listen to Subdivisions and The Analog Kid, then put on Who Are You. By '86 I was all caught up and saw them on the Power Windows Tour (first of many). Signals is one of my favs. Just saw a great bootkeg vid from Montreal night 2 of the Signals tour on youtube. I say great in that it is okay sound with Neil high in the mix and far away grainy video from directly across the stage second level. So you can't make out their faces or anything but it's great because the sound is good enough and it's nostalgic. And you can see Neil work the acoustic drums for the last time before he started to integrate electronic drums into his kit. They to seven out of eight tracks from signals and stuff like the camera eye and Xanadu. And it's just incredible watching Neil work. Not for everyone, but definitely worth checking out a few songs if you're a rush fan. The setlist is un freakin real

Charlie3, as your attorney I advise you pick up 2112 ASAP.

I would also like to see them release 7/25/74 soon, and 6/23/74, so we can have all of the '74 Dark Stars (we have a partial of 6/23 on So Many Roads). But after listening to 6/30/74 last night on soundboard, I say go for it.

Daverock, I listen to that show couple times. Pretty cool listen to Keith play the organ. His first dark stars on Dave's Picks 3. Agree all the way, it's a great time for the band, and a nice show to check out.

I always liked the flow and groove in Iko better, the jams seemed more fluid as well. Women are Smarter was another one of those songs that seemed to come in the rotation just a touch too much when I was seeing shows.

Just my opinion.

As for Rush, one of the first concerts I saw somewhere between 80 and 82?? It was at the Capital Centre.. Looking over the setlists, my guess is 81 because they played a good bit of 2112. I saw them before the GD.. just once. Every time they came around I tried to see them and failed for a host in hindsight poor and invalid of reasons. Well, at least I got to see them once.

As for the subject matter for Women are Smarter.. yin and yang, without the counter balance of one the other can wreak much havoc.

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In reply to by KeithFan2112

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Speaking of fall 71, does anyone know what’s up with the Real Gone/Discogs rerelease?
They were spitting them out pretty regularly backwards through3.4. 3.3 was released but took a while. 3.2 should of come out by now? I have copies but would like to get the “real” ones to fill in the collection....

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In reply to by Oroborous

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I would love to see them re-release some of the bonus discs. I have them all, but some (many) are as good or better than the source release. I'd love to see more that missed them way back get them.

I guess with respect to bonus discs they should call themselves Really Gone in stead of Real Gone.

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I realized that I spaced that one in my earlier post, I actually had, and still have, 2112 on vinyl.

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In reply to by Charlie3

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happy 30th anniversary to one of my favorite runs - 10/18-10/20 1989 at the (you guessed it) Spectrum!

I used to think we'd never see these shows released, but I truly think there are only a handful of years the dead can really blow out releases from individual years (69, 72, 73, 74, 77, 89, 90) so I'm still holding out hope!

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I don't know if we have ever ranked as our favorites on here but here are mine.

10/18/74 Set II out of Phil and Ned, Dark Star and Morning Dew
10/16/74 Bob's bday plus Playin Phil & Ned into Wharf Rat> Eyes, reverse of 9/11/74 London Jam
10/19/74 Great first set!!! Uncle John's, Tomorrow is Forever, Sugar Magnolia through Sunshine Daydream
10/17/74 Keith's piano lid crashing down!!! Awesome He's Gone>Other One>Spanish Jam>MLB Jam>Other One
10/20/74 Cold Rain & Snow, NFA, return of Good Lovin, Half Step #2 encore

So many good songs... the jams out of Phil & Ned are amazing... Have a good weekend everyone.. Bob t

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17 years 5 months
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These are an absolutely wonderful run of shows with great renditions of many songs. The 10/19 Eyes is my favorite, The China > Rider from 10/17 is ripping and there is monster Playin' clocking in at the 30 min plus mark. However as many have said the 2nd set on 10/18 is the best. Leave it to the Dead to make the 2nd set on 3rd show of a 5 night run to be so epic. It truly is the epicenter of the whole run and it especially represents much of the band's career to that point.

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17 years 5 months

In reply to by 80sfan

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What he said! Boo-yah! Come on Dave...tap,tap,tap, (that’s the sound of my foot tapping 😃

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9 years 1 month

In reply to by icecrmcnkd

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I highly recommend the Rush 40 BluRay Box.

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8 years 1 month

In reply to by JimInMD

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The remastered and expanded Grateful Dead Movie in Blu-ray is one of my favorites and I love the bonus material. There is just something about that opening when they break into the live performance of US Blues and the crowd is going nuts, just love it. Jerry is so thin.
If I could go back in time I would for sure be hanging out with the guy in the overhauls with the chicklets! 🤠.

And the five disc release is fantastic. If you don't have it, get it. $29 on Amazon and better than other 74 out of production releases.

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7 years 7 months
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Thanks for the reminder. I just picked up this movie on amazon as we talk. I lost the vhs tape years ago. Plus the 1-1/2 hour extras makes it a no brainer. Just like me.

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8 years 1 month

In reply to by carlo13

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Good call Carlo, the Blu-ray is a huge upgrade. You wouldn't be disappointed.

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14 years 10 months

In reply to by stoltzfus

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As a school employee, I am required to take yearly online trainings about this and that

Because of time management, I am currently watching "preventing adult sexual misconduct."

Not quite the same as a 73 or 74 eyes of the world

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10 years 3 months
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Hi marye. I ordered a couple of Halloween t-shirts about a month ago. When I look up my order numbers the status is "pending". I am a U.S. resident. Do you know if these will arrive by Halloween?

Thanks
KeithFan

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17 years 5 months

In reply to by JimInMD

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I thought that was you Jim! Nice Bong by the way.

DEADVIKES; when I was a kid starting out I wanted to be that guy....he was our Veteran archetype...
Eventually we sorta were😃

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