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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • Mind-Left-Body
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    LMG

    This is not eBay. If you have something you want to give away or sell at cost I think that is reasonable. You have been known to sell things at higher than cost to people on this web site.

    You said something in defense of yourself and your business practices on the public forum when you were selling Stanley Mouse stuff a couple of months ago. It sounded like you had somebody complain prior to the Stanley Mouse artwork you were peddling, and you were trying to discredit that person before they spoke out.

    It wasn't that long ago that you told me you needed CDs burned of the Fillmore West 1969 box set. I offered to help because you said you were going blind. You also said how grateful you are and that you would give me exclusive information on the shows that would be included in the 2019 box set that was released this year. I spent hours trying to convert the FLAC files that I have of Fillmore West 1969 into something that you could play, not because you offered me information that you really didn't have, but because I would do that for anyone indeed, especially someone who allegedly went blind. But then it got weird. You kept stringing me along on the PM, saying that you would tell me in a couple days and then a couple days would come by and you would just say something generic like "oh it's going to be so good you're not going to believe how good it is. It will be Primo". Or "soon very soon my friend". I think what happened was you realized that it was going to take me a lot longer to figure out how to convert Flac files into something I could burn onto CD, and you ran out of excuses to sell me because you didn't really know what the box that was going to be.

    Anyway this ain't eBay pal. I'm pretty sure it's somewhere in the bylaws it says you can't sell stuff here.

  • Grayteful
    Joined:
    Sixtus - Thinking About You (Been There Myself)

    Sixtus:

    I'm very sorry to hear about your father's condition, and hope you will accept the sympathy of all of us.

    Having your parent go through an impending death situation is never nice or easy. My own father was going through a situation with congestive heart failure, and we lost him about 3 days prior to Christmas about 4 years ago. While I'm single, my brother is married, has 2 sons, and it was an awkward time for him to separate those observances for the purpose of remembering them so they aren't inextricably associated in his family's minds. I can't help but think of the similarity of that to what you're going through.

    I'm 2000 miles away from where Dad lived (and where I grew up), was planning on visiting him in mid-January, but alas, had to rapidly change travel arrangements to be there for the memorial. That certainly sounds kind of selfish, I know, but it's done, and I had to balance competing responsibilities (and while he understood that, I still regret it). The one thing the memory of that tells me, is not to try to defer any unfinished business I have with someone I care about - serious matters of health don't wait for or respect human traditions (the "end-game" occurred very rapidly for him- when his health began to slide it was done in a span of about 2 days). Details of the arrangements he took great care to talk to me about when we lost my mother about 13 years prior, so what my brother didn't know, I did and could fill in whatever gaps there were, so we knew his wishes were carried out.

    Thinking about you.

  • daverock
    Joined:
    Jerry and Van Gogh

    Great comparison, and one that has never occurred to me before. Van Gogh' paintings are absolutely stunning if you ever get the chance to see the originals. The first time I came across them was in 1991, when I was in Amsterdam. I went into the Rijksmuseum just because I happened to stumble across it-I had no real knowledge or interest in Van Gogh. But I was transfixed...so many extraordinary paintings, and the more I gazed at them the more moved I was by what I was seeing. Definitely the unexpected highlight of the trip.

    The famous painting The Sunflowers is hung up in a London gallery, and I saw that again a few months ago. I walked into the room, and it was hanging at the end of the large room. And it was shining...I could see it even from a distance. You get closer, and it looks as though it is lit from within. Its...well, I say all sorts of things are amazing...but this really is.

    Back to Jerry, he did develop his tone, as opposed to John Cipollina, who as far as I can tell, found his sound and kept to it. Would it be fair to say that Jerry was initially inspired by drugs, and then confined by them? Maybe a bit presumptuous. But certainly in the first 10 years of the Dead's life, at least, he seemed able to stretch the imagination in way no other guitarist I have ever heard quite can or could. And believe me, I have heard a few.

  • JimInMD
    Joined:
    Jerry and Van Gough

    I love the tones Jerry was able to get from his guitars throughout his career.. even in the acoustic days, his picking was clean and he seemed to always have a recognizable tone. Playing in the Band and Estimated Prophet are great examples but there are many. As his career progressed, so did his experimentation with tones (and guitars). Listen to Stella Blue or Loser over the years for example.. there was a progression.

    I took a bunch of art classes in college for fun and I remember reading about Van Gough at some point. There was talk about his use of colors, specifically Oranges and Yellows. There were lots of theories that his epilepsy and the drugs taken to control it combined with perhaps the absinthe he loved to drink (contains a toxin called Thujone, which when taken in high doses also makes ones vision skewed towards oranges and yellows) might explain why his paintings often reflected those qualities. That is how he might have actually seen things.

    I always equated Jerry's tone to similar qualities but instead of absinthe his drink of choice, at least in the early years, was Prankster Juice.

    Anyway.. silly and unprovable observation, but I do consider Jerry a tonal genius much as I consider Van Gough a genius of color. Since the topic came up I thought I would put pen to paper, I don't think I have ever discussed this thought before with anyone. I still think there is perhaps more than a thread of truth in this.

    Finally.. a friend shot me something on Meyer Sound this morning and it got me poking around in a few places. There was a pretty decent article on Jerry and his guitars which sort of circles this whole discussion that I found quite interesting. A pretty big topic for a Friday afternoon. TGIF!!

    https://www.guitarplayer.com/players/how-jerry-garcia-revolutionized-th…

  • Butch
    Joined:
    LMG how much for WL 1977

    And what kind of condition is it in?

  • daverock
    Joined:
    Great tones

    Both the Alligator and the Wolf sounded superb with whatever amps they were powered through...but for me the supreme tone was sourced with the mighty Gibson SG during 1969 and 1970. Sometime during 1969, Jerry started playing a sunburst strat at some of the shows, but the SG continued to make regular appearances, and can still be heard, I believe, to devastating effect, at Binghampton 5/2/70.
    But those Fillmore West shows from February-March 1969 may be the best recorded example of just how perfect that guitar sound was. I have never heard anybody get a better sound out of a Gibson SG. Apart from John Cipollina.

  • hartwerger
    Joined:
    Thanks Jim and Marye

    Thanks for letting me know about the PM problem. I thought I was going nuts every time I saw the message I wrote come back as sent to me. I do talk to myself sometimes, but rarely do I write to myself.

  • marye
    Joined:
    PMs
    Yeah, I know, and I've reported it to the tech folks so they're working on it. So sorry for the extra layer of aggravation.
  • JimInMD
    Joined:
    PM's

    New PM's are not going through. Unless you reply to an existing, good PM thread whatever you send to someone else is only sent to you.

  • Deadheadbrewer
    Joined:
    GDM is just fine?

    Now the calendar has shipped, so I don't have any complaints about my order from six weeks ago. (other than the lag time between order and shipment . . . )

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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As I sit here listening, smiling--midway thru Disc 1 Jack Straw--I'm thinking to myself, "Ya know, I'd order a five-year Dave's Pick subscription if they offered it tomorrow"....then I thought to myself "ya know...shit, I'd order a life-time Dave's Pick subscription if they offered it tomorrow!!" Time for another beer.....

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6 years 11 months
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Vinyl arrived today and already spun through once...this is an instant classic for me and will get multiple spins...all 3 discs are excellent, but highlights for me are Lay Lady Lay, Mountain Dew, and Don’t Think Twice it’s Alright/Understand Your Man outtakes.... but this whole set is one that I could listen to over and over!

#32 arrives tomorrow!

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In reply to by CaseyJanes

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Would love to hear more about how the sound quality is. Will not have mine in MN until Tuesday ☹️. For some reason, all year on the Dave's Picks for me have been 5 to 6 days past release date. I was lucky with the Giants Box, it arrived on the release date.

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16 years 6 months

In reply to by DeadVikes

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Don't know how they do it time after time. This is possibly especially nice. I just finished it. It was great

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10 years 6 months

In reply to by CaseyJanes

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Got mine yesterday, at first, I thought it was another LP as it was a very small package for 3 pieces of vinyl, the format package reminds me of the gatefold covers of olde. Argent's "Ring Of Hands" and Johnny Winters " Live "
It is a great set of vinyl, even 'ere indoors ' commented on the Johnny Cash, my favorite part of the set are Sides 1 and 2 at the present time. DaP 32 may not arrive for another 3 weeks, so there is plenty of time to revisit this.

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To these rock-n-roll damaged ears, I thought the sound quality was outstanding....side note: my delivery order notice says/ and still says, "Monday-by the end of the day".......maybe I'll get two??....LOL

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My DP32 arrived today but only one of the two copies I pre-ordered was included. Prior to the warehouse transition I've always got what I ordered on time. Now nothing but delays and missing or damaged goods.

Now I play the waiting game, will they respond to customer service ticket?
I've already had several other tickets for orders go with no response yet in two weeks...

I guess I will hope for the best that I will still get what I paid for but they will probably be out of stock by the time they even read my customer service ticket. Someone needs to fix this mess..

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Am I the ONLY one, or is anyone else SICK and TIRED of the goddamn yellow box on the side telling you to get on the LIST???!!!

I'm on the fuckin' list already!

One fuckin line of code,,,, Is customer on list? Don't post yellow box! Seems like simple coding!!!

Good day all,,, time to rip in Bob for work tonight.

:-)

Thanks for feedback gents. Can't wait to get it next week.

In the meantime Winterland 73 has been getting a workout. Enough said on how great this box is. If any of you have missed this one, you can still get a used one on eBay or Discogs for under $150, which is well worth it.

Looking for some assistance with digital downloads. I have three from nugs.net, Download series 1, which is the 77 Palladium show from 4/30, this show kicks ass by the way, Download series 9 and 6.
All in ALAC loaded to iTunes and played through my Sonos system. All the songs have a 10 second audio out at the end of the songs, super annoying. Does anyone know how to get rid of that 10 second pause?
Much appreciated.

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17 years 3 months
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Had a tape of this show, then a digital SBD copy from Archive (before SBD downloads were verboten). The sound on Dave's 32 is an improvement. What a GREAT show!

I don't know if it's the luck of the draw, but I've had few problems with my orders over the decades. A few bad discs, that were promptly replaced. I don't gamble, but perhaps I should try my luck in Vegas (kidding, all the flashing lights in casinos spook me).

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9 years 1 month
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Arrived today, ahead of schedule, spinning Cumberland on disc 1 now. Sounds great, it's the Dead, it's from '73 - what more could I ask for?

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12 years 11 months
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..Has landed! Great show, sounds awesome! ;)

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17 years 4 months

In reply to by Moses Quasar

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....that's how they attract. Like moths to a flame. Will never find a clock in a casino either.
Good to see Moses Quasar is still here.
Also, good to see Cumberland representing. My ears definitely perk up when that comes on.

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12 years 11 months

In reply to by DeadVikes

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I can usually eliminate any long pauses in GD shows by doing the following, keep in mind I have an older iTunes program.

1. Highlight the 1st song - unfortunately you'll have to do this individually for each song.
2. File > Get Info OR Right Click > Get Info OR Command/ 'I' All info for that song should appear.
3. There are 6 tabs at the top; choose 'Options'
4. The 'STOP' box with the song length should be there.
6. Check the small box to the left and adjust until it's exactly perfect.
7. Check the small box for 'Remember Playback Position' to the right of 'PLAYBACK'.
8. OK

Hope this helps, but like I said it's an older program.

DaP 32 has arrived today, and #991 to boot! Glad to have this one hassle free and really looking forward to spinning it as Spring 73 is the band's absolute pinnacle in my opinion. Shaping up to be a perfect autumn Saturday, cheers!

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7 years 6 months
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Ho boy!! Now the weekend is complete. Ok, beer, check. Cigars, check. Dap 32, check. Pretzels, check. Good times.

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16 years 11 months
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Everything that you think that is going to be good listening to this is!!! Here Comes Sunshine, Playing in the Band, China>Rider, the stand alone Stella, He's Gone>(all of Disc 3).... Loser, Me and Bobby McGee, and Row Jimmy sort of stand out also!!!

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9 years 1 month
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BobT is right. Finished a first listen and there is a lot of good stuff here, and that whole disc 3 smokes.

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14 years 9 months
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Hooray!!!

Heres 2 fasst delivery 4 everyone

Thank you for the info on this Dave, I appreciate it.
Gave it a shot, unfortunately no change.
It is 10 seconds of dead air, no audio at all at the end of the songs. We always want to hear the transitions to the next song, very important. Maybe this is why the download series was short lived?

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7 years 6 months
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I was thinking last week that you were probably the last guy to change his profile pic. And look at you now. Aren't you afraid that it might change your luck by getting rid of the lucky 7. If your going to play craps this week put me down for a two two on the hard four. $100 bet.

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17 years 4 months
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I downloaded all the Download series releases as they came out. I cannot remember precisely what I did but they were certainly downloaded to a Windows computer and burned to CD using EAC or Nero (I cannot remember which). Tracks are contiguous i.e. no 2 second gaps or 10 second gaps between tracks. I did not use iTunes or anything Apple at any stage of the process. The Apple part could be what is causing you problems.

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10 years
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Anyone else in the US that was a subscriber not receive a shipping notice for 32 yet?

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17 years 5 months
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Here trying to re-rip some of my GD collection and I'm noticing disc 1 of Rocking the Cradle is not ripping for me. I looked at it and noticed incredible scratching on the disc surface. Funny thing is I took a glance at the rest of the set and they look relatively pristine! Help! :-)

P.S. Buses

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Is the one skipping most badly. I've scoured some of my backups and most of my archived copies seem fine except track 8. Anyone have that one track in FLAC?

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In reply to by wilfredtjones

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....notice would say Monday, so I’d stroll on down to the ole PO, and usually on Saturday there’d be a key in our box for one of those package boxes, and there it’d be, a new Dave’s or whatnot, in all its glory......last several releases, the torturous bastards haven’t been doing that, just the slip in the box, which one of us now has to try and get down there during their banker hours (when we’re supposed to be at work), and then stand in line for usually between 10-20 minutes and wait. Plus instead of having alllll day today to enjoy, I already know I’m not going to have enough time to sit down and actually LISTEN to the whole thing until next weekend, uugghh!.....really like to do that at least the first time, ahem, sorry, I’m whining like a little beeaatch, and yes I’m am jealous of all y’all that have or are going to wallow in the Golden yummy splendor of this magnificent gift from yee ole GD Gods!! Fuggin 73 Mates!, 73! Well, cheers to all you lucky Chil-rens that got yours, Enjoy!

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Finished this one up in the wee hours of the morning and man is it good. Sound quality is pristine. There are so many great shows in this series now that it gets tough to rank them, but this one jumps immediately into my top 5!

Highlights for me:

Disc One:
Cumberland
Box of Rain
Row Jimmy
Wave that Flag (fun to see the early workings & development of this one)
Disc 2:
Here Comes Sunshine
Me & Bobby McGee
China Rider
Stella Blue
Disc 3:
The whole damn thing fucking smokes.....gonna have to put it on again right now!!!

Enjoy this one dead peoples.....it really is something special...we are a super lucky group of robots!

Happy Sunday Funday!!!

KCJ

Oh and for those interested, here are the timing sequences for the songs on Disc 3:

He's Gone> (13:52)
Truckin> (10:04)
Jam> (22:30)
Dark Star> (4:10)
Sing Me Back Home (10:03)......(I really love this version)
Sugar Mags (9:43)
JBG (3:55)

I have the Download Series but no 10 sec. gap during any songs on any of the releases - anyone else have/don't have gaps with the Download Series? I'm using a MacBook Pro and just the usual time between songs with audience noise/clapping.

Well that's encouraging news. Thanks KCJ.

I think the next show (3/26, Baltimore) flows nicely after listening to this one. If it were me, I would release them back to back (or at the same time somehow). Fond memories of these two, so glad half the duo finally got the Full Norman.

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Got mine yesterday even though the tracking info said end of day Monday. Pleased to get it on the weekend, but like many of my fellow adult Deadheads, not enough free time to listen to it all yet.
First impressions from giving it a test drive while running errands around town:
Bertha - Fair to middling opener with funny blown "cue" by Jerry; average version.
Beat It On Down The Line - Oof. This is rough. The off-key Donna vocals are in full force. Hoping for better from Bobby on later tracks.
Don't Ease Me In - God, I love this song. Not a great version, but so nice to hear a young Jerry singing this.
The Race Is On - Pretty solid '73 version, nothing remarkable.
Cumberland Blues - Surprised to read so many positive comments about this version; didn't make an impression.
Box Of Rain - Quote from headyversion.com: "Seriously, this is awful. The only listenable versions are Sep 17 1970, and the two "breakout" versions in March 1986 (20 and 24)." Sounds about right.
Row Jimmy - Okay version. Doesn't have the shimmering quality of some of the Winterland '73 performances, but pretty good. Donna damages it, of course.
Jack Straw - Quality drop-off from the '72 versions, but not bad. Unremarkable.
They Love Each Other - First big highlight of the show. I love the bouncy versions of TLEO, and anything slower than the studio version on Reflections sounds like a dirge to me. This is a pretty great one with no notable fuckups.
Mexicali Blues - Better than the other Bobby performances so far; good version.
Tennessee Jed - Decent but, again, unremarkable.
Looks Like Rain - Jerry seems to have found a way to replace the lap steel from Europe '72 with a weepy guitar sound; unfortunately, this version is marred by Bob's vocals ranging from too quiet to too loud, and I had to adjust my volume up and down multiple times; background vocals predictably off-key.
Wave That Flag - Another pretty good version, as this develops toward becoming U.S. Blues.
El Paso - Okay version to end disc 1 on a bit of a thud (unless you're a HUGE El Paso fanatic); overall impression of this first disc: I might pop it in to hear the TLEO again some time, but that's about it.
CD 2
Here Comes Sunshine - Really nice, tight version; under 9 minutes, so it leaves me wanting more; some of the guitar work toward the end sounds distorted, but I can't tell if that's Jerry or the tape.
Me and Bobby McGee - Second surprise highlight after TLEO. A very solid version (although the drums at the beginning are surprisingly weak and plodding...weird); Jerry's bg vocals are priceless, and make me wish for more bg vocals from him and less from Phil and Donna.
Loser - Man, who doesn't love Loser? A very solid version. Jumped over to headyversion to look for comments on it, and there are none! Someone who posts there should give this bad boy a vote.
Playing In The Band - This is where my listening had to end. What I've heard so far sounds pretty good, but only made it a few minutes in before I had to bail.
Looking forward to the rest, but hoping for fewer (or lower-in-the-mix) Donna & Phil harmonies. The high ratings for Sing Me Back Home lead me to believe she may have actually hit a few on-key notes during the course of the show.
Will try to post more later in the week when I get a chance.

I was standing in my driveway yesterday when the USPS truck pulled up and the guy handed me a DaP 32. I told him that tracking said delivery on 11/5. He said that it did in fact arrive on 11/5 but he thought that I should have a weekend to enjoy it so he borrowed Jim’s John Deere and brought it to me on 11/2.
So, thanks Jim.

Made it through the whole thing yesterday and didn’t notice any skips or defects.
Listened to CD3 again last night once I was nicely marinated and holy smokes!! Smokin’ playing there and sound quality is amazing. The Jam has bits and pieces of just about everything you would expect from that era and then the quick Dark Star proper and a smooth slide right into Sing Me Back Home.
Pretty sure I listened to CD3 at least twice, but that’s where it gets a little fuzzy......
.......woke up at 11 am today, took the dog out, started making coffee, then realized that it was only 10 am.
Crap, forgot about the time change, could have slept in longer. Oh well, coffee is already brewing (super dark roast Columbian that I roasted myself - another thanks to Jim for convincing me to buy a roaster a few years ago) Might As Well take advantage of this extra hour and get started on a second listen to DaP 32.

Yes, an excellent choice Dave. Mighty fine mastering Norman.
Quality playing (currently on Row Jimmy) and excellent sound. Lots of Phil, had the house rattling yesterday. Drums seem at an appropriate level, no excessive kick drum like in 74.

Oh yeah, just remembered that last night after a Donna wail I concluded that I would take any Donna wail/scream over Wave To The Wind any day.

Credits:
Recorded by Rex and Kidd.
10” tapes provided through the assistance of ABCD Enterprises.

Thanks again ABCD!!

Here’s the story on ABCD for anyone who doesn’t know.

http://www.legalnews.com/detroit/1457673

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In reply to by icecrmcnkd

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We must be listening to different shows because I didn’t detect any of the negativity that he seemed to find.
Probably because I went into this with an open mind and open ears. Wasn’t trying to compare it to other 73 releases, and I don’t pay attention to what is written on heady version.
We’ll have to wait for Vguy to give his verdict on Cumberland since he’s a big fan of that song.

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17 years 5 months
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Thanks for helping! :-)

Hilariously Deader-than-thou response. Did I really just read a post implying that I don't go into a release with an open mind and open ears? Did this smug person read my post with an open mind?
The irony is so thick, you could cut it with a knife.
Yeah, man, we must be listening to different releases. Hooooo... (eye roll).

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10 years 8 months
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Can't be sure what show arrived for Mr. Heartbreak, because we listened last night to the first set, Bertha thru Playing, and to our ears, this show (3-24-73, right?) is outstanding! The playing was so engaging and the sound quality so amazing, this is rated top shelf in my world. No work to listen, the band was in the zone and the well-articulated parts meshed perfectly. This show is in that top tier where there's no call for ranking anything. It's in the pool of those shows where it sounds effortless and that attracts the ear. As I said, no work on the listener's part to enjoy.

If any of this show sounds "meh" to you, may the gods have mercy on your soul.

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14 years 9 months
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Would reeeeeeeeally like 3/21/73 to join this March/April constellation.

No complaints from me at all.

Following up 3 24 73 with 7 7 78, an O.T. show. Original Tape from the early 80s.

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6 years 9 months
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Don't have mine yet. Is Donna having an exceptionally bad night, or is she on par with her usual sound?

I was thinking Dark Star would be the defining track on this set...but looking at the timings, its only just over 4 minutes long! I notice the jam leading up to it clocks in at over 22 minutes though. I think of Dark Star as being a jam more than a song anyway, so maybe its not so clear when the so called jam ends and Star begins.

Looking forward to getting it however the dice falls.

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17 years 4 months

In reply to by Trainwrecked

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....I don't play craps anymore. But when I did, it was 6 & 8 all day. Hardways are a sucker bet.
....edit. just as I posted this, daverock posts a comment of letting the dice fall. Amazing!!

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