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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • stoltzfus
    Joined:
    My disappearance didn't take

    Those who diss 9 2 83

    You are WRONG.

    Plenty hot.

  • carlo13
    Joined:
    Keithfan the wallbanger

    I was a freshman in H.S. at this time. I remember my uncle buddy had a homemade stereo and amp. With the colored lights and switches and the black and white 'the who' poster with the arrow pointing up from the big H. I also remember he had a Harvey wallbanger poster in 1974 which was the new cocktail at the time. Orange juice and Galliano. The old days.

  • KeithFan2112
    Joined:
    This guitar only has seconds to live....

    Daverock, hats off for knowing Pete's studio guitar on Who's Next. I bought the LP in October of '83 (I can remember an astounding number of dates up through college years). I was in 6th grade at the time, and had gotten into The Who shortly after It's Hard came out the previous year. I remember being hooked on Athena from the radio, and then Christmas of '82 I went up to Buffalo, where my extended family lived. My cousin and I spent most of our days listening to music (and eventually, most of our nights drinking). Well that year we delved into my Uncle's album collection, which consisted of at least 7 crates of rock music. He put on Baba O'Riley from The Concerts for the People of Kampuchea (excellent live version in their first touring year without Moon). We just kept playing it over and over, probably 20 times that week. I think it's safe to say that's when I became a Who-Head.

    Anyway, I'm babbling at this point, but let it suffice to say I eventually bought the Who's Next Deluxe Version, and learned through the extensive liner notes the history behind Lifehouse; the abandoned Who's Next recording sessions from the Record Plant in NY (featuring Leslie West on several of tracks; AND the the Gretsch 6120 he used to record the album, which was given to him by Joe Walsh.

    Rare trivia that perhaps only one other person I could think of other than Uncle Gary might be aware of off the top of their head, and that is Kevin Brandon, who posts here periodically and is also a Who-head.

  • Vguy72
    Joined:
    Marye's Wonder Woman comment....

    ....has left me scratching my head. 1984? Which is the name of the new movie?

  • KeithFan2112
    Joined:
    Ha marye

    Took me a minute to get your Wonder Woman comment, but now I'm up to speed.

    Checking out 12/12/72. I've had the Bird Song in a 73/74 Bird Song folder awhile, but the time's come to get more of the show in. With limited time on my hands, it's always the (75% of the time) reduced audio quality of the soundboard recordings that send me into the Normanized archives. But the tracks I grabbed from this 12/12/72 show (aka Return To Winterland) sound pretty solid from an audiophile standpoint.

    Me and Bobby McGee - exceptionally good I would venture to say.

    Tennessee Jed - this song has been steadily growing on me for 5 years. 1972-73 is real nice. It's the instrumental jam about 4 or minutes in

    Playing In The Band - as good as the Europe 72 versions are, they get longer as the year goes on, and they good longer in a rocked out jammin kind of way, as opposed to a spaced-out jazzy kind of way (which believe you me has its place in Dead Greatness).

    Even Around and Around sounds great.

    That's as far as I've gotten.....Keith is raging loud. I wonder if Betty recorded this. They're really all pretty much raging loud.

    I'm sure none of this 12/12/72 business isn't news to a lot of you, but it's melting my face at the moment so I thought I'd pass it along.

    **************************
    And Now For Something
    Completely Different
    **************************
    It would be awesome if they made software that allowed you to make your own mix from a multi-track source, and the CDs (like Veneta) came with a second CD / DVD that contained each of the tracks. Then you just open your software program, put your DVD in your drive on your computer, and load the tracks for each song. From there a virtual soundboard would come up that allows you to start mixing. Even cooler would be if there were effects you could put on each of the tracks. I would turn up Jerry and add more distortion in a lot of spots. I would turn Keith up on most of Europe '72, I would substitute Donna's scream on Playing in the Band with Daltrey's from Won't Get Fooled Again. I would have multiple mixes for all songs. Turn up Billy for that "rock out hard" mix.

  • daverock
    Joined:
    The devils in the detail

    Keith - I agree that The Who only really found their live sound once Townsend strapped on a Gibson SG. On the original studio album of Tommy, they still sound like a pop band to me. On Live At Leeds/Hull/Isle of Wight they were well and truly rocking out, 70s style. For better or worse.

    Interestingly ( if you are a nerd like me) the SG that Pete played actually had single coil pickups - P90s. Other players who used SGs with P90s on their early albums were Robbie Krieger, Santana and, surprisingly, Tony Iommi of Black Sabbath. And he had a sound that could topple a factory.

    Also...Pete's premier studio axe in the 1970s seems to have been a Gretsch 6120, albeit one loaded with humbucking filter tron pickups. That great guitar sound on Won't Get Fooled Again?...its a Gretsch Chet Atkins Country Gentleman by all accounts.

  • marye
    Joined:
    Wonder Woman
    has left the building. Moving right along...
  • KeithFan2112
    Joined:
    Guitars

    I am on the same wavelength as LedDed as far as Jerry and the Alligator Nash Strat (the Fender Strat has that smoothness about it that suited Jerry's style so well). Somebody on this site recently said that they couldn't think of anyone who made a Stratocaster sound as good as Jerry did (it may have even been LedDef). That comment stuck with me.

    But I also love the pure power and volume of the the SG that Daverock talks about. I think it's a toss up between Pete Townshend and Angus Young on who put that sound to greatest effect, as far as overall career impact. Townshend built an empire on it that far outlived his personal use of the guitar; you've only to listen to Live at Leeds or Isle of Wight '70 to appreciate what the SG did for The Who in '69 / '70. It's the guitar that gave Tommy a set of balls. It played a very similar role in the Dead's evolution as a band, and IMHO may have been the most impactfing facet of the Live Dead sound and success (along with the record's engineering distinction as the first live 16 track recording - this brought out an incredible "harmonic" that was spearheaded by the SG).

    But for me, the real magic would be taking somebody with the artistic virtuoso talent that might be very well suited for that smooth polished sound of the Fender Strat, and placing the Gibson SG in his hands. Imagine that. If only such a player existied. A slick player who is both fast and gentle, picking through the glowing hot interlacings of those sharp SG strings and unforgiving pickups. Whew. And then if he could glide seamlessly from lead to rhythm at need (whatever it took to serve the song). But alas, no such man exists.
    Just a fantasy band, so I may as well take a step further and pair this divinely talented wielder of the SG with a tight riff-master who could lay simple but tasty groundwork for our lead player to weave his way over, under, and alongside . Then you'd have the makings for something extraordinary and unparalleled. But this kind of talent.... simply...... doesn't...... wait.....he does exist! And his name is Reggie Hammond. No wait, that's a movie. His name is Mick Taylor.

  • daverock
    Joined:
    Great guitars

    I would say I prefer single coil guitars to humbuckers generally-although my tastes are more inclined towards telecasters than strats. I could list dozens of players, but mention of the great Otis Redding puts me in mind of Steve Cropper of the MGs, and all the great records he played on with Otis, and at Stax generally during the 60s.

    For pure sound + eye candy a large bodied Gretsch is hard to beat-especially a 6120 or a White Falcon. I'm lucky enough to have a 6120 with a single coil dynasonic at the bridge and a P90 at the neck, a la Eddie Cochran. I'm no great shakes on the guitar...but you wouldn't believe the sound this thing makes. You can get slapback echo even before you plug it in.

    With Jerrys SG I just liked the sound of the single string solos he did with it. You could perform open heart surgery with that tone.

  • Thats_Otis
    Joined:
    Let me c'mon home...

    ... Everyone that reads this message should go immediately to the nearest way they can listen to Otis Redding. I promise you will be happier after than you were before. G'damn MG's!

    Peace

    - Otis? I think he was only 26 when he passed... plane crash. Tell me he doesn't sing like a man that knows about it all. Kinda like Jerry.

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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I have an odd little thing going on

I have one GD CD in the player for morning shower ritual (currently 6/17/94)
one GD CD in the player in the car for driving around (currently 8/16/91)
archive on the cell for walking around (currently 1/18/79; yesterday was 1/15/79)

interesting teleportation effect as I have multiple shows going on here, there, and everywhere

oh, no...CAPTCHA awaits below

if only it were pictures of nubile Amish maidens bathing outdoors in the sunshine in warm, sudsy water...but I bet it will be crosswalks. Let's see...

Oh. it's boats.

Unschwing.

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In reply to by stoltzfus

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I've always rather liked the little I know about Amish communities. Maybe the mainstream could do with taking note of how they do things.

No Daves Picks yet...but I notice an increasing number of Europeans have received theirs...so come tomorrow, there's me, sitting in the lotus position by my letter box, with hands cupped in anticipation of blessing.

The conversation turns....

We need a release announcement. Wonder if DaP33 will be announced before the subscription window closes. Early bird ends tomorrow.

Didn’t see any GD on the Black Friday RSD list.
Looks like Jerry and Merl will be the next release we get until DaP32.

Meant DaP34.
Yes, I knew what DaP33 was when I preordered.

Last year DaP 29 and 30 were announced while the subscription period was still open, but after the early bird had closed.

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In reply to by icecrmcnkd

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So what’s up there tier quality show with Dekalb ‘77 but from a very different era (as DL put it)? Feel like ‘69 would be too comparable to 2019, with 2/26 followed by 1/2.

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It's obvious what kind of guy this is. He most likely got dumped by his significant other and that other person probably liked the dead. I'm sure he's into the Dave Mathews band. If you know what I mean. P.S. -this douch also said C.S.N. are way overrated the same as Simon and Garfunkel. I mean come on.

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He actually called the dead boring.

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14 years 9 months

In reply to by carlo13

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simply don't "get" the GD.

I am reminded consistently how the GD are the greatest band EVER.

But not everyone "gets" that.

And that's....okay.

Stuart Smalley's a Deadhead, you know.

I read in BAM magazine back in the day a phrase by Blair Jackson, describing the GD: "I know something you can't even imagine"

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In reply to by icecrmcnkd

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Its nearly always nice when a new release is announced. I am not so keen when they announce releases too much in the future, though, like they tend to do at this time of the year. I haven't received Dave's Picks 32 yet, and Dave's Picks 33 has been announced. I don't need to know what Dave's Picks 34 is yet. They can save that one for a rainy day in February, when the pickings are slim.

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Maybe someone already mentioned it, but the DaP 34 announcement traditionally comes toward the end of December, right before the subscriptions end (not at the end of the early-bird pricing, which just occurred).

In southern MN there is a large Amish community. When I lived down that way I saw the buggies, and often purchased produce from the Amish farmers. As I watch modern Americans spending most of their days taking photos and videos of themselves, I cannot help but think of the Amish maxim of refusing to be photographed; the Amish believe that having a photo taken of oneself only leads to an enlarged ego. Hmmm . . .

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Been absent for a bit doing some research for Sir Richard Branson’s Virgin Galactic project. It involved some interstellar travel, which explains why I was gone so long. The good news is that I returned to this planet 2.3 years younger than when I left!

I found a very groovy parallel universe out past exoplanet Kepler-62f. Garcia was there, looking much slimmer and in fine health. He was giving free banjo lessons to a group of Amish septuagenarians at an assisted care facility in the Poconos.

Across town, a gathering of all the major world leaders was taking place at a venue that was eerily reminiscent of Winterland circa 1977. A certain Senator from this forum had been elevated to President, and JiminMD had risen to the position of Secretary of State of Mind. They presided over a gathering that included ayatollahs in tie-dyed robes, actual dancing bears, and the ghost of Owsley managing the concession stands. Kim Jong-Un showed up with a stealie tattoo on his forehead, begging everyone he encountered to help him avoid being sent back to Pyongyang.

The highlight of the event was the playing of the NFA>GDTRFB>NFA sandwich from 11/17/1971 (DaP 26) through an exact replica of the Wall of Sound. And, yes, the volume was turned up to 11. Putin twirled his ass off, and Xi Jinping was seen beaming from ear to ear while trading shots of Southern Comfort with Janis in the lobby bar. Most of the attendees had tears of sheer joy running down their cheeks.

Afterward, everyone hugged and promised to be nice to each other, stop all military aggression, and treat their respective citizenry with kindness, dignity and respect. Additionally, it was agreed that Grateful Dead CDs would become the new universal currency. It was also proclaimed that each country’s national anthem would be changed to a version of Dark Star of their choosing. The U.S. picked first and went with Veneta. Sweet!!

Now, if you’ll excuse me, a kind-looking man in a crisp white coat is telling me it’s time for my happy pills. Ciao!

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I finally got an email response from WMG Customer Service, it was 6 business days later, re damaged DaP32. Anyways good to know someone reads those emails. I really hope Dead.net ends up getting a US-based customer service line where you can speak with human. That would be a major improvement.

I gather from the post below that Dave's Picks 34 will be a previously non-circulating three disk complete 1968 show recorded on 16 track analogue master reels by Rex and Betty thought to be missing but now returned. It seems obvious that the bonus disc will be the complete second set from two nights prior.

Unless of course I missed something..

Deej, hoping for a quick and painless replacement.

Good to see you back in the mix Bolo, it has been a while. Looking forward to another year of clues. Maybe you could help this guy's with their warehouse issues.
Spinning some awesome 73 tonight, RT.4.3. This one continues where 11/17/73 left off. Love the Dire Wolf in this release. 73 at it's best and still available out there in the secondary market for affordable prices.

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In reply to by DeadVikes

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....my first declaration is to tell me what the next pick is. Executive orders are a bitch. (carefully points the mic down and applaudes).
My inbox is open for business....

....looking at what to play tonight. Fingers went from chin to cd rack and pulled out RT 4.2. April Fool's '88. I will skip the Watchtower though. Top ten Dead trainwrecks if there ever was one. Blech. Don't do yourself a favor.
There is a Cumberland, so it evens out in my opinion.

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...something you haven't listened to in a while really hits the spot, and today, for me it's DP 29 5/21/77. Just finishing up disc 3 as I do some reading and aimless meandering, and man, does it sound sweet.

Deadvikes, saw that reference to Roadtrips 4.3 and it reminded me that I picked up when Real Gone re-released that one recently and have listened to it maybe twice. Gonna have to give that another listen soon.

Interesting reading extensive reviews of the Dead by someone who clearly dislikes the Dead on just about every level. It moves you or it doesn't.

Moving on from DP29 to Alan Parson Project's Pyramid album, something else I haven't listened to in a while. Cool album, dig that APP sometimes.

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Hey now Vguy, I was at those '88 Meadowlands shows and have fond memories of that Watchtower;)

Oh no..!! I exclaimed as his first executive order immediately set in place the very coup that overthrew his regime.

Had he listened to his wise and cautious advisors that suggested the first order of business should be to turn Camp David into a Wall of Sound enabled free music venue for all of us instead of using his powers for evil, to find out the next Dave's Picks before anyone else without going through the hardship to solve the endless, virtually impossible riddles.. , things would have turned out much different. Alas...

Well, we screwed up that parallel universe.. on to the next one they call Cygnus X-2(Deer_Creek).

To Cygnus X-2(Deer Creek). What could possibly go wrong?

As for your Doppleganger, I saw him drinking a piña colada at Trader Vic's
And his hair was perfect.

Tossed in to randomly evoke the angry guise of KeithFan2112 as he realizes yet another Rush song was put in the subject line of several posts that seemingly had nothing to do with Rush.

As Yoda once said, Misanthropic bastards we are.

I really like that April Fools Road Trips. I do wish it sounded a tat better if that's ok to say. I'd put it in the same neighborhood as the Road Trips Penn State 1980 and the Download Series 1988 Hampton. All great shows but I'd kill or die for more dynamic range on the masters.

Edit: No hard feelings, KF.. just having a little fun.

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A Waylon Jennings smoker and fine follow up to APP for something totally different. Been diggin' some Waylon lately.

Brendan Byrne will always be the Meadowlands to me. Fond memories.

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In reply to by Charlie3

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Just received DaP32 in the UK and the Playing is one for the ages. Terrific.

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In reply to by frankparry

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My postie has just put #32 into my grateful hands. Playing it in disc order so I’m up to Cumberland Blues. So far so good. Guitar on Cumberland Blues is worth the price on its own. My second fix of GD should arrive on Friday when Amazon deliver ‘Ready or not’. So much to be thankful for.

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It's been a few days since I checked in. Wanted to tell everyone It's the anniversary of a Dyn-O-Mite show Stoltzfus turned me on to: November 19,1972. Then I saw Cygnus in the headlines, only to discover it was one of those Merry Pranksters again. I suppose that's what I get for hitting the road without a second cup of coffee. But seriously the Bird Song might be the best unreleased Bird Song out there. The Dark Star I've only listen to about a half-dozen times and not recently. I remember I mentally put it in the top 50 to 75% of Dark Stars mentally. First 5 minutes been fantastic, I can tell you that. I

The Grateful Dead - listen loud or don't listen at all.

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Wasn't he the mouse that Krazy Kat loved?

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Charlie, it's funny you mention Alan Parsons Project. Saw my uncle Sunday, and he mentioned that his son (my cousin) had recently taken him to see APP. My uncle brought it up because he knows I love and know music (partially because of his tutelage--he played me Take Five when I was young). So yesterday I sat down and listened to a bunch of APP.

The Bolo post has me tortured, a la Jack Skellington in Nightmare Before Christmas--What does it MEAN?!

(hey . . . this game of distracting KeithFan is kinda' fun! :)

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I picked up a used vinyl copy of this a month or so ago, along with a few others from Waylon. Timeless music. In September, I went on a fishing trip to Northern Minnesota with some old high school buds. Listened to a lot of country and Americana, so been on that wave length since then. Along those lines, the new Billy Strings arrived today on vinyl. This one's a keeper! Thanks Vguy for the intro to Billy......spinning now and sounds great!

Here's another one along those lines that I mentioned here a few weeks back......give it a listen if you haven't. The vinyl pressing is excellent:

https://nitty-gritty-dirt-band-store.myshopify.com/collections/music/pr…

For you Minnesota guys.....have you ever heard of Pelican Lake? On the fishing trip we stayed on a 45 acre private island on that lake in the north woods. Only one house on the island with a couple of servants cabins. Supposedly Jimmy Hoffa and other famous folks stayed there back in the day.

We did not see any werewolves.....stay away from him...he'll rip your lungs out Jim......I'd like to meet his Tailor

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In reply to by Colin Gould

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Dave's Picks 32 materialised on my door mat at some point this morning too. I never heard it arrive, I just checked to see if I'd got any post about 11.00am, and there it was.
I haven't started playing any of it yet-tomorrow will be a better day for that..I can feel it in my bones. But its a nice looking package(as the actress said to the bishop). I like the article by Hugh Cutler in the sleeve.

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Mmmm fishing. I love to fish. My friends and I used to go night fishing with beer and a few joints. There is nothing more fun. Oh, the good old days.

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Now Deadhead Brewer's in on it 🤔 I sense a plot to destroy the Jedi....

Grace Under Pressure. Produced by Peter Henderson if I recall, whoever he is. The point is, they let Terry Brown go, and I believe that was a mistake. Big one. The album had some good songs on it that is for sure, but it was no Signals. And as many good songs as it had on it, I would say it is the lowest-ranked album between it and just about everything that came before it. Rumor has it that Terry was not into all of the electronic drums and predominant synths. Well they had a good run leading up to it, that's for sure. Every album after that had great Rush songs on it, but IMHO, some snoozers too. And of course they ended on a high note with Clockwork Angels.

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Remain the classiest franchise in all of sports.

Thank you Pat Maroon.

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DeadHeadBrewer, listening to the album Time Out by Dave Brubeck after seeing your reference to Take Five, one of the highlights of that album. It is a testament to how good that whole album is that I can't even say for sure Take Five is my favorite song on the album, and as good as Take Five is that is saying something.

CaseyJanes, a 45 acre private island on a lake in the MN woods sounds amazing, I bet the night sky was fantastic. I have also been listening to some country and americana recently, mainly due to Ken Burns' Country Music documentary. A lot of the Waylon Jennings stuff hits the spot but Dreaming My Dreams is great, so is Lonesome, On'ry and Mean.

Listened to the Aoxomoxoa bonus disc earlier today, haven't listened to it more than a couple of times so far, but this time it struck me as pretty cool, particularly the Clementine-Death Don't Have No Mercy.

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It's all I listened to today. In addition to the Bird Song and the Dark Star I mentioned earlier, also great Playing in the Band and China Rider. Big Railroad Blues gets better every time I hear it. A respectable Mississippi Half-Step. Sugar Magnolia - now there's a great song nobody ever talks about. This one starts out a little rough, but picks up steam fast - like a steam locamotive. Rolling down the tracks. Those would actually make cool song lyrics. Anyway, yeah, Sugar Magnolia - 4/24/72 - that one'll knock your socks off. Can you believe THAT's the song that sucked me into the Dead orbit? If I had not by chance heard Rockin the Rhein's Sugar Magnolia playing in the background during a poker game, I wouldn't own a Dead record today. I think the Sunshine Daydream coda is best on the Europe '72 tour. There are some great '71 versions too, but Bobby really had the screams working well in Europe. Ever notice Donna doesn't start singing Sunshine Daydream until after E72? I prefer it without her.

Last call for 11/19/72, brought to you by Stoltzfus. I'm sure there's gotta be a good copy on archive.org.

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