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    clayv
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    "Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

    As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

    Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

    GET IT WHILE YOU CAN

    *Limited to 2 per order. Very limited quantity available.

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  • stoltzfus
    Joined:
    My disappearance didn't take

    Those who diss 9 2 83

    You are WRONG.

    Plenty hot.

  • carlo13
    Joined:
    Keithfan the wallbanger

    I was a freshman in H.S. at this time. I remember my uncle buddy had a homemade stereo and amp. With the colored lights and switches and the black and white 'the who' poster with the arrow pointing up from the big H. I also remember he had a Harvey wallbanger poster in 1974 which was the new cocktail at the time. Orange juice and Galliano. The old days.

  • KeithFan2112
    Joined:
    This guitar only has seconds to live....

    Daverock, hats off for knowing Pete's studio guitar on Who's Next. I bought the LP in October of '83 (I can remember an astounding number of dates up through college years). I was in 6th grade at the time, and had gotten into The Who shortly after It's Hard came out the previous year. I remember being hooked on Athena from the radio, and then Christmas of '82 I went up to Buffalo, where my extended family lived. My cousin and I spent most of our days listening to music (and eventually, most of our nights drinking). Well that year we delved into my Uncle's album collection, which consisted of at least 7 crates of rock music. He put on Baba O'Riley from The Concerts for the People of Kampuchea (excellent live version in their first touring year without Moon). We just kept playing it over and over, probably 20 times that week. I think it's safe to say that's when I became a Who-Head.

    Anyway, I'm babbling at this point, but let it suffice to say I eventually bought the Who's Next Deluxe Version, and learned through the extensive liner notes the history behind Lifehouse; the abandoned Who's Next recording sessions from the Record Plant in NY (featuring Leslie West on several of tracks; AND the the Gretsch 6120 he used to record the album, which was given to him by Joe Walsh.

    Rare trivia that perhaps only one other person I could think of other than Uncle Gary might be aware of off the top of their head, and that is Kevin Brandon, who posts here periodically and is also a Who-head.

  • Vguy72
    Joined:
    Marye's Wonder Woman comment....

    ....has left me scratching my head. 1984? Which is the name of the new movie?

  • KeithFan2112
    Joined:
    Ha marye

    Took me a minute to get your Wonder Woman comment, but now I'm up to speed.

    Checking out 12/12/72. I've had the Bird Song in a 73/74 Bird Song folder awhile, but the time's come to get more of the show in. With limited time on my hands, it's always the (75% of the time) reduced audio quality of the soundboard recordings that send me into the Normanized archives. But the tracks I grabbed from this 12/12/72 show (aka Return To Winterland) sound pretty solid from an audiophile standpoint.

    Me and Bobby McGee - exceptionally good I would venture to say.

    Tennessee Jed - this song has been steadily growing on me for 5 years. 1972-73 is real nice. It's the instrumental jam about 4 or minutes in

    Playing In The Band - as good as the Europe 72 versions are, they get longer as the year goes on, and they good longer in a rocked out jammin kind of way, as opposed to a spaced-out jazzy kind of way (which believe you me has its place in Dead Greatness).

    Even Around and Around sounds great.

    That's as far as I've gotten.....Keith is raging loud. I wonder if Betty recorded this. They're really all pretty much raging loud.

    I'm sure none of this 12/12/72 business isn't news to a lot of you, but it's melting my face at the moment so I thought I'd pass it along.

    **************************
    And Now For Something
    Completely Different
    **************************
    It would be awesome if they made software that allowed you to make your own mix from a multi-track source, and the CDs (like Veneta) came with a second CD / DVD that contained each of the tracks. Then you just open your software program, put your DVD in your drive on your computer, and load the tracks for each song. From there a virtual soundboard would come up that allows you to start mixing. Even cooler would be if there were effects you could put on each of the tracks. I would turn up Jerry and add more distortion in a lot of spots. I would turn Keith up on most of Europe '72, I would substitute Donna's scream on Playing in the Band with Daltrey's from Won't Get Fooled Again. I would have multiple mixes for all songs. Turn up Billy for that "rock out hard" mix.

  • daverock
    Joined:
    The devils in the detail

    Keith - I agree that The Who only really found their live sound once Townsend strapped on a Gibson SG. On the original studio album of Tommy, they still sound like a pop band to me. On Live At Leeds/Hull/Isle of Wight they were well and truly rocking out, 70s style. For better or worse.

    Interestingly ( if you are a nerd like me) the SG that Pete played actually had single coil pickups - P90s. Other players who used SGs with P90s on their early albums were Robbie Krieger, Santana and, surprisingly, Tony Iommi of Black Sabbath. And he had a sound that could topple a factory.

    Also...Pete's premier studio axe in the 1970s seems to have been a Gretsch 6120, albeit one loaded with humbucking filter tron pickups. That great guitar sound on Won't Get Fooled Again?...its a Gretsch Chet Atkins Country Gentleman by all accounts.

  • marye
    Joined:
    Wonder Woman
    has left the building. Moving right along...
  • KeithFan2112
    Joined:
    Guitars

    I am on the same wavelength as LedDed as far as Jerry and the Alligator Nash Strat (the Fender Strat has that smoothness about it that suited Jerry's style so well). Somebody on this site recently said that they couldn't think of anyone who made a Stratocaster sound as good as Jerry did (it may have even been LedDef). That comment stuck with me.

    But I also love the pure power and volume of the the SG that Daverock talks about. I think it's a toss up between Pete Townshend and Angus Young on who put that sound to greatest effect, as far as overall career impact. Townshend built an empire on it that far outlived his personal use of the guitar; you've only to listen to Live at Leeds or Isle of Wight '70 to appreciate what the SG did for The Who in '69 / '70. It's the guitar that gave Tommy a set of balls. It played a very similar role in the Dead's evolution as a band, and IMHO may have been the most impactfing facet of the Live Dead sound and success (along with the record's engineering distinction as the first live 16 track recording - this brought out an incredible "harmonic" that was spearheaded by the SG).

    But for me, the real magic would be taking somebody with the artistic virtuoso talent that might be very well suited for that smooth polished sound of the Fender Strat, and placing the Gibson SG in his hands. Imagine that. If only such a player existied. A slick player who is both fast and gentle, picking through the glowing hot interlacings of those sharp SG strings and unforgiving pickups. Whew. And then if he could glide seamlessly from lead to rhythm at need (whatever it took to serve the song). But alas, no such man exists.
    Just a fantasy band, so I may as well take a step further and pair this divinely talented wielder of the SG with a tight riff-master who could lay simple but tasty groundwork for our lead player to weave his way over, under, and alongside . Then you'd have the makings for something extraordinary and unparalleled. But this kind of talent.... simply...... doesn't...... wait.....he does exist! And his name is Reggie Hammond. No wait, that's a movie. His name is Mick Taylor.

  • daverock
    Joined:
    Great guitars

    I would say I prefer single coil guitars to humbuckers generally-although my tastes are more inclined towards telecasters than strats. I could list dozens of players, but mention of the great Otis Redding puts me in mind of Steve Cropper of the MGs, and all the great records he played on with Otis, and at Stax generally during the 60s.

    For pure sound + eye candy a large bodied Gretsch is hard to beat-especially a 6120 or a White Falcon. I'm lucky enough to have a 6120 with a single coil dynasonic at the bridge and a P90 at the neck, a la Eddie Cochran. I'm no great shakes on the guitar...but you wouldn't believe the sound this thing makes. You can get slapback echo even before you plug it in.

    With Jerrys SG I just liked the sound of the single string solos he did with it. You could perform open heart surgery with that tone.

  • Thats_Otis
    Joined:
    Let me c'mon home...

    ... Everyone that reads this message should go immediately to the nearest way they can listen to Otis Redding. I promise you will be happier after than you were before. G'damn MG's!

    Peace

    - Otis? I think he was only 26 when he passed... plane crash. Tell me he doesn't sing like a man that knows about it all. Kinda like Jerry.

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"Cause it's always like that with the Dead, you know - it's always the whole thing." - News Journal

As we close out the 2019 Dave Pick's series, we deliver on our promise to give you the "whole thing" with the complete performance from The Spectrum, Philadelphia, PA 3/24/73 and what a show it was! An upstanding "musical eulogy" to the recently departed Pigpen, the Grateful Dead conducted a potent study in contrasts on this bittersweet night. They found easy balance between tidy jams like "They Love Each Other," "Wave That Flag," "Playing In The Band," and introspective moments on "Stella Blue," "Sing Me Back Home," and a poignant "He's Gone." It was all laid down with a discipline and a polish unheard of in any of the truly exceptional shows that had come before it. Yes, you might say, they cleaned up nice to carry on the legacy as Pig would have wanted.

Limited to 20,000 numbered copies, DAVE’S PICKS VOLUME 32: THE SPECTRUM, PHILADELPHIA, PA 3/24/73 has been mastered to HDCD specs from the 7" and 10" reels by Jeffrey Norman.

GET IT WHILE YOU CAN

*Limited to 2 per order. Very limited quantity available.

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7 years 10 months

In reply to by icecrmcnkd

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Todd Gak?

Set II from the Cow Palace is on deck.
Jim, remastered?

Happy New Year to all!

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In reply to by DeadVikes

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Its Winterland 12/31/72 for me. My copy is the FM UK released box that also includes the support slots of one cd and two cds from the Sons of Champlin and the New Riders respectively. Neither of which I have played yet.

But the Dead's set is stellar. It starts off a bit slowly, and only catches fire on set 1s penultimate song, "Playin", which is 18 minutes of uncategorizable magic. The second set is rock steady until the "Truckin-Other One" which is out of this world.

I haven't got the Band of Gypsies box yet, but I played the first set from 12/31/69 that came out a few years ago. Seriously funky.

My only memories of Holland are of Amsterdam - a wonderful place to get lost in when I was last there-1990.

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43 years ago tonight I was up at Winterland, fun show. A flyer went around at the show that said New Years starts at 1230 tonight. Bill Graham was over at the Cow Palace with Santana at 1200, he came back at 1230 to fly down from the balcony on a motorcycle. 50 years ago tonight I watched the Dead on tv bring in the New Years. Jimi M.D. I was at that show with Etta James on 12/31/82, it was fun. Happy New Years everyone, have fun.

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Boston Tea Party... had the tapes...back in the 80's.. i have to say haven't listened to this one in over 25 years.... Big fan of Cow Palace show, and the 12/31/82 show...

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While yall are gding

I am stuck in a room playing pop hits

Its for a great cause
But i detest pop

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In reply to by stoltzfus

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....theres pop, then there's pop. MJ and N'Sync. That's all I've got.
Stoltzfus is in the punch line. Happy 2020 everyone. Scored two tabs of acid recently. The first in a long, long time. Thinking about it....(maybe a half?)
A half it is. Don't tell mom.

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Gimme, gimme, gimme, gimme one more for the road

What do you want? What do you want?
I want rock'n'roll, You betcha
Long live rock'n'roll

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Happy New Year to all the GRATE heads that have hooked me up with music this past year! Looking forward to another year of GRATE releases!

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Also a big fan of Cow Palace '76 Jimbo. The multi-track really helps the engineering team punctuate Garcia's guitar; I beleive it's the only multi-track of the Travis Bean that's been released. I'm not much of a "best ever" guy, but They Love Each Other is something else. Highlights are too numerous - it's the whole show pretty much. Samson & Delilah is also particularly exceptional (coolest one-time only intro ever, right?); then again so are Eyes of the World, Playing in the Band and Morning Dew. And Scarlet Begonias. And UJB. Wharf Rat. Ridiculously good.

I would be in a tough jam choosing between Cow Palace and The Closing of Winterland. If we're talking strictly 70s, I don't think there's a better Stagger Lee or Miracle. From the Heart of Me is a nice interlude sort of tune. In my mind the Scarlet / Fire is possibly the most overlooked fantastic versions out there. The Dark Star is in my top ten desert island Dark Stars, I think probably because it just hangs on the main theme for the better part of 13 minutes and has a really intense 5 minutes of The Other One sandwiched in. Great version of Good Lovin', which I'm not particularly into without Pigpen, but every once in a while a special one comes along (this has a great sustained "got to have love" chorus toward the end). And then there's my boy Keith - the guy took a lot of bad press for (allegedly) losing his chops in 1978. I never heard it. All I heard was a shrinking canvas for him to play on. This show features some great playing from Keith that stands out on Big River, It's All Over Now, Playing in the Band, and Johnny B. Goode. Strong stuff.

Carlo - love the Def Leppard call-out.

Daverock - there was once an old regular here named wjonjd who was famously knowledgeable about most things Dead. He regarded 12/31/72 very highly, once saying, "the Truckin'-Other One-Morning Dew sequence has to be one of the greatest jams of absolute all time. Simply mind blowing."

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In reply to by KeithFan2112

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Keith...nice to read that someone else has spoken up for this Truckin-Other One-Dew jam. A lot of the great jams are well recognised as such - but this one seems to have slipped through the net a bit. Maybe because New Years shows only tend to get played on the evening in question, and there is strong competition from the other years mentioned on here. But I would highly recommend both this jam and the first set Playin' .

I'd better get on with 12/31/76 now, before the glamour of the moment fades completely.

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In reply to by KeithFan2112

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....after Cow Palace, I wasn't done listening to the boyz, so I randomly picked Dave's 13 2.24.74. And, wouldn't you know it, that the ending crescendo of Morning Dew occurred exactly at the stroke of midnight. Mind blown.
Then I watched Phish's new years gag at MSG. Phuking Nuts. Happy New Decade!!!
https://youtu.be/vV0BSum25XQ
.....love em or not, they do put on quite a spectacle.
Edit. Trey gets stuck but improvised like a champ.

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This Cow Palace 76 NYE is just outta sight!

Anyone need it? I'll send you a copy (do PMs work?)

Peace, and Happy New Year, DeadLand!

I was there for 28 and 29... tix for the 30 and 31 were crazy! The 29th was incredible though...

Send in the Clones.

Peace

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Like it more and more I play it........ Smokestack Lightening keeps getting me!!! Next up the 28 minute other one!!! When i first got it, i just played the Bo Diddley songs..... So i missed the rest...... best part of going back for a visit.
bob t

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We went to the D&Co Chase NYE show last night. Geez that place is huge! Folks in the rafters better not have a fear of heights!

OK show with some nice highlights. H>S>F was great to open the second set, and a cool Milestones after drums. Third set after the Roaring 20's themed NYE countdown stunt including a Dead airplane and flappers was cool: SM>UJB>Scarlet Fire>Sunshine Daydream.

NYE 1971, 48 years ago, was my first Dead show, what a great annual tradition!

Happy New Year and New Decade, fun folk!

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The Tennessee Jed on the recent DaP 32 has a blockbuster solo jam climax. I've always enjoyed Jed, but lately it's hit the upper tier of songs for me on account of that instrumental jam they go off on around the 5 minute mark (especially in one drummer mode).

Vguy I had a whole paragraph of boring shit about how I just realized last week how great that DaP 13 Dark Star is, but that I need to revisit the Dew. Then as I've done dozens of times before, I nodded off with my thumb resting on the backspace key and poof - all gone. Wasn't anything that captivating.

Bobby T - ditto on DP 30. Then about a month ago I finally checked out the rest. Brokedown Palace, China Rider, and Truckin' come to mind. Since you like the Smokestack Lightning, you may really dig the one from the previous December 7 on DaP 22. Something about getting that piano in there really helps these two versions (along with Pigpen's sincerest "wasn't me" inquisitiveness regarding who exactly did bite the little sister - Awooo! Good stuff

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What a great time to give this beauty a re-listen. I really should keep it on the box for a while.
I appreciated how that since they could not give us all of 1/3, they chose to eliminate songs that were played on 1/2, so it feels a little more complete to me.
Alligator-->Feedback medley on bonus disc is indescribably delicious!!
2020-Love it already!!

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Thanks for the reminder Mr. Ones....a 50 year anniversary....Mason’s Children knocking at my door!!!

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In reply to by CaseyJanes

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I was (and am) very high on this release, it's good to see this get some praise.

Let's not forget, the Mason's Children from this show first appeared on Fallout From the Phil Zone, so we know Phil had a high opinion of this version of the classic rarity. ..and the show starts exactly the same way as on the Fallout cut, like Bear had the tapes loaded and read to go but barely made it to the recorder to hit play just as the second chord of the song was played.. almost perfectly right on time minus one beat.

Yes, bonus material is a real treat.. but that Dark Star suite is also true classic (as is the one from Dave's Picks 13, Winterland 74 discussed just earlier in this very thread). To think.. the night before they had Hendrix and the Band of Gypsies, then two nights of the GD. Holy Cow.. to have been a young hipster bouncing around in Greenwich Village in late 69, early 1970. Wow, that must have really been something.

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…. be on the lookout for a complete list of Jerry Garcia Shows!

I just got done, sorting, labeling and stacking every(?) show by Jerry,,,, about 800 show. Anyone have a complete list of every show, period? Then I can check what I have against what was done.

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In reply to by wave-that-flag

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Thanks Wave that flag! its cool that a friend made copies for you. I did check my bank statements and yes they did refund my money without letting me know. It looks like box is all sold out now. Oh well. Happy new year

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In reply to by Dave Sweeting

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4 2 73 wowzer
10 3 76 wowzer
4 25 71 currently at CJones
a pleasant surprise in first set
4 23 77
4 22 77

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The database on jgarcia.com is the most efficient resource I've yet found. Its engine allows you to search by date range and lineup (including multiple lineups in a single query), then sort results in ascending or descending chronological order, while providing a setlist and roster of musicians. Link: https://jerrygarcia.com/shows/

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In reply to by Kate_C.

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Speaking of lists of shows, etc.. I would love to get my grubby little paws of a database of all the GD shows and setlists that exist. Something like setlists.net or deadlists.com that I would put in a database of my own.

Doubt if anyone out there has one they would share.. but thought I would ask while the subject came up.. I started screen scraping one of the sites and building my own, but only made it through 1968 or so and gave up. argh..

(I know.. nothing worse than geeks with spreadsheets)...

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In reply to by icecrmcnkd

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I have deadbase 50.. Big and purple, but unfortunately.. paper. I was hoping someone out there had all this electronically. It's the only way I stand a chance on 30 days of dead. :D

Wishful thinking...

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If I could go back to the past and attend any 5 Grateful Dead shows they would be: 2/28/69, 3/1/69, 5/2/70 and 5/15/70 early and. late shows.

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Kate C - thanks for the heads up on the deadbase book, I didn't know that info was in there. I took a look and was, like wow, there's a lot of shit here. I usually only use it to check playlist of dead shows. The jerry site has an odd list, great to find "a" show, but a full list that's useable I've yet to figure out.

thanks, as bogart says, you're a good man sister.

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H2H starts strong and keeps building and buil....

the tape cuts.

D'oh!

Another tape cut that annoys greatly is 4 7 71

a nice jam starts out and then cuts. Grr....

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Last night channel surfing brought up the Dick van dyke show

Rob and Laura are in respective twin beds watching tv

She's eating a banana
He's eating an apple

Is that significant?

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I got out of bed ,(pulled a comb across my head) , saw a bald eagle near home. Listened to some of Dave’s Picks 30.
For an old fart it was a good day.

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In reply to by JimInMD

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Has anyone spent time with the "Listen to the Music Play" digital book of setlists and other stats? Available (choose your own price) at https://www.gratefuldeadbook.com/. I have it, but haven't spent time with it, curious what other folks think.

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In reply to by campaignshoutin

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Worth a listen (or more)

A Relix article years ago dubbed April 71 "Acid Month" as the GD played NYC eight times

"Vann in Ahpril with the Grateful Dead sooteh"

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It doesn't appear there's an entirely dependable or convenient digital option for your needs. Setlist.fm provides an easy-to-read chronological listing for the various JG solo incarnations by independent search (i.e., JGBand (all lineups at once), L&M, Recon, JG&Wales, etc.), but - after watching a utube tutorial on how to open a book - I found Setlist wanting for completeness when compared with GarciaBase and the attendant updates printed in DeadBase 50. Good luck!

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In reply to by billy the kid

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Billy the kid...great choice of shows you would like to have attended - the first 3 you mention are 3 of my favourite shows, too. I would substitute 5/15/70, though, with the complete run, all 4 shows, that the band played in London at the Lyceum in May 1972. Just the venue, the music, the city-the whole enchilada. If I did go back, though, I would want to be the age I am now, 62, rather than the age I would have been in 1972, 15.

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Do you remember how cool it was the first time you heard the start of set II with Wavy Gravy intro with the Dead tuning up in the back ground and just going into China Cat!!!! So got me into the Dead way back in mid-80's...... Keith Fan thanks for recommendation on Smokestack Lightning... Also gave 4/12/71 Pittsburgh a listen.... What a month April 71 was, Lusk Field House, Princeton, Manhattan Center.... Boston... Fillmore East run.... bob t

ah yes, I do remember. It was one of the first if not the first '73 tape I was able to get.

My copy did not have much distortion and was a decent sounding board but it was a little slow (off pitch).. so it had this funky, loping (incorrect) rhythm to it and I loved it anyway. I don't believe I had the whole show initially, perhaps just the second set or just 90 minutes worth, I can't remember. All those new songs, perhaps the most new material ever played in a single night? I didn't hear a copy that was pitch corrected until Archive.Org got up and running years later. What a revelation that was.. like, oh.... aahhh.

As for all the recent talk of '71, the good Doctor's ears must be burning.

Kate, a ghost from the past, good to see you and Happy New Year.

Keithfan, I assume your New Years resolution is to stop posting while commuting? :D

So all is well albeit a little global calamity. Let's hope we can put that genie back in the lamp. Fingers crossed.

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Wow. Forgot about the Sugar Magnolia Jam between the Feelin' Groovy Jam and Soulful Strut Jam. Great 30 min DS, and was enjoying the St Stephen when I arrived from work. The jam was good, the return was a little shaky, but if I recall, The Eleven is pretty smoking. Think 30 has to be Pick of the year. Sucks it took so long to receive it, but it finally happened. Had a burned copy prior, and ripped it to retrack it. May listen to more of it tonight, have some photo/computer work to do, and it shall be great background music at a high volume. Have a grate weekend! Seeing Star Wars tomorrow, hoping it's better to me than the reviewers.

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In reply to by alvarhanso

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Does anyone else remember a scrolling list of show dates and locations from the original DaP series announcement. 32was definitely 100% on that list. I'm wondering what else was on it and released so far. Y'all remember that, it was 8 years ago and most of us uhh probably have pretty shot memories, maybe there are screen shots somewhere?

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