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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • Oroborous
    Joined:
    Pairings

    ...I mean like a Muai Wowie for a Hawaii show, some Humbolt for NoCo etc...I guess it might be tough for Europe shows? Perhaps find a hash that was associated with certain countries?
    YEEESSSSS love the Elephants. If you can drink a sixer of those along with what not and still function normally your definetly a pro and/or an alcoholic lol! Back in the day when we couldn’t source much, that Pepsi challenge was a badge of honor! Used to like the Hinnie Darks way back when?....feel like that’s another one that you had to have directly from the country of origin, like many Canadian beers. They say their the same but don’t feel that way. Of course being a resident Simón would know more about that. We were just border kids back then so had many opportunities to test the theory with Canadian brew...had something in France that was pretty good, at least for back then. Can’t rember name...wanna say a red label on the bottle?

    EDIT: the Elephant challenge was part of the lore of my infamous Hershey 6/28/85 story....nothing like a sixer of hephalumps and QO of veggies, vooooooo, IT does not matter anyway!

  • Oroborous
    Joined:
    Spring 71

    Well I know what I’m listening to today, lol. Cruising through FTV 3 as we speak. Then 3/18, 10/22.2, and P/O 4/7/72.2...
    Wooooo, smokestack, niiicccceee!
    Thanks to all for the dynamic look at spring 71, and especially of course The Doc, good to see ya!
    First I must reiterate that I like ALL years, and I like early 71, hell Skull Fuck was the one that got me hooked. I have FTV 3, Ladies and Gents, 30 trips, and a old poor tape to cd copy of 2/18/71.2. (Love that DS/WR/DS.)
    But it’s been one of those periods sort of in the shadows for me. Perhaps it’s all the fragmentation: since Skull and L&G are cut ups and I’ve listened to them the most. Haven’t listened so much to V3 for a Vualt release, and 3/18 I only somewhat recently acquired so not too familiar with yet....I know I’ve been somewhat a prisoner to my predilections in the past, but hanging here has worked on that. But I guess if I was going to be critical it would definetly be the lack of extended jams, and on docs spectrum number 1 repertoire. Yes new songs but much is kinda sloppy, guitar tunening, cowboy songs, pigs long....ah, I think I just figured it out. It’s because there’s a lot of repetive tunes during this era that TODAY, after many decades of repetitive listening, I’m kinda burned out on...hope that makes sense? Now ANY tune in the right time and space can still blow the ole cosmic doors off, but generally speaking, over 40 years in, there are unfortunately some tunes that I don’t always need to hear. I think others have made similar comments before...so I think that’s what I don’t like, these do have much of those type songs. But so what, there’s so much great, unique stuff too. (and yes even the occasional DS!)
    Like fundamentally I’ve always dug the smaller, swinging band versions over the big lumbering ones. Oh, now that I’m thinking about it, this is kinda like 80s Dead in that it’s balls out rocking energy. The “STYLE”, I do really dig the style! Sometimes there’s something to the dirtier sound too. They had definetly made progress from early on, and eventually got to that buttery smooth ultra clean sound. But that might understandably not be everyone’s favorite cup of tea....so here there in this unique transitional period...just the right touch o grease on that Q.
    Also, like KF mentioned, Pigs organ playing is definetly at a peak. Speaking of the Grease machine, nowadays, though I may need to be in the mood for yet another long dragged out Lovelight or Good Lovin, the rest of the Pig list does just the opposite for me. Meaning that shit I’ve not had near enough of! I guess it’s just another case of needing to spend more time with this era. Which in this case means gettin loud and greasy! Easy Wind indeed! And the river kept on calling.....I’m sure anything deemed Box worthy will be just dandy, and ya know some day it’s coming in some form/forms; ....demand is high, at least among the old hardcore guard; there’s multitracks and/or Beatty’s from I believe all the Chester’s and 4/5,6,7, and 8?, Which I believe some are ABC sourced so you know it’s coming, it’s just when, where, and how?
    I liked Billy the Kids idea of formate variations. Say two box sizes and some kind of compilation like PNW etc.
    Go limited number of the big dog (20-30 shows?) for Doc and HF etc, and perhaps a 6 show box more in line with June 76 or PNW? for others? Perhaps they’ll do something in multiple parts like spring 90 (and they should do with June/July 76 at some point). I mean Chester probably stands out as the most prime choice just cause of the tapes. So maybe that first, and perhaps later a six to ten show April box?
    Whatever, I’m sure Ill learn to love it, much like that 78 box. And though it probably won’t be first call material personally, like all dead, I’m sure when I do let it roll, I’ll always be able to find golden yummies. Proper! Like this V3 TOO, all nasty, a tad sloppy, raunchy, but fuggin smokin! And this WR, it’s like their possessed, very unlike the vibe it would turn into.
    Anyway, lol, it’s dangerous to have extra time sometimes, sorry. 😉
    But thanks again for all the good angles. Hey if nothing else we got Doc from under the rock for a spell! Ok, back to the grease....boo yah. Sold, the Brooklyn bridge!

  • simonrob
    Joined:
    Beer notes...

    Fullers is great. London Pride is a fine bitter. ESB should come with a health warning. It is a lovely beer but unpredictable things can happen if you drink too much. You have been warned. Newcastle Brown is arguably the best brown ale if brown ales are you thing. Carlsberg is nice but their Elephant beer (7%) is a killer. Highly recommended if you can find it. Heineken sucks, like most things that come out of Amsterdam. Phil should have known better. There are much better Dutch beers. I am not familiar with the others but I have always struggled to find even a half-decent beer in France while Germany has loads of good local beers.

  • bolo24
    Joined:
    Me, according to my wife

    http://www.quickmeme.com/meme/3p838b

  • hendrixfreak
    Joined:
    I'm not thinking about beer at all...

    But as it's only 2pm here in Denver, I coughed up a brief list of brewskies to aid the courageous among us who may enter into a review of all 22 Euro '72 shows. This list is easily improved, but I got a sick, beloved cat going to the vet soon. And these are brands you can get in US or what's left of it.

    London: Fuller's London Pride or Fuller's ESB
    Newcastle: Newcastle Brown Ale
    Copenhagen and other Denmark cities: Carlsberg
    Bremen, Germany: St. Pauli Girl
    Paris: 1664
    Amsterdam: Heineken (Lesh is more)
    Luxembourg: I think we flubbed this one
    Munich: Paulaner Octoberfest

    Cheers! And good luck to those intrepid souls who nab all 22.

    EDIT: To Oroborous' question: Of course a weed pairing. We would always start by vaping Sativa, cracking a beer and glowering at anyone who spoke during the music. Beginning of second set, with big jams coming up, we'd switch to vaping Indica. Vaping would give way to a few smoked hits of Indica (and maybe a shot or three of Jameson) when DS, TOO or some other monster appeared on the horizon. Okay, maybe pop a painkiller.

    This is at a cabin in the foothills here, ~8000 feet. If weather was warm, I'd sleep over in my truck. If weather was very cold, I'd, um, drive the 75-minute route home, Jer ringing in my ears.

    As Clapton's manager told the press after he collapsed on tour back in the day: "We're not 'ealth freaks ya know!"

  • deadegad
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    London Calling?

    To me London Calling can be mentioned in the same breath as The Beatles(White Album), and The Rolling Stones Exile on Mainstreet. Yes LC is that good.

    Brand New Cadillac!

  • Charlie3
    Joined:
    London Calling

    Sounds perfect, some Clash it is. Perfect song to capture the vibe, classic album. I think it should be played at high volume, but that's just me.
    The ice age is coming, the sun is zooming in
    Engines stop running, the wheat is growin' thin
    a nuclear era, but I have no fear
    'Cause London is drowning, and I, I live by the river...

  • Oroborous
    Joined:
    Miscellaneous responses

    DEADVIKES: 4 second row tix for 20 bucks, NIIICCEE! It’s so cool to see em that close eh? Aahhh, the “old” days when we used to go up front all the time, siiiigghhh

    BLUECROW: HAPPY HAPPY! And nice June 76 post

    THANKS VGUY

    HF: thanks again for continuing to make me laugh and/or smile! That 71 “prep” is perfect, lol. I’d need a seatbelt! Speaking of, where the hells KCJ been hiding? Oh, and HF, sounds like I’ve had friends with the same interior decorator as you.

    BEER/SHOW pairing, awesome! Hmmm, could you do same with weed? 😎

    Spring 71......

  • KeithFan2112
    Joined:
    Strangers In a Strange Land

    As noted, the Europe '72 Anniversary begins today. They kick off with one of the best Greatest Stories I've ever heard. Sometimes you got one, sometimes you got two "cool clear water well you can't ever tell"s. I prefer two. Donna really nails these.

    The whole show is great. The Other One Part Deux into Wharf Rat is exceptionally exceptional stuff.

    I do my best to listen to them all in sequence on their anniversary dates every year, but always seem to fall behind at the beginning of May. Oh right....that's when the Bonus Disc Dave's Picks arrives.

    Great stage quotes from 4/7:

    While trying to figure out what song they're going to do next, right before Tennessee Jed -

    BOBBY : What the fuck are we doing here?

    JERRY: What indeed...

    During the Truckin' intro. Bobby queues up the band and begins to introduce Numero Uno when Jerry cuts him off -

    JERRY: Hey that guy's got a trailer....

  • Deadheadbrewer
    Joined:
    London's Calling!

    Heading for the listening room to launch my first trip through E72. As mentioned, I've tried to do the tour a few times, but usually only make it about half-way through the first show before life derails the tour and I have to head back to the States. But with older kids and NOTHING on the calendar (plus a willingness to listen even when it's not late at night with everything Just Exactly Perfect), I feel like I might really do it this time.

    Hendrix--I had the same thought about the European beers. Just wish the boys had played a bunch in Germany! I am getting some Jai-Alai Pale Ale from Cigar City Brewing for the listening session for DaP 34. This initial E72 session has me armed with nothing but decaffeinated coffee . . .

    p.s. Blue Crow--my thoughts exactly.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

https://relix.com/articles/detail/whats_become_of_the_bettys/

Also DSO’s Rob Eaton, so neat:

Eaton assented and on a day off during a Dark Star Orchestra tour, “I went to meet him at a parking lot of a Denny’s. He had a pickup truck and a trailer full of excrement and hay and the boxes I’d originally sent him back plus a wooden crate with 50 seven-inch reels thrown in it—no boxes, all tangled up. It was a complete mess. But most of those tapes turned out to be amazing. I would say 22 of those were from the June ‘76 tour—stuff that I had not seen before.

“If you had looked in the box, you would say there was no way they can be recovered but they could, if you took the time to do it. The challenge is that you can’t play them until you bake them at a low temperature for an extended period of time. That reformulates the back coding, which is what the oxide is on, and the oxide is what the music is recorded on magnetically. The seven-inch reels were on plastic hubs but I couldn’t transfer those to metal reels because it would ruin the tapes. So I modified a food dehydrator that I use to dehydrate mushrooms I collect here in the mountains of Colorado in the summer time.”

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Great story, thanks for posting it. I wonder if 6/17/75 was in that batch of tapes.

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Great read, McGrupp216....thanks!

"Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren’t the Dead’s tapes. I’d love to see Betty get her due.”

Does anybody know if Betty is/or did get any production royalties from these recent releases? God knows she deserves it......

I'll probably pass on this one. Nothing wrong with it and the presentation looks classy. I just know it's not gonna get played at all. When I go to pick a Grateful Dead concert off my shelf to play the competition is fierce and this one would not be competitive. I'm finally being realistic with myself. I am sure for those who want it it will be great. Enjoy!

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Yo! Rockers!

Pass on this one. Although I did see a great 76 show----Rochester. Ah sweet memories of memories........

Next year, 2021, 50th anniversary of 1971, either Port Chester box set or Fall 71 radio broadcast box set. Can I have both?????

Survived my pneumonia, hellish experience.

Rock on my friends...………….

Doc

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In reply to by mhammond12

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Love the Road Trips show from this run, probably my favorite Road Trips. Nice associated swag with it. Hoping there's a Warfield/RCMH 1980 box in the fall to complement this one.

Wish they had a "Box & a Byte" version that had a download coupon in box for the FLAC which was a little more than just the box but not as expensive as doing both a la carte. Would love to hear the FLAC shows on my listening headphones, but cannot do both so the box it is.

Thanks Dave!

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Having a hard time pulling the trigger on this one. Seems like an easy decision, but I know it won’t get much play.

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In reply to by RobbZ

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That line stood out to me, too. I sure hope she’s getting royalties!

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The list of Betty Boards in the Relix article keeps me wondering. I would choose the word incomplete to describe it, but that feels too much of an understatement. A quick glance at the July ‘78 box set gives an idea the Relix list is just a small sample of shows that Betty fortunately recorded. There are many already released shows we know Betty recorded that aren’t on that list. So were Dick’s Picks 3- or 29- or 33- and on just ignored? It baffles me how the author states this is a list of known Betty Boards, when we know about so much more.

Just watched it. Sounds like it’s going to be a good year for releases.

Excellent........
(Mr. Burns tapping fingers)

Edit:
Dave said that 6-19 is FM. The FM was with the returned reels, or was it already in the Vault?
The FM cassette sounded pretty good, this should sound grate.

Wonder if they edited out the guy who says “wah, wah, wah,” between the songs.

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Thank you so much for posting that list of returned tapes. It doesn't look like 6/17/75 from Winterland
is in there ,shucks that's to bad, I was hoping it would be. But those Capitol Theatre tapes from 2/71, will make a killer box set.

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In reply to by billy the kid

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A favorite + I was there at the Tower.
No such luck in this box. Maybe in 2026 as a Dave's Pick.
The 50th of 1976 and my 70th b'day.

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Best thing about this box: Cover art....save your money. Spend it on a box of Cracker Jacks instead....

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So yeah I am all about this box set. I love the 6/19 show - the whole shows is on YouTube. It looks like the house cameras caught everything in glorious black and white. The opening Help > Slip > Framklin's > Music is great. I wonder what source they used for the box set? The other 4 shows are returned Betty's so maybe 6/19 was an already contained in the vault Betty Board. Doesn't matter to me, I bought this box set immediately. I saw this while at work and I bought it as soon as I got done with the job. I was so happy I almost exploded.

It's funny too, I was asking for an 85 box on the DaP 33 comments section just a few days ago. Many , myself included, have asked for a 76 box on years past, but I haven't seen a recent request for it. Maybe that is the trick...ask for boxes we dont want so we get surprised by DL and the crew with ones we do.

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The Relix article and old circulating list is woefully incomplete. Mainly on the tapes made by Betty's ex Rex Jackson, she ended up with a ton of his tapes, and at least one of the ABCD releases (DaP 24 8/25/72) was taped by Owsley. So, in addition to 3 Bettys not known to exist just from the July '78 box to two gems from PacNW '73 6/22/73, 6/24/73, 4/2/73 (DaP 21), 12/6-7/71 (DaP 22), 11/17/71 & 12/14/71 (DaP 26) were part of the returned tapes, plus the known tapes which includes this box set. It's an even bet as to whether DaP 34 will be a Rex tape part of the returns or whether it's a Kidd Candelario tape that was in the Vault all along. I predict the former, given the awesomeness of the show.

This is not my favorite era, but Betty made killer tapes in '76, Phil and Jerry usually sound fantastic, vocals are good, and the smaller theaters helps. And I like some of the rarer tunes we get. Wish they included every other Mission in the Rain as filler, help balance out the 5 Might As Wells. But I'm gonna be a getting this one, no doubt.

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...I’ve been waiting a long time for the Beacon theater shows for a real long time! Very excited for this first boxset , Primo indeed for this Deadhead ! 🙏❤️😎💀🌹💀🌹
Have a grateful nite my brothers & sisters. I’m listening to daves Pick 10
12/12/69. A greatful Daves Pick, one of my favorite of the series and the Bonus Disc is just excelent in every way .
This release is another primo audio release for my ears, love the sound, sounds very intimate and Jerry is sweet and love Pigpen here Tom C. Is playing the keyboards. You get to hear a lot of new songs at the time entering the set list around this time like Uncle John band, still in a work in progress here in my option . Still a great performance. Rock on folks.🙏

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Man that's one hot show. Deadvikes I zipped you back a pm.

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Zipped you back another. Thank you sir may I have another?

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Interesting to see the range of opinions on the choice of shows for this box, indifference, disdain and unbridled enthusiasm. Personally, I had planned to get the next box whatever it was, but I have to say when I got the email this morning I was totally psyched. I expect the sound quality is likely to be excellent, the set lists look super cool, and a five show box is just the right size, and as noted the artwork looks cool, although I would dispute the assertion that it is the best thing about the box. I suspect the best thing about the box may be some of those versions of High Time, but that may just be because I dig that song.

As far as redundancy, I just don't see it - there are no other '76 boxes and '76 is not '77 or '78 so the existence of numerous '77 releases and the '77 and '78 box sets just don't make the '76 box redundant to me. The only thing that would strike me as redundant would be if they were choosing shows already released in their entirety.

Arrowhead is definitely one hot show, dig the added twist of that being a show at one of Willie Nelson's Picnics. Does that mean your long awaited July '78 box set has arrived Carlo13? I've been curious what you would think once you gave it a listen. The artwork on that box was some of my favorite box set art to date.

Deadvikes, sent you a pm, thanks for the heads up or it would have been months before I thought of checking my messages.

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Haven’t bothered to check if it was the same artist, but has anyone noticed that the coloring/design of this artwork seems similar to that of the Warfield release from last year?

Arrowhead...what’s not to love?

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The july 78 being listened to now is superb. I'm so glad to have this in my collection. The box itself is very convenient to have on my desk. Thanks everyone for the great reviews and now I'm glad I purchased it.

.....if that's what you want CaseyJanes, I'll get them for you. Not my style, but style is individual.
Arrowhead is an enigma. When the ambient temps get hot, the Grateful Dead say "we can be hotter!" Look at Veneta. Or the 91-93 Vegas shows.
Edit. Speaking of Sha Na Na, my wife walked down the hall to bed tonight singing the "Goodnight, it's time to go" outro they did at the end of their shows with no clue that they were in this threads conversation. I don't believe in coincidences. 🤔

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With PNW still stocked I was thinking they would do an 85 box. So glad we got this. It’s olde enough that the graybeards will dig it and modern enough for the youngins

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Who said anything about arm warmers?

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Funny, I just listened to DaP24 8/25/72 today - a summer show and it was hot. That Veneta 8/27/72 show is some other level stuff though, the proverbial cream of the crop, probably due for another spin soon. That's one of the few releases that I actually watched the video.

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Did you notice that they did not have a single show release like they usually do? I guess they’re saving that for Record Store Day.

This set from the Auditorium in Chicago, which is indeed great, albeit a 2cd set, has been released as an FM release (MOJO Filter 2016).

Another Mission in the Rain, a great PitB and, according to the cover, a Sipplication rather than the usual Supplication :)

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In reply to by Elbow49

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That's what I would go for-hopefully a show with Help-Slipknot-Franklins.

I recently listened to three 1976 shows-9/24/76 (Daves Picks), followed by the Dicks 20-9/25/9/76 and 9/28/76, which, while missing the show from 9/27/76, has the feel of a box set about it from a listening point of view. I did enjoy them, too...but they felt a bit light compared to preceding years. There is some gentle experimentation at play, though.

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Great Valentine's Day shows 2/14/68 & 2/14/70, both on my all time top 10 list of Dead show ever.

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...the returning artist Incase no figured out is
Justin Helton., he did the amazing artwork for the Daves Picks Series in 2016.
He all did art work for the ‘Fare Thee Well’ Tour.
He’s a primo artist, I love his artwork very much. Very classic approach but with his signature style, I noticed, he doing the 1976 Boxset for 2020 as soon as I saw the artwork. He brilliant artist I love him. Rock on my brothers and sisters. If you can spring for the poster Artwork being made available, I highly recomand it grabbing one. Beautiful art just amazing I see & feel a lot of Love in his work!!! Primo, oh I already said that, sorry folks, I haven’t slept in over a day.

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I'm so happy with this release, that I went and bought a brand new sealed copy of 6/9/76 on eBay to go along with it. Again, thanks Dave and Dead Net for this and all the great music you release. I look forward to the cool releases that are coming out real soon.

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In reply to by icecrmcnkd

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Please don't mind me - I appreciate that a lot of people are quite chipper about this release, and that's good enough for me. They aren't compulsory..so at least I save some dosh! And with 3/1/69 due out on vinyl soon (hopefully), that's not a bad thing.

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7 years
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Dave, you had me at Help!-Slip-Franklin.
Cant want to enjoy these shows

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16 years 1 month
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No more time to tell how, this is the season of what,
Now is the time of returning with our thought
Jewels polished and gleaming.

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10 years 8 months
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About a half-dozen of you responded to my plea for a copy of Boston June 9, that's so sweet and helpful.

Thanks to all.

Was at Dead Hippie Brewing's open mic last night in Denver and we rocked out, with many GD covers. Here and there, Deadheads keep coming through for me.

It would be ridiculous for me to buy this, says practical brain. you have plenty to listen to, and you'd save $165.

Life is for living, says happy fun brain. this insane existence is made tolerable by the GD.

Hmm...

payday is 2/28. I will have to decide then, I suppose.

this box is worth getting, regardless. why kvetch about repeats? the good Lord did provide us with skip buttons for things like Samson and Delilah (ironically, a biblical reference).

6/10
6/11
6/14
6/15
6/19

oh yeah, baby...just like that

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5 years 11 months
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Passing on this and getting dicks picks 24 on vinyl instead.

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16 years 8 months
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The sound quality of the mid 76 shows always seemed muddy to me. Questioned whether I really needed better versions as I tend to be a sucker for this stuff. I listened to the samples and then did a little A/B comparison with my existing copies from various sources over the years. Whoa. Couldn't get to my wallet fast enough. Looking forward to 'em. Anything going on for the 50th anniversary of Workingman's or Beauty?

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16 years 1 month
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Hoping 9/20/70 gets released with the 50th anniversary albums.

Twelve of the seventeen songs from this show are on the albums with the guest's that were on the albums.

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17 years 5 months
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Thanks Dave and the PTB for another stellar release from the Betty stash. Typical to this day and age most do not realize how lucky we are as fans. Look at the mess the Doors have with their archival strategies. Can't wait for both Beacon shows in all of their Jeffery Norman'd glory. Gonna be a great year. #out

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