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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • #691
    hendrixfreak
    Joined:
    April '71 tutorial for orobouros

    Step 1: Break out the sugar cube from the freezer. Divide in half. Ingest both halves.

    Step 2: Put on Ladies and Gentlemen the Grateful Dead.

    Step 3: Firmly hold volume knob and give it a hard twist to the right.

    Step 4: Pop a beer. Spark up spleef. Buckle seatbelt.

    Step 5: Repeat as needed.

    Seriously now, I'm not sure I can articulate the April '71 mystique, but to borrow a phrase from forensicdoc, it's "sledgehammer" music -- the core 5, back to rock 'n roll basics. As for big jams, they're all over the place. You really have to give Ladies & Gentlemen a spin for the Dark Star > St Stephen > Not Fade > Goin' Down the Rd medley, or my favorite, Alligator > drums > jam > Goin' Down the Rd > Cold Rain. Major jammy.

    Maybe a simpler way of putting it: Pigpen is in full force, greasier than a side of bacon on medium heat.

    About buckling that seatbelt: I moved from Steamboat Springs to Fort Collins, Colo., in 1988, with a dog, a cat and a mattress. No furniture, no nothing. So my buddy, the Dokdor, pulls a bench seat out of his van and lends it to me for a couch. Came with seatbelts and ashtray. We used to buckle up for happy hour, me and my woman, side by side. I still recall the disturbed look on my father's face when he visited. Nice living room with picture window and van seating for two. And nothing else.

  • #692
    Vguy72
    Joined:
    Just gonna put this right here....

    https://www.justgivemepositivenews.com/
    Believe it if you need it, or leave it if you dare.
    Happy Birthday crow dude. Love and hugs.

  • #693
    Deadheadbrewer
    Joined:
    Happy Birthday, Blue Crow!

    And wow--DP 18 for a first show?! That Pick is always in HEAVY rotation with me.

    Oro--I also do not share the love for Spring '71, but hope these ravenous fans of that era get their box one day. I'm with you in hoping for a box of everything presentable from 1968. Do give 1978 a chance. There are some AMAZING shows that year.

    Vikes--I'm jealous of your Met Center show. I was a freshman at the U that spring, but was two years away from getting on the bus.

    GivingIt--yes, the spine is designed that way; the book opens flat that way.

    Dave's Picks 34 due on or around May Day. GarciaLive 13 a week or so earlier, and the Origins graphic novel about the same time. What a time to be a Head!!

    p.s. Looks like Origins is $17.97 at Bull Moose. GarciaLive was $11.97, but is now $13.97 there.

  • #694
    DeadVikes
    Joined:
    Oroborous/The Met Center 4/17/89

    OROBOROUS, yes, I was at the show at the old Met Center after the Mecca shows. This is where the North Stars used to play.
    This was back in the day when they did wrist bands to determine when you got to buy tickets, I think like a month before the show. Waited in line outside for what seemed like forever. Ended up hitting the wristband jackpot and landed second row floor sets for four of us! $20!
    I wish I had the crystal clear memory of shows like some of you have but I don't, so I don't remember the Drums being any different. Great show, closest I ever got to the boys. I do remember the Iko Iko opener, early Victim at that point in time. Great second set, Estimated Eyes, Crazy Fingers, awesome NFA, Knockin Encore. That was the last show the did in MN and the July Alpine shows were the last shows the did in WI. Never could figure out why.

    Man, if we could all go back in time?

  • #695
    GivingItOomphO…
    Joined:
    UK arrival

    Received my copy today, interestingly without any import fees.
    Unfortunately boxset itself got a bit bashed up during transit.
    Crumpled corners with a 3 inch gash/tear up one of the hinges.
    The spine of the book is bit of a mess of glue and string. Do other peoples look similar?
    A bit disappointing but there are far worse things going on at the moment.
    The music and mastering are a superb as always.

  • #696
    stoltzfus
    Joined:
    Spring

    The sights
    The sensations
    The thoughts

  • #697
    Oroborous
    Joined:
    Spring 71

    ...must confess I’m not that familiar with, but personally don’t seem to get it? Perhaps I’m jaded by the closed minded “same repetitive set lists” dogma, but I think it’s more about the diminishing lack of big psychedelic jams. So same reasons I don’t listen to as much of other eras that most of you consider top shelf (where mamma hides the cookies!).
    But there’s always been this energy here surrounding it so when it eventually is realesed Im sure I’ll like it but hope I’ll truly get shown the light like is often the case for me since I started to hang with all y’all...THANKS!
    But curious why specifically folks are so rabid about this tour? Please enlighten me!

  • #698
    Oroborous
    Joined:
    Buenos Dias Rockeros!

    HF, I’m down with your 68 pick! I’m not familiar with Dicks 18 cause that’s not one of my go to eras, but I’ll take some ass whoopin’ 68 almost any Day! Have work to do in the garage so that oughta get this codger Moving!

    SPRING 89: saw Pittsburgh and Cincinnati, why the fuck I didn’t go to Ann Arbor I’m not sure..oh yeah, new job so with weekends only etc, but one of my main mates went so I usually, totally would of gone, Doooo!
    But yaaassss, it did seem like there was not only a natural renewal of life that spring, but also in the nuance of the Dead. It was like a slow progression that started after the coma and the madness of TOG MTC etc, showed true promise at the Hampton 88 shows we were at, continued somewhat through that year, but seemed to really be noticeable in 89, especially by Summer tour. Of course the fall 89 for me was a real peak, followed of course by the awesome, consistent spring 90 tour. To me it seemed like during summer 90 things were starting to change again as is the way with the dead. Brent was an obvious factor here as you could tell something was up with him, but of course none of us saw his early demise coming. Talk about big changes....I still think they should have taken a hiatus like 74... look how that worked out....I mean is it just me, but it seems like all the other cool stuff Jerry did get into in the nineties seemed way fresher then the Dead at the time, and he seemed to actually enjoy those side trips.
    MECCA: never went there, but looking back should have, bet it was a groovy scene. We used to go out of our way to pick those kind of places that we felt/thought would be comfortable to freak freely versus the big crazy cities, with less face it, usually more wanna be and joy riders than hardcore veterans, percentage wise.
    DEAVIKES: image you caught the Minn. show too then? Do you recall that first midi Drumzzz? That became one of my favorite parts especially during the later years.

    DAVES 34: usually they arrive here around the end of April, but definitely wondering if this madness will effect that. Don’t mind waiting but really hope we at least get it, even if it means a death trip to the PO....

    Stay well, stay safe, stay home!

  • #699
    Vguy72
    Joined:
    Pick Of The Day....

    ....is over here.
    https://www.dead.net/forum/pick-day-discussion

  • #700
    bluecrow
    Joined:
    pick of the day

    April 6? why that's my bday!
    Dicks Picks 18? why 2/3/78 was my first show! a grateful dead bday of sorts!
    I'm there! Cold Rain & Snow my first song? Yowza!

    Thanks Bolo and Marye for setting this up! Stay safe everybody!

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

https://relix.com/articles/detail/whats_become_of_the_bettys/

Also DSO’s Rob Eaton, so neat:

Eaton assented and on a day off during a Dark Star Orchestra tour, “I went to meet him at a parking lot of a Denny’s. He had a pickup truck and a trailer full of excrement and hay and the boxes I’d originally sent him back plus a wooden crate with 50 seven-inch reels thrown in it—no boxes, all tangled up. It was a complete mess. But most of those tapes turned out to be amazing. I would say 22 of those were from the June ‘76 tour—stuff that I had not seen before.

“If you had looked in the box, you would say there was no way they can be recovered but they could, if you took the time to do it. The challenge is that you can’t play them until you bake them at a low temperature for an extended period of time. That reformulates the back coding, which is what the oxide is on, and the oxide is what the music is recorded on magnetically. The seven-inch reels were on plastic hubs but I couldn’t transfer those to metal reels because it would ruin the tapes. So I modified a food dehydrator that I use to dehydrate mushrooms I collect here in the mountains of Colorado in the summer time.”

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Submitted by billy the kid on Thu, 02/13/2020 - 15:36

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Great story, thanks for posting it. I wonder if 6/17/75 was in that batch of tapes.

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Submitted by RobbZ on Thu, 02/13/2020 - 15:40

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Great read, McGrupp216....thanks!

"Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren’t the Dead’s tapes. I’d love to see Betty get her due.”

Does anybody know if Betty is/or did get any production royalties from these recent releases? God knows she deserves it......

I'll probably pass on this one. Nothing wrong with it and the presentation looks classy. I just know it's not gonna get played at all. When I go to pick a Grateful Dead concert off my shelf to play the competition is fierce and this one would not be competitive. I'm finally being realistic with myself. I am sure for those who want it it will be great. Enjoy!

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Submitted by Forensicdoceleven on Thu, 02/13/2020 - 15:55

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Yo! Rockers!

Pass on this one. Although I did see a great 76 show----Rochester. Ah sweet memories of memories........

Next year, 2021, 50th anniversary of 1971, either Port Chester box set or Fall 71 radio broadcast box set. Can I have both?????

Survived my pneumonia, hellish experience.

Rock on my friends...………….

Doc

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Submitted by boblopes on Thu, 02/13/2020 - 16:01

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Love the Road Trips show from this run, probably my favorite Road Trips. Nice associated swag with it. Hoping there's a Warfield/RCMH 1980 box in the fall to complement this one.

Wish they had a "Box & a Byte" version that had a download coupon in box for the FLAC which was a little more than just the box but not as expensive as doing both a la carte. Would love to hear the FLAC shows on my listening headphones, but cannot do both so the box it is.

Thanks Dave!

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Submitted by Angry Jack Straw on Thu, 02/13/2020 - 16:05

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Having a hard time pulling the trigger on this one. Seems like an easy decision, but I know it won’t get much play.

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Submitted by mcgrupp216 on Thu, 02/13/2020 - 16:08

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That line stood out to me, too. I sure hope she’s getting royalties!

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Submitted by Zuckfun on Thu, 02/13/2020 - 17:15

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The list of Betty Boards in the Relix article keeps me wondering. I would choose the word incomplete to describe it, but that feels too much of an understatement. A quick glance at the July ‘78 box set gives an idea the Relix list is just a small sample of shows that Betty fortunately recorded. There are many already released shows we know Betty recorded that aren’t on that list. So were Dick’s Picks 3- or 29- or 33- and on just ignored? It baffles me how the author states this is a list of known Betty Boards, when we know about so much more.

Just watched it. Sounds like it’s going to be a good year for releases.

Excellent........
(Mr. Burns tapping fingers)

Edit:
Dave said that 6-19 is FM. The FM was with the returned reels, or was it already in the Vault?
The FM cassette sounded pretty good, this should sound grate.

Wonder if they edited out the guy who says “wah, wah, wah,” between the songs.

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Submitted by billy the kid on Thu, 02/13/2020 - 17:35

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Thank you so much for posting that list of returned tapes. It doesn't look like 6/17/75 from Winterland
is in there ,shucks that's to bad, I was hoping it would be. But those Capitol Theatre tapes from 2/71, will make a killer box set.

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Submitted by Born Cross Eye… on Thu, 02/13/2020 - 17:41

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A favorite + I was there at the Tower.
No such luck in this box. Maybe in 2026 as a Dave's Pick.
The 50th of 1976 and my 70th b'day.

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Submitted by JackstrawJay on Thu, 02/13/2020 - 17:41

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Best thing about this box: Cover art....save your money. Spend it on a box of Cracker Jacks instead....

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Submitted by Gratefulhan on Thu, 02/13/2020 - 17:55

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So yeah I am all about this box set. I love the 6/19 show - the whole shows is on YouTube. It looks like the house cameras caught everything in glorious black and white. The opening Help > Slip > Framklin's > Music is great. I wonder what source they used for the box set? The other 4 shows are returned Betty's so maybe 6/19 was an already contained in the vault Betty Board. Doesn't matter to me, I bought this box set immediately. I saw this while at work and I bought it as soon as I got done with the job. I was so happy I almost exploded.

It's funny too, I was asking for an 85 box on the DaP 33 comments section just a few days ago. Many , myself included, have asked for a 76 box on years past, but I haven't seen a recent request for it. Maybe that is the trick...ask for boxes we dont want so we get surprised by DL and the crew with ones we do.

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Submitted by alvarhanso on Thu, 02/13/2020 - 18:17

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The Relix article and old circulating list is woefully incomplete. Mainly on the tapes made by Betty's ex Rex Jackson, she ended up with a ton of his tapes, and at least one of the ABCD releases (DaP 24 8/25/72) was taped by Owsley. So, in addition to 3 Bettys not known to exist just from the July '78 box to two gems from PacNW '73 6/22/73, 6/24/73, 4/2/73 (DaP 21), 12/6-7/71 (DaP 22), 11/17/71 & 12/14/71 (DaP 26) were part of the returned tapes, plus the known tapes which includes this box set. It's an even bet as to whether DaP 34 will be a Rex tape part of the returns or whether it's a Kidd Candelario tape that was in the Vault all along. I predict the former, given the awesomeness of the show.

This is not my favorite era, but Betty made killer tapes in '76, Phil and Jerry usually sound fantastic, vocals are good, and the smaller theaters helps. And I like some of the rarer tunes we get. Wish they included every other Mission in the Rain as filler, help balance out the 5 Might As Wells. But I'm gonna be a getting this one, no doubt.

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Submitted by Lovemygirl on Thu, 02/13/2020 - 18:24

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...I’ve been waiting a long time for the Beacon theater shows for a real long time! Very excited for this first boxset , Primo indeed for this Deadhead ! 🙏❤️😎💀🌹💀🌹
Have a grateful nite my brothers & sisters. I’m listening to daves Pick 10
12/12/69. A greatful Daves Pick, one of my favorite of the series and the Bonus Disc is just excelent in every way .
This release is another primo audio release for my ears, love the sound, sounds very intimate and Jerry is sweet and love Pigpen here Tom C. Is playing the keyboards. You get to hear a lot of new songs at the time entering the set list around this time like Uncle John band, still in a work in progress here in my option . Still a great performance. Rock on folks.🙏

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Submitted by carlo13 on Thu, 02/13/2020 - 18:49

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Man that's one hot show. Deadvikes I zipped you back a pm.

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Submitted by carlo13 on Thu, 02/13/2020 - 18:53

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Zipped you back another. Thank you sir may I have another?

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9 years 1 month

Submitted by Charlie3 on Thu, 02/13/2020 - 19:40

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Interesting to see the range of opinions on the choice of shows for this box, indifference, disdain and unbridled enthusiasm. Personally, I had planned to get the next box whatever it was, but I have to say when I got the email this morning I was totally psyched. I expect the sound quality is likely to be excellent, the set lists look super cool, and a five show box is just the right size, and as noted the artwork looks cool, although I would dispute the assertion that it is the best thing about the box. I suspect the best thing about the box may be some of those versions of High Time, but that may just be because I dig that song.

As far as redundancy, I just don't see it - there are no other '76 boxes and '76 is not '77 or '78 so the existence of numerous '77 releases and the '77 and '78 box sets just don't make the '76 box redundant to me. The only thing that would strike me as redundant would be if they were choosing shows already released in their entirety.

Arrowhead is definitely one hot show, dig the added twist of that being a show at one of Willie Nelson's Picnics. Does that mean your long awaited July '78 box set has arrived Carlo13? I've been curious what you would think once you gave it a listen. The artwork on that box was some of my favorite box set art to date.

Deadvikes, sent you a pm, thanks for the heads up or it would have been months before I thought of checking my messages.

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Submitted by CaseyJanes on Thu, 02/13/2020 - 19:58

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Haven’t bothered to check if it was the same artist, but has anyone noticed that the coloring/design of this artwork seems similar to that of the Warfield release from last year?

Arrowhead...what’s not to love?

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Submitted by carlo13 on Thu, 02/13/2020 - 20:00

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The july 78 being listened to now is superb. I'm so glad to have this in my collection. The box itself is very convenient to have on my desk. Thanks everyone for the great reviews and now I'm glad I purchased it.

.....if that's what you want CaseyJanes, I'll get them for you. Not my style, but style is individual.
Arrowhead is an enigma. When the ambient temps get hot, the Grateful Dead say "we can be hotter!" Look at Veneta. Or the 91-93 Vegas shows.
Edit. Speaking of Sha Na Na, my wife walked down the hall to bed tonight singing the "Goodnight, it's time to go" outro they did at the end of their shows with no clue that they were in this threads conversation. I don't believe in coincidences. 🤔

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Submitted by mojoman on Thu, 02/13/2020 - 20:27

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With PNW still stocked I was thinking they would do an 85 box. So glad we got this. It’s olde enough that the graybeards will dig it and modern enough for the youngins

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Submitted by CaseyJanes on Thu, 02/13/2020 - 20:49

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Who said anything about arm warmers?

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Submitted by Charlie3 on Thu, 02/13/2020 - 20:55

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Funny, I just listened to DaP24 8/25/72 today - a summer show and it was hot. That Veneta 8/27/72 show is some other level stuff though, the proverbial cream of the crop, probably due for another spin soon. That's one of the few releases that I actually watched the video.

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Submitted by Elbow49 on Thu, 02/13/2020 - 21:30

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Did you notice that they did not have a single show release like they usually do? I guess they’re saving that for Record Store Day.

This set from the Auditorium in Chicago, which is indeed great, albeit a 2cd set, has been released as an FM release (MOJO Filter 2016).

Another Mission in the Rain, a great PitB and, according to the cover, a Sipplication rather than the usual Supplication :)

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Submitted by daverock on Fri, 02/14/2020 - 01:35

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That's what I would go for-hopefully a show with Help-Slipknot-Franklins.

I recently listened to three 1976 shows-9/24/76 (Daves Picks), followed by the Dicks 20-9/25/9/76 and 9/28/76, which, while missing the show from 9/27/76, has the feel of a box set about it from a listening point of view. I did enjoy them, too...but they felt a bit light compared to preceding years. There is some gentle experimentation at play, though.

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Submitted by billy the kid on Fri, 02/14/2020 - 03:37

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Great Valentine's Day shows 2/14/68 & 2/14/70, both on my all time top 10 list of Dead show ever.

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Submitted by Lovemygirl on Fri, 02/14/2020 - 03:37

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...the returning artist Incase no figured out is
Justin Helton., he did the amazing artwork for the Daves Picks Series in 2016.
He all did art work for the ‘Fare Thee Well’ Tour.
He’s a primo artist, I love his artwork very much. Very classic approach but with his signature style, I noticed, he doing the 1976 Boxset for 2020 as soon as I saw the artwork. He brilliant artist I love him. Rock on my brothers and sisters. If you can spring for the poster Artwork being made available, I highly recomand it grabbing one. Beautiful art just amazing I see & feel a lot of Love in his work!!! Primo, oh I already said that, sorry folks, I haven’t slept in over a day.

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Submitted by billy the kid on Fri, 02/14/2020 - 04:46

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I'm so happy with this release, that I went and bought a brand new sealed copy of 6/9/76 on eBay to go along with it. Again, thanks Dave and Dead Net for this and all the great music you release. I look forward to the cool releases that are coming out real soon.

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Submitted by daverock on Fri, 02/14/2020 - 04:51

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Please don't mind me - I appreciate that a lot of people are quite chipper about this release, and that's good enough for me. They aren't compulsory..so at least I save some dosh! And with 3/1/69 due out on vinyl soon (hopefully), that's not a bad thing.

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Submitted by I Woke Today on Fri, 02/14/2020 - 05:36

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Dave, you had me at Help!-Slip-Franklin.
Cant want to enjoy these shows

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Submitted by fourwindsblow on Fri, 02/14/2020 - 06:59

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No more time to tell how, this is the season of what,
Now is the time of returning with our thought
Jewels polished and gleaming.

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Submitted by hendrixfreak on Fri, 02/14/2020 - 07:09

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About a half-dozen of you responded to my plea for a copy of Boston June 9, that's so sweet and helpful.

Thanks to all.

Was at Dead Hippie Brewing's open mic last night in Denver and we rocked out, with many GD covers. Here and there, Deadheads keep coming through for me.

It would be ridiculous for me to buy this, says practical brain. you have plenty to listen to, and you'd save $165.

Life is for living, says happy fun brain. this insane existence is made tolerable by the GD.

Hmm...

payday is 2/28. I will have to decide then, I suppose.

this box is worth getting, regardless. why kvetch about repeats? the good Lord did provide us with skip buttons for things like Samson and Delilah (ironically, a biblical reference).

6/10
6/11
6/14
6/15
6/19

oh yeah, baby...just like that

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5 years 11 months

Submitted by cactus68 on Fri, 02/14/2020 - 07:44

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Passing on this and getting dicks picks 24 on vinyl instead.

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16 years 8 months

Submitted by skwimite on Fri, 02/14/2020 - 09:47

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The sound quality of the mid 76 shows always seemed muddy to me. Questioned whether I really needed better versions as I tend to be a sucker for this stuff. I listened to the samples and then did a little A/B comparison with my existing copies from various sources over the years. Whoa. Couldn't get to my wallet fast enough. Looking forward to 'em. Anything going on for the 50th anniversary of Workingman's or Beauty?

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16 years 1 month

Submitted by fourwindsblow on Fri, 02/14/2020 - 10:26

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Hoping 9/20/70 gets released with the 50th anniversary albums.

Twelve of the seventeen songs from this show are on the albums with the guest's that were on the albums.

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17 years 5 months

Submitted by King Harvest on Fri, 02/14/2020 - 10:37

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Thanks Dave and the PTB for another stellar release from the Betty stash. Typical to this day and age most do not realize how lucky we are as fans. Look at the mess the Doors have with their archival strategies. Can't wait for both Beacon shows in all of their Jeffery Norman'd glory. Gonna be a great year. #out

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