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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • JimInMD
    Joined:
    Brewer..

    Check PMs

  • Deadheadbrewer
    Joined:
    Vikes, Oro, and IceCream

    Thank you all for the birthday wishes! IceCream, the funny thing is that I work for myself from home, so could listen to GD all darn day. But I usually don't, because I'm "saving" the shows for late night, full-focus listening sessions. But I'm realizing that those evenings are few and far between, so I should start just jamming the Dead into every moment I can. Listened to 3/18/95 today while working, and it's a darn fine show.

    But last night, after the fam-damily was in bed, I got tuned up and put in disc 3 of DaP 33 (anyone still remember that one?) :) I had listened to only the first two discs before, and HOLY MOLY!! That Estimated-->Eyes-->Saint Stephen!! That is some of the best stuff I've heard.

    p.s. Last night I returned to DaP disc 3 to finish it. Wow. Every version on this disc is a candidate for BOAT. The Black Peter?! Nuts. Everyone is doing unique and challenging things in this second set. Best SHOW of all time . . . ?

  • JimInMD
    Joined:
    Random GD Musings

    Almost finished w/ the second show in the box.

    I don't think this box will change anyone's mind on the year, i.e. if you aren't a 76 person this won't change your mind. Unlike July 78, these shows are well known and good recordings did circulate. ...but boy does this box sound good.

    One other random observation.. I have listened to this in my car, in my truck, on my iPod (w/ good headphones), in my living room, in my kitchen and in the tub with my good Sennheiser's. This thing shines brightest with headphones, the way Betty listened to it while she recorded it. I guess if I monkeyed around with an EQ, I could get Phil's bass to phil the room on the big boy speakers, but on headphones it shines right out of the shrink wrap. Or perhaps spend another ten grand and get a bigger, bad ass system then the one I have.

    Of course, I could be wrong.. but those are my thoughts of the moment. I'd love to hear other people comments on the sound that have different/better systems than what I have and compare to headphone sound.

    The sound quality comments remind me of the first listen reports from Dave's Picks 15, April 22, 1978 Nashville TN. The sound quality of this box is the big deal. It's practically perfect in every way.

    Ok.. back to your regularly scheduled Friday mayhem.

  • KeithFan2112
    Joined:
    Wilfred T

    I've listened to the whole thing on headphones and the coughing is going on between just about every song on 6/10, then a few more times on one or more of the other shows. For some reason I assumed it was Bobby.

    I switched away from June 1976 for a day and then was right back on it today. Dog woke me up at 2:22 a.m. and I listen to the whooole thing. Now that's something I've never done before - five consecutive shows. Now I'm listening to Dave's Picks Volume 2. Doesn't sound tinny at all, I presume because I've worn out that spot in my hearing range today. This is some Truckin' => MLB => Spanish Jam => Wharf Rat. I'm jonesing for Dark Star though, so if mixed in the one from Dave's Picks Volume 9. I pretty much need to get a Dark Star, Bird Song, and China Rider in on a daily basis. I'm also feeling like Mississippi Half Step from 5/25/77 and the quacking duck Scarlet Fire from 5/17.

    Oh and I got in the Road Trips 1973 bonus disc 12/6/73 with that 43 minute Dark Star. Hot stuff, can't get enough. Need to go check out the tapers section.

    Hendrixfreak - I'm pretty sure one of us would be dead if we have grown up together. 200 yard dashes LOL, that only happened after alcohol with me. The other stuff, LOL, that led me and my college buddies into the regular hopping of a cargo train that used to stop a few hundred yards from a bar we used to frequent, and then again a few hundred yards from our off-campus house. At least that's the way it played out the first dozen times. Lucky 13 took us all the way from Salisbury Maryland to some unknown Farmland in Virginia. I don't know if they had a new driver that week or what but it did not stop near our house as usual. When we realized we were in it for the long haul, my buddy rolled a joint on the back of the train. That takes some talent. Keep in mind we're on the back of this thing hanging on for dear life. They don't look like they're going that fast when they drive through town, but when you're actually on the thing contemplating jumping off, 35 MPH feels awfully fast. But to roll a joint with one arm looped through a rail on the back, where there's this pocket of wind free space, like the eye of a hurricane - sheer talent. Wish I could claim that one for myself. I guess my toughest joint rolling exercise occurred Pink Floyd's Division Bell Tour in the high winds of the 700 level at Vet stadium in Philadelphia. Very high winds up there, but time is of the essence because they kicked off unexpectedly with Astronomy Domine. One of the high-pressure situation was at the TLA in Philadelphia seeing Guided by Voices since 2004. Ran into the bass player and Robert Pollard after the show. I probably shouldn't tell this story.....

  • JimInMD
    Joined:
    Then There's Chicago...

    So we have the Tower Theatre shows and Chicago. I always liked the last show in Chicago a lot too. Great Playin' Sammy and that Mission in the Rain is stupendous.

    Between the two cities there are eight shows. mmmm…. I bet the reels exist and I bet they sound pretty much just as good.

  • bob t
    Joined:
    20 Days in June of 1976

    I don't think June 3, 4 Portland shows sound like Boston 6/9 through the end of Chicago 6/29 shows. I know there are issues with the boards and the recordings from Portland. The Orpheum shows from 7/12 through 7/18 also have a different feel also. Those 17 shows between June 9 and June 29 1976... One of my favorite periods..... bob t

  • hbob1995
    Joined:
    1/2 price

    I just ordered two and it went through for the price of one. I have the email confirmation.
    I will gift them at Xmas. Certainly is weird though.

    Rock on

  • daverock
    Joined:
    Half price

    It still looks like full price to me. I just entered the order up to the point when you are supposed to enter your credit card details, and at that stage its still seems to cost $149.99.

  • hendrixfreak
    Joined:
    I almost forgot Colt Park, Aug 76

    How could I forget? We did so much tootskie that afternoon, we coulda crashed Casey Jone's train with no help from no damn monkey...

    Wasn't there some kind of violence or rioting or maybe just gate crashing during the show? Vague memory.

    After the show my buddy Tommy and I ran something like a 200-yard dash to see who was mas machista after four hours of spleef and blow. I'm about a foot taller than old Tom-o, but he had less wind resistance. Still can't remember who won. But we rocked. Oh boy did we rock it in those days. I was 18 and a wizened Deadhead of five years standing. Or sitting. Or snorting. Whatever.

    Be safe folks. Gonna roll a fatty tonight, pour the Jameson and spin the Capitol first. If only there was real "Help on the way..."

  • stoltzfus
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    Apparently covid has infiltrated this website

    ...

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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The band was high and ON! So loud I had to duck down a few times when the amps were clipping. The swagger of Jerry tearing it up. Phil's bass bombs physically shaking the rocks and we thought they were causing a rock slide but it was just people climbing up scattering gravel! (also not allowed anymore) The other-worldly Other One still gives me goosebumps every time. Bill Walton backstage on crutches. (or was that the August reprise shows) Donna being served a whiff on a platter discretely backstage hiding under a kerchief. (like we couldn't tell what was going on) Ah, those were the days! Thanks to this thread for suggesting the '73 scary Other One. Going there now.

Thanks DaveRock, Alvarhanso, Estimated-Eyes and HendrixFreak for the thoughts and shared memories. E-E, I definitely appreciate the roadmap to appreciating 7/8. Will be playing tonight and following your signposts.

Also agree that Arrowhead is a fun one. Dig having the frontloaded cowboy songs, only to go psych full on in the second half. Little something for the Willie fans, little something for the heads, and plenty for those with wide-ranging appetites.

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I think these shows are my favorites from the entire year! Each one is hot, and the Arrowhead and two Red Rocks turn up the heat even higher!

Perhaps a listen is in order this evening... hmmm... Omaha or St. Paul? Who am I kidding - both!

@ Jim - when I was scrolling through the posts of scary shows, just knew that RavenSpace was bound to come up. Def. a freaky second set, but oh my, what a show :) Here's a good AUD copy, but it is missing the Brokedown encore :( https://archive.org/details/gd82-04-19.aud-martin.warner.19420.sbeok.sh…

Peace

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Certain songs just seem to stand out above the rest in some of these boxes. For the July '78 box it was Estimated Prophet that just seemed consistently amazing, a high water mark for that song in my book. For the first May '77 box it was the Scarlet-Fire sequences that seemed a cut above, particularly the start of Fire. For the PNW '73 &'74 box it was the performances of Eyes of the World that just seemed perfect as I prefer those slower, jazzier Eyes which seemed at a peak in '73-'74. It's not that there aren't other versions of these songs that I enjoy just as much from other releases, just that there often seems to be a particular song that stands out in some of these box sets. Curious if others have a similar experience with a particular song just standing out as being at a peak in a particular box.

I would say the Greatest Story Ever Told stands out for me repeatedly on the PNW set. Also, I was just reading the Winterland 73 notes, and McNally posits there that Big River stands out for him in the same way you mention.

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CampaignShoutin, I suspected that others might have different songs that stand out for them in a particular box, I'll have to pay attention to GSET when I listen to the PNW box again. For me I think the GSET from 3FTV 2/19/71 is my all time favorite, just something about the way it lopes along does it for me.

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In reply to by Charlie3

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Agree on Estimated on the 78 Box. Not only are they all well played, but they seemed to use it quite affectively as a launching vehicle into never, ever land.

For the PNW, I wouldn't call them standout versions, i.e. best ever.. but the 74 China Riders are spectacular. Agree with all the comments on July 78..

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So I've noticed in the past with box sets that a lot more info was given as to the contents other than set lists and dates. Anyone know more about what magic this Pandora's box may hold?
On a bus riding tip I've been reading these threads for a long time. Just started posting but have to say to all that most of us were truly lucky to see some of these shows. I got on the bus in high-school as I saw the Dead and the rich bluegrass and funk/GoGo scenes as the same as the DIY punk scene in D.C. where I grew up. My first show was Merriwether '85 (last shows with Jerry '93 Capital Centre; kinda full circle as my life lead me all over and to many other shows). Been rolling ever since. It's been great to get these Betty shows I've been told I was at and had a great time. Damn I'd give anything to be at a 3hr+ sultry intimate summer show dancing on the lawn with beautiful mamas and lightin bugs!

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In reply to by JimInMD

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You nailed it. It is a job problem.

Yesterday, no work, listened to all 3 of the NO 1970 Busted on Bourbon St shows. At that clip I could finish all the shows in like 3 years.

Today, work, (not just work, but in a training all day where we got to break up into little groups and do fun activities! and it lasts two more days! KILL ME NOW)
0 shows listened to.

I think those numbers speak for themselves.

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So my wife and I flew down to New Orleans last Wednesday to visit our daughter at Tulane and catch some Mardi Gras parades over the weekend. We were walking around a bunch in Uptown and I am really not on my phone that much. We stopped into a store on Magazine street and I checked my email as my wife shopped and there it was!!! So unexpected.. I quickly ordered the 76 Box, careful not to mess up like a did back in October 2018 with the Dave's subscription and order two... 6/14/76 Beacon to me is so perfectly clearly recorded!!! I am a big fan of June 76!!! Got back last night around midnight and have been reading all the comments.... sort of like catching up with old friends and it was only a week... bob t

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I dont always love Lovelight, but day-um the one from 2-1-70 to close out that run is a banger. Its 39 minutes. Its like they played the one from Live Dead, and then played it again, and then played a normal one, and then Pig was like "alright now I'm good". Its nine minutes longer than even the Dicks 4 version which I always regarded as peak Lovelight.

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I just received an e-mail announcing Primus : A Tribute To Kings-performing the Rush classic "Farewell To Kings" in it's entirety.
Sounds interesting. I've always enjoyed the Claypool musical perspective. Might have to see this one...

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Saw Dirty Honey last night at the Bluebird in Denver. They're pretty good, and they have an amazing singer, the real deal not like that whiny punk from GVF... but, I digress.

Sunset Strip hard rock without the glam and makeup. They're a little short on original material, still, what with a drum solo and a guitar solo coming mid-set, as well as a classic Aerosmith cover "Last Child."

But there's a lot of industry buzz about them. If you're into that kind of thing, go check out their current club tour before they explode.

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Drove seattle to salem oregon

5 12 74 discs 1 n 2 yowzah
10 23 80 all three discs yahoo
7 25 72 discs three and four!!!!!!!!!!!!!!!!!!!!

Return tomorrow
5 12 74 disc 3
10 30 73 disc 3
11 17 72 disc three
11 19 72 disc three

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Grateful Dead - 5/11/77 St. Paul. That Lazy Lightning - Supplication and the Scarlet-Fire were highlights, but as with most of those May '77 shows, there really isn't any weak song performance in the whole show.
Jerry Garcia - Garcia. Classic. Been a while since I listened to that one.
Francis Albert Sinatra and Antonio Carlos Jobin - Self Titled. Dig that Baubles, Bangles and Beads, but the whole bossa nova vibe of the album makes it seem almost like a drunken Mrs. Wormer should be rolling through the door any minute, ready to party.
Waylon Jennings, Willie Nelson, Jessi Colter & Tompall Glaser - Wanted! The Outlaws 20th Anniversary. The Jessi Colter stuff on that album is fantastic.
Chris Joss - Sticks. Some pretty cool instrumental stuff.

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I was going to pass on this box set on account of it seeming like a watered down version of 1977, but then I listened to road trips from Boston June 9th 1976, and I thought it was really really different sounding from 77. Count me in.

76 is a fantastic year for the boys and of course overlooked due to 1977.
The 6/9/76 show is one of my favorites and the second night of the Capitol Theatre is excellent, so I am excited to hear these five shows. For me, what makes this so fun is that every year was different, different sets lists, different versions of songs, the recordings, sound quality, etc.
We are a lucky bunch!

Pulled out July 12, 1989, from the RFK box the other day. Really good stuff, love all these shows from summer 1989. Hopefully Alpine someday. If you are into the Giants Box set, you would love the two shows from the RFK box and it is still for sale here.

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In reply to by MendoFog

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MendoFog, appreciate your ref to the harDCorer scene. Came up in the DC scene of the late 80s, early 90s. I've always been fascinated by the parallels between the Dead and Fugazi. Which, if you know both, seem pretty unexpected. They're both completely of their own scenes; allowed taping before others got onboard with that idea; no setlists. Even admonishments from the stage to take care of each other on the floor, and finally two drummers.

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In reply to by DeadVikes

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'76 fills a void for me too, scratches a certain itch. Listen to 12/31/76 on a good system at a good volume and enjoy it in it's spectacular glory. 1976 is different, which has the ability to ooze into a particular mindset. Plus, for the most part, it was very well recorded (thanks Betty).

I found myself listening to 10/26/89 the last few days, only the second time since 30 trips came out. I am enjoying this go around much better.. great sound and recording (thanks Jeffrey).. anyway, scratches another itch and did I mention it sounds really flipping good with the right system?

Grew up in the DC area myself.. Merriweather was walking distance until I moved out from my folks house. My first serious GF was a dead freak and by dead freak I mean Grateful Dead and the Dead Kennedy's. She was way into punk, so I caught a bit of a punk contact buzz. We also caught tons of shows together over many years from sea to shining sea. Great memories..

I think I like 76 better than 77 or 78? But hey, “I’m silly that way, they call me rubber neck!”

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Endorse all bands with Brendan drumming, and eager to hear the full Coriky album. In college in Virginia, most of my friends would be playing hackysack in their Birks, talking about the latest Dischord release. Will try not to overstay my welcome on this topic, but for those interested, the Trap Set podcast had a great Q&A with Ian. Very interested to hear him talking about listening to Hendrix bootlegs.
http://www.thetrapset.net/202-ian-mackaye-minor-threat-fugazi-the-evens…

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another one is lungfish get everything you can from them
amazing band

The moment may have passed for mentioning it, but there's a stellar version of Estimated played on 9/15/78 at Egypt. Its on the bonus disc of Rocking the Cradle, and for me its always stood out as one of the best tracks on any of the cds.

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Yes.. They are an interesting band, she had seen them and had a couple t-shirts. I never saw them, but they were in her car and they played a lot downtown in the early to mid 80's, then I disappeared, off to school. 9:30 club comes to mind??

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...greetings and a grateful day to all my brothers & sisters out there! I hope all is well!
I’m really looking forward to the beacon theater shows. I’ve seen many many concerts there over the span of my life. One of my favorite shows I saw at the beacon theater was the Black Crows on a Halloween in the late 90’s mane 1996 or 1997 I can’t recall the year, an amazing performance, they whole band started the show dresses as Elvis, the whole band did; it was amazing night. I saw so many great bands and I love the theater . Always sounding primo in my Deadhead ! I always been on the lookout for an official release from the Dead from this venue so I’m doing little jigs around the house waiting for the box to arrive so I can once again relive an amazing series (5) performances from the Grateful Dead from 1976. Another favorite era of the good ol Grateful Dead 2976. Not a favorite with all dead fans but every release from 1976 released is primo in my book, not a dud in the whole lot, ect. Dicks & Daves Picks , Winterland and the spirit of 1976 Bonus Disc also come to mind and also the 76’ Release From The RoadTrips Series... a very special time in Dead history for this Deadhead fan & collector!

Also speaking of Boxsets , I was able to add the Complete Europe 72 boxset back into my collection. I sold my original for medical bills about 2 years ago if I remeber correctly . I found an all music Edtion of 72 boxset, the whole set complete and still sealed, every one of the 22 shows still sealed and in Primo condition on all 22 shows, just perfect condition. Very greatful to be blessed with this release back in my collection. Rock on deadheads! 🙏❤️😎💀🌹💀🌹
I recently sold a few Record LPs to a record collector. No Dead LPs, I sold a couple of original Beatles LPs and a couple of Elvis Records from my personal collection.
I was given an offer for the two Beatles LPs I couldn’t refuse, one being the white album on white vinyl. Excelent mix/mastering on this pressing. One of my favorite sources for the Beatles White Album. I have two more sets. It’s one of my favorite of their albums!

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In reply to by JimInMD

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Ahhh, the 930 Club....quite familiar with that venue, saw many bands there back in the late '90's/turn of the century: Widespread Panic, Medeski Martin & Wood, Wilco, Dark Star Orchestra, Carl Denson's Tiny Universe, The Samples....tons of good times. I remember toking on a J in one of the dark/side rooms and getting busted yet claiming ignorance...

One of the coolest shows I saw there was the Medeski Martin & Wood show; they put chairs on the floor and it was very limited in terms of number of attendees. Had never seen it like that before but made for a very intimate performance.

Bring on the June '76 Box. So happy this is like a month away and not having to wait until the Fall or something for it to land. It was a sneaky close announcement of the release this time around and I'm not complaining at all. This is probably one of my all-time favorite eras - I mean this very particular run of shows in early June - they sound very different than even later in the summer. I Love the genesis of this sound and it's gonna be all totally Normanized!
What I AM curious about is Jerry's volume level on the 6/10 show; any version I've heard has him down pretty low in the mix. Given these are apparently 2 track tapes, my thoughts are they wouldn't be able to address that too much given the limited number of tracks - but I could be wrong. Curious if any others had recognized this or opined profusely on this point, as I seemingly have.

- Seventy-Sixtus

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...Grateful Dead - Buffalo 5/9/77 5LP
🙏❤️😎💀🌹
May 9, 1977 – Buffalo Memorial Auditorium, Buffalo, New York
First set:
"Help On the Way" > (Garcia, Hunter)
"Slipknot" > (Garcia, Keith Godchaux, Kreutzmann, Lesh, Weir)
"Franklin's Tower" (Garcia, Hunter)
"Cassidy" (Weir, Barlow)
"Brown-Eyed Women" (Garcia, Hunter)
"Mexicali Blues" (Weir, Barlow)
"Tennessee Jed" (Garcia, Hunter)
"Big River" (Cash)
"Peggy-O" (traditional, arranged by Grateful Dead)
"Sunrise" (Donna Jean Godchaux)
"The Music Never Stopped" (Weir, Barlow)

Second set:
"Bertha" > (Garcia, Hunter)
"Good Lovin'" (Clark, Resnick)
"Ship of Fools" (Garcia, Hunter)
Disc 3

"Estimated Prophet" > (Weir, Barlow)
"The Other One" > (Weir, Kreutzmann)
"Drums" > (Hart, Kreutzmann)
"Not Fade Away" > (Petty, Hardin)
"Comes a Time" > (Garcia, Hunter)
"Sugar Magnolia" (Weir, Hunter)
Encore:
"Uncle John's Band" (Garcia, Hunter)

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...321 Blast off!!

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The only band i'm into more than the dead. I love MMW. Rumor on the streets is a new album and a tour in 2020.

Tonic is one of my desert island albums. I also thought End of the World Party was way ahead of its time. And now that it's 15 years later I guess it's just about perfect.

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Its a Jungle In Here was one of the soundtracks to my college years. End of The World Party is great too, like Slow Dog says. Anything they do with John Scofield is extra juicy.

Their live sets are trippy AF. if you get a chance highly recommended.

I had a long day and saw your Jerky Boys reference....and decided to fire up a little JB....I'm looking for paintwork....
what do you say we get together and paint each other up...Yeah forget about it

LAST 5

Who By Numbers
The Samples Blue album or first album
Quadrophenia
Eric Clapton live in Budokan Japan 2009
30 Trips 1988

Cheers

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17 years 4 months

In reply to by Sixtus_

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....but I'm eager to learn.
I only have so many ears and so much time to digest it all.
Edit. From Wikipedia....
"In 2016, John Medeski formed supergroup Saudade with Chino Moreno of Deftones, Team Sleep, Palms, and Crosses; guitarist Dr. Know of Bad Brains; bassist Chuck Doom of Crosses and Team Sleep; and drummer Mackie Jayson of Cro-Mags and Bad Brains."
....full circle giving recent conversations here. Amazing.
I know of, and enjoy the hell out of Bad Brains, when the mood suits me.
Another edit. The Cro-Mags. Now there is a name I haven't heard in a long, long time....

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16 years 11 months
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I know 2/19 falls in the Capital Theatre 71 anniversary run. But i love the February 73 tour. He's Gone>Truckin>Other One Eyes Of The World>China Doll.... 4th Eyes Ever.... sign me up doc.... bob t

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7 years 6 months
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I know I'm probably repeating it to much but this 2nd disk is just sublime the more I hear it. The franklins tower is hot. All around smoking set.

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13 years 4 months

In reply to by carlo13

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Good to hear some earnest enthusiasm.. Bring it!

Giants was surprisingly good too, plus the way far under the radar Get Shown the Light box and the wee, tiny mention 3 trips around the sun. Life is good.

did we miss any good ones?

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9 years 1 month
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Sublime smokes, love that 40 oz to Freedom album from start to finish, the original 1992 Skunk Records version with the song Get Out and the Rawhide cover. Get Out is just about the highlight of that album for me and I dig the whole thing from Waiting for My Ruca to Thanx. If you like Sublime, check out the Long Beach Dub All Stars, includes some of the same members and has some cool stuff. Particularly dig some of the stuff on their Right Back album, especially the song Righteous Dub.

Gave 5/12/77 from the first May '77 box another listen today and man does that disc 3 smoke. So good I may have to give it another listen tomorrow.

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9 years 1 month
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...is the song currently playing as I spin Tame Impala's album Lonerism. Mind Mischief does it for me a lot, but the whole album grooves along nicely.

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8 years 9 months
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for international shipments, why not take directly the customs fees, and allow us a shipment other than the standard one.

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12 years
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….. Bad Brains suck! I had never heard of these guy until this recent thread. I was surprised/not surprised I have two of their albums. Not my cup of tea. But MMW, oh yeah. Never unhappy when I play them.

I don't think I ever see him mentioned, but once again he's been hot in my player, Steve Forbert. Those first couple of albums were great, Alive on Arrival and Jackrabbit Slim.

Never see Southside Johnny mentioned here either.

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