• 2,627 replies
    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • icecrmcnkd
    Joined:
    Record Store Day postponed

    Rescheduled to June 20

  • sjbennett85
    Joined:
    Passaic Listening Party for pre-orders

    Anybody notice the strange mixdown of Playing in the Band on the listening party download?

    Weird vocal/instrument levels throughout the entire song, incomparable to the other tracks that dropped with it.

    Is this an issue with how that song was captured?

  • LedDed
    Joined:
    Great American Puke Fest

    Who doesn't love a good hurling story? I've got a few, but please people - one at a time.

    We were driving back to Boulder from the Great American Beer Fest some time in the early to mid 1990's. I was sandwiched in the backseat of a two door, red Chevy Beretta. Against all better judgement a bowl was passed around, and yours truly inhaled.

    Now, I didn't have the tolerance I have now, and when the spins and cold sweats came on, being in that middle seat with no back window, a hard choice had to be made.

    I leaned slightly forward, and threw up all down myself inside my winter parka. I was so stealth about this, neither wastoid on either side of me even noticed! I zipped up my jacket, relieved but disgusted, and it must've been another ten minutes before someone up front asked, "hey, did somebody puke?"

    I got dropped off at my apartment, went inside and straight into the shower. Hosed off the jacket and threw the clothes into the washer, ate some greasy food and sobered up with no one the wiser. To this day, none of those guys know I ralphed into my jacket.

    Sometimes, you have to take one for the team.

  • icecrmcnkd
    Joined:
    A too much to fast story

    The Who 7/89 Pontiac Silverdome, floor row 32.

    Everyone on the floor is standing on the flimsy plastic chairs. We’re a few songs into the first set and the 3 guys in the row in front of me break out a glass pipe and start smoking crack. The guy right in front of me takes a huge hit (I think Jim recently referred to those as a ‘hero hit’), holds it in, then exhales, and passes out while still standing on the chair, and tumbles to the floor unconscious. Security saw him fall, came over, could see that he wasn’t in good shape, grabbed him and took him away.
    He never returned and missed an awesome show.

  • Oroborous
    Joined:
    Sixtus

    Too funny! But hey, even as a rookie you followed The Scranton boys rule of hurling; “no shootin’ without a cooler” which translates to it’s ok if you have to as long as it’s out the window, or in a garbage or whatever, as long as it’s not all over: the car, fellow travelers, or yourself! Lol Old Lumpy from Scranton NY would be proud of ya!
    FYI, that was a pretty good show! I was with that 20 year old I’ve mentioned, and we ran into our old pal Lee Estee, possibly the last time we hung with him.

  • Sixtus_
    Joined:
    Re: Oro & Hurling

    ...that was a great throwback oration of an extremely visual nature - too funny. Your steadfastness at that rail is A Thing of Legend.

    In the vein of oversharing biological output shenanigans - I have my own vomit story....just not nearly as epic. My first dead show, July 16 1990 - we road tripped with a caravan of 8 cars from Cazenovia NY to Buffalo. I was pretty much still a kid freshly turned 18, we all piled into the open slots in the rides with tons of beer, and off we went (we didn't have access to weed yet, sadly). So it's a good several hour trek across NY State, and of course we're boozing the whole way, eating snacks, I specifically recall eating a bunch of brownies (just regular old brownies, nothing special). Well, we get about an hour from Buffalo and I am feeling I need to blow chunks. I happen to be in the 3rd row/seat of a minivan, not riding bitch but near a window...yet we all recall, the windows in mini vans in the way way back don't really open; they only pop open a few inches (or at least back then they did). I really had no choice - so when the hurling hit, I leaned over to that teeny tiny crack and blew chunks out the back sliver of a window, going at like 70 miles an hour down the NY Thruway. Needless to say, when we got out in the lot and I went and looked, there was an immense triangle of brownie vomit caked on the side of the minivan from that window crack all the way to the back of the van, covering most of the back quarter panel. Incidentally, I did feel better after that, and I recall it even rained at one point so most of it got washed off before we parted the lot. In the end I had a great time at the show - and was probably better off getting that outta me as opposed to....errr, the outcome of our friend Oroborous!

    Ahhh, first show memories. With vomit.

    Sixtus

  • stoltzfus
    Joined:
    to the poster who recommended Miles Davis On the Corner

    thank you thank you thank you

    I had the good fortune of seeing MD twice, once at the Hollywood Bowl as a teen in the early 80s, and in Seattle at Bumbershoot (an arts and music festival) in...sometime.

    When an "anything-but-Grateful-Dead" event happens...listen to this!

  • deadegad
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    Funny story! And early shipping.

    I love a good vomit story. A friend got so drunk prior to a Stones show that he vomited and passed out thus missing the entire show!

    Yes, if feasible, ship 'em out early!

  • Oroborous
    Joined:
    3/13/81...a tale in the spirit of HF

    Wow, hard to believe 39 years ago this evening....
    Funny story about this one. First because I took the greyhound as I didn’t have a car yet and was just starting to break out of only going to somewhat local shows. Short of hitching, that was the only way I was going to get there.
    In those days, shows were often GA and being young and fanatical as we were, that meant we usually tried to get up front on the rail. We aspired to be that front row dude in the dead movie, lol.
    Utica was no different, but man what a shitty New York “spring” day; cold, damp, and wet...so being young and naive, I had the bright idea that I’d bring a bottle for folks in line to help pass the hours waiting until doors, and brace the chill etc...So after being talked into going for a big dinner, which cost me much of my little cash reserve, I snagged a big bottle of Seagrams 7 and Seven up, which was the nectar of choice with the hard rock band and crew I worked for...
    I say naive because most heads weren’t that into drinking like that, at least not before a show. So there I am with this huge bottle and pretty much no one to share it with. Now in those days I could do some serious damage with 7/7 because I had a pretty good tolerance etc. But that big ol bottle was probably too much, or at least it would be later..
    So they finally let us in and everyone starts the mad dash for the stage, and of course as I’m jumping over the boards to get on the floor Baracho falls over the edge lol. But being young and numb I bounce right back up and make it up front right in front of Jerry’s gear.
    So all might of been good except Dave Homal starts firing up joint after joint, which if anyone remembers what Fabulous Furry Freak Brother Fat Freddie would say “getting drunk, then getting stoned is like pissing in the wind”.
    So eventually the aud starts spinning and things are going south, but being the young, dumb, fanatic there was no way I was giving up that spot (idiot! I’m sure I could of gone off to the Lou and they would of saved my spot)
    So no surprise I barf over the rail into that little space that there usually was between the stage and the wall, (so much for that expensive dinner!) then proceed to basically pass out sleeping slumped over the wall. Now the security was not pleased, and the young dudes next to me weren’t pleased, and I believe people were making noise about removing me which I was not going to do. Ironically, these guys got too high on acid and eventually one of them ended up having to get handed over the wall to security and removed, while I stuck it out.
    I don’t remember much, but I do remember waking up because I could tell the lights went down, and of course there is nothing like that DH roar! So a minute or so later as I start to rejoin the living, just as I’m opening my eyes, Jerry comes around the corner and we make eye contact. He didn’t look much better than I did and I swear we had a moment there. I remember he had a blue or black long sleeve work shirt on and it looked like he’d burned a hole in the pocket. After, Fortunately I ran into Milton Wilkelberry Steamer from back home and he was going to stay with some folks he knew, so I was able to tag along and immediately crashed out. There was no way I was making it back home on the bus that night! Ah the tales of misguided youth!
    Anyway, I used to think it was a so so show, but never heard it until a couple years ago when I discovered it was actually decent. In fact I think Dave has played it on Sirius or This day in GD history?
    So, maybe not on par with Hendrixfreak stories, but I still get a chuckle!

  • JimInMD
    Joined:
    Agree

    As strange as this sounds, I was pleased the two shows on my calendar next week (wolf bros and Melvin's JGB) were postponed. It looks like Phil isn't turning 80 just yet either.. The spring that never was??

    Kids are home from school... life is beginning to stop. Stay safe my friends.. play dead.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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The band was high and ON! So loud I had to duck down a few times when the amps were clipping. The swagger of Jerry tearing it up. Phil's bass bombs physically shaking the rocks and we thought they were causing a rock slide but it was just people climbing up scattering gravel! (also not allowed anymore) The other-worldly Other One still gives me goosebumps every time. Bill Walton backstage on crutches. (or was that the August reprise shows) Donna being served a whiff on a platter discretely backstage hiding under a kerchief. (like we couldn't tell what was going on) Ah, those were the days! Thanks to this thread for suggesting the '73 scary Other One. Going there now.

Thanks DaveRock, Alvarhanso, Estimated-Eyes and HendrixFreak for the thoughts and shared memories. E-E, I definitely appreciate the roadmap to appreciating 7/8. Will be playing tonight and following your signposts.

Also agree that Arrowhead is a fun one. Dig having the frontloaded cowboy songs, only to go psych full on in the second half. Little something for the Willie fans, little something for the heads, and plenty for those with wide-ranging appetites.

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I think these shows are my favorites from the entire year! Each one is hot, and the Arrowhead and two Red Rocks turn up the heat even higher!

Perhaps a listen is in order this evening... hmmm... Omaha or St. Paul? Who am I kidding - both!

@ Jim - when I was scrolling through the posts of scary shows, just knew that RavenSpace was bound to come up. Def. a freaky second set, but oh my, what a show :) Here's a good AUD copy, but it is missing the Brokedown encore :( https://archive.org/details/gd82-04-19.aud-martin.warner.19420.sbeok.sh…

Peace

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Certain songs just seem to stand out above the rest in some of these boxes. For the July '78 box it was Estimated Prophet that just seemed consistently amazing, a high water mark for that song in my book. For the first May '77 box it was the Scarlet-Fire sequences that seemed a cut above, particularly the start of Fire. For the PNW '73 &'74 box it was the performances of Eyes of the World that just seemed perfect as I prefer those slower, jazzier Eyes which seemed at a peak in '73-'74. It's not that there aren't other versions of these songs that I enjoy just as much from other releases, just that there often seems to be a particular song that stands out in some of these box sets. Curious if others have a similar experience with a particular song just standing out as being at a peak in a particular box.

I would say the Greatest Story Ever Told stands out for me repeatedly on the PNW set. Also, I was just reading the Winterland 73 notes, and McNally posits there that Big River stands out for him in the same way you mention.

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CampaignShoutin, I suspected that others might have different songs that stand out for them in a particular box, I'll have to pay attention to GSET when I listen to the PNW box again. For me I think the GSET from 3FTV 2/19/71 is my all time favorite, just something about the way it lopes along does it for me.

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In reply to by Charlie3

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Agree on Estimated on the 78 Box. Not only are they all well played, but they seemed to use it quite affectively as a launching vehicle into never, ever land.

For the PNW, I wouldn't call them standout versions, i.e. best ever.. but the 74 China Riders are spectacular. Agree with all the comments on July 78..

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So I've noticed in the past with box sets that a lot more info was given as to the contents other than set lists and dates. Anyone know more about what magic this Pandora's box may hold?
On a bus riding tip I've been reading these threads for a long time. Just started posting but have to say to all that most of us were truly lucky to see some of these shows. I got on the bus in high-school as I saw the Dead and the rich bluegrass and funk/GoGo scenes as the same as the DIY punk scene in D.C. where I grew up. My first show was Merriwether '85 (last shows with Jerry '93 Capital Centre; kinda full circle as my life lead me all over and to many other shows). Been rolling ever since. It's been great to get these Betty shows I've been told I was at and had a great time. Damn I'd give anything to be at a 3hr+ sultry intimate summer show dancing on the lawn with beautiful mamas and lightin bugs!

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In reply to by JimInMD

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You nailed it. It is a job problem.

Yesterday, no work, listened to all 3 of the NO 1970 Busted on Bourbon St shows. At that clip I could finish all the shows in like 3 years.

Today, work, (not just work, but in a training all day where we got to break up into little groups and do fun activities! and it lasts two more days! KILL ME NOW)
0 shows listened to.

I think those numbers speak for themselves.

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So my wife and I flew down to New Orleans last Wednesday to visit our daughter at Tulane and catch some Mardi Gras parades over the weekend. We were walking around a bunch in Uptown and I am really not on my phone that much. We stopped into a store on Magazine street and I checked my email as my wife shopped and there it was!!! So unexpected.. I quickly ordered the 76 Box, careful not to mess up like a did back in October 2018 with the Dave's subscription and order two... 6/14/76 Beacon to me is so perfectly clearly recorded!!! I am a big fan of June 76!!! Got back last night around midnight and have been reading all the comments.... sort of like catching up with old friends and it was only a week... bob t

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I dont always love Lovelight, but day-um the one from 2-1-70 to close out that run is a banger. Its 39 minutes. Its like they played the one from Live Dead, and then played it again, and then played a normal one, and then Pig was like "alright now I'm good". Its nine minutes longer than even the Dicks 4 version which I always regarded as peak Lovelight.

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I just received an e-mail announcing Primus : A Tribute To Kings-performing the Rush classic "Farewell To Kings" in it's entirety.
Sounds interesting. I've always enjoyed the Claypool musical perspective. Might have to see this one...

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Saw Dirty Honey last night at the Bluebird in Denver. They're pretty good, and they have an amazing singer, the real deal not like that whiny punk from GVF... but, I digress.

Sunset Strip hard rock without the glam and makeup. They're a little short on original material, still, what with a drum solo and a guitar solo coming mid-set, as well as a classic Aerosmith cover "Last Child."

But there's a lot of industry buzz about them. If you're into that kind of thing, go check out their current club tour before they explode.

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Drove seattle to salem oregon

5 12 74 discs 1 n 2 yowzah
10 23 80 all three discs yahoo
7 25 72 discs three and four!!!!!!!!!!!!!!!!!!!!

Return tomorrow
5 12 74 disc 3
10 30 73 disc 3
11 17 72 disc three
11 19 72 disc three

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Grateful Dead - 5/11/77 St. Paul. That Lazy Lightning - Supplication and the Scarlet-Fire were highlights, but as with most of those May '77 shows, there really isn't any weak song performance in the whole show.
Jerry Garcia - Garcia. Classic. Been a while since I listened to that one.
Francis Albert Sinatra and Antonio Carlos Jobin - Self Titled. Dig that Baubles, Bangles and Beads, but the whole bossa nova vibe of the album makes it seem almost like a drunken Mrs. Wormer should be rolling through the door any minute, ready to party.
Waylon Jennings, Willie Nelson, Jessi Colter & Tompall Glaser - Wanted! The Outlaws 20th Anniversary. The Jessi Colter stuff on that album is fantastic.
Chris Joss - Sticks. Some pretty cool instrumental stuff.

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I was going to pass on this box set on account of it seeming like a watered down version of 1977, but then I listened to road trips from Boston June 9th 1976, and I thought it was really really different sounding from 77. Count me in.

76 is a fantastic year for the boys and of course overlooked due to 1977.
The 6/9/76 show is one of my favorites and the second night of the Capitol Theatre is excellent, so I am excited to hear these five shows. For me, what makes this so fun is that every year was different, different sets lists, different versions of songs, the recordings, sound quality, etc.
We are a lucky bunch!

Pulled out July 12, 1989, from the RFK box the other day. Really good stuff, love all these shows from summer 1989. Hopefully Alpine someday. If you are into the Giants Box set, you would love the two shows from the RFK box and it is still for sale here.

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In reply to by MendoFog

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MendoFog, appreciate your ref to the harDCorer scene. Came up in the DC scene of the late 80s, early 90s. I've always been fascinated by the parallels between the Dead and Fugazi. Which, if you know both, seem pretty unexpected. They're both completely of their own scenes; allowed taping before others got onboard with that idea; no setlists. Even admonishments from the stage to take care of each other on the floor, and finally two drummers.

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In reply to by DeadVikes

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'76 fills a void for me too, scratches a certain itch. Listen to 12/31/76 on a good system at a good volume and enjoy it in it's spectacular glory. 1976 is different, which has the ability to ooze into a particular mindset. Plus, for the most part, it was very well recorded (thanks Betty).

I found myself listening to 10/26/89 the last few days, only the second time since 30 trips came out. I am enjoying this go around much better.. great sound and recording (thanks Jeffrey).. anyway, scratches another itch and did I mention it sounds really flipping good with the right system?

Grew up in the DC area myself.. Merriweather was walking distance until I moved out from my folks house. My first serious GF was a dead freak and by dead freak I mean Grateful Dead and the Dead Kennedy's. She was way into punk, so I caught a bit of a punk contact buzz. We also caught tons of shows together over many years from sea to shining sea. Great memories..

I think I like 76 better than 77 or 78? But hey, “I’m silly that way, they call me rubber neck!”

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In reply to by P Hill

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Endorse all bands with Brendan drumming, and eager to hear the full Coriky album. In college in Virginia, most of my friends would be playing hackysack in their Birks, talking about the latest Dischord release. Will try not to overstay my welcome on this topic, but for those interested, the Trap Set podcast had a great Q&A with Ian. Very interested to hear him talking about listening to Hendrix bootlegs.
http://www.thetrapset.net/202-ian-mackaye-minor-threat-fugazi-the-evens…

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In reply to by campaignshoutin

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another one is lungfish get everything you can from them
amazing band

The moment may have passed for mentioning it, but there's a stellar version of Estimated played on 9/15/78 at Egypt. Its on the bonus disc of Rocking the Cradle, and for me its always stood out as one of the best tracks on any of the cds.

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In reply to by nappyrags

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Yes.. They are an interesting band, she had seen them and had a couple t-shirts. I never saw them, but they were in her car and they played a lot downtown in the early to mid 80's, then I disappeared, off to school. 9:30 club comes to mind??

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...greetings and a grateful day to all my brothers & sisters out there! I hope all is well!
I’m really looking forward to the beacon theater shows. I’ve seen many many concerts there over the span of my life. One of my favorite shows I saw at the beacon theater was the Black Crows on a Halloween in the late 90’s mane 1996 or 1997 I can’t recall the year, an amazing performance, they whole band started the show dresses as Elvis, the whole band did; it was amazing night. I saw so many great bands and I love the theater . Always sounding primo in my Deadhead ! I always been on the lookout for an official release from the Dead from this venue so I’m doing little jigs around the house waiting for the box to arrive so I can once again relive an amazing series (5) performances from the Grateful Dead from 1976. Another favorite era of the good ol Grateful Dead 2976. Not a favorite with all dead fans but every release from 1976 released is primo in my book, not a dud in the whole lot, ect. Dicks & Daves Picks , Winterland and the spirit of 1976 Bonus Disc also come to mind and also the 76’ Release From The RoadTrips Series... a very special time in Dead history for this Deadhead fan & collector!

Also speaking of Boxsets , I was able to add the Complete Europe 72 boxset back into my collection. I sold my original for medical bills about 2 years ago if I remeber correctly . I found an all music Edtion of 72 boxset, the whole set complete and still sealed, every one of the 22 shows still sealed and in Primo condition on all 22 shows, just perfect condition. Very greatful to be blessed with this release back in my collection. Rock on deadheads! 🙏❤️😎💀🌹💀🌹
I recently sold a few Record LPs to a record collector. No Dead LPs, I sold a couple of original Beatles LPs and a couple of Elvis Records from my personal collection.
I was given an offer for the two Beatles LPs I couldn’t refuse, one being the white album on white vinyl. Excelent mix/mastering on this pressing. One of my favorite sources for the Beatles White Album. I have two more sets. It’s one of my favorite of their albums!

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In reply to by JimInMD

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Ahhh, the 930 Club....quite familiar with that venue, saw many bands there back in the late '90's/turn of the century: Widespread Panic, Medeski Martin & Wood, Wilco, Dark Star Orchestra, Carl Denson's Tiny Universe, The Samples....tons of good times. I remember toking on a J in one of the dark/side rooms and getting busted yet claiming ignorance...

One of the coolest shows I saw there was the Medeski Martin & Wood show; they put chairs on the floor and it was very limited in terms of number of attendees. Had never seen it like that before but made for a very intimate performance.

Bring on the June '76 Box. So happy this is like a month away and not having to wait until the Fall or something for it to land. It was a sneaky close announcement of the release this time around and I'm not complaining at all. This is probably one of my all-time favorite eras - I mean this very particular run of shows in early June - they sound very different than even later in the summer. I Love the genesis of this sound and it's gonna be all totally Normanized!
What I AM curious about is Jerry's volume level on the 6/10 show; any version I've heard has him down pretty low in the mix. Given these are apparently 2 track tapes, my thoughts are they wouldn't be able to address that too much given the limited number of tracks - but I could be wrong. Curious if any others had recognized this or opined profusely on this point, as I seemingly have.

- Seventy-Sixtus

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...Grateful Dead - Buffalo 5/9/77 5LP
🙏❤️😎💀🌹
May 9, 1977 – Buffalo Memorial Auditorium, Buffalo, New York
First set:
"Help On the Way" > (Garcia, Hunter)
"Slipknot" > (Garcia, Keith Godchaux, Kreutzmann, Lesh, Weir)
"Franklin's Tower" (Garcia, Hunter)
"Cassidy" (Weir, Barlow)
"Brown-Eyed Women" (Garcia, Hunter)
"Mexicali Blues" (Weir, Barlow)
"Tennessee Jed" (Garcia, Hunter)
"Big River" (Cash)
"Peggy-O" (traditional, arranged by Grateful Dead)
"Sunrise" (Donna Jean Godchaux)
"The Music Never Stopped" (Weir, Barlow)

Second set:
"Bertha" > (Garcia, Hunter)
"Good Lovin'" (Clark, Resnick)
"Ship of Fools" (Garcia, Hunter)
Disc 3

"Estimated Prophet" > (Weir, Barlow)
"The Other One" > (Weir, Kreutzmann)
"Drums" > (Hart, Kreutzmann)
"Not Fade Away" > (Petty, Hardin)
"Comes a Time" > (Garcia, Hunter)
"Sugar Magnolia" (Weir, Hunter)
Encore:
"Uncle John's Band" (Garcia, Hunter)

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16 years 1 month
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...321 Blast off!!

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17 years 5 months
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The only band i'm into more than the dead. I love MMW. Rumor on the streets is a new album and a tour in 2020.

Tonic is one of my desert island albums. I also thought End of the World Party was way ahead of its time. And now that it's 15 years later I guess it's just about perfect.

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8 years 3 months
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Its a Jungle In Here was one of the soundtracks to my college years. End of The World Party is great too, like Slow Dog says. Anything they do with John Scofield is extra juicy.

Their live sets are trippy AF. if you get a chance highly recommended.

I had a long day and saw your Jerky Boys reference....and decided to fire up a little JB....I'm looking for paintwork....
what do you say we get together and paint each other up...Yeah forget about it

LAST 5

Who By Numbers
The Samples Blue album or first album
Quadrophenia
Eric Clapton live in Budokan Japan 2009
30 Trips 1988

Cheers

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17 years 4 months

In reply to by Sixtus_

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....but I'm eager to learn.
I only have so many ears and so much time to digest it all.
Edit. From Wikipedia....
"In 2016, John Medeski formed supergroup Saudade with Chino Moreno of Deftones, Team Sleep, Palms, and Crosses; guitarist Dr. Know of Bad Brains; bassist Chuck Doom of Crosses and Team Sleep; and drummer Mackie Jayson of Cro-Mags and Bad Brains."
....full circle giving recent conversations here. Amazing.
I know of, and enjoy the hell out of Bad Brains, when the mood suits me.
Another edit. The Cro-Mags. Now there is a name I haven't heard in a long, long time....

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16 years 11 months
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I know 2/19 falls in the Capital Theatre 71 anniversary run. But i love the February 73 tour. He's Gone>Truckin>Other One Eyes Of The World>China Doll.... 4th Eyes Ever.... sign me up doc.... bob t

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7 years 6 months
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I know I'm probably repeating it to much but this 2nd disk is just sublime the more I hear it. The franklins tower is hot. All around smoking set.

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13 years 4 months

In reply to by carlo13

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Good to hear some earnest enthusiasm.. Bring it!

Giants was surprisingly good too, plus the way far under the radar Get Shown the Light box and the wee, tiny mention 3 trips around the sun. Life is good.

did we miss any good ones?

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9 years 1 month
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Sublime smokes, love that 40 oz to Freedom album from start to finish, the original 1992 Skunk Records version with the song Get Out and the Rawhide cover. Get Out is just about the highlight of that album for me and I dig the whole thing from Waiting for My Ruca to Thanx. If you like Sublime, check out the Long Beach Dub All Stars, includes some of the same members and has some cool stuff. Particularly dig some of the stuff on their Right Back album, especially the song Righteous Dub.

Gave 5/12/77 from the first May '77 box another listen today and man does that disc 3 smoke. So good I may have to give it another listen tomorrow.

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...is the song currently playing as I spin Tame Impala's album Lonerism. Mind Mischief does it for me a lot, but the whole album grooves along nicely.

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8 years 9 months
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for international shipments, why not take directly the customs fees, and allow us a shipment other than the standard one.

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12 years
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….. Bad Brains suck! I had never heard of these guy until this recent thread. I was surprised/not surprised I have two of their albums. Not my cup of tea. But MMW, oh yeah. Never unhappy when I play them.

I don't think I ever see him mentioned, but once again he's been hot in my player, Steve Forbert. Those first couple of albums were great, Alive on Arrival and Jackrabbit Slim.

Never see Southside Johnny mentioned here either.

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