• 2,627 replies
    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • billy the kid
    Joined:
    Dennis/ Tom Dooly

    Dennis, in the Dead's version he's being accused by someone, "you took her on the hillside and there you took her knife. You took her on the hillside and then you took her life. You dug a grave 4 feet wide, you dug it 3feet deep, you pulled the cold clay over her and you tromped it with your feet." I think he was railroaded!

  • JimInMD
    Joined:
    Tom Dula (Dooley in a thick, backwoods North Carolina accent)

    I am not convinced he killed her. Don't pay too much attention to the lyrics for the facts.. this is a well documented true story and in the end it is not clear that Tom Dula killed Laura Foster although it is quite clear she died (probably murdered) and he was convicted for it, the saga ending when life left his body while dangling from the wrong end of a rope.

    "Asked in seriousness if he had any last words to say, Tom held his right hand and replied, "gentlemen, do you see this hand? Do you see it tremble? Do you see it shake? I never hurt a hair on the girl's head". The trap door was dropped."

    It was on the first day of May, 1866, that Tom Dooley rode through the streets of Statesville in a wagon. He sat on the top of his coffin on that bright and shiny day with his banjo on his knee, joking with the throng of people walking along. He picked his favorite ballad on the old banjo, laughing as the wagon neared the gallows. When the rope was placed around his neck, he joked with Sheriff W. E. Watson, "I would have washed my neck if I had known you were using such a nice clean new rope".

    Two links that shed a little more light on this...

    http://ncvisitorcenter.com/Story_of_Tom_Dooley.html

    https://en.wikipedia.org/wiki/Tom_Dooley_(song)

    Man.. you guys have outlined my work listening this afternoon. I feel the need to listen to many versions of all these great songs... while their narrative piques my curiosity and steers my imagination.

    Grayson and Whitter 1929. Peppy, mountain music. The version you are most likely to be drinking local shine from an old stoneware jug.
    https://www.youtube.com/watch?v=k9NHKINSKFk

    Kingston Trio 1958 introduced by a young and dapper Milton Berle.. "when the sun rises tomorrow, Tom Dooley must hang"
    https://www.youtube.com/watch?v=S3zdE8bliGI

    Doc Watson 1964. One the best pickers to ever pluck a string
    https://www.youtube.com/watch?v=XkzgNgBk8_E

    Tom Dula - Neil Young 2012
    https://www.youtube.com/watch?v=Zouila8_-F8

    Grateful Dead 1978
    https://www.youtube.com/watch?v=FxetLkhani0

  • Dennis
    Joined:
    Sixtus, crimes and the Siphon

    Speaking of crimes,,,

    I never understood in El Paso, why the guy ran?

    So in anger I challenged his right for the love of this maiden
    Down went his hand for the gun that he wore
    My challenge was answered, in less than a heartbeat
    The handsome young stranger lay dead on the floor

    The guy did try to draw! His bad luck he wasn't faster!

    Steve Earle character, I think maybe he drew without the challenge part. From "The Devil's Right Hand" (Johnny Cash does a great cover)

    Got into a card game in a company town
    I caught a miner cheating, I shot the dog down
    I shot the dog down, I watched the man fall
    He never touched his holster, never had a chance to draw

    Another "kill her" tune, Delilah, by Tom Jones. I listened to this tune for 30 plus years and NEVER realized he shiv-ed her!

    At break of day when that man drove away I was waiting
    I crossed the street to her house and she opened the door
    She stood there laughing
    I felt the knife in my hand and she laughed no more

    I guess he failed to see the humor in the situation!

    And yes, I AM the music siphon. OR, so I thought until I saw this the other day. Hope this isn't where I saw it. But a big wow from this guy.

    https://www.npr.org/2020/03/02/809977172/the-archive-of-contemporary-mu…

  • Dennis
    Joined:
    Billy the Kid & Tom Dooley

    I believe Tom really did Laurie Foster

    "I met her on the mountain, there I took her life
    Met her on the mountain, stabbed her with my knife"

    The Scottish version, kinda, he didn't kill her, but was betrayed by her. From a tune written by Jamie Macpherson while he waited to be hung. Updated by Robert Burns. I have The Corries doing it.

    MacPherson's Rant
    The Corries

    Farewell ye dungeons dark and strong,
    Farewell, farewell tae thee,
    MacPhersons time will no be lang,
    On yonder gallow's tree

    It was by a woman's treachorous hands,
    That I was condemned to dee,
    She stood uben a windae ledge,
    And a blanket threw o'er me

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    Oh what is death, but parting breath
    On mony a bloody plain
    I've daur'd his face, and in his place
    I scorn him yet again

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    I have lived a life, o' straught and strife
    I die by treachery
    It burns my heart, that I must depart
    An no avenged be

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    So tak these bands fae aff my hands
    Gae to me my sword
    There's nae a man in a' Scotland
    But I'll brave him at a word

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    Now farewell light thou sunshine bright
    And all beneath the sky
    May coward shame distain his name
    The wretch that dare not die

    Sae rantingly, sae wantonly,
    Ans sae dauntingly gaed he,
    He played a tune and he danced around
    Below the gallow's tree
    (Chorus)

    I got these two albums years ago by The Tannerhill Weavers. Played the shit out them, thought I knew all the words. Finally got to see the words, found they were mostly Gaelic and had almost all of them wrong! :-)

    Some great stuff from them-there Scot people.

  • Sixtus_
    Joined:
    Picks & Crimes

    JeffSmith - you're The Man for offering of The Volumes - I am glad the effort will not be lost to the ravages of time, but instead shared with All, as it should be. That's really cool.
    Dennis - you are a music siphon the likes of which I have rarely seen!

    Also enjoying this banter and thoughtfulness about 'the justice vs. injustice' present in some songs. I mean, think about it: those card players in Me and My Uncle got all shot up, over a game!
    Poor fellers.

    Sixtus

  • Slow Dog Noodle
    Joined:
    Lee Brown

    Didn't he get 41 years and 41 days and nights?

    An extra 6 weeks to think about what he'd done.

    Dylan did a great version of this song on Bootleg Series Vol 10, which is probably my favorite of the whole series.

  • Cousins Of The…
    Joined:
    Viola Lee

    Somehow, I always assumed it was the name of a penitentiary; However, there was a Viola Lee charged with running a
    "disorderly" house(whorehouse) in June 1917, in Arizona. Two women and two men were also arrested...who knows? I'm still searching.

  • billy the kid
    Joined:
    Dennis/injustice in songs

    Dennis what about Tom Dooley? He didn't kill poor Lori Foster and look what happened to him. "This time tomorrow morning where do you reckon I'll be, down in a lonesome valley , just swinging from a white oak tree.". Now that's injustice!

  • Mr. Ones
    Joined:
    Last 5

    Grand Funk Railroad-Grand Funk
    Genesis-Bonus Disc from '70-'75 box
    Genesis-Lamb Lies Down On Broadway
    Lenny Bruce-American
    Dave Mason/Cass Elliott-S/T

    And a-wop-bop-a-loo-bop-a wop-bam boom!!

  • JimInMD
    Joined:
    Re: An Observation - Justice Ill Served???

    Well.. I see.. Good Point Dennis. If I had to rank the songs, it would go Viola Lee Blues, Little Sadie then Stagger Lee - understanding this is just my personal preference.

    The sentences in descending order were:

    Viola Lee Blues, the crime isn't mentioned but some got six months, so we can assume it's barely a felony. "Me and my buddies got lifetime here" (Viola Lee got life). A major injustice.

    In Little Sadie, the crime was murder in the first degree. Lee Brown got 41 years (not quite life.. we will call it halfway there).

    In Stagger Lee, the crime was also first degree murder. Stagger Lee was not charged because he was basically a mob boss.. so he got nothing. Certainly an injustice, a judicial travesty of sorts.

    ..but there is some foreshadowing mentioned by the authors that alludes to a different ending although no proof is mentioned, the authors leave it up to us to figure it all out (as in many great songs).

    _____________________________________

    Stagger Lee ultimately got the Death Sentence but only after Mrs. DeLions shot him in the balls with her gun (we are lead to believe this was a 45). Getting shot in the balls with a 45 and then getting dragged off to city hall to face a what is most certainly a death sentence is ultimately the harshest penalty of the three.

    In Little Sadie, his sentence was a little light, 42 years, probably out on parole in 20.. but it is probably within the state range in North Carolina. Typical sentences for a first degree murder range from 30 years to life. Although this isn't mentioned in the song, for the crime he committed he can expect to get beat up a lot in jail, so there's that.

    In Viola Lee Blues, they get the harshest sentence of them all, the got "lifetime here" meaning life in prison. However, understanding that Noah Lewis was born in in the deep south in 1891and wrote Viola Lee Blues just before the Great Depression (it was recorded in 1928). As for the crime, since it is not mentioned.. it took some research but I do believe I was able to ferret out the facts. You see.. there is a similar event popularized by the movie Oh Brother, Where Art Thou where an overly harsh sentence was carried out in the Deep South and the three (me and my buddies) were not getting out.. and while the protagonist is serving his time and the great depression begins to ravage the country, his wife divorces him and gets engaged, he escapes from prison, finds his wife, gets pardoned by the Governor of Mississippi and we can only assume lives happily ever after.

    So it all works out in the end, and we got the hit song Man of Constant Sorrow written by the Soggy Bottom Boys that was later covered by Jerry Garcia at several points in his career so the story becomes very much Grateful Dead Related.

    Fear not, Dennis.. justice has a way of finding it's footing even when injustices occasionally rule the day. In fact.. that's how we got some of our favorite songs.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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14 years 9 months
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Good times to be a Head . . .

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happy days

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14 years 8 months
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Stoked for this one! But what’s new with that?

Early box might be because of 50th anniversary releases coming later in the year.

[edit] ....aaaand Dave confirms in the seaside chat that it’s going to be a busy year of releases, so wanted to get this one to us with time to breathe around it.

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very nice ordered,,, sounds a little cleaner than my current copy. This appears to give us the complete (?) boston run. 6-9 is a road trip and 6-12 has parts (have to say parts with a boston accent).

Will NOT tell wife. She informed me to stop buying until I get a job.

Is it proper to tell wife of 40 years, fuck you?

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11 years 3 months
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There it is !!!!!! !

Dave L. Toss in 7.13.76 Orpheum Theatre bonus cuts. Was just listening to this one. What happened to release of final Orpheum performance?

1976 shows are fire sauce. This is going to be a smokin hot box set desert island Dead. I missed the giants stadium set. Gotta get this one

I went to Hampton Coliseum for dead and company in November. One of the discs spinning was 6.29.76. Pure gold

Other 1976 shows I have heard recently are from Portland, Rochester, Columbus, and Cincinnati. All of the are really sweet.

Sugaree from Columbus is really cool

9.26.72 ~ Bird Song ~ about ten minutes in. Jerry sends in the Mind melters

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16 years 1 month
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Was just thinking about this when I was thinking of what years have not seen a boxset yet.

I guessed 5 shows on fifteen discs but wrong year. Do I get half credit? haha

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17 years 5 months
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Was just reading the Rob Eaton story about the Betty boards return. This looks immensely cool.

I guess I better do my taxes now and hope it's still available when I get my returns. These always seem to come out at the time when I'm strapped. I suspect this will be available for a little while, but you never know.

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5 years 1 month
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Anybody know if they are going to put one of these shows on vinyl like they normally do for the box sets?

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12 years

In reply to by fourwindsblow

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No prize, but you get to buy.

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4 years 11 months
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Fantastic choice Dave, I just bought two copies, one for me and one for my brother. This one is gonna go fast. Thanks for releasing this great music.

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11 years 3 months
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Sweet. I've already got all of these except 6/14 and they have always been some of the best played and sounding shows in my vault.

...but you know these are gonna sound waaaay better. And with these shows, that's saying something.
Get 'em while they're hot folks...
:O)

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8 years

In reply to by Deadheadbrewer

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Schwing!

Dennis. No way!

Looks like LMG was right. And Dave mentioned something big coming out in the fall. Can't believe how excited I am. Is something wrong with me?

Peace folks.

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6 years 6 months
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locked and loaded - was even able to use the discount they gave me for the no show of JULY 78
fingers crossed should get it by Christmas .

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9 years

In reply to by perithecat

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I’ve been asking for these shows for years.

And what’s really crazy, I was going to post something about them this morning, but was late for work so didn’t.

Hey, Bolo was right about this one.

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17 years 3 months
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I was just listening to Dicks #20 over the weekend. I ordered it also and I hope to get it by December also - fingers and eyes crossed.

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Coming this fall? Or will it be Spectrum '89?

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Well that’s the easy bit. Ordered without any problems. Let’s hope I survive the holiday in Algeria at the end of March now that I have something to look forward to :))

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In reply to by Colin Gould

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Originally had all of the shows on cassettes, then CD-R, then digital upgrades. Can’t wait to hear them all polished up.
6-19 has always been an FM copy, so that’s the biggest upgrade.
They’re all grate but 6-14 has always been my favorite.

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In reply to by Dennis

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Fuck Off seems to work slightly better, not quite as personal, lol

perhaps we won’t see as that one is widely circulated CD copy from radio broadcast? But great show for sure!

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In reply to by icecrmcnkd

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Congrats, I know you’ve been jonesing for this one for a long time 😃

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6 years 10 months
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A sincere thank you for this. Been on my box set wish list for a while now.

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Last night I'm in the basement, to spin on the bike. My GD collection upstairs is 1966-1975. Downstairs I keep 1976-1995. So I pick the Capitol 6-17-76 (DaP 28) to listen to whilst spinning. Some amazing playing that reminded me that not all '76 is languid, which is my stereotyping of that year. Let's face it, every year has killer shows and ho-hum shows. So when this sucker popped into my email in-box, I thought, well, that's synchronicity. Then I looked at the show dates.

I was in Boston for one of the four nights in June '76 and clearly remember getting hassled by street walkers en route to the show and on the drive home we had to pull over and sleep in the car.

I caught one of the two nights at the Beacon in NYC. Not sure which.

And I caught the night at the Capitol when they opened with Help On the Way, which is in this box.

So, good chance this box delivers 2-3 shows I attended that year.

And let me say this: they returned from their hiatus in June and played 19 shows -- fresh, excited, etc.

Finally, I think Dave has an obligation to get as many ABCD/returned Betty Boards released as swiftly as possible and this continues that trend of the past 3-4 years. Very glad to have this. And maybe we get another in the fall???

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Use a bad British accent and say, Folk offff!

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11 years 7 months
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took a couple few tries to order, things must be jammin' now

charged up & fresh

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took a couple few tries to order, things must be jammin' now

charged up & fresh

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10 years 1 month
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I think my goggles has gotten boggled… does that really say Dancing>The Wheel>Sugar Mag Scarlet Begonias>SSDD?? Have to check that out! 6/15/76 happening to be the one of the four I’m not familiar with.

Looking forward to this (I've over due for a new box).

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Too Boxsets you say , I’m so grateful, keep up the amazing work Dead Team!!!🙏❤️😎💀🌹💀🌹😳

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DaP 33 was my “acid test” - if it arrived safe and sound, with no hassle, then I’d feel confident The Great Warehouse Debacle Of ‘19 was behind us, and all systems “Go!” to order with confidence again - it was received without a hitch, just like the days of yore, so no problem seeing my way to order this June 1976 gem of a box set!!! (I hope everyone has had similar good fortune.). Hurry up Spring!!!

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9 years 1 month
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This is an excellent surprise, I hadn't expected an announcement anytime soon, let alone a box due 3/20. As much as I liked DaP28 6/17/76 and '76 in general, I am psyched for this box. I know you can't judge a show by the set list, but the set lists for these shows look pretty cool. Thought about waiting to order, then thought about missing out and put the order in now. Curious to see what the rest of the year brings.

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7 years 4 months
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Just ordered, 5 complete shows wow, can't wait !

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Yep, 76 is fine with me!*

*Just so my "picky deadhead" credentials are not tarnished:
I am disappointed that this will likely delay the release of the remastered multi-track recording of 7/18/76!

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17 years 4 months
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I have no interest whatsoever in this June '76 box. None. Zero. It's gonna be a long wait to see what NEXT year will bring us. First time I've questioned a decision to release.

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10 years 8 months
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If anyone could grace me with a copy of this out-of-print Road Trips, I'd be grateful.

Not sure how I missed this one, but it's too expensive on the secondary market.

Perhaps I could send something you're missing in return.

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17 years 4 months

In reply to by wadeocu

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....a new bottle opener goes on sale on 3/20 as well. A perfect gift for CaseyJanes to settle our superbowl bet. He has everything! But he doesn't have that. Me either. Two please!

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7 years 8 months
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My favorite era. Totally stoked for this one. Order process went smoothly.

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13 years
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At this point releasing any ‘70s box set is redundant. It’s now just a matter of whether I’ll be disciplined enough to pass on this one, as I certainly don’t need it.

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7 years 6 months
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Actually I received a 20 percent discount when I sent a text to rhino about the 3 month wait on the july 78 box and they apologized for the delay. So I used it to buy the Nightfall of diamonds show. They finally said no stock left. Sad. But I did buy one on ebay for $180.

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Did bolo mention boston for the next box?

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In reply to by PatagonianFox

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I wouldn't go as far as Patagonian Fox in saying that releasing any box sets from the 1970s is now redundant. But releasing anymore from between 1976-1978 may be. At least until the primary years are properly served. ie 1966-1969.

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