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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
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    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
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    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

  • Gary Farseer
    Joined:
    Congrats Jim!!!

    Knew we were getting close. Still love the Raven show. I am a huge '82 fan.

    This was the same time as my first drop, April 1982, what a life changing event, as I know 4/19 was for you.

    First 2 drops were Orange Sunshine and Purple Haze. Not too bad for first 2. Man, there is a lot to write about with those 2.

    Thanks Jim for being such a solid rock of posting here, and again, Congrats.

    G

  • JimInMD
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    4/19 - Why take one when two will do?

    I can't say no to that. A pivotal moment in the life of Jim.

    The drive home (including the arduous task of finding the car) was perhaps scarier than that moment when they derailed into discord and mayhem shortly after drums. The driver, the older brother of the friend I went with, was totally straight and a taper. The two of us had never seen the dead before and we both indulged - two each. Making it through space intact was the first challenge.. then we had to live through it again on the drive home. I was given very strict instructions which I followed as if my life depended on it, "He cannot know." So we hop in the car, he takes out his newly recorded master and fast forwards to that very moment it all began.

    "Quoth the Raven Nevermore. ....It was a dark and stormy night.... Wasn't it?" and the laughing and the sounds of nitrous.

    Listening to this again for the first time in a while, that laugh at the beginning of space that sounds remarkably like the laugh repeated over and over again on a loop cycle during the excellent Space from Dave's Picks 40, Deer Creek 6/18/90. It's the same laugh whether recreated or brought back to life from this recording? Not sure.

    Looking back on this 40 years later, I have to think maybe Larry wasn't as straight as he was purported to be. How could he not have known we were holding on for dear life on that fateful drive home? Perhaps he fast forwarded to that space because he knew and approved? A test? Questions that will likely remain unanswered.

    If you haven't heard this check it out, there's a brand spanking new Miller on the archive that reeks of an upgrade. On a similar note, Lemieux has been playing stuff from this tour this year. I recall him referring to it as "a most excellent tour", perhaps foreshadowing things to come?

    To me, the sound is better than some of the 82 that's found it's way to CD.. When the sweet chords of the Wheel finally broke through the madness that came before it.. I realized things were going to be ok after all. And they were. But the half hour before that and the half hour drive home took some time to make sense out of. Thankfully the Wheel and Stella Blue were there to provide support and ground us after our travels.

    I'd like to think we both passed the test. ahh.. well, onward.

    Edit: Two additional comments.. the discord probably started with Feel Like a Stranger, also that Brokedown Palace was sweet. 81 and 82 have some really nice versions of these songs, Jerry's voice was in good shape during this period. a real highlight.

  • daverock
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    Tupelo

    I can't honestly say I remember the Pigpen version - despite having the cd of 4/18/70. But that John Lee Hooker record is unforgettable. Nick Cave and the Bad Seeds cut a thunderous record based on this theme, and with that title, in the mid 80's.

  • Oroborous
    Joined:
    POTD 4/19/82

    In honor of Jim’s 40th anniversary.
    If you’ve never had the pleasure, grad some nitrous and check it out ; )

  • bolo24
    Joined:
    Bobby sighting

    Sitting courtside under one of the baskets at Warriors/Nuggets game tonight

  • DeadVikes
    Joined:
    Extra Credit

    Yes, I am up for the 7/4/90 Kansas show. Looks like there is a 2021 Miller out there. Thanks for the picks.

  • JimInMD
    Joined:
    The Mighty Flood (Tupelo Blues)

    Songs from this show make regular appearances on Sat Radio.

    What's not to like? There's a little hiss on the recording, but it's old and quite rare. A little nugget from history delivered to our mailbox or doorstep.

    The Great Mississippi Flood of 1927 documents the most destructive flood in US history affecting 630,000 people. Nice of Pigpen via Johnny Lee Hooker to give it modern day meaning.

  • Oroborous
    Joined:
    I’m with ya Doc!

    Nice lil change up. And yasss it was due for a spin.
    Bob getting all Agro with Bear, and “someone go knock on the door and get Pigpen”
    Marmaduke and/or Nelson with sweet harmonies. Pig should have played solo more often…

    Ok, anyone up for extra credit, how bout we heat it up with 7/4/90?
    I’ve never heard this one and am more intrigued by summer 90 after the Dave’s release last year.

    Tomorrow I’d like to request a special pick which I’ll reveal later, if that’s ok?

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In process and it has been a while. Sound quality from my perspective is somewhat lacking. Love the Dupree's, It's all over now, good Passenger, Brown Eyed Women. Just finished Eyes, really good. Again, wish the sound quality was better.

Thanks Bolo and Mary!

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In reply to by DeadVikes

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Disc one is fun (it's a mix of several shows, me remembers...CR&S is always welcome)
Disc two is sublime. Eyes, Playin' > Wheel > Playin'. I do notice some sound quality issues at times, but they are not horrific and permanent. I remember the Playin' is good as always, and then gets reeeeeeally good
Disc three is phenomenal. As I listened recently, I remember smiling at the glory of the show. Scarlet > Fire, Truckin' > The Other One > Wharf > Around

the Madison show took place about 50 miles north of where l lived at the time. but since I was in 8th grade, I had no clue or awareness of that fact.

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One of my favorites Scarlet>Fire's of all time.... Also love the Samson when after a prolong opening jam Weir does the woohoo type of shout out!! I've posted about the Scarlet>Fire before but there is a Jerry Keith chord interaction after the singing in Scarlet that for me is mind melting!!! Good first choice Bolo... One last ramble, for me this show 2/5/78 is in my mind is the last show of 77... The April tour after this has a different vibe..

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....listened to the first disc last night. Cold Rain, All Over Now, Duprees and BE Woman all top shelf renditions. Man. Iowa got all the good shows. Will start up disc two a little later.
Thats the show with the extended Samson due to Bob's mic difficulties, correct?

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A few momentous stand outs for me: The Music Never Stopped; this version easily made it onto a "best of" compilation early on and has never been supplanted. Fight me. Also, the Estimated > Eyes of so so good. Beautiful elongated Eyes intro, then just mad jamming all the way through, nice upbeat Eyes tempo. Great exploratory Estimated as well. I love the drop into Eyes here; expertly pulled off. The Scarlet > Fire is very awesome too. Long, jammy. Nothing new here, just adding my love.

Nice idea.
Sixtus

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The first thing I noticed is that it features two nights, but unless I am looking in the wrong place, there is no indication which nights which songs are from. I could have checked in Deadbase...but that's upstairs and as I was settled down to listen I didn't bother. It looks like one first and two second sets.

I have just played the first cd so far. Coming from Europe 72, this sounds a lot simpler rhythmically. During Spring 72, you can focus on Bill, Phil, Bob, or Keith - as well as Jerry obviously-and they are all playing with energy and imagination. Here, the focus is more just on Jerry. I like his fiery guitar sound on here, but I am not as keen on Bob's sound. Donna, on the other hand, sounds nice on Looks Like Rain. I prefer this version of Good Lovin to the ones played in 72. It sounds almost calypso-a real celebratory sound.
The cd picks up pace nicely on the last three songs, with great guitar solos from Jerry. It seems a bit more like standard "rock" in a way, compared to the swing they had with one drummer and a fully functioning Keith. I enjoyed listening to it, but I will probably leave the first of the set 2s for tomorrow.

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Not much left to say LLR crackled like a thundercloud!

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....Jerry fresh off his laryngitis. The crackling in his voice during Wharf Rat proves it. His voice was never the same, but still rocks my soul.
Trey Pistachio dropped another song. "Are You There Colleen?". With a message of getting off drugs. Methinks Colleen was his dealer back in the day. Might be wrong. Never right.
I had a dealer back in the day. Name was Chill. Called him from payphones. That was a long time ago though. Thank God.

At the start of 1978 I'd sort of lost interest in the Dead, having last seen them in 74. 78 was my fifth year in college (yeah I know) and I was way more into jazz than rock in large part due to an awesome jazz club on campus, the Backdoor. The place just had a constant stream of major talent coming through. McCoy Tyner, Charlie Mingus, Elvin Jones, Roland Kirk etc. So in early January I see the Dead are gonna be at Golden Hall so my girlfriend and I say "What the hell?" and I get tickets for 1/07. Now in 78 the Dead were not that big of a draw and I wasn't expecting much, sort of a nostalgia trip. Wrong. They were great, just awesome. So after the show we immediately get tickets for 1/08. These were the Bobby songs only nights but that didn't matter a bit. My girlfriend (now my wife) cried during Looks Like Rain. We were back on the bus until 85 when the arrival of our first kid changed everything. Footnote to that is our last show was a week before his birth and she was major prego and treated like royalty by all you wonderful heads. So I love DP 18 and I especially like the Eugene show release. Stay home.

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Nice! I'm overdue for a listen.

RE: DP18, agree with Jim - Brown-Eyed Women is PERFECT! For that matter, so is TMNS - powerful! And then there's disc 3. If I had to rescue only one single disc from my burning house, this one would be in the running. That Scarlet/Fire is a half-hour blissfest, Truckin' is solid, TOO is insanely good. Masterful music!

On to Wichita!

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In reply to by bolo24

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....has metal influences. Garcia tapping into his inner Iommi. My ear told me so.
Wichita this soon into the game? Bold move Cotton. Let's see how it pans out.

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Love the Dodge Ball reference!!

funny how they didn't list out what shows the songs are from. even funnier, the songs in Disc 1 are actually from 3 shows - Its All Over Now and Duprees are from 2/4/78 Milwaukee! The Wikipedia entry for DP 18 lays it out if you're interested. Deadbase IX also lists a soundcheck of Ripple x3 in Milwaukee - what the heck is that??!!

As others have noted, among many highlights a great Music Never Stopped and Eyes of the World from 2/3 - love the super long intro to Eyes, it reminds me of a post-hiatus favorite, 6/8/77. They Love Each Other is fantastic. The 2nd set from 2/5 is just wild. Such a raw sound to the Wolf! Would love to see released the Uptown shows that immediately proceed this. Worth noting how rare The Wheel was at this time - 2/3 was first time played since mid fall '77, another year until played again on 2/17/79 (Keith & Donna's last show), and then another year and a half before it finally re-entered regular rotation.

A couple technical notes - based on Dick's Caveat Emptor, 2/3 appears to have been recorded at a slower tape speed (7.5 ips vs. 15), and so the sound quality is a bit rougher. Also, IIRC, there is an unpatched gap (sad face) in the jam between verses 2 and 3 in Eyes of the World. There's a very nice audience of 2/3 on the Archive if anyone wants to hear that.

Now on to Wichita!!

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After listening to almost 4 hours of insanely wonderful music, the overriding conclusion is that, in my opinion, NO ONE can play guitar like Garcia did. At times subtle and nuanced, at other times raging, but always just exactly perfect within the context of the song they were playing. Remarkable, really. Feeling blessed to have experienced GD/JGB live so many times.

Garcia may not be the "best" guitarist (highly subjective, as most of those inane "best of" polls demonstrate), but he is the only guitarist I can listen to every day. That includes Hendrix, Page, Clapton, Gilmore and whoever else you want to throw in there.

It's grate to be a Deadhead!!

http://www.quickmeme.com/meme/3p838b

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In reply to by bolo24

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You're a harsh taskmaster! Listening to Grateful Dead concerts will continue until morale improves.

Bluecrow - thanks for the tip. There were a couple of compilations that came out in the 1990s that featured songs from multiple shows, but didn't indicate in the sleeve notes which song came from which show. Ladies and Gentlemen from April 1971 and Dozin' at the Knick from Spring 1990 were two others.

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Agree 100% with your comments on Jerry, what a genius! The whole band was.

Just finishing up Dave's 11 now. Comments to follow.

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In reply to by Sixtus_

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Dooo, just listened to that last week, for first time, so maybe we’ll sneak another round in after this 71 grease fest we’ve got going on today .....fall 72 is def fo shizzle....

EDIt: MHAMMOND12...whoa. I’m not sure what’s more impressive, seeing the laryngitis shows or all that top shelf jazz in a club setting???

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Dicks picks vol 21 , not the main show the extras , Iko iko > morning dew > sugar magnolia . Absolutely sublime , and without doubt one of the best dew’s 😸

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I shouldn't really call the Backdoor a club. It was an empty room on the ground floor of the Student Union and Performing Arts building on campus that the A.S. booking people converted into a small concert venue. Just a stage and corked walls. No seats. No refreshments. Bring your own. The talent that appeared there was unbelievable looking back. Freddie King. John Lee Hooker. Two memories...sitting under McCoy Tyner and watching his right sock working its way down past his ankle has he stomped his foot keeping constant time...Roland Kirk playing the flute with his nose, playing three saxophones at once, playing the piano with his elbows and head, and careening around the room playing saxophone being led by his handler (Rahsaan was blind you know) who had an air raid siren he would blow off in your face if you didn't get out of the way fast enough. And none of this seemed like a gimmick. Bright moments indeed.

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In reply to by mhammond12

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This show and bonus tracks from Oklahoma City is definitely top stuff. Sound quality is A+. A great Bear recording! Man, he did great work.
The whole show flows nicely, although not a long second set. Love the Sugaree, Bird Song is awesome, Jack Straw, Box of Rain! Come on. Casey Jones to close the first set and than open with Cumberland. Great Truckin Other One, very unique Other One. Always loved Brokedown Palace and this one they play flawlessly.

I will throw out 12/28/79 Road Trips 3.1??

Let me know Gents.

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I like the post-space UJB and Bertha on that one a lot mainly for Brent's harmonies. Overall a classic pick with a lot to like. I might give DP5 (12/26/79) the edge however. That pick is hefty.

Listened to both Dave Picks 11, 11/17/72, and Europe 72, 04/07/72, as assigned by Bolo. Dave's Picks 11 is one of my favorite releases. Great recording by Owsley improved by the treatment of Mr. Norman. Has an incredible Bird Song. Just a wonderful release.

Europe 72, 04/07/72 Wembley just blows it away. Leaves a smoking crater where Wichita used to be. Europe 72 can not be bettered.

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This one has a nice slow relaxed build up with some ripping Jerry. TOO than blows the roof off! The only TOO>Brokedown Palace. End of set 2 all great. A perfect prelude to the next to nights.

ps. 4/7 Rips the paint off the walls from the first note. No contest.

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In reply to by fourwindsblow

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Okay Bolo, what are your thoughts?
Next show for today?

I suggested 12/28/79. RT3.1

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In reply to by DeadVikes

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I’m down, right after my John Prine compilation

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I relocated last week and since that time I have been unpacking as much as I can and maintaining my workload from home. So I have been out of commission here for a while. I came across this pick of the day and I am all for it.

Just to throw a show out there ( not for today) but how about 9/8/73? I have never heard it but Dick Latvala spoke highly of it. It might be nice to give it a listen.

Meanwhile it looks RT 3.1 will it be for today. Maybe I will add 4/8/72 as well.

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Nice - been a while since that one hit my headphones.

MHammond gets a gold star. But what did you listen to AFTER lunch?

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I was at this show, it was a blast! Sugaree, High Time, The Music Never Stopped, this show was great from start to finish. This show sounds so much better then Dave's Picks 31 from just a .sound point of view. Yeah, this show was a hell of a lot of fun!

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Sugaree lovely, the rest of the set is okay Music rocks! Set 2 Alabama grooving, GSET explosive!, Terrapin super sweet jam, PITB end jam is sick!, UJB outta drums/space yes!, short Miracle, Bertha>Good Love, CJ , OMSN rockin!

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In reply to by fourwindsblow

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....on it. (I'm the tour buddy still in the car doing bong rips as y'all are heading to the gate.)

https://relisten.net/grateful-dead/1983/09/10
Santa Fe Downs. Give me this. But for Friday. I'm working tomorrow, but off Friday.
I've stood at Santa Fe Downs and looked east. The view is spectacular.
Whats all the hubbub, bub?
It's got a Music opener and a Cold Rain encore. Warts and all.
Things are strange outside. Bird Songs all day.
edit. Found something!!
https://faroutmagazine.co.uk/grateful-dead-jerry-garcia-favourite-song/
Spoiler alert. Row Jimmy. Also a favorite of Bill The Drummer. It was playing as I read it (12.28.79. Disc one. Track four).
I still don't believe in coincidences.

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DaP11: Last half of disc two - the whole He’s Gone thru BDP is incredible

Just starting RT3.1 now , if the first song is any indication of this night, I’m in for something special!

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In reply to by DeadAreMyDealers

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Hendrix Freak threw this one out a couple days ago but yall were onto something else.....it got me thinking about some primal dead, and haven’t had a good 68 fix for a bit....So Wadaya say Laddys?

MHammond: RT 3.1, nice pick. Started to go through the 79 stuff when DaP 31 came out but didn’t make it, rember liking this one more than 31, and yesterday confirmed that. Really need to get to DP 5 from 12/26, it’s been so long for that one. Maybe this weekend I’ll roll that?

VGUY: I’m down with some Santa Fe tomorrow. Heard about this one for years but don’t think I’ve ever checked it out. Plus 83 would be a nice change up here....

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12/28/79! Is this the best RT release? Maybe, certainly the best 79 release from the Vault so far. Betty did another excellent job here.
I like this release more and more every time I listen to it. Sound quality is A+.Sugaree opener! Different feel to this show without Keith and Donna, but I dig it. Brent's keyboards really shine. Really good flowing Terrapin, Playing, UJB. The show closers are fun and groovy. Makes me want to get up and dance.
And then there is the bonus disc, from 12/30/79. 10 additional songs of bliss. Scarlet Fire, Let it Grow, Truckin! Sweet.

Would love to see more 79 and of course 80. The early Brent years! I know the Chicago release didn't match this release but 79 has a lot to offer.
Yesterday I also listened to 9/1/79. Not an official release, but again great 79 sound.
If you have not heard it, check it out.

Looking forward to our next pick. Let us know!

I can't take credit for that pick. I'm trying the Europe 72 night by night thing and I'm already behind.

Playing now.
Is that today’s pick?

First got this on cassette in mid-90’s and loved it right away. Then got a CD-R copy. Was really happy to get it as a commercially released CD.

This show needs a Plangentized/Normanized remaster 180g vinyl record store day release.

Edit:
Looks like I’m a day behind. No worries, I’ll catch up.

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In reply to by icecrmcnkd

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Good to have you kid.

Bolo, what are your thoughts on the last pick. Sounds like the crowd is feeling Dick's 22 for today/ tonight. I will have to sit this one out as I don't have this one. Looking forward to tomorrow's choice.
Be well folks!
Snowed here in MN today☹️