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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • Oroborous
    Joined:
    Pairings

    ...I mean like a Muai Wowie for a Hawaii show, some Humbolt for NoCo etc...I guess it might be tough for Europe shows? Perhaps find a hash that was associated with certain countries?
    YEEESSSSS love the Elephants. If you can drink a sixer of those along with what not and still function normally your definetly a pro and/or an alcoholic lol! Back in the day when we couldn’t source much, that Pepsi challenge was a badge of honor! Used to like the Hinnie Darks way back when?....feel like that’s another one that you had to have directly from the country of origin, like many Canadian beers. They say their the same but don’t feel that way. Of course being a resident Simón would know more about that. We were just border kids back then so had many opportunities to test the theory with Canadian brew...had something in France that was pretty good, at least for back then. Can’t rember name...wanna say a red label on the bottle?

    EDIT: the Elephant challenge was part of the lore of my infamous Hershey 6/28/85 story....nothing like a sixer of hephalumps and QO of veggies, vooooooo, IT does not matter anyway!

  • Oroborous
    Joined:
    Spring 71

    Well I know what I’m listening to today, lol. Cruising through FTV 3 as we speak. Then 3/18, 10/22.2, and P/O 4/7/72.2...
    Wooooo, smokestack, niiicccceee!
    Thanks to all for the dynamic look at spring 71, and especially of course The Doc, good to see ya!
    First I must reiterate that I like ALL years, and I like early 71, hell Skull Fuck was the one that got me hooked. I have FTV 3, Ladies and Gents, 30 trips, and a old poor tape to cd copy of 2/18/71.2. (Love that DS/WR/DS.)
    But it’s been one of those periods sort of in the shadows for me. Perhaps it’s all the fragmentation: since Skull and L&G are cut ups and I’ve listened to them the most. Haven’t listened so much to V3 for a Vualt release, and 3/18 I only somewhat recently acquired so not too familiar with yet....I know I’ve been somewhat a prisoner to my predilections in the past, but hanging here has worked on that. But I guess if I was going to be critical it would definetly be the lack of extended jams, and on docs spectrum number 1 repertoire. Yes new songs but much is kinda sloppy, guitar tunening, cowboy songs, pigs long....ah, I think I just figured it out. It’s because there’s a lot of repetive tunes during this era that TODAY, after many decades of repetitive listening, I’m kinda burned out on...hope that makes sense? Now ANY tune in the right time and space can still blow the ole cosmic doors off, but generally speaking, over 40 years in, there are unfortunately some tunes that I don’t always need to hear. I think others have made similar comments before...so I think that’s what I don’t like, these do have much of those type songs. But so what, there’s so much great, unique stuff too. (and yes even the occasional DS!)
    Like fundamentally I’ve always dug the smaller, swinging band versions over the big lumbering ones. Oh, now that I’m thinking about it, this is kinda like 80s Dead in that it’s balls out rocking energy. The “STYLE”, I do really dig the style! Sometimes there’s something to the dirtier sound too. They had definetly made progress from early on, and eventually got to that buttery smooth ultra clean sound. But that might understandably not be everyone’s favorite cup of tea....so here there in this unique transitional period...just the right touch o grease on that Q.
    Also, like KF mentioned, Pigs organ playing is definetly at a peak. Speaking of the Grease machine, nowadays, though I may need to be in the mood for yet another long dragged out Lovelight or Good Lovin, the rest of the Pig list does just the opposite for me. Meaning that shit I’ve not had near enough of! I guess it’s just another case of needing to spend more time with this era. Which in this case means gettin loud and greasy! Easy Wind indeed! And the river kept on calling.....I’m sure anything deemed Box worthy will be just dandy, and ya know some day it’s coming in some form/forms; ....demand is high, at least among the old hardcore guard; there’s multitracks and/or Beatty’s from I believe all the Chester’s and 4/5,6,7, and 8?, Which I believe some are ABC sourced so you know it’s coming, it’s just when, where, and how?
    I liked Billy the Kids idea of formate variations. Say two box sizes and some kind of compilation like PNW etc.
    Go limited number of the big dog (20-30 shows?) for Doc and HF etc, and perhaps a 6 show box more in line with June 76 or PNW? for others? Perhaps they’ll do something in multiple parts like spring 90 (and they should do with June/July 76 at some point). I mean Chester probably stands out as the most prime choice just cause of the tapes. So maybe that first, and perhaps later a six to ten show April box?
    Whatever, I’m sure Ill learn to love it, much like that 78 box. And though it probably won’t be first call material personally, like all dead, I’m sure when I do let it roll, I’ll always be able to find golden yummies. Proper! Like this V3 TOO, all nasty, a tad sloppy, raunchy, but fuggin smokin! And this WR, it’s like their possessed, very unlike the vibe it would turn into.
    Anyway, lol, it’s dangerous to have extra time sometimes, sorry. 😉
    But thanks again for all the good angles. Hey if nothing else we got Doc from under the rock for a spell! Ok, back to the grease....boo yah. Sold, the Brooklyn bridge!

  • simonrob
    Joined:
    Beer notes...

    Fullers is great. London Pride is a fine bitter. ESB should come with a health warning. It is a lovely beer but unpredictable things can happen if you drink too much. You have been warned. Newcastle Brown is arguably the best brown ale if brown ales are you thing. Carlsberg is nice but their Elephant beer (7%) is a killer. Highly recommended if you can find it. Heineken sucks, like most things that come out of Amsterdam. Phil should have known better. There are much better Dutch beers. I am not familiar with the others but I have always struggled to find even a half-decent beer in France while Germany has loads of good local beers.

  • bolo24
    Joined:
    Me, according to my wife

    http://www.quickmeme.com/meme/3p838b

  • hendrixfreak
    Joined:
    I'm not thinking about beer at all...

    But as it's only 2pm here in Denver, I coughed up a brief list of brewskies to aid the courageous among us who may enter into a review of all 22 Euro '72 shows. This list is easily improved, but I got a sick, beloved cat going to the vet soon. And these are brands you can get in US or what's left of it.

    London: Fuller's London Pride or Fuller's ESB
    Newcastle: Newcastle Brown Ale
    Copenhagen and other Denmark cities: Carlsberg
    Bremen, Germany: St. Pauli Girl
    Paris: 1664
    Amsterdam: Heineken (Lesh is more)
    Luxembourg: I think we flubbed this one
    Munich: Paulaner Octoberfest

    Cheers! And good luck to those intrepid souls who nab all 22.

    EDIT: To Oroborous' question: Of course a weed pairing. We would always start by vaping Sativa, cracking a beer and glowering at anyone who spoke during the music. Beginning of second set, with big jams coming up, we'd switch to vaping Indica. Vaping would give way to a few smoked hits of Indica (and maybe a shot or three of Jameson) when DS, TOO or some other monster appeared on the horizon. Okay, maybe pop a painkiller.

    This is at a cabin in the foothills here, ~8000 feet. If weather was warm, I'd sleep over in my truck. If weather was very cold, I'd, um, drive the 75-minute route home, Jer ringing in my ears.

    As Clapton's manager told the press after he collapsed on tour back in the day: "We're not 'ealth freaks ya know!"

  • deadegad
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    London Calling?

    To me London Calling can be mentioned in the same breath as The Beatles(White Album), and The Rolling Stones Exile on Mainstreet. Yes LC is that good.

    Brand New Cadillac!

  • Charlie3
    Joined:
    London Calling

    Sounds perfect, some Clash it is. Perfect song to capture the vibe, classic album. I think it should be played at high volume, but that's just me.
    The ice age is coming, the sun is zooming in
    Engines stop running, the wheat is growin' thin
    a nuclear era, but I have no fear
    'Cause London is drowning, and I, I live by the river...

  • Oroborous
    Joined:
    Miscellaneous responses

    DEADVIKES: 4 second row tix for 20 bucks, NIIICCEE! It’s so cool to see em that close eh? Aahhh, the “old” days when we used to go up front all the time, siiiigghhh

    BLUECROW: HAPPY HAPPY! And nice June 76 post

    THANKS VGUY

    HF: thanks again for continuing to make me laugh and/or smile! That 71 “prep” is perfect, lol. I’d need a seatbelt! Speaking of, where the hells KCJ been hiding? Oh, and HF, sounds like I’ve had friends with the same interior decorator as you.

    BEER/SHOW pairing, awesome! Hmmm, could you do same with weed? 😎

    Spring 71......

  • KeithFan2112
    Joined:
    Strangers In a Strange Land

    As noted, the Europe '72 Anniversary begins today. They kick off with one of the best Greatest Stories I've ever heard. Sometimes you got one, sometimes you got two "cool clear water well you can't ever tell"s. I prefer two. Donna really nails these.

    The whole show is great. The Other One Part Deux into Wharf Rat is exceptionally exceptional stuff.

    I do my best to listen to them all in sequence on their anniversary dates every year, but always seem to fall behind at the beginning of May. Oh right....that's when the Bonus Disc Dave's Picks arrives.

    Great stage quotes from 4/7:

    While trying to figure out what song they're going to do next, right before Tennessee Jed -

    BOBBY : What the fuck are we doing here?

    JERRY: What indeed...

    During the Truckin' intro. Bobby queues up the band and begins to introduce Numero Uno when Jerry cuts him off -

    JERRY: Hey that guy's got a trailer....

  • Deadheadbrewer
    Joined:
    London's Calling!

    Heading for the listening room to launch my first trip through E72. As mentioned, I've tried to do the tour a few times, but usually only make it about half-way through the first show before life derails the tour and I have to head back to the States. But with older kids and NOTHING on the calendar (plus a willingness to listen even when it's not late at night with everything Just Exactly Perfect), I feel like I might really do it this time.

    Hendrix--I had the same thought about the European beers. Just wish the boys had played a bunch in Germany! I am getting some Jai-Alai Pale Ale from Cigar City Brewing for the listening session for DaP 34. This initial E72 session has me armed with nothing but decaffeinated coffee . . .

    p.s. Blue Crow--my thoughts exactly.

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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June '76 has not arrived yet to my home.
Just listened to my tape-version of:
JAI-ALAI FRONTON, MIAMI, FL 6/23/74 - (Dave's Picks 34).
Very playful, tender and mellow. U.S. Blues is great.
Also waiting for DaP 33. Bummer!
When in the States, Sam Adams is one major brand beer I do like.
Take care

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Dead Vikes, great pick , you hit a home run with this pick! The bonus material you mentioned is also great. The Minglewood Blues is the best version that I ever saw them do live. This run would have made a nice box set, fantastic recording quality!

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In reply to by Angry Jack Straw

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Angry Jack Straw,
we've visited the Guiness Brewery in Dublin some time ago.
I remember they said they were making 4 or 5 different types of Guiness.
Here in Germany there's only one type of Guiness around. Wonder why?
Of course, on tap all beers taste much much better than bottled beer.
Take care!

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13 years 7 months

In reply to by hendrixfreak

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Thanks for the offer and I will check out the official Jimi H webpage regarding those cds. My desktop computer is old and the cd/dvd burner is not working consistently so. . .. The guy who built it for me moved away so I am not sure what I'll do. I could buy and external one pending having a new desktop built. I'll let you know when as I build my official Jimi live release collection.

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In reply to by deadegad

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Sadly they are not around anymore but they made a great black and tan beer in a bottle. Guiness in a bottle is nasty the draught in a can is good. Guiness is better in Ireland; it does not travel well but is still good on tap elsewhere.

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In reply to by gratefulgerd

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The bottles of Guinness are just the stout. The cans come with a CO2 charge canister inside so that when you pop the top, the beer pours out more like a proper Guinness draught. I prefer the cans myself.

Peace

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1976 box #5018 has arrived in Scotland after visiting customs. Paid on-line and they delivered today. Played the Boston shows today and enjoyed greatly. NY will be tomorrow’s treat.

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Mark me down with it. 9/10,11/83 had to have been my two favorite Dead concerts of the 80s that I attended. V-guy remember the rain during China Cat/ I know You Rider with the rainbow arching down to Earth beyond the stage. It was fucking Wow!
Also New Years Eve 81 with Ken Kesey right before midnight and later a Dark Star peeled my face right offa my head.
Also this coming Saturday the Native American Music Awards will be having several Native musicians performing from their homes. Time; 5pm-9pm EST . http://www.facebook.com/NativeAwards
My relations Shelley Morningsong and Fabian Fontenelle from Zuni Pueblo, New Mexico will perform from 4pm-5pm EST .
Please check this out if so moved.

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We did the Guinness tour some time ago as well. I don’t recall how many different types of beer they brew. I’ve really only seen the traditional and the blonde. Guinness is such a unique beer that I only drink the traditional.

I do recall being disappointed by the tour (and Dublin in general). We should have just taken the elevator straight to the tasting room on top for our complimentary pint.

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In reply to by Angry Jack Straw

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....i wasn't there strider. I was 15 and into metal. But I was in Northern New Mexico around that time visiting extended family with my immediate family. My moms side of the family was from Taos. Three aunts still live there. Didn't have a clue the boyz were playing in the area around that time.

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In reply to by gratefulgerd

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I just checked back in and I think the other members here have answered it. When drinking Guinness from a keg with tap in a pub/bar/ Kneipe the Guiness comes out very smooth. The bartender also deliberately opens the tap/vom Fass slowly and pauses the pouring of the Guiness to make it creamy. Guinness from a bottle tastes like bad wine or vinegar. Guiness Co. created a can with a type of gas cartridge inside to duplicate how creamy Guinness becomes when it comes out of a tap/ vom Fass. Guinness from a can is very good but from a bottle it is very bad. I wish we were hanging out together and I could demonstrate this to you then you would understand.

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Just catching up on these threads . . . Got dang there is a ton of official Hendrix live stuff out there I didn't know about. Some of us need to keep this economy afloat.

MP51 --- I have been enjoying some John Prine so far. I found a live set from 73 on the Wolfgangs Vault app. He's like Dylan's hillbilly cousin. His song 'Illegal Smile'. . . Wonder if the inspiration for that came from The Other One . . . "Busted me for smiling on a cloudy day." Its obviously about acid, or psychedelics generally.
Re: that list of songwriters. Townes Van Zandt is another guy I've heard about, but haven't really listened to. But all your others are some of my favs.

I'll see that list, and raise you a Warren Zevon.

Traffic~Mr. Fantasy
The Stooges~The Stooges
Tweak Bird~Tweak Bird
Grateful Dead~ 6-30-74
John Prine~ ??-10-1986 Asheville,N.C.
Kellar Williams & String Cheese Incident~Breathe

get some and hang tough. Be Kind...

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The gas cartridge in beer cans is called a widget. This is not to be confused with the digital variety (think apps).

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In reply to by simonrob

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They were wondering on the news this morning if alcohol use had gone up during the recent crisis. Can't see any evidence of it myself.

As if things weren't weird enough at the moment, my street has been cordoned off for the last 20 hours due to what the police have told me is a firearm incident. Gets more dangerous out there with every passing day.

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Creedence Clearwater!!! When I was a kid the DJ at WMMS in Cleveland would end his all night shift every Saturday morning playing this song at 550 a.m. Worked on a greens crew so was driving to work at that time.... bob t

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In reply to by deadegad

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The Guinness Extra Stout in a bottle is tough for me to drink. I'm not sure if regular Guinness comes in a bottle or not. Regular Guinness flows down nicely, but can be painful the next day. Samuel Smith Organic Chocolate Stout is worth the hangover!!!!!

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Wanted to share the below; for anyone interested in tuning in to some Dark Star Orchestra streams - they are doing a bunch of free stuff today starting momentarily if you need a Friday dead fix. Wait, what am I talking about...we ALL need our Friday Dead Fix:

https://fans.com/livestream/20200410-dark-star-orchestra/?utm_source=20…

Also have been the Guinness Storehouse & Brewery in Dublin. One of the coolest beer experiences ever. The self guided tour is amazing. And of course the Guinness pints you get at the end up atop the building with great views. I recall good times.

Be Well, Deadfreaks!
Sixtus

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Major Beer Fetish Friday! Oh yeah.

Indeed, if you live in the States, you have to compromise with the pint cans of Guinness. Strangely, I also love Hamms -- it's weak stuff, but chilled properly (just above freezing) it's a very crisp, clean beer. THEN you switch to the Guinness pint with the wojgit, whippet, nitro thing-y and you feel like you've crossed the pond. Repeat and you're actually IN the pond. (Feel free to run with the nitrous allusion...)

Bein' silly, but I've got a shot of Jameson in my coffee this morning. Will be embarking on 6-15-76 this evening, the last of the five shows for me. So much great music. Very liquid-y. This box really turned my head around about '76, when I caught maybe five shows, if memory serves. For a single show & flow, I'm currently partial to 6-10-76 and may revisit that one after 6-15, perhaps on headphones. Listened on headphones last night for the first time to some recent studio recordings I made and man, you get great separation in the stereo image. So good, I missed the Denver Howl last night....

Ja. Ich kan doch Deutsch! Aber ich habe viele vergessen. Aber es kommt gleich zurück wann ich Deutsch lese und spreche. Ubung macht den Meister!

I lived in Heidelberg for several years a long time ago. I was an exchange student. I actually moved from the southside of Dublin, Ireland to Heidelberg. Although I am from New York, my family emigrated from Ireland and I have family all over that country but my fathers vor verwandte emigrated from Scotland to Ireland after the English Civil War -- a long time ago. Germany is a beautiful country! I love it.

Take care everyone and be well. This storm will pass. The Wake of the Flood: We will get back to normal lives.

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Hendrix you mentioned both places I visited in Ireland - Jameson Distillery and the Guinness Storehouse (which ironically is located at "St. James Gate". That was a fun trip. I still have a sealed bottle of Redbreast 12 year. One day....

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In reply to by icecrmcnkd

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Yes, I believe you are correct, nitro, not CO2... my mistake.

Hope everyone is doing well today! I spun set 1 and most of set 2 of 9/10/83 Santa Fe last evening (I couldn't wait for VGuy's official listening party...) and that China>Rider is so fine! EDIT: And, that Playin>China Doll... sublime!

Happy Friday, DeadLand

Peace

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Schweeeeeeet !. Picked up my box from the local post office yesterday morning....£28.23 in charges to pay but it is what it is. I'm just grateful that Royal Mail (my employer as i'm a postie) handled the delivery here in the U.K. and not those worthless buffoons UPS whom i've had major run-ins with in the past !.

Everything in the box is pristine and the limited edition number is 5303.

Hendrixfreak....check your PM's !.

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Bob T, I love Credence Clearwater Revival, that Bayou Country album in particular - the track Born on the Bayou just works for me as does Bootleg, and who doesn't like Proud Mary? Giving it a spin now after seeing your Keep on Chooglin' reference.

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One day Dave's picks will drop this one on us its worthy of a release sounds great and it has a decent Esau a song Dave really likes.

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In reply to by Charlie3

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Funny that there is a all of this CCR talk because I had been watching some Youtube clips of CCR live at Woodstock and elsewhere. What a great band they were! I wish they had some more live (I have only one) releases because the Youtube videos show CCR in excellent form. CCR's cover of I Heard it Through the Grapevine is epic. Something I did not know was that CCR followed The GD at The Woodstock Music Festival and we know The GD were unhappy with a below par performance on their part.

P.S. Oops, almost forgot, good news Deadboss that your 76 box has arrived. Although since you're employed by The Royal Mail you would think you could get an employee discount on the import tax!!!! Just sayin'! Professional courtesy. @#$&^%#g government!

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This came up a while ago but no harm in bringing it up again. Their Woodstock performance finally got an official CD release last year after 50 years. Well worth checking out as it is great.

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10 years 6 months
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Now YOU check yer pm.

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Hello all!

In case you were unaware, Internet Archive (that place all of us Dead Heads cherish so much,) is asking for donations to keep things up and running in these tough times. As a high school teacher, as well as a fan, I have found them to be an absolutely invaluable resource. If you can donate, that would be awesome!

Anyway, in the words of the immortal Jimbo, back to your regularly scheduled Drums>Space.

Peace

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They were my first "big" concert, May 1970 @ MSG. Booker T and the MGs opened! What a great show it was.

John Fogerty has long blamed the Dead for putting everyone to sleep before CCR hit the stage in the middle of the night at Woodstock! Even though these two bands were very friendly, both being from San Fran, John also tells a story of seeing the GD one night, and the boys were so drugged out, that it turned him and CCR off to drugs forever.

Rock on

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10 years 6 months
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I'll just say this: CCR was a great band. Fogerty wrote some great tunes. But I caught Fogerty last year at Red Rocks and he did a 50th Woodstock-y thing for that tour, including his whiny voiced story about the Dead at Woodstock and it disgusted me. Like it's a big shared joke, how lame the Grateful Dead were. Being in the 10th row, I yelled out loud and clear. "Hey, this is a Grateful Dead town. Fuck you!" A lot of people around me cheered and laughed. I don't think Fogerty heard me. I did the exact same thing around 1981 at the tiny Rainbow Music Hall when Dave Mason tried a lame joke about Jerry and I was in the 3rd row. I said loud and clear in a slightly menacing tone: "Hey, this is a Dead crowd." I did not curse him, it was a quiet small theater and starting something with the performer did not seem wise. But Mason visibly winced at my words and moved on. In retrospect, I should have walked to the front of the stage, delivered the one-finger salute, told him off and walked out. Both Fogerty and Mason continue to tour but neither ever achieved the artistic level, audience embrace or financial success of the Grateful Dead.

Fogerty put on a great show and I'm glad I went. But I will not put another dollar in his pockeet. I just don't go for trite put-downs from inferior musicians when it comes to the GD.

Okay, rant over. Only two hours to cold beer and guitaring.

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17 years 2 months

In reply to by hendrixfreak

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....that lasted what. Five years? Hmm. Maybe they should have tried getting along instead of being dicks to each other and bashing others. Money. Its a gas. Oh well. Down On The Corner.

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14 years 8 months
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Well I'm about to get upset
From watchin' my TV
Been checkin' out the news
Until my eyeballs fail to see
I mean to say that every day
Is just another rotten mess
And when it's gonna change, my friends
Is anybody's guess
So I'm watchin' and I'm waitin'
Hopin' for the best
Even think I'll go to prayin'
Every time I hear 'em sayin'
That there's no way to delay
That trouble comin' every day
No way to delay
That trouble comin' every day

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17 years 2 months

In reply to by stoltzfus

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....that the Grateful Fucking Dead are king of the hill. No question. Everyone else is just talking points. That's why we're here, right?
This current climate needs more Jerry, Phil, Bobby, Mickey, Brent, Keith, Bill, Ron, Donna, Vince, Bruce, Tom. Facts man. Facts.

Incredible rocking finale to the first set at Copenhagen 4/17/72. The whole set is good, but the last two songs of the set, Big Railroad Blues and Truckin' blow the roof off. Best savoured on that unofficial dvd that came out a while back. Shame the whole show wasn't filmed.
The armed police have finally drifted away from my front door after keeping guard for 30 hours. Quite pleasant people, as it goes, but it makes me wonder what has been going on out there.

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17 years 2 months

In reply to by daverock

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....what did your window panes tell you?? Looking out there.? What happened?
Good to know the armed police are polite. Imo, they don't want to be there either. Crazy times.
11.3.91. I don't need to look that date up cone kid, because I recognize it. And yes.
MSM told me last week we would see 3,000 US deaths per day this week. Hmm.

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6 years 11 months
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Is give KISS a chance.

Stoltzfus KISS has about 5 total vinil LPs of music that is on par with some of the best hard rock recorded (along the lines of AC-DC, Van Halen, and Aerosmith. Unfortunately that all occurred between 1975 and 1978. But you're right they have sucked since then with the exception of the reunion tour with Ace Frehley in the 90s.

There is currently a cover band called KISS that has two original members in it, two of the greediest most unappreciative bastards you've ever met in your life who would stab their mothers in the back for a nickel, but they can't be confused with the real deal from the 70s. Now those were some good concerts but nothing like the Dead of course. Just good old-fashioned hard rock chords in 3 minute songs. Fun rock.

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10 years 1 month
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I completely missed out on all of the Spring 1973 anniversary shows. Now I have to cram them in between Europe 72 shows. I just got in the two Dark Stars and the surrounding second set magic from one of the DP 28 shows and Scooby Doo House.

I think I'm on to Recommendations from the Dead next, morbidly titled because Dick Latvala said it was some of the best jamming ev-er. I'm talking about the April 2nd show (or thereabouts) from Boston, Dave's Picks with the two skeletons that look like Keith and Donna laying in the flowers.

Then I have to get the Spectrum show in. This ain't going to be easy.

Oh! Kick in the gut Stoltzie, they had a couple of good records when Ace was in the band.

Never really listened to CCR. Maybe I should. Who's going to try and get the Duane era Allman Brothers in first.

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7 years 7 months
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...and quite possibly so does everything else. Angels and Devils. Not enough time to get into all that here. However, relative to John Fogerty/CCR and KISS, there appears to be a very fertile window when all those apples are cut from the tree. Maybe a two, three album period where most of the gold comes, then a gentle trailing off. Or an abrupt halt - how many genius songs are out there from "one hit wonders."

Occasionally a band can somehow find their way back (Jefferson Starplane). Or Blue Oyster Cult. But mostly, there's a peak period with every artist both commercially and artistically, then an endless mining of the hits live with slight interjection of "new material" that no one wants to hear.

CCR had a fantastic run - Run Through The Jungle alone is enough to cement a legacy. And whatever anyone thinks about KISS, Gene Simmons' bass lines were very Paul McCartney-esque, melodic and inventful, and those guys were incredible power pop songrwriters in the Cheap Trick vein. And very good rock singers, Paul and Gene, Gene to this day.

For those about to rock, I salute you.

"Rock and roll guitars!!" - April Wine

\m/

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15 years 5 months
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Am I alone in Sweden( or indeed continental Europe) not to have yet received the box?
Tracking stopped 31 march, since when nothing, and the local post office( post nord) doesnt recognise either of the tracking numbers. Of course the Covid can have caused extra delay...

product sku
081227908911
Product Magento URL
https://store.dead.net/special-edition-shops/june-1976/june-1976-15cd-boxed-set-1.html