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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1901
    Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • #1902
    JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • #1903
    daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • #1904
    1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • #1905
    1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • #1906
    bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • #1907
    Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • #1908
    JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • #1909
    DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • #1910
    1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by icecrmcnkd on Thu, 04/09/2020 - 18:46

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Please give the date of the show, not just the release identifier.
My shows are organized by date.
Thanks.

Edit:
Just figured out what DP22 is. I listened to those shows a few weeks ago and so will pass.

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Submitted by wilfredtjones on Thu, 04/09/2020 - 19:07

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Snowed here in WI, too. Yet, I finished the lawn raking. Go figure. Are you sure it wasn't Graupel (snow pellets)?

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Submitted by Vguy72 on Thu, 04/09/2020 - 21:24

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....got the Galaxy S20+ at the beginning of March. My old phone was circa 2014. Was time for an upgrade. Came with an early order credit of $150. Used that towards Buds+'s. Testing them now during 2.23/24.68 Tahoe. Not bad.
Then I heard about all the 5G shit. Can't win for losing i guess.

RT 3.1. Fun to revisit this one - been a long long time. Totally forgot that it had that awesome Terrapin > Playing. BITD I had a cassette from a friend who labeled it "Terrapin > Playing > Jam > Yikes!!" At one point it seems like Brent was channeling his inner Ned Lagin (fully approve!)

Looking forward to visiting Santa Fe later today. Never given that legendary show a deep listen. Anybody got rec as to what source? Notice that there's an Usborne matrix.

Pick of the day reminds me of a college literature class - 4 days in and it feels like already a week behind. Tahoe is gonna have to wait.

Wichita - real bounce in their step whole show. I think '72 is my favorite "era" for Other One. Some really great Keith piano in there. Always sweet when they drop from one of these into some slow heartfelt beauty like Brokedown. When are we gonna get 9-28-72?

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Submitted by fourwindsblow on Fri, 04/10/2020 - 07:41

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If I told you all that went down it would burn off both of your ears.

Viola Lee Blues 19:15 pure bliss
Hurts Me Too 4:13
Dark Star 6:49 nice transition>
China Cat Sunflower 4:38 best ever?
The Eleven 10:33 fantastic
Turn On Your Lovelight 12:40 nice little boogie
Born Cross-Eyed 2:32 yes
Spanish Jam 7:23 wow
Morning Dew 8:10 nice
Good Morning Little Schoolgirl 14:39 sweet blues jam
That's It For The Other One 8:13 okay
New Potato Caboose 9:08 Heavenly
Alligator 3:45 okay
China Cat Sunflower 4:14
The Eleven 7:17
Alligator 6:39 oh yeah, an 11 jam
Caution (Do Not Stop On Tracks) 11:49 see that train a comin', wow excellent!!
Feedback 4:55

Feb 1968 Jerry played a - Gold-top Les Paul with P-90 single coil p/u's. 3 Twin Reverbs, 2 Fender 4x12 cabinets, JBL D120 speakers

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Submitted by Oroborous on Fri, 04/10/2020 - 10:47

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Stoked, unfortunately have to make a death run first; ACE for varnish, and PO. Don’t ya know almost finished with more book shelves for Lovey and I’m out of Varnish, Doooaahh! At least it’s pre-order curb side. PO I’m afraid I might have to go in and stand in line for a package (clothes for her, to go to a wedding, that we already dropped non refundable mucho dineros, that were probably not going to be able to attend).....
But I’ll be firing that up this afternoon once I have the goods....going to try the Siemens matrix. Never been as enamored with SB recordings as most. I feel there is nothing like a good matrix, more natural sounding....

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Submitted by Vguy72 on Fri, 04/10/2020 - 11:39

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....actually does sound better boros. Thanks!✌
https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16
Opens with Music Never Stopped. Bobby botches half the lyrics, but, as usual, the boyz make up for it with a smoking end jam.
TLEO follows. Jerry and Brent in SYNC!! Thats my wedding song btw. 20 years strong!
I really, really dig these two shows.

....to end the first. Storm clouds were rolling in and rumor has it, this show had one of the longest set breaks of all time. Waiting for the weather. Pics show that they didn't have a covering over the stage, just the rigging (see my avatar). The China Rider segue is bopping!! Nothing left to do but smile, smile, smile.

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Submitted by fourwindsblow on Fri, 04/10/2020 - 12:49

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Music, holy crap, energy of a set 2 opener; TLEO, nice pace mellow and jammy; Esau, it's nice; Big RR and BIODTL fast songs didn't work here(maybe a Bird Song or Row J.); Tenn Jed back on track; Minglewood, smoking; China>Rider rockin' nice transition, wish I was a headlight...

Woman R, nice energy; Cumberland, foot stomping, Phil bombs; Playin, really nice jam; China Doll, beautiful; Jam Drums, Space really great; TOO, trembled and exploded; GDTRFB, OMSN, rockin'; CR&S the only time they encored with CR&S.

...."If its any comfort to anyone, on this date in 1890 in Cairo Illinois, it rained fish."
https://www.loc.gov/everyday-mysteries/item/can-it-rain-frogs-fish-and-…
Lolololol.
For the record, the fact that there is a second set Cumberland with bombs never swayed my opinion of this show. 😜

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Submitted by bolo24 on Fri, 04/10/2020 - 13:07

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Had some family issues to deal with the last couple days, so I'm behind a bit. Halfway through RT 3.1, hope to get through the rest of that one and Santa Fe by tomorrow morning. Kinda fun listening to shows that haven't been in the rotation for a few years. SO much good stuff - we are blessed indeed!

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Submitted by Vguy72 on Fri, 04/10/2020 - 13:19

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....in all good time Bolo. Hope all is well. Meanwhile, Phil is laying some serious brickwork towards the project that is PITB.

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Submitted by Vguy72 on Fri, 04/10/2020 - 13:47

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....the only ballad in the second set was China Doll. Albeit played at 1.5× speed, the outro jam is delicious. More Lost Sailor teases from Bobby during space with a dash of Heaven Help The Fool.
At the 9:10 mark they finally decide on The Other One. 9:10 mark. I still don't believe in coincidences. Cool Space.

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:05

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....to be honest, I can't remember the last time I actually listened to one. Shame on me.

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:17

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....and it gives me chills. Wonderful!!!
Phil steps up to Bobbys mic at 4:36.
Thanks for playing. See yall later.
9.11 up next, because why not?

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Submitted by Vguy72 on Fri, 04/10/2020 - 14:41

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....features a raucous Greatest Story and an early Hell In A Bucket that was just spreading its wings. Good stuff.
Still enjoying the ride. Kinda bumpy lately, but enjoying nonetheless.
West LA up. One of the most covered songs by them, because West LA.
Saw a picture of LA today. No smog. Actually a beautiful looking city.

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Submitted by Strider 808808 on Fri, 04/10/2020 - 15:34

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One of the high points of my life. Turbo Tom drove down from Kiowa, Montana , picked me up where I was living north of Taos and we made our way to the Santa Fe Downs. We camped next to the parking area where the Hog Farm was helping out. The Sikhs were security (Akal Security) for the Downs. Both days were amazing. And it was harvest season. The two shows were far from sold out. Many of the old guard long hairs from northern New Mexico were in attendance. Just thinking about those two concerts is like a memory from the Golden Eternity.
I’m most of the way through the first set. Earbuds , iPhone and cell tower signal up in the mountains to access this.
Great call V-guy 72!

....they played three shows there. These two, plus a one off in '82. On off as in no tour. 13 song first set if I recall correctly. Just decided to pop into Santa Fe. Plangent it and box it and ship it.
I'll pay $99.99 US dollars.
Alaska would work too. I'll pony up three moose pelts.

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Submitted by Strider 808808 on Fri, 04/10/2020 - 16:51

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When I moved down from Montana in January 1982 I lived ten miles north of Taos on north Hondo Mesa in the “kiva” in the Grow-hole. (Built by the alternative school the Taos Learning Center TLC in the early 70s) Lived in a tipi and then the “Pyramid Cube” on El Salto Mountain for the next five years. Spring of 1987 I moved to Grant County and worked trails in the Gila. Also have worked many years up in Gallup. (Trail work and Public Radio)
Another side bar on the Santa Fe Dead shows. The state penitentiary is just a couple miles from the Santa Fe Downs. Bobby Petersen (Unbroken Chain, Pride of Cucamonga) arranged with the authorities at the prison to transmit a low wattage FM signal live broadcast direct from the Downs. Bobby used to live on Lama Mountain up in Taos County not to mention Robert Hunter spent time living on Canyon Road in Santa Fe in the 60s and visited Taos at different times. And contrary to rumors , the Dead did not play at New Buffalo Commune in the 60s. I asked one of the founders last summer , Rick Klein who helped start Buffalo in 67 that very question. Not the Dead but the Eagles played at New Buffalo. Also Laird Grant (Jerry’s longest time friend) used to live at Morning Star above Arroyo Hondo.
The skies are the most consistently clear of pollution day after day for the past three weeks than for the better part of the past 40 plus years. And I’m talking the mountain west.

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Submitted by Vguy72 on Fri, 04/10/2020 - 16:54

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....northern NM does have energy. The Taos hum proves that. Gallup was always a pit stop for me.
9.11.83 has a Morning Dew.
Where have all the people gone today??

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Submitted by DeadVikes on Fri, 04/10/2020 - 23:03

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Good work Vguy.

Looking forward to the next pick.

This has been a fun week, good idea Bolo.

Be well people.

Did you catch the Shakedown Stream?
Pretty cool. Dave, can't sit still. He mentioned 50-70 or so high quality video in the Vault from 89-95. Intriguing to me, not sure if they will put any more of it out, but I would love to see it. Man, how about putting out the Spring 90 Tour on video? I would volunteer to help out on that project.

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Submitted by fourwindsblow on Sat, 04/11/2020 - 04:48

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Should not have passed this one by.

ps Feb '68 this is what I think heaven must be like.

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Submitted by Oroborous on Sat, 04/11/2020 - 10:58

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Been working in the garage last few days and the energy from both DP 22 and 9/10/83 has made things fly by!
Gave Santa Fe another listen last night because I was diggin it and wanted to give it a better listen than the first time. Great 83 show, fun, spirited show with interesting sets. Might just give the next night a spin today while I work.
Guessing perhaps partially why that China-rider is in overdrive might be due to the deluge that was obviously happening as Bob says something like “we’ll be back when it stops raining”. I might contribute the pace solely to “other” things except it’s not like all the songs were that fast and it wasn’t right after break? So to go from normal 83 tempo to warp drive just then, and since they didn’t have full canopy etc, makes me think they were trying hard to get the fug outta there lol.

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Submitted by fourwindsblow on Sat, 04/11/2020 - 11:31

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I like 9/10 a little better both are great. There are two grate audience recordings of these shows in hi-rez maybe a matrix box.

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Submitted by Strider 808808 on Sat, 04/11/2020 - 12:20

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China Cat Sunflower / I Know You Rider had me dancing in the dark last night. Gonna listen to the second set today. You know, land of manana , New Mexico stylie. Damn this is a long set break!

May I make a suggestion inspired by Bolo's idea? I think a "Pick Of The Week" is more workable. I think one person should make the selection and at the same time designate the next picker. So on Monday let's say JiminMd makes a pick and names the next picker who will announce his pick the following Monday and the next picker etc etc. Hey I know I'm in social isolation at least through May and I think Bolo's idea is great but it needs some structure. I also know I've been drinking and I have no idea if anything I've said makes any sense. Also I just finished 4/11/72 and I think it's probably the weakest show of the tour.

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Submitted by daverock on Sun, 04/12/2020 - 02:38

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That appeals to me a bit more. I am still following my own unplanned trail through shows, so the pick of the day was on top of what I was already listening to. The result was I got left behind straight away and decided to drop out. A weekly pick would obviously give us more time, and wouldn't intrude on where we feel we are supposed to go.

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Submitted by DeadAreMyDealers on Sun, 04/12/2020 - 07:43

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Another vote for Mhammonds idea. Gives us all a chance to give these the attention they deserve. Goddamn work has been interfering with my listening sessions :-)

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Submitted by Strider 808808 on Sun, 04/12/2020 - 08:43

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Maybe finish 2nd set today. 9/11/83 was amazing also.
Happy Easter! Be safe everyone.

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Submitted by icecrmcnkd on Sun, 04/12/2020 - 11:14

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I listened to 12-28-79 a day late and haven’t done the others so far.
Looks like I have 9-10,11-83 on a HD but they haven’t migrated to my music player yet. Might do that later today, but first yard work calls.

For my easy-listening, coffee-drinking routine to get today going I went with 10-10-80 Acoustic.
But that just finished.

So onward with 1-24,25,26-69 % which is compiled from the AOXOMOXOA-50th bonus disc, AOXOMOXOA-Golden Road Box filler, and a portion of Live Dead. Such things are possible with my collection because I organize by show date, not by the arbitrary order that shows are released.

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Submitted by DeadVikes on Mon, 04/13/2020 - 06:06

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I think we only had 3-4 picks last week. Now that we are through the Holiday, maybe we could get back at it. Seems like every other day is doable for most. Either way we need a new pick from someone. I already had one last week. Would like us to stick to official releases. Just my thoughts.

Be well people.

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Submitted by icecrmcnkd on Mon, 04/13/2020 - 07:34

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12-2-73, part of DP14

The remainder of DP14, 11-30-73%, can also be done as extra credit.

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Submitted by Strider 808808 on Mon, 04/13/2020 - 08:23

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Not like I’m a regular here, but did jump in at (under)ground level. 50 year anniversary , 30 Trips around the Sun. Winterland. What’s not to love. “ let me hear you say; WAAAAA!!”

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Submitted by Thats_Otis on Mon, 04/13/2020 - 08:25

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Just started :)

I've always preferred this part of the pick to the 11/30 portion (which isn't to say the first part is any slouch!) I think a part of it is that "Morning Dew" always seems to work better as a closer than an opener, at least for me. The second disc of this portion (or disc 4 of the set,) is just exactly perfect!

Happy Listening!

EDIT: Oh yeah, this is the show where Phil hassles the guy in the audience - "Who are you? The heat? Someone shine a light on this guy..." Kind of a jerk..

Peace

I had to take a break for some work related conference calls just as Weather Report was moving into Let it Grow, but I picked back up and am now into "Nobody's Fault" jam territory. This was a great release of a great show! As I mentioned, I prefer this one to 11/30, but I think I will have to def. go back and hit some of those highlights (maybe all of disc 2,) after this.

That being said, it is really hard to beat this second set, that though very short, contains some FAR OUT there stuff... Wharf Rat, Playin, He's Gone, Truckin, Stella, Dew - all heavyweights in my all-time favorite GD tunes list.

Good choice, IceCream!

Peace

(EDIT: Whoops, I forgot 1/2 Step - another gem!)

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Submitted by Thats_Otis on Mon, 04/13/2020 - 13:07

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Matrix of 12/1/73 - the show Dick forgot.

https://archive.org/details/gd1973-12-01.124132.mtx.dusborne.flac16/gd7…

It's got a "Sugaree", a "China>Rider", and a "Playin'>UJB>Playin'" - and so far, this Matrix sounds pretty darn good. I've never listened to this show, so it's a treat :)

I suppose this is for those students that not only want extra-credit, but are looking to write a master's thesis, or simply polish them apples into a 110%.

Peace

EDIT: After LLR, Phil says to the crowd "Be quiet over there, can't you see our piano players trying to tune up?" Seriously, what crawled up his %%# during this run?