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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • rockthing
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    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • JimInMD
    Joined:
    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

  • DeadVikes
    Joined:
    11/18/78

    Nice call on this show Bluecrow. Really good sound quality and great show. Late 78 is so different than the rest of the year. Love these early Stagger Lees and I Need a Miracle. Nice Scarlet Fire. Great second set .Probably will be a while before we get any late 78 shows released, but I am ready.

    Jim, yes, let's hit up some 91. Send us a pick.

  • JimInMD
    Joined:
    Whew

    Good to hear. I've been a bit busy lately and I thought I might have been careless with something I wrote.. so all is good with the universe.. a great way to start the week.

    Missed the 78 yesterday, by late this afternoon I should be on track and have some free time. Not complaining though, I needed the and today will mark the 8th day in a row I've had river time. My listening has been heavily tilted to what was already loaded on my waterproof devices with a sprinkle of what they are pumping in the SiriusXM Grateful Dead channel. 1970 (Harpur and FE), 1972 - 1974, 84 and 85. Listened to a bit of 5/10/91 today in the truck.. I think we hit that one a year or so here. Definitely releasable, good quality audio and a good show. Perhaps we could hit another show from that run which includes Hornsby. The previous run, Cal Expo, was good also but alas.. it was sans Brucey.

    In any case.. keep on keeping on the good vibes and good picks. Looks like we are off to a great start to the new week.

  • bluecrow
    Joined:
    11/18/78

    I first listened to this about time PITD was on the 11/24 video. Well played show, really nice sounding board even though its a couple generations down. There are a couple of poorly timed gaps (Fire, Olin Arageed come to mind.) What really perked my ears and brain up was the second set. Tasty Scarlet > Fire, and then that strange set placement of an early Miracle following that and wow Miracle has a blazing extended outro jam (where was that most of the time?) into a sweet He's Gone, followed by a pre-drumz Other One that has some crazy good space as it leads into drums. I really dig this show, this era, and it doesn't hurt that this was in the Uptown Theatre (hometown, though I was elsewhere at the time). Really hope the other two nights surface in similar sound quality and that the masters of this show don't have those gaps. Gotta run. Take care everyone.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by DeadVikes

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Please give the date of the show, not just the release identifier.
My shows are organized by date.
Thanks.

Edit:
Just figured out what DP22 is. I listened to those shows a few weeks ago and so will pass.

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Snowed here in WI, too. Yet, I finished the lawn raking. Go figure. Are you sure it wasn't Graupel (snow pellets)?

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....got the Galaxy S20+ at the beginning of March. My old phone was circa 2014. Was time for an upgrade. Came with an early order credit of $150. Used that towards Buds+'s. Testing them now during 2.23/24.68 Tahoe. Not bad.
Then I heard about all the 5G shit. Can't win for losing i guess.

RT 3.1. Fun to revisit this one - been a long long time. Totally forgot that it had that awesome Terrapin > Playing. BITD I had a cassette from a friend who labeled it "Terrapin > Playing > Jam > Yikes!!" At one point it seems like Brent was channeling his inner Ned Lagin (fully approve!)

Looking forward to visiting Santa Fe later today. Never given that legendary show a deep listen. Anybody got rec as to what source? Notice that there's an Usborne matrix.

Pick of the day reminds me of a college literature class - 4 days in and it feels like already a week behind. Tahoe is gonna have to wait.

Wichita - real bounce in their step whole show. I think '72 is my favorite "era" for Other One. Some really great Keith piano in there. Always sweet when they drop from one of these into some slow heartfelt beauty like Brokedown. When are we gonna get 9-28-72?

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If I told you all that went down it would burn off both of your ears.

Viola Lee Blues 19:15 pure bliss
Hurts Me Too 4:13
Dark Star 6:49 nice transition>
China Cat Sunflower 4:38 best ever?
The Eleven 10:33 fantastic
Turn On Your Lovelight 12:40 nice little boogie
Born Cross-Eyed 2:32 yes
Spanish Jam 7:23 wow
Morning Dew 8:10 nice
Good Morning Little Schoolgirl 14:39 sweet blues jam
That's It For The Other One 8:13 okay
New Potato Caboose 9:08 Heavenly
Alligator 3:45 okay
China Cat Sunflower 4:14
The Eleven 7:17
Alligator 6:39 oh yeah, an 11 jam
Caution (Do Not Stop On Tracks) 11:49 see that train a comin', wow excellent!!
Feedback 4:55

Feb 1968 Jerry played a - Gold-top Les Paul with P-90 single coil p/u's. 3 Twin Reverbs, 2 Fender 4x12 cabinets, JBL D120 speakers

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Stoked, unfortunately have to make a death run first; ACE for varnish, and PO. Don’t ya know almost finished with more book shelves for Lovey and I’m out of Varnish, Doooaahh! At least it’s pre-order curb side. PO I’m afraid I might have to go in and stand in line for a package (clothes for her, to go to a wedding, that we already dropped non refundable mucho dineros, that were probably not going to be able to attend).....
But I’ll be firing that up this afternoon once I have the goods....going to try the Siemens matrix. Never been as enamored with SB recordings as most. I feel there is nothing like a good matrix, more natural sounding....

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....actually does sound better boros. Thanks!✌
https://archive.org/details/gd1983-09-10.139379.mtx.seamons.ht112.flac16
Opens with Music Never Stopped. Bobby botches half the lyrics, but, as usual, the boyz make up for it with a smoking end jam.
TLEO follows. Jerry and Brent in SYNC!! Thats my wedding song btw. 20 years strong!
I really, really dig these two shows.

....to end the first. Storm clouds were rolling in and rumor has it, this show had one of the longest set breaks of all time. Waiting for the weather. Pics show that they didn't have a covering over the stage, just the rigging (see my avatar). The China Rider segue is bopping!! Nothing left to do but smile, smile, smile.

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Music, holy crap, energy of a set 2 opener; TLEO, nice pace mellow and jammy; Esau, it's nice; Big RR and BIODTL fast songs didn't work here(maybe a Bird Song or Row J.); Tenn Jed back on track; Minglewood, smoking; China>Rider rockin' nice transition, wish I was a headlight...

Woman R, nice energy; Cumberland, foot stomping, Phil bombs; Playin, really nice jam; China Doll, beautiful; Jam Drums, Space really great; TOO, trembled and exploded; GDTRFB, OMSN, rockin'; CR&S the only time they encored with CR&S.

...."If its any comfort to anyone, on this date in 1890 in Cairo Illinois, it rained fish."
https://www.loc.gov/everyday-mysteries/item/can-it-rain-frogs-fish-and-…
Lolololol.
For the record, the fact that there is a second set Cumberland with bombs never swayed my opinion of this show. 😜

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Had some family issues to deal with the last couple days, so I'm behind a bit. Halfway through RT 3.1, hope to get through the rest of that one and Santa Fe by tomorrow morning. Kinda fun listening to shows that haven't been in the rotation for a few years. SO much good stuff - we are blessed indeed!

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In reply to by bolo24

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....in all good time Bolo. Hope all is well. Meanwhile, Phil is laying some serious brickwork towards the project that is PITB.

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....the only ballad in the second set was China Doll. Albeit played at 1.5× speed, the outro jam is delicious. More Lost Sailor teases from Bobby during space with a dash of Heaven Help The Fool.
At the 9:10 mark they finally decide on The Other One. 9:10 mark. I still don't believe in coincidences. Cool Space.

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....to be honest, I can't remember the last time I actually listened to one. Shame on me.

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....and it gives me chills. Wonderful!!!
Phil steps up to Bobbys mic at 4:36.
Thanks for playing. See yall later.
9.11 up next, because why not?

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....features a raucous Greatest Story and an early Hell In A Bucket that was just spreading its wings. Good stuff.
Still enjoying the ride. Kinda bumpy lately, but enjoying nonetheless.
West LA up. One of the most covered songs by them, because West LA.
Saw a picture of LA today. No smog. Actually a beautiful looking city.

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One of the high points of my life. Turbo Tom drove down from Kiowa, Montana , picked me up where I was living north of Taos and we made our way to the Santa Fe Downs. We camped next to the parking area where the Hog Farm was helping out. The Sikhs were security (Akal Security) for the Downs. Both days were amazing. And it was harvest season. The two shows were far from sold out. Many of the old guard long hairs from northern New Mexico were in attendance. Just thinking about those two concerts is like a memory from the Golden Eternity.
I’m most of the way through the first set. Earbuds , iPhone and cell tower signal up in the mountains to access this.
Great call V-guy 72!

....they played three shows there. These two, plus a one off in '82. On off as in no tour. 13 song first set if I recall correctly. Just decided to pop into Santa Fe. Plangent it and box it and ship it.
I'll pay $99.99 US dollars.
Alaska would work too. I'll pony up three moose pelts.

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When I moved down from Montana in January 1982 I lived ten miles north of Taos on north Hondo Mesa in the “kiva” in the Grow-hole. (Built by the alternative school the Taos Learning Center TLC in the early 70s) Lived in a tipi and then the “Pyramid Cube” on El Salto Mountain for the next five years. Spring of 1987 I moved to Grant County and worked trails in the Gila. Also have worked many years up in Gallup. (Trail work and Public Radio)
Another side bar on the Santa Fe Dead shows. The state penitentiary is just a couple miles from the Santa Fe Downs. Bobby Petersen (Unbroken Chain, Pride of Cucamonga) arranged with the authorities at the prison to transmit a low wattage FM signal live broadcast direct from the Downs. Bobby used to live on Lama Mountain up in Taos County not to mention Robert Hunter spent time living on Canyon Road in Santa Fe in the 60s and visited Taos at different times. And contrary to rumors , the Dead did not play at New Buffalo Commune in the 60s. I asked one of the founders last summer , Rick Klein who helped start Buffalo in 67 that very question. Not the Dead but the Eagles played at New Buffalo. Also Laird Grant (Jerry’s longest time friend) used to live at Morning Star above Arroyo Hondo.
The skies are the most consistently clear of pollution day after day for the past three weeks than for the better part of the past 40 plus years. And I’m talking the mountain west.

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....northern NM does have energy. The Taos hum proves that. Gallup was always a pit stop for me.
9.11.83 has a Morning Dew.
Where have all the people gone today??

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Good work Vguy.

Looking forward to the next pick.

This has been a fun week, good idea Bolo.

Be well people.

Did you catch the Shakedown Stream?
Pretty cool. Dave, can't sit still. He mentioned 50-70 or so high quality video in the Vault from 89-95. Intriguing to me, not sure if they will put any more of it out, but I would love to see it. Man, how about putting out the Spring 90 Tour on video? I would volunteer to help out on that project.

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Should not have passed this one by.

ps Feb '68 this is what I think heaven must be like.

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Been working in the garage last few days and the energy from both DP 22 and 9/10/83 has made things fly by!
Gave Santa Fe another listen last night because I was diggin it and wanted to give it a better listen than the first time. Great 83 show, fun, spirited show with interesting sets. Might just give the next night a spin today while I work.
Guessing perhaps partially why that China-rider is in overdrive might be due to the deluge that was obviously happening as Bob says something like “we’ll be back when it stops raining”. I might contribute the pace solely to “other” things except it’s not like all the songs were that fast and it wasn’t right after break? So to go from normal 83 tempo to warp drive just then, and since they didn’t have full canopy etc, makes me think they were trying hard to get the fug outta there lol.

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I like 9/10 a little better both are great. There are two grate audience recordings of these shows in hi-rez maybe a matrix box.

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China Cat Sunflower / I Know You Rider had me dancing in the dark last night. Gonna listen to the second set today. You know, land of manana , New Mexico stylie. Damn this is a long set break!

May I make a suggestion inspired by Bolo's idea? I think a "Pick Of The Week" is more workable. I think one person should make the selection and at the same time designate the next picker. So on Monday let's say JiminMd makes a pick and names the next picker who will announce his pick the following Monday and the next picker etc etc. Hey I know I'm in social isolation at least through May and I think Bolo's idea is great but it needs some structure. I also know I've been drinking and I have no idea if anything I've said makes any sense. Also I just finished 4/11/72 and I think it's probably the weakest show of the tour.

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In reply to by mhammond12

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That appeals to me a bit more. I am still following my own unplanned trail through shows, so the pick of the day was on top of what I was already listening to. The result was I got left behind straight away and decided to drop out. A weekly pick would obviously give us more time, and wouldn't intrude on where we feel we are supposed to go.

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Another vote for Mhammonds idea. Gives us all a chance to give these the attention they deserve. Goddamn work has been interfering with my listening sessions :-)

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Maybe finish 2nd set today. 9/11/83 was amazing also.
Happy Easter! Be safe everyone.

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In reply to by Strider 808808

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I listened to 12-28-79 a day late and haven’t done the others so far.
Looks like I have 9-10,11-83 on a HD but they haven’t migrated to my music player yet. Might do that later today, but first yard work calls.

For my easy-listening, coffee-drinking routine to get today going I went with 10-10-80 Acoustic.
But that just finished.

So onward with 1-24,25,26-69 % which is compiled from the AOXOMOXOA-50th bonus disc, AOXOMOXOA-Golden Road Box filler, and a portion of Live Dead. Such things are possible with my collection because I organize by show date, not by the arbitrary order that shows are released.

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I think we only had 3-4 picks last week. Now that we are through the Holiday, maybe we could get back at it. Seems like every other day is doable for most. Either way we need a new pick from someone. I already had one last week. Would like us to stick to official releases. Just my thoughts.

Be well people.

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12-2-73, part of DP14

The remainder of DP14, 11-30-73%, can also be done as extra credit.

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Not like I’m a regular here, but did jump in at (under)ground level. 50 year anniversary , 30 Trips around the Sun. Winterland. What’s not to love. “ let me hear you say; WAAAAA!!”

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Just started :)

I've always preferred this part of the pick to the 11/30 portion (which isn't to say the first part is any slouch!) I think a part of it is that "Morning Dew" always seems to work better as a closer than an opener, at least for me. The second disc of this portion (or disc 4 of the set,) is just exactly perfect!

Happy Listening!

EDIT: Oh yeah, this is the show where Phil hassles the guy in the audience - "Who are you? The heat? Someone shine a light on this guy..." Kind of a jerk..

Peace

I had to take a break for some work related conference calls just as Weather Report was moving into Let it Grow, but I picked back up and am now into "Nobody's Fault" jam territory. This was a great release of a great show! As I mentioned, I prefer this one to 11/30, but I think I will have to def. go back and hit some of those highlights (maybe all of disc 2,) after this.

That being said, it is really hard to beat this second set, that though very short, contains some FAR OUT there stuff... Wharf Rat, Playin, He's Gone, Truckin, Stella, Dew - all heavyweights in my all-time favorite GD tunes list.

Good choice, IceCream!

Peace

(EDIT: Whoops, I forgot 1/2 Step - another gem!)

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Matrix of 12/1/73 - the show Dick forgot.

https://archive.org/details/gd1973-12-01.124132.mtx.dusborne.flac16/gd7…

It's got a "Sugaree", a "China>Rider", and a "Playin'>UJB>Playin'" - and so far, this Matrix sounds pretty darn good. I've never listened to this show, so it's a treat :)

I suppose this is for those students that not only want extra-credit, but are looking to write a master's thesis, or simply polish them apples into a 110%.

Peace

EDIT: After LLR, Phil says to the crowd "Be quiet over there, can't you see our piano players trying to tune up?" Seriously, what crawled up his %%# during this run?