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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • daverock
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    Impressions

    Any impressions I have on the music are based on my last listening - and are open to revision on my next one. Not really that healthy to see the same thing the same way twice. If you do, it might be time to move on to something else.

  • JimInMD
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    Re: Us Old Guys

    I always thought we aged well, like fine wine.

    With GD music I have learned not to trust my initial reaction of shows unless I really liked it. How much we like a show is so subjective.. your mood, the sound, distractions, is there an issue floating around in your brain that is consuming you.. something unresolved where you just cannot just let go. Some of these barriers are made smaller by mood enhancement, psychedelics tend to blow them up. But we are all human, what we get out of a show or a relisten depends largely on whatever is going on in our heads at the moment.

    In a way getting into a good show is like meditation. If you are under the influence of the trance, if you are able to let go completely and become absorbed it all clicks (or doesn't in those cases the show doesn't cut the mustard). If you cannot clear your mind you just don't know yet.

    Sorry for rant, this conversation reminded me of something very specific hard to explain.
    The last one I listened to or the one I play tomorrow are always the best ones.

  • Oroborous
    Joined:
    I guess old guys

    shouldn’t multitask lol.
    Yeah I may have over generalized a bit on 8/24. My apologies.
    I still think JG takes a little time to? It’s not that he’s off, just not fully on, if that makes sense?
    Like Sugaree, ok, but it doesn’t sound like he’s fully on vocally. His solo in BIODTL is not tight either.
    The harmonies at the end of Bird Song are ruff on an otherwise great version. Someone hits a big clam on the end of Jack Straw. Mostly small stuff as there is no such thing as a perfect show, but add em up, and pile on the horrible chorus vocals on an otherwise decent Half Step, and I think there’s enough evidence that my previous discussion was at least worth consideration? I think the vocal mix is part of the problem, but think they have Betty’s so…

    Personally, the Dark Star alone makes it worth the price of admission, but I would think that folks with more 72 knowledge then myself could argue there are better choices! Which goes back to if there’s more great shows available than possible outlets/releases, then would some of these shows perhaps not be good enough, compared to other 72s?
    Ok, I guess I’ll compare the 25th next.

    EDIT: 25 miiight be a little tighter overall, but I still like the 24 better, hey a DS/Dew trumps most others ; )

  • Oroborous
    Joined:
    Goes to show

    Well, I’ll have to try it again?
    Definitely strong finish, I just felt like there were more worts etc early on then you’d expect from a release, and especially from 72., at least comparatively to the intensity, majesty, and near perfection of Europe, which is a pretty high bar to match.
    I’ll have to give er another spin, and then I should probably hit the 25 to compare, lol. One step up and two back!
    Was going to go with Dicks 26, the twofer from 69, but I guess that’ll have to wait?
    ONWARD!

  • DeadVikes
    Joined:
    8/24/72

    Five dancing bears for this show. Strong show from start to finish. We get a nice Birdsong, end the first set with a Casey Jones. Early Miss Half Step, Truckin Dark Star Dew... really enjoyable. Sing me back Home OMSN and UJB. What a show. Would love to see it released.

    I think July and August 72 are both good months. A lot of good shows, I don't hear a let down at all. Check out 7/21/72 as an example, from the Paramount in Seattle, download series #10.

    Would love to see them release more shows, but they seem pretty set in their current pattern and I am sure it doesn't help when their box sets don't sell out like LTTR.

    We are supposed to crack 30 here today in MN, so need to get out and enjoy it.

  • Dennis
    Joined:
    8/24/72

    Picked a little at this because of Oro.

    Not sure what "copy" of this I have, but it's top shelf. Listening to Dew, GREAT recording, GREAT I tell ya!

  • daverock
    Joined:
    Summer 72-boxes

    Oro-I've always had that feeling, that summer 72 is a bit of a lull between the twin peaks of Europe and Fall.

    I like that idea about future boxes too-a few cherry picked shoes from a year then all the rest in a big box. It would be nice to see a change of pace ( an accelerated one, obviously!) in the way shows are released. I think the times call for it

  • icecrmcnkd
    Joined:
    8-24-72

    I had it on cassette and really liked it. Thus, (and wrongfully so) I was disappointed when Dave picked 8-25-72 for release.
    So I’m listening to 8-25-72 now.
    This weekend I’m planning on processing some torrent files and will get 8-24-72 into the system of audio formats and HD’s, and will then give it a listen.

  • Oroborous
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    24s

    2/24/74: yep, one of my top Dave’s favs, Skeletor Skater, right up there with the Scooby Doo house!
    I didn’t partake though as I’m going to wait and follow 42 with it when it comes. “Anticipa-a-a-tion, it’s making me wait”.
    8/24/72: as much as I bitched about why did he not pick this one etc when DaP 24 came out, I can now maybe see why. This one starts out, good, but perhaps not necessarily the finely balanced starship of early 72? Is it me, or is summer 72 kinda a no man’s land of 72? Good, but not great comparatively (to the rest of 72? ) Perhaps just a tad mellower?

    But as is often the case, they eventually start shifting gears and into the second set really get hold of the old Spockein mind meld. Even DG gets better after a shaky start. Suppose it’ll get released someday, just wonder how?
    I mean we’re getting to the point where at the current lumbering pace, there’s only going to be so many more shows released. Say double what we’ve already received? Now that’s a decent output, but when/if you start to really look at things, you can start to wonder how many of these good, but perhaps not great shows, will get chosen instead of some great ones?
    Now before y’all gather a lynch mob, look at it this way. Think about how many 72 shows will actually see the light of day, a relatively small number?, Then think about how many great or good ones there are left, and you can see they probably won’t all be resealed. So that means the coach has to make cuts cause there’s only so many uniforms.
    So that becomes the uncomfortable part, who’ll make the team and who won’t, at least based on past choices etc?
    Now multiply the same scenario of X shows over other Prime years, and perhaps you can understand the logistics, and why I wonder if some of these shows will get out or not?
    So with that logic, I wouldn’t necessarily pick this as a single release compared to X number of other 72s, but I could see it included in some kind of box package? That HAS been an MO, package some B, B+ shows in with some A+ etc.
    I guess the point I’m trying to get at is, if ya crunch the numbers, this dribbling out single shows with one smallish box a year means questionable choices/cuts are going to get made, and a lot of good stuff will not get out, based on taper bias.
    Yes, Fortunately we have streaming options, but why not get a little more aggressive: why not drop what’s left of certain years with perhaps limited worthy/available shows in one fell swoop i.e., say he saves/pulls one or 2 p, or 3 single release worthy shows from 74 and then releases what’s left in a 74 box. Boom, one big year complete. Rinse and repeat with say 68, 69, 76, 77, Save a few big appropriate choices from those choice years to save/have for DaP etc, to doll out, but drop the rest of the best from each year, that doesn’t have a ton of unreleased available shows?
    You could probably also do the same with the later years eventually? But The rest of the years/stuff, who knows what or if anything will happen?
    Sure some of these might get big and pricey, but not everyone will want say a big 77 box. But the freaks who really dig 77 would love it. Some might grumble about the cost, but most of the truly 77 faithful would do it.
    That way the rest of folks, some who might feel they have enough 77, could still get a cherry picked couple of 77s Ala DaP, but could skip the mass release. This would free up more single and other pics and boxes for more variety AND to help ensure that some of these good/great “borderline” picks don’t get skipped over for more headscatchers.

    Like 8/30/83, is a GOOD show, (you should check it out DV), but is it a top pick for 83, and thus release worthy? I think this is the taper bias problem again. Many shows are picked because at one time, that was one of the few from that time that had a good tape! So we’re picking today, because of limited choices/tapes from the past, instead of which shows are best, if that makes sense? How could a truly fantabulas show be great, if no one’s heard it?
    How many times have we checked out an unknown show here on POT Day, that blew us away, but that relatively no one’s ever heard of?
    With the archive and the huge amount of shows that ARE now available, why are we still picking shows based on the limited knowledge/tapes available forty years ago?
    Best illustration of this: 5/8/77. Great show to be sure, but best ever? I think if folks had the internet and access to better quality tapes BITD, maybe Cornell would be considered differently? But since there was no net, and it was one of the few great tapes of a great show, the legend/myth grew?
    Just a theory, sorry to ramble, but it’s the one thing about this culture I don’t like, taper bias!
    Hey HF ain’t the only one with theories! ; )

    Ok, going 6/25/92 just cause…

  • JimInMD
    Joined:
    8/24/72

    Another one of my personal Summer/Fall '72 favorites.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In process and it has been a while. Sound quality from my perspective is somewhat lacking. Love the Dupree's, It's all over now, good Passenger, Brown Eyed Women. Just finished Eyes, really good. Again, wish the sound quality was better.

Thanks Bolo and Mary!

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In reply to by DeadVikes

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Disc one is fun (it's a mix of several shows, me remembers...CR&S is always welcome)
Disc two is sublime. Eyes, Playin' > Wheel > Playin'. I do notice some sound quality issues at times, but they are not horrific and permanent. I remember the Playin' is good as always, and then gets reeeeeeally good
Disc three is phenomenal. As I listened recently, I remember smiling at the glory of the show. Scarlet > Fire, Truckin' > The Other One > Wharf > Around

the Madison show took place about 50 miles north of where l lived at the time. but since I was in 8th grade, I had no clue or awareness of that fact.

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One of my favorites Scarlet>Fire's of all time.... Also love the Samson when after a prolong opening jam Weir does the woohoo type of shout out!! I've posted about the Scarlet>Fire before but there is a Jerry Keith chord interaction after the singing in Scarlet that for me is mind melting!!! Good first choice Bolo... One last ramble, for me this show 2/5/78 is in my mind is the last show of 77... The April tour after this has a different vibe..

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In reply to by bob t

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....listened to the first disc last night. Cold Rain, All Over Now, Duprees and BE Woman all top shelf renditions. Man. Iowa got all the good shows. Will start up disc two a little later.
Thats the show with the extended Samson due to Bob's mic difficulties, correct?

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A few momentous stand outs for me: The Music Never Stopped; this version easily made it onto a "best of" compilation early on and has never been supplanted. Fight me. Also, the Estimated > Eyes of so so good. Beautiful elongated Eyes intro, then just mad jamming all the way through, nice upbeat Eyes tempo. Great exploratory Estimated as well. I love the drop into Eyes here; expertly pulled off. The Scarlet > Fire is very awesome too. Long, jammy. Nothing new here, just adding my love.

Nice idea.
Sixtus

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The first thing I noticed is that it features two nights, but unless I am looking in the wrong place, there is no indication which nights which songs are from. I could have checked in Deadbase...but that's upstairs and as I was settled down to listen I didn't bother. It looks like one first and two second sets.

I have just played the first cd so far. Coming from Europe 72, this sounds a lot simpler rhythmically. During Spring 72, you can focus on Bill, Phil, Bob, or Keith - as well as Jerry obviously-and they are all playing with energy and imagination. Here, the focus is more just on Jerry. I like his fiery guitar sound on here, but I am not as keen on Bob's sound. Donna, on the other hand, sounds nice on Looks Like Rain. I prefer this version of Good Lovin to the ones played in 72. It sounds almost calypso-a real celebratory sound.
The cd picks up pace nicely on the last three songs, with great guitar solos from Jerry. It seems a bit more like standard "rock" in a way, compared to the swing they had with one drummer and a fully functioning Keith. I enjoyed listening to it, but I will probably leave the first of the set 2s for tomorrow.

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Not much left to say LLR crackled like a thundercloud!

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In reply to by fourwindsblow

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....Jerry fresh off his laryngitis. The crackling in his voice during Wharf Rat proves it. His voice was never the same, but still rocks my soul.
Trey Pistachio dropped another song. "Are You There Colleen?". With a message of getting off drugs. Methinks Colleen was his dealer back in the day. Might be wrong. Never right.
I had a dealer back in the day. Name was Chill. Called him from payphones. That was a long time ago though. Thank God.

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In reply to by Vguy72

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At the start of 1978 I'd sort of lost interest in the Dead, having last seen them in 74. 78 was my fifth year in college (yeah I know) and I was way more into jazz than rock in large part due to an awesome jazz club on campus, the Backdoor. The place just had a constant stream of major talent coming through. McCoy Tyner, Charlie Mingus, Elvin Jones, Roland Kirk etc. So in early January I see the Dead are gonna be at Golden Hall so my girlfriend and I say "What the hell?" and I get tickets for 1/07. Now in 78 the Dead were not that big of a draw and I wasn't expecting much, sort of a nostalgia trip. Wrong. They were great, just awesome. So after the show we immediately get tickets for 1/08. These were the Bobby songs only nights but that didn't matter a bit. My girlfriend (now my wife) cried during Looks Like Rain. We were back on the bus until 85 when the arrival of our first kid changed everything. Footnote to that is our last show was a week before his birth and she was major prego and treated like royalty by all you wonderful heads. So I love DP 18 and I especially like the Eugene show release. Stay home.

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Nice! I'm overdue for a listen.

RE: DP18, agree with Jim - Brown-Eyed Women is PERFECT! For that matter, so is TMNS - powerful! And then there's disc 3. If I had to rescue only one single disc from my burning house, this one would be in the running. That Scarlet/Fire is a half-hour blissfest, Truckin' is solid, TOO is insanely good. Masterful music!

On to Wichita!

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In reply to by bolo24

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....has metal influences. Garcia tapping into his inner Iommi. My ear told me so.
Wichita this soon into the game? Bold move Cotton. Let's see how it pans out.

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Love the Dodge Ball reference!!

funny how they didn't list out what shows the songs are from. even funnier, the songs in Disc 1 are actually from 3 shows - Its All Over Now and Duprees are from 2/4/78 Milwaukee! The Wikipedia entry for DP 18 lays it out if you're interested. Deadbase IX also lists a soundcheck of Ripple x3 in Milwaukee - what the heck is that??!!

As others have noted, among many highlights a great Music Never Stopped and Eyes of the World from 2/3 - love the super long intro to Eyes, it reminds me of a post-hiatus favorite, 6/8/77. They Love Each Other is fantastic. The 2nd set from 2/5 is just wild. Such a raw sound to the Wolf! Would love to see released the Uptown shows that immediately proceed this. Worth noting how rare The Wheel was at this time - 2/3 was first time played since mid fall '77, another year until played again on 2/17/79 (Keith & Donna's last show), and then another year and a half before it finally re-entered regular rotation.

A couple technical notes - based on Dick's Caveat Emptor, 2/3 appears to have been recorded at a slower tape speed (7.5 ips vs. 15), and so the sound quality is a bit rougher. Also, IIRC, there is an unpatched gap (sad face) in the jam between verses 2 and 3 in Eyes of the World. There's a very nice audience of 2/3 on the Archive if anyone wants to hear that.

Now on to Wichita!!

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After listening to almost 4 hours of insanely wonderful music, the overriding conclusion is that, in my opinion, NO ONE can play guitar like Garcia did. At times subtle and nuanced, at other times raging, but always just exactly perfect within the context of the song they were playing. Remarkable, really. Feeling blessed to have experienced GD/JGB live so many times.

Garcia may not be the "best" guitarist (highly subjective, as most of those inane "best of" polls demonstrate), but he is the only guitarist I can listen to every day. That includes Hendrix, Page, Clapton, Gilmore and whoever else you want to throw in there.

It's grate to be a Deadhead!!

http://www.quickmeme.com/meme/3p838b

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In reply to by bolo24

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You're a harsh taskmaster! Listening to Grateful Dead concerts will continue until morale improves.

Bluecrow - thanks for the tip. There were a couple of compilations that came out in the 1990s that featured songs from multiple shows, but didn't indicate in the sleeve notes which song came from which show. Ladies and Gentlemen from April 1971 and Dozin' at the Knick from Spring 1990 were two others.

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In reply to by daverock

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Agree 100% with your comments on Jerry, what a genius! The whole band was.

Just finishing up Dave's 11 now. Comments to follow.

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In reply to by Sixtus_

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Dooo, just listened to that last week, for first time, so maybe we’ll sneak another round in after this 71 grease fest we’ve got going on today .....fall 72 is def fo shizzle....

EDIt: MHAMMOND12...whoa. I’m not sure what’s more impressive, seeing the laryngitis shows or all that top shelf jazz in a club setting???

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Dicks picks vol 21 , not the main show the extras , Iko iko > morning dew > sugar magnolia . Absolutely sublime , and without doubt one of the best dew’s 😸

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I shouldn't really call the Backdoor a club. It was an empty room on the ground floor of the Student Union and Performing Arts building on campus that the A.S. booking people converted into a small concert venue. Just a stage and corked walls. No seats. No refreshments. Bring your own. The talent that appeared there was unbelievable looking back. Freddie King. John Lee Hooker. Two memories...sitting under McCoy Tyner and watching his right sock working its way down past his ankle has he stomped his foot keeping constant time...Roland Kirk playing the flute with his nose, playing three saxophones at once, playing the piano with his elbows and head, and careening around the room playing saxophone being led by his handler (Rahsaan was blind you know) who had an air raid siren he would blow off in your face if you didn't get out of the way fast enough. And none of this seemed like a gimmick. Bright moments indeed.

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In reply to by mhammond12

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This show and bonus tracks from Oklahoma City is definitely top stuff. Sound quality is A+. A great Bear recording! Man, he did great work.
The whole show flows nicely, although not a long second set. Love the Sugaree, Bird Song is awesome, Jack Straw, Box of Rain! Come on. Casey Jones to close the first set and than open with Cumberland. Great Truckin Other One, very unique Other One. Always loved Brokedown Palace and this one they play flawlessly.

I will throw out 12/28/79 Road Trips 3.1??

Let me know Gents.

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I like the post-space UJB and Bertha on that one a lot mainly for Brent's harmonies. Overall a classic pick with a lot to like. I might give DP5 (12/26/79) the edge however. That pick is hefty.

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Listened to both Dave Picks 11, 11/17/72, and Europe 72, 04/07/72, as assigned by Bolo. Dave's Picks 11 is one of my favorite releases. Great recording by Owsley improved by the treatment of Mr. Norman. Has an incredible Bird Song. Just a wonderful release.

Europe 72, 04/07/72 Wembley just blows it away. Leaves a smoking crater where Wichita used to be. Europe 72 can not be bettered.

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This one has a nice slow relaxed build up with some ripping Jerry. TOO than blows the roof off! The only TOO>Brokedown Palace. End of set 2 all great. A perfect prelude to the next to nights.

ps. 4/7 Rips the paint off the walls from the first note. No contest.

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In reply to by fourwindsblow

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Okay Bolo, what are your thoughts?
Next show for today?

I suggested 12/28/79. RT3.1

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In reply to by DeadVikes

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I’m down, right after my John Prine compilation

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I relocated last week and since that time I have been unpacking as much as I can and maintaining my workload from home. So I have been out of commission here for a while. I came across this pick of the day and I am all for it.

Just to throw a show out there ( not for today) but how about 9/8/73? I have never heard it but Dick Latvala spoke highly of it. It might be nice to give it a listen.

Meanwhile it looks RT 3.1 will it be for today. Maybe I will add 4/8/72 as well.

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Nice - been a while since that one hit my headphones.

MHammond gets a gold star. But what did you listen to AFTER lunch?

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I was at this show, it was a blast! Sugaree, High Time, The Music Never Stopped, this show was great from start to finish. This show sounds so much better then Dave's Picks 31 from just a .sound point of view. Yeah, this show was a hell of a lot of fun!

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Sugaree lovely, the rest of the set is okay Music rocks! Set 2 Alabama grooving, GSET explosive!, Terrapin super sweet jam, PITB end jam is sick!, UJB outta drums/space yes!, short Miracle, Bertha>Good Love, CJ , OMSN rockin!

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In reply to by fourwindsblow

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....on it. (I'm the tour buddy still in the car doing bong rips as y'all are heading to the gate.)

https://relisten.net/grateful-dead/1983/09/10
Santa Fe Downs. Give me this. But for Friday. I'm working tomorrow, but off Friday.
I've stood at Santa Fe Downs and looked east. The view is spectacular.
Whats all the hubbub, bub?
It's got a Music opener and a Cold Rain encore. Warts and all.
Things are strange outside. Bird Songs all day.
edit. Found something!!
https://faroutmagazine.co.uk/grateful-dead-jerry-garcia-favourite-song/
Spoiler alert. Row Jimmy. Also a favorite of Bill The Drummer. It was playing as I read it (12.28.79. Disc one. Track four).
I still don't believe in coincidences.

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DaP11: Last half of disc two - the whole He’s Gone thru BDP is incredible

Just starting RT3.1 now , if the first song is any indication of this night, I’m in for something special!

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In reply to by DeadAreMyDealers

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Hendrix Freak threw this one out a couple days ago but yall were onto something else.....it got me thinking about some primal dead, and haven’t had a good 68 fix for a bit....So Wadaya say Laddys?

MHammond: RT 3.1, nice pick. Started to go through the 79 stuff when DaP 31 came out but didn’t make it, rember liking this one more than 31, and yesterday confirmed that. Really need to get to DP 5 from 12/26, it’s been so long for that one. Maybe this weekend I’ll roll that?

VGUY: I’m down with some Santa Fe tomorrow. Heard about this one for years but don’t think I’ve ever checked it out. Plus 83 would be a nice change up here....

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12/28/79! Is this the best RT release? Maybe, certainly the best 79 release from the Vault so far. Betty did another excellent job here.
I like this release more and more every time I listen to it. Sound quality is A+.Sugaree opener! Different feel to this show without Keith and Donna, but I dig it. Brent's keyboards really shine. Really good flowing Terrapin, Playing, UJB. The show closers are fun and groovy. Makes me want to get up and dance.
And then there is the bonus disc, from 12/30/79. 10 additional songs of bliss. Scarlet Fire, Let it Grow, Truckin! Sweet.

Would love to see more 79 and of course 80. The early Brent years! I know the Chicago release didn't match this release but 79 has a lot to offer.
Yesterday I also listened to 9/1/79. Not an official release, but again great 79 sound.
If you have not heard it, check it out.

Looking forward to our next pick. Let us know!

I can't take credit for that pick. I'm trying the Europe 72 night by night thing and I'm already behind.

Playing now.
Is that today’s pick?

First got this on cassette in mid-90’s and loved it right away. Then got a CD-R copy. Was really happy to get it as a commercially released CD.

This show needs a Plangentized/Normanized remaster 180g vinyl record store day release.

Edit:
Looks like I’m a day behind. No worries, I’ll catch up.

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In reply to by icecrmcnkd

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Good to have you kid.

Bolo, what are your thoughts on the last pick. Sounds like the crowd is feeling Dick's 22 for today/ tonight. I will have to sit this one out as I don't have this one. Looking forward to tomorrow's choice.
Be well folks!
Snowed here in MN today☹️