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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
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    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
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    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
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    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
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    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

  • bob t
    Joined:
    Sandstone Amphitheatre 7/4/90

    I was there.. It was so hot at the start of the show... Close to 100... Really enjoyed the long scarlet>fire popping up in the 4th slot.... Drove straight to Louisville after the show... why oh why.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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That one

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....that is a good one. Been a while since I've played it. Hopping on that bus tomorrow.

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I’m on it, that will go good with morning coffee tomorrow.

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Man I dug those two shows!

I agree with OTIS, It's not so much Highlights as it is the Whole Trip .

For both nights.

I think I enjoyed 9/28/76 even more... coulda been the time of day it played as it is 4/20 after all.

Two comments:
Missing Bertha from 9/28/76 would make killer filler somewhere.. (hint, hint Lemieux)
The 9/28/76 Set 2 "Jam" tracks ("Jam", "Orange Wango Tango Jam") seem more like continuations on the PITB theme, anybody else hearing that?

If listed as such it makes that set look even greater on paper:
PITB > Wheel > Samson > PITB > Comes A Time > Drums > Eyes > PITB > Dancin' > PITB. Johnny B. Goode

GREAT Set either way you slice it, but.. that's what I was hearing and I love it when they weave in and out of a theme throughout a set like that. GREAT PICK!

I thought I had that JGB for a second, dug through the garage, but it's the Almost Acoustic from '88.

I found a few tracks on YouTube, so I'll kinda follow along and will look for the feedback.

I plan on doing an anniversary trip through 4/21/84, and maybe 4/20 & 4/19 too. Goin' back to Philly!

Happy 4/20

I've been really, ridiculously busy.. but I did finish Dicks Picks 18. Am I late to the party?

I will add.. I liked the Scarlet Fire so much, but it just didn't scratch the itch well enough. Perhaps it was the recording, perhaps, well.. it was missing some relevancy so I did a side-by-side comparison to the one from Dave's Picks 8, 11/30/80 Fox Theatre, Hot Lanta. Man.. that totally hit the spot. and the recording, to my ears at least, sparkled, which is amazing because half of it came from an audience master (thanks Dr. Bob!! bow of the head, tip of the glass.. much appreciatto).

So what's next? I guess I will have to read the last 18 pages since this one was mentioned.

Hoping to have some more free time soon.. perhaps I won't get so far behind.

Drinking an excellent bottle of red, and getting ready to put on some tunes? JGB? The best palate cleanser. Good golly miss molly.. I think I missed a lot here.

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In reply to by JimInMD

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Man.. great to see these shows get some love. Perhaps it was because it was back in the Dicks Picks days, when any release was a treasure trove of new and undiscovered magic.. I believe this release predates soundboard copies on Archive.org.. all this was new, but to the meat.. you have to add Jerry's guitar work during supplication as a high point. Crank it to 11, he shreds it and for the mellow vibe of 76, it's worth a listen.

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In reply to by bolo24

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Fall 76! I remember the first time I heard the Cosmic Charlie out of Dancing and thought wow, 76 is really good. Still true today. Love the Sugaree, just a solid show throughout. The whole show is really smoking, solid finish.

Great choice WilfredTJones.

Stay well folks!

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In reply to by DeadVikes

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I haven't played it this week, but I just thought I'd chip in to say its my favourite 1976 show, and has been since whenever it came out.

Morning!

Waiting for A Miracle seems like such a relevant tune today.

Man, I know I’ve got this JGB CD somewhere.. or had it, but if I had it I woulda kept it. So.. hmm.

Feel ya BOBT them Dylan tunes are what I wanted to hear most. Found around 6 of these songs on YouTube but not that one.

VGUY yeah, you’re right I should prob get Spotify.. can I handle/afford 1 more sub in my life… I gotta think about that, meaning procrastinate longer until the next time:)

Anyhow, what I’m hearing is sounding GREAT, and real nice playing by Jerry.. Dear Prudence solo is sounding real good, sick drum fills too. I had this back in the day…

I’m gonna trip on over to the April 1984 Philly run per OTIS mention.

Have Fun today and Be Well!

Like others have mentioned.. the Dylan stuff shines for me, add in Dear Prudence, which blew me away the first time I listened to this version.. But my favorite cut of the album is Lucky Old Sun. and talk about a karma lift.. My Sisters and Brothers.

...definitely changed me. It came out at a time when I was also getting fully into the GD; these versions became staples against which all other versions were judged (I know we ALL do this from time to time...).

The Simple Twist of Fate is a definite favorite here as far as the covers. But my favorite of them all is I Shall Be Released. (right on VGuy)
Jerry's vocals are so heartfelt; sounding nearly broken at times, offset by his absolutely WAILING solos, especially that final one....total chills up the spine every time. When shit like that happens, you know it touches a deep part of your innards.

A++ for this release

Sixtus

P.S. Bolo Contest chin scratching commencing

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Yeah, definitely a game changer! I too was just really getting into the Dead, and when I got that CD (a year or two after it was released,) it cemented for me that Jerry was going to become my all-time favorite guitar player. In addition, as a big Dylan fan, it has so many great takes of his tunes, and it was Jerry's voice - fragile, sensitive, warm, - that totally sold me (still does.) The big highlight for me (though I LOVE every track) has always been "Senor." Makes me stand up and take notice, every time. Jerry's delivery and playing on that one... holy guacamole!

Oh, and "My Sisters and My Brothers." That song became a mantra for me in high school, and I think I am a better man for it now.

Great pick Bolo!

Peace

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In reply to by Thats_Otis

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Good pick Bolo.
On Lucky Old Sun now, all songs so far have been hitting the spot. Love the tone of Jerry’s guitar.

Don’t want to do any overkill today, but later this week I’m also going to spin the other compilation releases How Sweet It Is.... and Shining Star.

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In reply to by icecrmcnkd

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On sale now.

Nice bonus disc!

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In reply to by icecrmcnkd

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Dusted off some classic releases a few weeks ago

~ Box of Rain ~ Fallout from the PhilZone+ Jerry Garcia Band double disc with John Kahn cover artwork.

Cool graphics and pics on the CDs and booklet

Hundred Year Hall + Don't Let Go

Dicks Picks 4 , 11 , 13 , 18 have been in my car for months.

China -> Rider -> China Doll from 12.29.77 is real nice

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Playing at home when i can - we've had sweet spring weather and been spending time in the garden and reveling in the real world outdoors. Bolo - great to hear things turned corner for better with friends and loved ones - scary times.

In the end caught some of these picks, missed a couple others, I'll get to 'em eventually, plus a few non-pick-of the-day musical detours. One detour that's been on repeated repeat is the '91 JGB show from Electric on the Eel. Love it love it love it! Been meaning to bring it up, its a big beautiful dose of carefree big smile summer fun. Cool to have Bolo rec the '91 JGB live release (Deal now.) This release got a lot of mileage back in the day, but its been long while. One song that stood out back then was Senor - totally unfamiliar to me as a Dylan or JGB song, super eerie and powerful. General later JGB thought - Melvin Seals organ playing is a freaking force of nature.

Finished Landover 9/25/76 this morning - awesome show, years since i last listened. That second set is out of this world! And somehow I'd totally lost track of how great 12/2/73 was - oh my goodness. That '83 Santa Fe show is like a train about to jump the tracks. On a non-pick-of-the-day closing note - had a delightful late evening with those 2 October '80 Warfield acoustic sets released last year.

Opening notes of Senor . . . .

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In reply to by icecrmcnkd

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For what it's worth, of the three JGB compilations, most of the time I prefer this one. Perhaps at least partially due to nostalgia..

We more or less got Without a Net and then a year later Jerry Garcia Band (Live) within a year.. and before that there was a dearth of officially released live material going back a number of years. ..and if you were seeing shows, one couldn't help but notice how much better and more consistent the live performances were. It was a good time for all things Grateful Dead.

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So I just found this thread and am listening to the '91 JGB show. I'll write a full opinion review when I'm done with the album, but dang I had to say that was a GRATE jam in "The Way you do the things you do"!

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JGB 91, coming to a rocking close. What a fine release!

Have I missed Bolo's clue? Was it his post "Yeah - That one"? If so, that's a tough clue (or is it?) :)

So, what's on tap for tomorrow, folks? I've really been enjoying the picks so far!

Also, Good Ole Grateful... did you make it to Philly 84 yesterday? I really loved that 4/20 show - amazing Let it Grow, great Scarlet>Fire, overall fun two sets and I thought a really great sounding AUD. Also, that may be the best Esau I've heard - at least I can't recall a better one :)

Peace

EDIT: I now see that I posted my question about Bolo's clue at 11:48 PST, not 12 noon. My ability to do simple math seems to be slipping...

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In reply to by Vguy72

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Nice to meet everyone! Y'all rock and this platform is amazing!

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Time for America’s favorite game show, “Name That Grateful Dead Concert!”

Please read carefully: Following this post, a clue will appear that can be EASILY deciphered to reveal a particular Grateful Dead concert. To win the contest and receive some groovy and valuable Grateful Dead items (TBD), simply send me a PM with your guess of the date and venue of the concert. Also, you must include how you determined your guess, i.e., show your work! No work shown = no entry!

Do not post your guess on this forum as it won’t count. Earliest PM with the correct answer wins. And only one entry per screen name, so take your time to make sure your guess has merit as multiple guesses will be ignored. Screen names must pre-date the time stamp of this post.

Have fun with this, celebrate Dave’s 34 release, have a beer (or whatever), blow off some steam, turn off the TV, get some fresh air. Call your parent(s) and tell them you love them (if applicable).

Clue to follow.

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In reply to by bolo24

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....oops. hope no one saw that. Lol

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So the Clue is = "Foot"?
Or = "Fixable Foot"?

Not sure clarification will help me here, but.. figured it was worth a shot.

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Haven't listened to that Jerry release in a long time. Have it since it came out played it many times. We need more Jerry releases.

9/25: Started nice the rest of set 1 was okay. Set 2 Dancin' picks it up nice! Scarlet. Stephen> NFA> Drums>Jam> Stephen>Sugar Mag great!!

9/28: Have this one marked as an all-timer. Big River was nice Cassidy too this whole first set was excellent. Set 2 Playin' sandwich Awesome!!

Can hear '77 a comin'.

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In reply to by mbarilla

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Dave's Picks 34 with bonus disc and the box set should arrive about the same day.

Dave LSD you got one more job this year. fire up a 1984 show for release and include 7.13.84 second set with encore

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In reply to by JimInMD

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What's on tap for tomorrow?

Anybody get it right Bolo?

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In reply to by mhammond12

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I thought I had it... and got my reply

"missed it by that much"

Himey, kill the light.

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In reply to by DeadVikes

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Got nothin' on Fixable Foot

As for Tomorrow..
4/22/66 Trips Festival (I gotta trip through that:)
4/22/77 is looking like it should be listened too.. not official release though
4/22/78 DaP V15 is official though
4/22/79 Brent's First show might need some honoring

Just a few anniversary date themed thoughts in that regard.

Super curious about the fixable foot...

OTIS - I finished up 4/20/84 & 4/21/84.. they both had their '84 charm.. I'd say for me the highlight was that Slipknot! on 4/21/84... that's definitely worth a listen, dug the PITB too and Stranger from 4/20. Thanks for the reminder!

Gonna try and get 4/21/69 in today... but it might not happen, Hard To Handle with Jerry on Slide.. so far it's weird:)

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In reply to by The Good Ole G…

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....its an anniversary and official. On it. Righteous Wharf Rat on that one.
Also Brent's first show by date. Hmmm. People? We need to decide. Vote?
I think I have the right show, but bolo hasn't responded. This is good?

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Only a handful of guesses, so not much interest apparently. I'll give it another day to see if anyone gets inspired and claims some really good free stuff.

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In reply to by bolo24

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Interested!

Just stumped any secondary clues?

Fixable Foot.. that just.. I got nothin'

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In reply to by The Good Ole G…

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My suggestion:
So there is a great Jerry solo show from ‘82 that I’m obsessed with. He’s on acoustic and it’s amazing (4/10/82).
https://youtu.be/vMHXMRd1KTI

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17 years 2 months

In reply to by gr8fulgal77

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....check your pm. I did my homework. I'm inspired.
And if I'm wrong, I'm out.

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In reply to by Vguy72

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Sound like a good choice GOGD and Vguy. I am on it tomorrow.

Bolo, I am very interested, just do not have a clue.

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'Fixable Foot' I have no idea but will give it a guess.