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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

  • rockthing
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    > JimInMD
    "5/12/91 for…

    > JimInMD

    "5/12/91 for Tomorrow?" Sounds good.

    Just a few last impressions from 11/18/78

    The instrument/voice balance is definitely much better by It's All Over Now.

    I think the thing that seems unusual about the Scarlet/Fire, other than the clean cut which may be a result of the Archive's streaming system. There's always a short loading gap between songs.

    I was thinking that the jam at the end of Scarlet Begonias seems especially sparse, and then I started wondering where Phil was? There isn't a whole lot of deep bass in this recording, so that may be it. Not sure. I like Donna's off mic reaction to some strange noise that Bobby (presumably) made by accident. ...Ah, I got to the Fire patch. That's the cut that was mentioned. It sometimes feels a touch lackadaisical, but that sort of thing suits the transition into Fire.

    Miracle is ON, right out of the gate. No teething problems with this one. Just struck me that it sounds like Jerry's already using some kind of distortion/fuzz effect on his guitar here. I'm a bit of a gear nut. I'm gonna hafta look into that.

    Dayum. This Other One is waaay out there. Love it! The drummers totally running with it, complimenting the gooey, stretched out psychedelicized sense of time created by the guitarists with a frenzied lysergic background buzz. Still pre-Beast if I recall correctly, but plenty to keep the Rhythm Devils busy... and busy they are. Did someone say, "Go man."? "I knew you were about to come on."? This really is the beauty of the board tapes. Occasionally you get a glimpse into the verbal communication that goes on between band members. They're always talking to one another a lot more than I used to imagine. It wasn't till I started watching how much conducting Phil used to do that this aspect of their playing became evident. Things changed a lot when Phil started taking a less active role in the spontaneous orchestration during shows, I suppose.

    Ollin Arageed, what a nice treat. A little hold over from the Egyptian Vacation. 12/19 is the only post Egypt '78 show I've got in my library, and sadly I couldn't tell you anything about it right now. From there it's to the Godchaux's farewell show, and then Brent's debut or somewhere thereabouts. Again, thank you for filling in this rather sparse zone in my listening experience.

    The word I keep coming back to while listening to this show is "beautiful". I was about to use it again to describe the Wharf Rat. Keith is doing some really nice fill-in stuff between the vocals here. Certainly a sight better than his contribution at Giza (yikes!). .... oops... everybody completely missed Billy's cue to start the ending there. LOL. Oh, well. Carry on lads. :P

    Love how the transition to Sugar Mag thoroughly cross fades. That's brilliant how they kept a bit of Wharf Rat alive while slowly letting Sugar Magnolia develop. A lot of times Jer'll drop the intro of the next song and the others just stop what they're doing immediately for a couple bars instead of letting the songs blend. Sometimes it feels forced when Jerry does it that way, but this one is just about perfect, for my ears.

    One More Saturday Night was one of the more predictable Dead tunes, and I reckon if you were on tour it probably got kind of repetitive, but from a song-writing point of view, IMO this is one of Bob's best songs. It's the kind of built-to-be-a-show-stopper that I wish I could write someday.

    Ok, fast-forward a decade or so to 1991!

  • JimInMD
    Joined:
    5/12/91 for Tomorrow?

    I haven't heard this one.. but I believe the run was well recorded.

  • rockthing
    Joined:
    Sneakin' in one last Uptown Toodeloo

    Had a chance to stream the Miller sbd last night when I got home, but exhaustion prevented me from hearing it to the end. Early on the recording is so vocal heavy that I can barely make out what the band is doing without riding the volume control.

    Me and My Uncle is in full disco mode. When was it that Bobby introduced it as a Polka? Was that before or after this? I'm confused. At any rate, it sure ain't a Polka here. I like these Rhinestone Cowboy versions, perhaps knowing that they aren't forever.

    There were several comments about song placement, and that El Passo following Sugaree, and there having already been an Uncle > River seems a bit odd, but they had not yet settled into the one cowboy couplet per set routine yet, had they?

    It's All Over Now in the first set, though. That feels odd.

    From the Heart of Me is so beautifully done. I recall Jerry doing lots of really fast runs between vocal lines, but was not taking notes. This is a real gem.

    By the time Music Never Stopped rolled around, I realized that the mix seemed to have been brought to balance between the vocals and other instruments. From the Heart of Me had also benefited from an improvement in this area. Music Never Stopped, though. Wow. This is where the show really gets started. I think someone else already mentioned that. The whole first set is superbly played, but as became the norm the first set closer serves as a precursor to the second set with some nice group improv. Definitely wanna go back to check this out again.

    The Scarlet/Fire second set opener picks up right where TMNS left off. This is another track I want to return to. There seemed to be a somewhat different quality to this one, but at the moment I can't put my finger on it. Another highlight, but it's rare that this pairing is not a highlight.

    The early second set Miracle is definitely another interesting set choice, as pretty much everyone already said. I kept an ear out for the ending jam that was mentioned, and yes, why was there never more of that? I suppose once it settled into its post-space rave-up role, there wasn't much left on the table to fool around with.

    From this point on, I was drawn into the darkness of sleep. I think I'll restart this at It's All Over Now tomorrow and listen to the end again. The recording balance seemed to have improved by the end of the first set, and I missed the whole finale.

    Thanks for another interesting recommendation!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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That one

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....that is a good one. Been a while since I've played it. Hopping on that bus tomorrow.

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I’m on it, that will go good with morning coffee tomorrow.

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Man I dug those two shows!

I agree with OTIS, It's not so much Highlights as it is the Whole Trip .

For both nights.

I think I enjoyed 9/28/76 even more... coulda been the time of day it played as it is 4/20 after all.

Two comments:
Missing Bertha from 9/28/76 would make killer filler somewhere.. (hint, hint Lemieux)
The 9/28/76 Set 2 "Jam" tracks ("Jam", "Orange Wango Tango Jam") seem more like continuations on the PITB theme, anybody else hearing that?

If listed as such it makes that set look even greater on paper:
PITB > Wheel > Samson > PITB > Comes A Time > Drums > Eyes > PITB > Dancin' > PITB. Johnny B. Goode

GREAT Set either way you slice it, but.. that's what I was hearing and I love it when they weave in and out of a theme throughout a set like that. GREAT PICK!

I thought I had that JGB for a second, dug through the garage, but it's the Almost Acoustic from '88.

I found a few tracks on YouTube, so I'll kinda follow along and will look for the feedback.

I plan on doing an anniversary trip through 4/21/84, and maybe 4/20 & 4/19 too. Goin' back to Philly!

Happy 4/20

I've been really, ridiculously busy.. but I did finish Dicks Picks 18. Am I late to the party?

I will add.. I liked the Scarlet Fire so much, but it just didn't scratch the itch well enough. Perhaps it was the recording, perhaps, well.. it was missing some relevancy so I did a side-by-side comparison to the one from Dave's Picks 8, 11/30/80 Fox Theatre, Hot Lanta. Man.. that totally hit the spot. and the recording, to my ears at least, sparkled, which is amazing because half of it came from an audience master (thanks Dr. Bob!! bow of the head, tip of the glass.. much appreciatto).

So what's next? I guess I will have to read the last 18 pages since this one was mentioned.

Hoping to have some more free time soon.. perhaps I won't get so far behind.

Drinking an excellent bottle of red, and getting ready to put on some tunes? JGB? The best palate cleanser. Good golly miss molly.. I think I missed a lot here.

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In reply to by JimInMD

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Man.. great to see these shows get some love. Perhaps it was because it was back in the Dicks Picks days, when any release was a treasure trove of new and undiscovered magic.. I believe this release predates soundboard copies on Archive.org.. all this was new, but to the meat.. you have to add Jerry's guitar work during supplication as a high point. Crank it to 11, he shreds it and for the mellow vibe of 76, it's worth a listen.

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In reply to by bolo24

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Fall 76! I remember the first time I heard the Cosmic Charlie out of Dancing and thought wow, 76 is really good. Still true today. Love the Sugaree, just a solid show throughout. The whole show is really smoking, solid finish.

Great choice WilfredTJones.

Stay well folks!

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I haven't played it this week, but I just thought I'd chip in to say its my favourite 1976 show, and has been since whenever it came out.

Morning!

Waiting for A Miracle seems like such a relevant tune today.

Man, I know I’ve got this JGB CD somewhere.. or had it, but if I had it I woulda kept it. So.. hmm.

Feel ya BOBT them Dylan tunes are what I wanted to hear most. Found around 6 of these songs on YouTube but not that one.

VGUY yeah, you’re right I should prob get Spotify.. can I handle/afford 1 more sub in my life… I gotta think about that, meaning procrastinate longer until the next time:)

Anyhow, what I’m hearing is sounding GREAT, and real nice playing by Jerry.. Dear Prudence solo is sounding real good, sick drum fills too. I had this back in the day…

I’m gonna trip on over to the April 1984 Philly run per OTIS mention.

Have Fun today and Be Well!

Like others have mentioned.. the Dylan stuff shines for me, add in Dear Prudence, which blew me away the first time I listened to this version.. But my favorite cut of the album is Lucky Old Sun. and talk about a karma lift.. My Sisters and Brothers.

...definitely changed me. It came out at a time when I was also getting fully into the GD; these versions became staples against which all other versions were judged (I know we ALL do this from time to time...).

The Simple Twist of Fate is a definite favorite here as far as the covers. But my favorite of them all is I Shall Be Released. (right on VGuy)
Jerry's vocals are so heartfelt; sounding nearly broken at times, offset by his absolutely WAILING solos, especially that final one....total chills up the spine every time. When shit like that happens, you know it touches a deep part of your innards.

A++ for this release

Sixtus

P.S. Bolo Contest chin scratching commencing

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Yeah, definitely a game changer! I too was just really getting into the Dead, and when I got that CD (a year or two after it was released,) it cemented for me that Jerry was going to become my all-time favorite guitar player. In addition, as a big Dylan fan, it has so many great takes of his tunes, and it was Jerry's voice - fragile, sensitive, warm, - that totally sold me (still does.) The big highlight for me (though I LOVE every track) has always been "Senor." Makes me stand up and take notice, every time. Jerry's delivery and playing on that one... holy guacamole!

Oh, and "My Sisters and My Brothers." That song became a mantra for me in high school, and I think I am a better man for it now.

Great pick Bolo!

Peace

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In reply to by Thats_Otis

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Good pick Bolo.
On Lucky Old Sun now, all songs so far have been hitting the spot. Love the tone of Jerry’s guitar.

Don’t want to do any overkill today, but later this week I’m also going to spin the other compilation releases How Sweet It Is.... and Shining Star.

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In reply to by icecrmcnkd

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On sale now.

Nice bonus disc!

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Dusted off some classic releases a few weeks ago

~ Box of Rain ~ Fallout from the PhilZone+ Jerry Garcia Band double disc with John Kahn cover artwork.

Cool graphics and pics on the CDs and booklet

Hundred Year Hall + Don't Let Go

Dicks Picks 4 , 11 , 13 , 18 have been in my car for months.

China -> Rider -> China Doll from 12.29.77 is real nice

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Playing at home when i can - we've had sweet spring weather and been spending time in the garden and reveling in the real world outdoors. Bolo - great to hear things turned corner for better with friends and loved ones - scary times.

In the end caught some of these picks, missed a couple others, I'll get to 'em eventually, plus a few non-pick-of the-day musical detours. One detour that's been on repeated repeat is the '91 JGB show from Electric on the Eel. Love it love it love it! Been meaning to bring it up, its a big beautiful dose of carefree big smile summer fun. Cool to have Bolo rec the '91 JGB live release (Deal now.) This release got a lot of mileage back in the day, but its been long while. One song that stood out back then was Senor - totally unfamiliar to me as a Dylan or JGB song, super eerie and powerful. General later JGB thought - Melvin Seals organ playing is a freaking force of nature.

Finished Landover 9/25/76 this morning - awesome show, years since i last listened. That second set is out of this world! And somehow I'd totally lost track of how great 12/2/73 was - oh my goodness. That '83 Santa Fe show is like a train about to jump the tracks. On a non-pick-of-the-day closing note - had a delightful late evening with those 2 October '80 Warfield acoustic sets released last year.

Opening notes of Senor . . . .

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For what it's worth, of the three JGB compilations, most of the time I prefer this one. Perhaps at least partially due to nostalgia..

We more or less got Without a Net and then a year later Jerry Garcia Band (Live) within a year.. and before that there was a dearth of officially released live material going back a number of years. ..and if you were seeing shows, one couldn't help but notice how much better and more consistent the live performances were. It was a good time for all things Grateful Dead.

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So I just found this thread and am listening to the '91 JGB show. I'll write a full opinion review when I'm done with the album, but dang I had to say that was a GRATE jam in "The Way you do the things you do"!

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JGB 91, coming to a rocking close. What a fine release!

Have I missed Bolo's clue? Was it his post "Yeah - That one"? If so, that's a tough clue (or is it?) :)

So, what's on tap for tomorrow, folks? I've really been enjoying the picks so far!

Also, Good Ole Grateful... did you make it to Philly 84 yesterday? I really loved that 4/20 show - amazing Let it Grow, great Scarlet>Fire, overall fun two sets and I thought a really great sounding AUD. Also, that may be the best Esau I've heard - at least I can't recall a better one :)

Peace

EDIT: I now see that I posted my question about Bolo's clue at 11:48 PST, not 12 noon. My ability to do simple math seems to be slipping...

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In reply to by Vguy72

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Nice to meet everyone! Y'all rock and this platform is amazing!

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Time for America’s favorite game show, “Name That Grateful Dead Concert!”

Please read carefully: Following this post, a clue will appear that can be EASILY deciphered to reveal a particular Grateful Dead concert. To win the contest and receive some groovy and valuable Grateful Dead items (TBD), simply send me a PM with your guess of the date and venue of the concert. Also, you must include how you determined your guess, i.e., show your work! No work shown = no entry!

Do not post your guess on this forum as it won’t count. Earliest PM with the correct answer wins. And only one entry per screen name, so take your time to make sure your guess has merit as multiple guesses will be ignored. Screen names must pre-date the time stamp of this post.

Have fun with this, celebrate Dave’s 34 release, have a beer (or whatever), blow off some steam, turn off the TV, get some fresh air. Call your parent(s) and tell them you love them (if applicable).

Clue to follow.

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Foot

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....oops. hope no one saw that. Lol

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So the Clue is = "Foot"?
Or = "Fixable Foot"?

Not sure clarification will help me here, but.. figured it was worth a shot.

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Haven't listened to that Jerry release in a long time. Have it since it came out played it many times. We need more Jerry releases.

9/25: Started nice the rest of set 1 was okay. Set 2 Dancin' picks it up nice! Scarlet. Stephen> NFA> Drums>Jam> Stephen>Sugar Mag great!!

9/28: Have this one marked as an all-timer. Big River was nice Cassidy too this whole first set was excellent. Set 2 Playin' sandwich Awesome!!

Can hear '77 a comin'.

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In reply to by mbarilla

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Dave's Picks 34 with bonus disc and the box set should arrive about the same day.

Dave LSD you got one more job this year. fire up a 1984 show for release and include 7.13.84 second set with encore

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In reply to by JimInMD

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What's on tap for tomorrow?

Anybody get it right Bolo?

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In reply to by mhammond12

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I thought I had it... and got my reply

"missed it by that much"

Himey, kill the light.

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Got nothin' on Fixable Foot

As for Tomorrow..
4/22/66 Trips Festival (I gotta trip through that:)
4/22/77 is looking like it should be listened too.. not official release though
4/22/78 DaP V15 is official though
4/22/79 Brent's First show might need some honoring

Just a few anniversary date themed thoughts in that regard.

Super curious about the fixable foot...

OTIS - I finished up 4/20/84 & 4/21/84.. they both had their '84 charm.. I'd say for me the highlight was that Slipknot! on 4/21/84... that's definitely worth a listen, dug the PITB too and Stranger from 4/20. Thanks for the reminder!

Gonna try and get 4/21/69 in today... but it might not happen, Hard To Handle with Jerry on Slide.. so far it's weird:)

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In reply to by The Good Ole G…

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....its an anniversary and official. On it. Righteous Wharf Rat on that one.
Also Brent's first show by date. Hmmm. People? We need to decide. Vote?
I think I have the right show, but bolo hasn't responded. This is good?

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Only a handful of guesses, so not much interest apparently. I'll give it another day to see if anyone gets inspired and claims some really good free stuff.

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In reply to by bolo24

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Interested!

Just stumped any secondary clues?

Fixable Foot.. that just.. I got nothin'

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In reply to by The Good Ole G…

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My suggestion:
So there is a great Jerry solo show from ‘82 that I’m obsessed with. He’s on acoustic and it’s amazing (4/10/82).
https://youtu.be/vMHXMRd1KTI

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In reply to by gr8fulgal77

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....check your pm. I did my homework. I'm inspired.
And if I'm wrong, I'm out.

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In reply to by Vguy72

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Sound like a good choice GOGD and Vguy. I am on it tomorrow.

Bolo, I am very interested, just do not have a clue.

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'Fixable Foot' I have no idea but will give it a guess.