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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • daverock
    Joined:
    Release everything

    Maybe they should release everything that hasn't already come out from 1972 and 1974. Then 1969. Then...

  • carlo13
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    Mini winterland box

    I would buy it too. Plangentized and normanized. It should also be martinized. I love dry cleaning.

  • bluecrow
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    Plangentized/Normanized

    that's my mantra
    right there with you Jim - I'm in on a Winterland Feb. 74 box. Same for a BCT '72 box.

  • JimInMD
    Joined:
    Winterland 74

    If they did up a three show mini box and Plangentized/Normanized the whole affair, I'd buy it.

    They missed an opportunity not packaging those three shows together. Just my opinion, but....

    Releasing the stand-alone BCT 72 and Winterland 2/24/74 as Dave's Picks just makes me scratch my head and ponder.

    Anyway, as for a Winterland '74 mini-box... I'd buy it. Especially if they included an oversized, fathead, stick-on Wall of Sound wall cover.

  • bluecrow
    Joined:
    2/22/74 (2/23/74) 2/17/79

    2/22/74 and 2/23/74 are exquisite. A box with 2/24 would easily have been up there with the Winterland Nov. '73 box. Beautifully played, great sound. Among all that beauty my ear was caught up in the keyboard work by Keith. The 2/22 Playing with the Slipknot got my attention back last fall. And then listening to 2/23 yesterday damn its there again in that (if I remember correctly) monster Other One. A full blown pre-1st verse (only verse) meltdown and out of that Jerry's running through Slipknot again (but its a different flavor from 2/22).
    2/17/79 is a one-off crazy good show. Set list caught my eye years ago but only did a bookend run through it today at work (and running through parts again now.) First will say that it does seem to have a sound quality issue - partial show boards from earlier that winter seem cleaner - lineage notes for Clugston seed indicate a Master Cassette so maybe cassette vs reel for master is the issue.
    But that aside, yes, a dreamy set list for that era (e.g. Wheel > Shakedown!!??!! in the middle of a jammed out Terrapin > Playing> Drums ........ > Playing reprise !!??!!) Yeah they cross the center line from time to time in their excitement but all along just a fully out there gorgeous show. To me it feels like the departure of Keith and Donna is an agreed upon thing by the band going in and this is a heartfelt sweet final show.
    RockThing - welcome to the party!!

  • proudfoot
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    love your comment about liking licorice, Vguy

    :)))

  • Vguy72
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    comparing Keith & Donna's last and Brent's first....

    ....fun fact. They repeated eight songs.
    That being said, comparing the Passenger's alone is....interesting.

  • billy the kid
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    Rock thing ,great write up

    Rock thing , that is a great write up on 2/17/79 you did. Big Railroad Blues hadn't been played since 1974.

  • rockthing
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    2/17/79 Second Set

    PROUDFOOT, RE relieved to move on: Sounds about right.

    BILLY THE KID: Nice. I thought that Greatest Story does seemed special, too. It's got tight energy, but I also don't recall hearing a Greatest Story with that free-form a guitar solo from Jerry. I was definitely startin' to think I could go for a bit more fidelity on this show, too.

    THE GOOD OLE GRATEFUL DEAD: Yeah, man, from Playin' on, it's anybody's guess. The tape I Downloaded has that tracked as "Playin' >", "Drums >", "Space >", like you say. Playin' isn't really known for its drum solos, but I think I'd just keep all that as Playin' until they made a definitive move into The Wheel. I realize that no one else would ever do that. There's just Space all over the second set after Playin'. The Wheel disintegrates into Shakedown. That Shakedown back into Playin', though, eh? Definitely the stuff. You can hear Jer hinting at Playin' quite a while before they actually get there. Would not want to be responsible for seeding that. Where do I cut it?!?! :)

    Man, this second set jumps like a Willys in four wheel drive.

    Might as Well!!!: Went to a Dead show and a Jerry Band gig broke out! Yeah! Rocketing out the gate for the second set. Might as well. This show has a seriously stacked set list imo.

    Miracle: Damn. No chance to catch your breath tonight! Jerry’s soaring, then doing some crazy runs in the first solo. Pretty manic, really, just trying to make something happen. Nice ending jam too. A drummer seems to be losing his footing or a stick or something, but no one else… Whoa!!!

    Bertha!: I don’t think ANYBODY saw THAT coming, least of which the band. Whoever pulled the tempo back to something sensible is a hero, because that was about to set a record. Ohp, gonna get one of those big unison hits goin’? Not yet. Pickin’ up the pace again. Phil is not giving up on the big bang… unnnnn… not quite….hahaha. Phil’s still goin’ for it. The drummers are just hittin’ all ones like they're wired as hell. This whole second set is coming off with it’s teeth grinding. Crowd cheers an almost earthquake bass bomb, but Phill still can’t quite get everyone there. Test me! GONG. Got it. Memories starting to clear. Synchronization critical. Sounds like double kicks from the drums. What is this? The lets see how many notes we can play contest?

    Good Lovin’: Nice, seamless transition. Just, suddenly their playing Good Lovin’. Nice crescendos. Jerry’s boppin’ along for the solo. One of his more coherent solos so far. They seem to have a better handle on the dynamics now. This is a really, really nice performance of this tune. Bobby’s got just the right atmosphere here. He’s givin’ it everything, but not overblowing. This will be excellent if he keeps the rap under control. No danger of Bobby sellin’ the Brooklyn Bridge. Mickey goin’ crazy with some heavy percussion runs, but they are buried deep in the mix, might not even be goin’ through the main PA. Long cheers ensue. Well deserved. That was excellent. They are taking no prisoners tonight, but that really struck the perfect balance. Wouldn't normally gush over Good Lovin', but that was excellent. At this point, I think I’d almost be wishing for five minutes of tuning.

    Heart of Me. Ahh, nice farewell for Donna. Nice little breather for us, too. She sounds really good. Sounds like maybe Jerry missed a chord change and his fills are a little off key at one point early on. Nice little descending flutter from Jer that one of the drummers picks up on, adding some 16th high-hat cymbal to. Wow. Really nice. The ending was superb.

    Big Railroad Blues. Jerry came to rock tonight, that’s for sure. Goovin’ on the, which solo is this? They seem to have settled down a bit from the insanity that was the teeth numbing first half of the second set.

    Terrapin!: Sorta slips into the hall, almost without being noticed. Not the kind of thunderous greeting it would become accustomed to in later years. This performance seems almost quaint in its simplicity. One of the drummers continues to have happy foot. Cool guitar solo leads everyone out into open space as the various counterpoints begin to emerge, everyone expanding out into their own direction before drifting gently into a little space of equilibrium. Jer’s not quite ready for the big finale. He starts to play the melody that will bring everyone out of their trance, then decides to let the ride get a little more gentle as it drifts along. There it is. Not monumental, just recombining into a gentle reading of the last verse. Ahh.. Jer’s sweet old voice… Nice build up to counting stars, but Jerry’s vocal doesn’t quite soar. Finding the right mix of harmony without building up too dramatically and the finale has begun. This Terrapin seems, somehow, understated, but it’s difficult to say exactly what gives that impression. I mean, Mickey is off the hook as usual. Nice, Phil plays the signature melody line in a high register on the bass instead of Jerry, as Jerry continues to wiggle about with all sorts of lead lines. Mickey gets a bit too tricky for his own good, but that slightly clumsy moment doesn’t trip up anyone else.

    Playin’: Just where you’d expect “Drums” to begin, nice call. Not sure I really dig the four on the floor and the open and closed high hat feel for this tune. Don’t have any particular qualms with disco Dead, or the Disco Cowboy things they did, but it feels like it’s tying Playin’ down too much. And, as soon as I type that, the bottom drops out and they out into an open ended Playin’ jam with Jer out in the echoey distance working’ the envelope filter. Really nice atmosphere here. Jerry’s makin’ sure they don’t get back to the song any time soon. Little too much kick drum in the mix is sorta harshin’ my mellow, but always happy to see a thorough deconstruction of Playin’. …and it seems to be just petering out, but then someone adds some nice textures. Almost sounds like a Fender Rhodes, but I can still hear Keith plunking away, so maybe it was Bobby… Someone in the audience hoping they’ll play I Need A Miracle, forgetting that we already heard that, what seems like several lifetimes ago. Wow. Completely abstract, now. Oh, and there IS a “Drums” track, but this feels like Playin’ with a drum solo (ok, got it), but that Playin’ jam would have definitely qualified as “Space” in a latter day show, albeit out of conventional order. Still an array of all acoustic percussion. Do I smell a Not Fade Away out of the drum solo? I see that someone has tracked this as a transition into “Space”, but all I hear are drums, still. Not hearing any “Space” here. Oh, and just as I type that, Phil joins the jam with Jerry not too far behind.

    The Wheel: This setlist is a dream. Guess they didn’t have to save anything for the next night. This is a nice Wheel. They’ve really settled down into atmospheric mode after the totally outrageous start to the second set. Some cool tremolo picking from Jerry as the song breaks up.

    Shakedown: Starts off a little, not a little, really… er… shaky. Nice echo effect on Jer’s guitar. Drummers haul the tempo up from the crater left by Phil’s opening bass bomb. You really get the impression that they are not working with a set list tonight. Settling in a bit just before Jerry starts the first verse. Whoo! Oh, yeah. Dancin’ shoes on now. Such a contrast. First part of set two could barely stay on the rails, but now they’re so spaced out they forget to put their foot down on the accelerator. Not a complaint, at, all. I usually imagine Shakedown jams to be more rhythmic. There’s sill a hint of the groove in the background, but well, there it went. Phil just introduced a completely different groove. Getting loose like that let’s them slip into other things, which is, I think, what’s happening now…. or not… This must be the most abstract Shakedown jam I’ve ever heard. I mean, there are literally hundreds of tapes I’ve never heard, but still. Jerry really working out now. Super fast little tremolo picking like in the high registers. Drums have started driving again. Sounds like Jerry’s teasing a Playin’ Reprise. Did they even do that in the 70s? No doubt. Jerry is definitely hinting at the Playin’ lick. Either they’re taking the long way home or they’ve given up on it. Wow. Jer getting’ pretty avant garde now. Where. Is. This. Going?! Lovin’ it!

    Playin’ Reprise: Wow, Jer managed to get everyone on board for a Playin’ reprise after all that. And, damn, does it thunder onto the scene when it finally takes form. Still doin’ that insistent four on the floor thing that makes it feel kind of agro.

    Sugar Mag: Love how this comes up for air out of the disintegrating Playin’ reprise. This show has had something for everyone, from super high energy numbers to complete space outs. Even with the free form mood that took over in the second half of the set, this is nice and tight; moving right along. Everyone in. Bobby thanks Bill Graham.

    One More Saturday Night: Solidly above par. Wailing sayonara for Keith and Donna. I’m exhausted. What a show!

  • Vguy72
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    4.22.79 New Kid on the block....

    ....sounds like he fit right in and liked licorice.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In process and it has been a while. Sound quality from my perspective is somewhat lacking. Love the Dupree's, It's all over now, good Passenger, Brown Eyed Women. Just finished Eyes, really good. Again, wish the sound quality was better.

Thanks Bolo and Mary!

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In reply to by DeadVikes

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Disc one is fun (it's a mix of several shows, me remembers...CR&S is always welcome)
Disc two is sublime. Eyes, Playin' > Wheel > Playin'. I do notice some sound quality issues at times, but they are not horrific and permanent. I remember the Playin' is good as always, and then gets reeeeeeally good
Disc three is phenomenal. As I listened recently, I remember smiling at the glory of the show. Scarlet > Fire, Truckin' > The Other One > Wharf > Around

the Madison show took place about 50 miles north of where l lived at the time. but since I was in 8th grade, I had no clue or awareness of that fact.

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One of my favorites Scarlet>Fire's of all time.... Also love the Samson when after a prolong opening jam Weir does the woohoo type of shout out!! I've posted about the Scarlet>Fire before but there is a Jerry Keith chord interaction after the singing in Scarlet that for me is mind melting!!! Good first choice Bolo... One last ramble, for me this show 2/5/78 is in my mind is the last show of 77... The April tour after this has a different vibe..

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In reply to by bob t

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....listened to the first disc last night. Cold Rain, All Over Now, Duprees and BE Woman all top shelf renditions. Man. Iowa got all the good shows. Will start up disc two a little later.
Thats the show with the extended Samson due to Bob's mic difficulties, correct?

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A few momentous stand outs for me: The Music Never Stopped; this version easily made it onto a "best of" compilation early on and has never been supplanted. Fight me. Also, the Estimated > Eyes of so so good. Beautiful elongated Eyes intro, then just mad jamming all the way through, nice upbeat Eyes tempo. Great exploratory Estimated as well. I love the drop into Eyes here; expertly pulled off. The Scarlet > Fire is very awesome too. Long, jammy. Nothing new here, just adding my love.

Nice idea.
Sixtus

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In reply to by Sixtus_

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The first thing I noticed is that it features two nights, but unless I am looking in the wrong place, there is no indication which nights which songs are from. I could have checked in Deadbase...but that's upstairs and as I was settled down to listen I didn't bother. It looks like one first and two second sets.

I have just played the first cd so far. Coming from Europe 72, this sounds a lot simpler rhythmically. During Spring 72, you can focus on Bill, Phil, Bob, or Keith - as well as Jerry obviously-and they are all playing with energy and imagination. Here, the focus is more just on Jerry. I like his fiery guitar sound on here, but I am not as keen on Bob's sound. Donna, on the other hand, sounds nice on Looks Like Rain. I prefer this version of Good Lovin to the ones played in 72. It sounds almost calypso-a real celebratory sound.
The cd picks up pace nicely on the last three songs, with great guitar solos from Jerry. It seems a bit more like standard "rock" in a way, compared to the swing they had with one drummer and a fully functioning Keith. I enjoyed listening to it, but I will probably leave the first of the set 2s for tomorrow.

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Not much left to say LLR crackled like a thundercloud!

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In reply to by fourwindsblow

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....Jerry fresh off his laryngitis. The crackling in his voice during Wharf Rat proves it. His voice was never the same, but still rocks my soul.
Trey Pistachio dropped another song. "Are You There Colleen?". With a message of getting off drugs. Methinks Colleen was his dealer back in the day. Might be wrong. Never right.
I had a dealer back in the day. Name was Chill. Called him from payphones. That was a long time ago though. Thank God.

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In reply to by Vguy72

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At the start of 1978 I'd sort of lost interest in the Dead, having last seen them in 74. 78 was my fifth year in college (yeah I know) and I was way more into jazz than rock in large part due to an awesome jazz club on campus, the Backdoor. The place just had a constant stream of major talent coming through. McCoy Tyner, Charlie Mingus, Elvin Jones, Roland Kirk etc. So in early January I see the Dead are gonna be at Golden Hall so my girlfriend and I say "What the hell?" and I get tickets for 1/07. Now in 78 the Dead were not that big of a draw and I wasn't expecting much, sort of a nostalgia trip. Wrong. They were great, just awesome. So after the show we immediately get tickets for 1/08. These were the Bobby songs only nights but that didn't matter a bit. My girlfriend (now my wife) cried during Looks Like Rain. We were back on the bus until 85 when the arrival of our first kid changed everything. Footnote to that is our last show was a week before his birth and she was major prego and treated like royalty by all you wonderful heads. So I love DP 18 and I especially like the Eugene show release. Stay home.

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Nice! I'm overdue for a listen.

RE: DP18, agree with Jim - Brown-Eyed Women is PERFECT! For that matter, so is TMNS - powerful! And then there's disc 3. If I had to rescue only one single disc from my burning house, this one would be in the running. That Scarlet/Fire is a half-hour blissfest, Truckin' is solid, TOO is insanely good. Masterful music!

On to Wichita!

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In reply to by bolo24

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....has metal influences. Garcia tapping into his inner Iommi. My ear told me so.
Wichita this soon into the game? Bold move Cotton. Let's see how it pans out.

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Love the Dodge Ball reference!!

funny how they didn't list out what shows the songs are from. even funnier, the songs in Disc 1 are actually from 3 shows - Its All Over Now and Duprees are from 2/4/78 Milwaukee! The Wikipedia entry for DP 18 lays it out if you're interested. Deadbase IX also lists a soundcheck of Ripple x3 in Milwaukee - what the heck is that??!!

As others have noted, among many highlights a great Music Never Stopped and Eyes of the World from 2/3 - love the super long intro to Eyes, it reminds me of a post-hiatus favorite, 6/8/77. They Love Each Other is fantastic. The 2nd set from 2/5 is just wild. Such a raw sound to the Wolf! Would love to see released the Uptown shows that immediately proceed this. Worth noting how rare The Wheel was at this time - 2/3 was first time played since mid fall '77, another year until played again on 2/17/79 (Keith & Donna's last show), and then another year and a half before it finally re-entered regular rotation.

A couple technical notes - based on Dick's Caveat Emptor, 2/3 appears to have been recorded at a slower tape speed (7.5 ips vs. 15), and so the sound quality is a bit rougher. Also, IIRC, there is an unpatched gap (sad face) in the jam between verses 2 and 3 in Eyes of the World. There's a very nice audience of 2/3 on the Archive if anyone wants to hear that.

Now on to Wichita!!

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After listening to almost 4 hours of insanely wonderful music, the overriding conclusion is that, in my opinion, NO ONE can play guitar like Garcia did. At times subtle and nuanced, at other times raging, but always just exactly perfect within the context of the song they were playing. Remarkable, really. Feeling blessed to have experienced GD/JGB live so many times.

Garcia may not be the "best" guitarist (highly subjective, as most of those inane "best of" polls demonstrate), but he is the only guitarist I can listen to every day. That includes Hendrix, Page, Clapton, Gilmore and whoever else you want to throw in there.

It's grate to be a Deadhead!!

http://www.quickmeme.com/meme/3p838b

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In reply to by bolo24

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You're a harsh taskmaster! Listening to Grateful Dead concerts will continue until morale improves.

Bluecrow - thanks for the tip. There were a couple of compilations that came out in the 1990s that featured songs from multiple shows, but didn't indicate in the sleeve notes which song came from which show. Ladies and Gentlemen from April 1971 and Dozin' at the Knick from Spring 1990 were two others.

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Agree 100% with your comments on Jerry, what a genius! The whole band was.

Just finishing up Dave's 11 now. Comments to follow.

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In reply to by Sixtus_

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Dooo, just listened to that last week, for first time, so maybe we’ll sneak another round in after this 71 grease fest we’ve got going on today .....fall 72 is def fo shizzle....

EDIt: MHAMMOND12...whoa. I’m not sure what’s more impressive, seeing the laryngitis shows or all that top shelf jazz in a club setting???

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Dicks picks vol 21 , not the main show the extras , Iko iko > morning dew > sugar magnolia . Absolutely sublime , and without doubt one of the best dew’s 😸

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I shouldn't really call the Backdoor a club. It was an empty room on the ground floor of the Student Union and Performing Arts building on campus that the A.S. booking people converted into a small concert venue. Just a stage and corked walls. No seats. No refreshments. Bring your own. The talent that appeared there was unbelievable looking back. Freddie King. John Lee Hooker. Two memories...sitting under McCoy Tyner and watching his right sock working its way down past his ankle has he stomped his foot keeping constant time...Roland Kirk playing the flute with his nose, playing three saxophones at once, playing the piano with his elbows and head, and careening around the room playing saxophone being led by his handler (Rahsaan was blind you know) who had an air raid siren he would blow off in your face if you didn't get out of the way fast enough. And none of this seemed like a gimmick. Bright moments indeed.

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This show and bonus tracks from Oklahoma City is definitely top stuff. Sound quality is A+. A great Bear recording! Man, he did great work.
The whole show flows nicely, although not a long second set. Love the Sugaree, Bird Song is awesome, Jack Straw, Box of Rain! Come on. Casey Jones to close the first set and than open with Cumberland. Great Truckin Other One, very unique Other One. Always loved Brokedown Palace and this one they play flawlessly.

I will throw out 12/28/79 Road Trips 3.1??

Let me know Gents.

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I like the post-space UJB and Bertha on that one a lot mainly for Brent's harmonies. Overall a classic pick with a lot to like. I might give DP5 (12/26/79) the edge however. That pick is hefty.

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Listened to both Dave Picks 11, 11/17/72, and Europe 72, 04/07/72, as assigned by Bolo. Dave's Picks 11 is one of my favorite releases. Great recording by Owsley improved by the treatment of Mr. Norman. Has an incredible Bird Song. Just a wonderful release.

Europe 72, 04/07/72 Wembley just blows it away. Leaves a smoking crater where Wichita used to be. Europe 72 can not be bettered.

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This one has a nice slow relaxed build up with some ripping Jerry. TOO than blows the roof off! The only TOO>Brokedown Palace. End of set 2 all great. A perfect prelude to the next to nights.

ps. 4/7 Rips the paint off the walls from the first note. No contest.

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In reply to by fourwindsblow

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Okay Bolo, what are your thoughts?
Next show for today?

I suggested 12/28/79. RT3.1

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In reply to by DeadVikes

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I’m down, right after my John Prine compilation

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I relocated last week and since that time I have been unpacking as much as I can and maintaining my workload from home. So I have been out of commission here for a while. I came across this pick of the day and I am all for it.

Just to throw a show out there ( not for today) but how about 9/8/73? I have never heard it but Dick Latvala spoke highly of it. It might be nice to give it a listen.

Meanwhile it looks RT 3.1 will it be for today. Maybe I will add 4/8/72 as well.

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Nice - been a while since that one hit my headphones.

MHammond gets a gold star. But what did you listen to AFTER lunch?

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I was at this show, it was a blast! Sugaree, High Time, The Music Never Stopped, this show was great from start to finish. This show sounds so much better then Dave's Picks 31 from just a .sound point of view. Yeah, this show was a hell of a lot of fun!

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Sugaree lovely, the rest of the set is okay Music rocks! Set 2 Alabama grooving, GSET explosive!, Terrapin super sweet jam, PITB end jam is sick!, UJB outta drums/space yes!, short Miracle, Bertha>Good Love, CJ , OMSN rockin!

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In reply to by fourwindsblow

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....on it. (I'm the tour buddy still in the car doing bong rips as y'all are heading to the gate.)

https://relisten.net/grateful-dead/1983/09/10
Santa Fe Downs. Give me this. But for Friday. I'm working tomorrow, but off Friday.
I've stood at Santa Fe Downs and looked east. The view is spectacular.
Whats all the hubbub, bub?
It's got a Music opener and a Cold Rain encore. Warts and all.
Things are strange outside. Bird Songs all day.
edit. Found something!!
https://faroutmagazine.co.uk/grateful-dead-jerry-garcia-favourite-song/
Spoiler alert. Row Jimmy. Also a favorite of Bill The Drummer. It was playing as I read it (12.28.79. Disc one. Track four).
I still don't believe in coincidences.

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DaP11: Last half of disc two - the whole He’s Gone thru BDP is incredible

Just starting RT3.1 now , if the first song is any indication of this night, I’m in for something special!

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In reply to by DeadAreMyDealers

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Hendrix Freak threw this one out a couple days ago but yall were onto something else.....it got me thinking about some primal dead, and haven’t had a good 68 fix for a bit....So Wadaya say Laddys?

MHammond: RT 3.1, nice pick. Started to go through the 79 stuff when DaP 31 came out but didn’t make it, rember liking this one more than 31, and yesterday confirmed that. Really need to get to DP 5 from 12/26, it’s been so long for that one. Maybe this weekend I’ll roll that?

VGUY: I’m down with some Santa Fe tomorrow. Heard about this one for years but don’t think I’ve ever checked it out. Plus 83 would be a nice change up here....

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12/28/79! Is this the best RT release? Maybe, certainly the best 79 release from the Vault so far. Betty did another excellent job here.
I like this release more and more every time I listen to it. Sound quality is A+.Sugaree opener! Different feel to this show without Keith and Donna, but I dig it. Brent's keyboards really shine. Really good flowing Terrapin, Playing, UJB. The show closers are fun and groovy. Makes me want to get up and dance.
And then there is the bonus disc, from 12/30/79. 10 additional songs of bliss. Scarlet Fire, Let it Grow, Truckin! Sweet.

Would love to see more 79 and of course 80. The early Brent years! I know the Chicago release didn't match this release but 79 has a lot to offer.
Yesterday I also listened to 9/1/79. Not an official release, but again great 79 sound.
If you have not heard it, check it out.

Looking forward to our next pick. Let us know!

I can't take credit for that pick. I'm trying the Europe 72 night by night thing and I'm already behind.

Playing now.
Is that today’s pick?

First got this on cassette in mid-90’s and loved it right away. Then got a CD-R copy. Was really happy to get it as a commercially released CD.

This show needs a Plangentized/Normanized remaster 180g vinyl record store day release.

Edit:
Looks like I’m a day behind. No worries, I’ll catch up.

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In reply to by icecrmcnkd

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Good to have you kid.

Bolo, what are your thoughts on the last pick. Sounds like the crowd is feeling Dick's 22 for today/ tonight. I will have to sit this one out as I don't have this one. Looking forward to tomorrow's choice.
Be well folks!
Snowed here in MN today☹️