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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • billy the kid
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    2/17/79 4/22/79. Two great shows

    2/17/79 & 4/22/79 are two great shows that should be official releases. I went to 2/17/79, it was a benefit to stop environmental cancer called Rock for Life. The show started with the lights all on in the house as the Dead blasted out a killer version of Greatest Story. The version of Don't Ease Me In was great, they reworked it when Brent joined the band and it was never the same. I didn't make 4/22/79, it was my moms birthday, we were having a party. Charlie Daniels and Greg Kihn were both on the bill before the Dead. It's so nice to hear Brent's organ playing on Jack Straw for the the first time. The Dead seemed really pumped up and into it for the whole show. This show at Spartan Stadium wasn't to far away from where the Dead played their first show as the Grateful Dead, at the San Jose Acid Test on 12/4/65.

  • rockthing
    Joined:
    2/17/79 First Set

    Wow. I remember thinking this was a really upbeat show considering it was Keith and Donna's last, but they must have given them one hell of a going away party. It is all goin' off in, like, every direction. I was exhausted just listening to it. This show goes from absolutely manic teeth grinding rockers and old timey tunes that barely hold it together to some seriously out there space jams. You'd have to label this with, like, three "Space" tracks if you were inclined to breaking things down as much as possible.

    I already had the Bob Menke AKG source in my music library, so I was listening to that. Not checking the set list. Can’t remember what it was, other than Donna gets to sing a lot, iirc. Here and there saw the song title pop up. Sound is pretty thin. Really need to crank it.

    Greatest Story: Usually like this as an opener. Jer seems to have carte blanche once his solo starts. Always a good idea in my book. Really searching and experimental as the four on the floor drives away behind him. Isn't this tune usually a little more cut and dry?

    What’s Bobby saying’ about technical adjustments? Had to reach for the volume control, but still couldn’t make it out.

    Don’t Ease: Damn sure am glad I left the volume where it was after that announcement. Love this tune. Haha. Oh, yeah, this must be when Bobby was learning to play slide on the job.

    Mama Tried: Love this one too! Seems like there might actually be a bit too much energy, if there is such a thing. Seem to be just barely holding’ it together.

    Mexicali: Despite the fact that it’s Keith’s last show, he’s been really prominent in the mix so far. Departing gift? Emotive delivery from Bobby. Jerry’s chorus vocals are really standing out too, for better or worse. This is pre-MIDI, obviously, but damn, Jer’s guitar sounded just like a trumpet for a minute there. Read somewhere about Branford Marsalis commenting that Jerry didn’t need MIDI to make his guitar sound like another instrument. This may be the proof. Can’t believe I have so much to say about Mexicali Blues!

    Friend of the Devil: Chill slow tempo version. Some weird polyrhythmic syncopation goin’ on. Jer starts signing on the wrong beat, but has it together before the first verse is over. Keith gets several choruses for his somewhat aimless piano solo, before giving way to a spirited solo by Jer, who’s playing fast triplets and fluttery phrases over the slow tempo before bringing everyone in smoothly for the last verse and a strong final chorus.

    Passenger: Did they ever do this again? Kinda relies on Donna. I don’t keep a Deadbase handy, unfortunately. Someone seems to get a little lost going into the “Only Game in Town” part. Jer slide solo. Bobby’s guitar is pretty much inaudible. I think the sense of roughness I’m feeling is due to both lack of rhythm guitar and Jerry trying to double on slide and normal fretted runs. It’s a tough juggling act. Pretty wild ride, this one. Stretchin’ out the second solo. Thought they were gonna end it in a jam, but someone brings it back to sing one more chorus before the ending, but it appears the memo did not circulate widely. Donna seems to be the only one who managed to get back to the chorus on time, but everyone recovers beautifully to end. I read that Phil wrote this song because he wanted to hear some raunchy guitar playing from Jerry and Bob. Well, he got it that time.

    High Time: Wow. That's not something I normally expect to hear. Nice, delicate interplay from everybody. Pretty difficult song, actually. Not surprising it didn't see much action on stage.

    Looks like Rain: Never really warmed up to this tune. That said, sometimes it gets stuck on repeat in my head and no matter what I do, I cannot stop hearing it… What the hell’s with those loud snare hits? lol My guess is that prankster Mickey, but who knows? Still laughing. Sounds like someone wants to pick up the tempo a bit. This is actually a pretty sensitive rendering of this song.

    Jack a Roe: Electric! There’s something else ya don’t hear every day. Man, this show is absolutely stacked with tunes I totally love. Again, can’t hear Bobby’s guitar at all. Keith has been reigned into the mix better at this point. Phil’s givin’ it his all playing in and out of Jerry’s first solo. Ahh.. there’s Bob. Welcome to the show, dude. Sounds like only one drummer at this point, too. Pretty sparse, but then again, as much as I love this tune, there’s not a whole lot for everyone to do.

    Lazy Lightning/Supplication: Period piece. Dunno why Bobby gave up on so many of his old tunes in favor of blues numbers, and Dylan covers. Donna sounds strong here. I believe I read that she and Keith actually wanted out at this point, so perhaps that contributes to the sense of jubilance (not a word apparently) here and Keith’s relative engagement. Jerry really, really, flying again. Float in’ like a butterfly, stinging’ like a bee. Phil senses blood and a jamming frenzy ensues. I guess if Bobby never cued them to go back into the song everyone else’d just go on forever like that…hmmmm…. It is so manic at this point, I don’t see how you could even dance to it. Spinners’d be achieving physical lift off, I think, depending on the robustness of their skirts.

  • proudfoot
    Joined:
    Tonight on "Wha'appen?":

    My theory is the agreement to part ways happened, everyone was relieved about it, so they made 2/17/79 special.

  • The Good Ole G…
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    Grateful Dead Memories

    2/17 is good stuff.

    Based on what I was reading, Donna mentions her & Keith discussing leaving the band through out the last tour. So maybe it was agreed upon between 2/11 in St. Louis & 2/17 in Oakland. Just speculating.

    In regards to Tracking, since Rockthing brought that up....
    I'm feeling it as Playing In The Band > Drums > Space > Wheel > Shakedown Street > Playing In The Band Jam > Reprise.
    The Jam after Shakedown seems to turn into a PITB jam at around 12:30.
    I like to give PITB as much labeling as possible, so that I'll pick that show out and listen to it again.
    PITB rules.
    (All of the above is killer! Listen to Jerry's voice in Terrapin & The Wheel segue is sweet, but that jam from Shakedown into Playing Jam is the stuff.)

    Alright, I feel I'd not be performing my obligation to the nation if I didn't mention the 4/17/79 Rehearsal tape as a potential listen before you blast off into 4/22/79.

    I gotta do it.

    Keep on Rocking, Rockers.

    PS - 2/9/73 was one of my first 3 bootleg tapes, it still gets me every time, so I'm with ya on that Jim.
    Mickey was right they were into Time Travel.

  • JimInMD
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    Tapes / Spartan Stadium and Maples Pavilion

    I remember dropping off a 10 pack of TDKs with an acquaintance. I got 4/22/79 Spartan Stadium, 2/9/73 Maples Pavilion and 06/29/76 Auditorium Theater - Chicago in the same box. They contained their share of new songs (with Spartan Stadium, not so much songs but a new keyboard player).

    I ended up getting a few more boxes from the same friend before geography and time brought that to an end. I have a crystalline memory of these first listens, like opening up another world of shows, songs and peeks into parts of eras I had no prior exposure into. Like Christmas morning..

    In my mind all the shows from that glorious 10 pack take up the same real estate in my frontal lobe. Funny how memories work, especially grateful dead memories.

  • rockthing
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    :) :) :) Replies and on to 2/17/79

    DAVEROCK, JIMINMD, VGUY72, OROBOROUS, THE GOOD OLE GRATEFUL DEAD,

    Hey. Thanks for the shout outs. :) :) :)

    Used to listen to Infrared Roses A LOT. Threw it on a couple weeks ago. Hadn't heard it in ages. Dark Star into drums and space, yeah, definitely wanna think of that all as Dark Star. Another one would be the fairly frequent, Drums > Space > Other One, 'cause there used to be that drum solo bit between it and Cryptical.

    My mind changes every day, with or without assistance. I totally get the listening point of view of boards as though they are a studio album recorded live. That would be a fantastic concept for a band, actually. I mean, just 'cause /I/ think the vocals are too loud doesn't mean anything. There are some really cool experimental records out there that totally throw all the rules out the window. A matrix is difficult to do and even more difficult to do well. As you say, sometimes they can be really well done. Anthem is a pretty good example of a Matrix very weirdly done. :P I'm often quite satisfied by boards, my ears adjust to the source, I think, but I tend to wanna see what the tapers managed to get up to first. As you say, once the tapers section was established, we can start to pick and choose to taste.

    Never finished writing about the Cal Expo show. I most certainly was not there, so got nothing new to say in that respect. Being there, it goes without saying, really, changes perception/reception. First night sounds interesting, too. Cool set list, at least. Note taken.

    Standing on the Moon is probably my favorite Built to Last tune, and fits into the group of Jerry tunes that I really love, the glacial show stoppers. Speaking of show stoppers, Throwin' Stones, I think, must have been really important to Bobby, and maybe the whole band, but as someone else said, here we go again. I think there might be some psychology involved too, 'cause as soon as you hear the tune start, you know the show's all over but for the shouting. (literally!) It's a really wonderful song, but suffers from over saturation. As far as sources go, it was pretty close to a toss up between the Coniff and MK2 source. Had to choose one. I chose MK2.

    Keith and Donna's last show. Haven't had that on in a while. Memory agrees with whoever it was who said it was surprisingly upbeat. That's the impression I was left with. I read the same story about their departure being agreed in advance of this show. As someone else noted, however, who knows? With that said, I think I'll get to it.

    Again, thank you for the warm welcome.

  • Vguy72
    Joined:
    Brent's first show tomorrow?....

    ....m'kay.

  • JimInMD
    Joined:
    Spartan Stadium

    I like OroB's idea on progression.

    As for them knowing.. I think I recall Donna saying they did know and it was discussed and mutually agreed upon in a band meeting. Probably the Feb meeting you speak of. But as with all things GD, you really never know for sure and at this point no one is talking...

  • Oroborous
    Joined:
    2/17/79

    Surprisingly upbeat considering?
    Did everyone know this was their last show?
    I know there was a band meeting in “February” but not sure if this was before or after the last show?
    It seems like before from what I read about things that happened etc, but I’ve not seen anything specific.

    Maybe we should go 4/22/79 just for the progression....haven’t heard that one yet either...

  • The Good Ole G…
    Joined:
    Strider - Back At Ya!

    Now how do you pronounce that?

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In process and it has been a while. Sound quality from my perspective is somewhat lacking. Love the Dupree's, It's all over now, good Passenger, Brown Eyed Women. Just finished Eyes, really good. Again, wish the sound quality was better.

Thanks Bolo and Mary!

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In reply to by DeadVikes

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Disc one is fun (it's a mix of several shows, me remembers...CR&S is always welcome)
Disc two is sublime. Eyes, Playin' > Wheel > Playin'. I do notice some sound quality issues at times, but they are not horrific and permanent. I remember the Playin' is good as always, and then gets reeeeeeally good
Disc three is phenomenal. As I listened recently, I remember smiling at the glory of the show. Scarlet > Fire, Truckin' > The Other One > Wharf > Around

the Madison show took place about 50 miles north of where l lived at the time. but since I was in 8th grade, I had no clue or awareness of that fact.

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One of my favorites Scarlet>Fire's of all time.... Also love the Samson when after a prolong opening jam Weir does the woohoo type of shout out!! I've posted about the Scarlet>Fire before but there is a Jerry Keith chord interaction after the singing in Scarlet that for me is mind melting!!! Good first choice Bolo... One last ramble, for me this show 2/5/78 is in my mind is the last show of 77... The April tour after this has a different vibe..

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In reply to by bob t

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....listened to the first disc last night. Cold Rain, All Over Now, Duprees and BE Woman all top shelf renditions. Man. Iowa got all the good shows. Will start up disc two a little later.
Thats the show with the extended Samson due to Bob's mic difficulties, correct?

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A few momentous stand outs for me: The Music Never Stopped; this version easily made it onto a "best of" compilation early on and has never been supplanted. Fight me. Also, the Estimated > Eyes of so so good. Beautiful elongated Eyes intro, then just mad jamming all the way through, nice upbeat Eyes tempo. Great exploratory Estimated as well. I love the drop into Eyes here; expertly pulled off. The Scarlet > Fire is very awesome too. Long, jammy. Nothing new here, just adding my love.

Nice idea.
Sixtus

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In reply to by Sixtus_

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The first thing I noticed is that it features two nights, but unless I am looking in the wrong place, there is no indication which nights which songs are from. I could have checked in Deadbase...but that's upstairs and as I was settled down to listen I didn't bother. It looks like one first and two second sets.

I have just played the first cd so far. Coming from Europe 72, this sounds a lot simpler rhythmically. During Spring 72, you can focus on Bill, Phil, Bob, or Keith - as well as Jerry obviously-and they are all playing with energy and imagination. Here, the focus is more just on Jerry. I like his fiery guitar sound on here, but I am not as keen on Bob's sound. Donna, on the other hand, sounds nice on Looks Like Rain. I prefer this version of Good Lovin to the ones played in 72. It sounds almost calypso-a real celebratory sound.
The cd picks up pace nicely on the last three songs, with great guitar solos from Jerry. It seems a bit more like standard "rock" in a way, compared to the swing they had with one drummer and a fully functioning Keith. I enjoyed listening to it, but I will probably leave the first of the set 2s for tomorrow.

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Not much left to say LLR crackled like a thundercloud!

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....Jerry fresh off his laryngitis. The crackling in his voice during Wharf Rat proves it. His voice was never the same, but still rocks my soul.
Trey Pistachio dropped another song. "Are You There Colleen?". With a message of getting off drugs. Methinks Colleen was his dealer back in the day. Might be wrong. Never right.
I had a dealer back in the day. Name was Chill. Called him from payphones. That was a long time ago though. Thank God.

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At the start of 1978 I'd sort of lost interest in the Dead, having last seen them in 74. 78 was my fifth year in college (yeah I know) and I was way more into jazz than rock in large part due to an awesome jazz club on campus, the Backdoor. The place just had a constant stream of major talent coming through. McCoy Tyner, Charlie Mingus, Elvin Jones, Roland Kirk etc. So in early January I see the Dead are gonna be at Golden Hall so my girlfriend and I say "What the hell?" and I get tickets for 1/07. Now in 78 the Dead were not that big of a draw and I wasn't expecting much, sort of a nostalgia trip. Wrong. They were great, just awesome. So after the show we immediately get tickets for 1/08. These were the Bobby songs only nights but that didn't matter a bit. My girlfriend (now my wife) cried during Looks Like Rain. We were back on the bus until 85 when the arrival of our first kid changed everything. Footnote to that is our last show was a week before his birth and she was major prego and treated like royalty by all you wonderful heads. So I love DP 18 and I especially like the Eugene show release. Stay home.

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Nice! I'm overdue for a listen.

RE: DP18, agree with Jim - Brown-Eyed Women is PERFECT! For that matter, so is TMNS - powerful! And then there's disc 3. If I had to rescue only one single disc from my burning house, this one would be in the running. That Scarlet/Fire is a half-hour blissfest, Truckin' is solid, TOO is insanely good. Masterful music!

On to Wichita!

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In reply to by bolo24

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....has metal influences. Garcia tapping into his inner Iommi. My ear told me so.
Wichita this soon into the game? Bold move Cotton. Let's see how it pans out.

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Love the Dodge Ball reference!!

funny how they didn't list out what shows the songs are from. even funnier, the songs in Disc 1 are actually from 3 shows - Its All Over Now and Duprees are from 2/4/78 Milwaukee! The Wikipedia entry for DP 18 lays it out if you're interested. Deadbase IX also lists a soundcheck of Ripple x3 in Milwaukee - what the heck is that??!!

As others have noted, among many highlights a great Music Never Stopped and Eyes of the World from 2/3 - love the super long intro to Eyes, it reminds me of a post-hiatus favorite, 6/8/77. They Love Each Other is fantastic. The 2nd set from 2/5 is just wild. Such a raw sound to the Wolf! Would love to see released the Uptown shows that immediately proceed this. Worth noting how rare The Wheel was at this time - 2/3 was first time played since mid fall '77, another year until played again on 2/17/79 (Keith & Donna's last show), and then another year and a half before it finally re-entered regular rotation.

A couple technical notes - based on Dick's Caveat Emptor, 2/3 appears to have been recorded at a slower tape speed (7.5 ips vs. 15), and so the sound quality is a bit rougher. Also, IIRC, there is an unpatched gap (sad face) in the jam between verses 2 and 3 in Eyes of the World. There's a very nice audience of 2/3 on the Archive if anyone wants to hear that.

Now on to Wichita!!

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After listening to almost 4 hours of insanely wonderful music, the overriding conclusion is that, in my opinion, NO ONE can play guitar like Garcia did. At times subtle and nuanced, at other times raging, but always just exactly perfect within the context of the song they were playing. Remarkable, really. Feeling blessed to have experienced GD/JGB live so many times.

Garcia may not be the "best" guitarist (highly subjective, as most of those inane "best of" polls demonstrate), but he is the only guitarist I can listen to every day. That includes Hendrix, Page, Clapton, Gilmore and whoever else you want to throw in there.

It's grate to be a Deadhead!!

http://www.quickmeme.com/meme/3p838b

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In reply to by bolo24

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You're a harsh taskmaster! Listening to Grateful Dead concerts will continue until morale improves.

Bluecrow - thanks for the tip. There were a couple of compilations that came out in the 1990s that featured songs from multiple shows, but didn't indicate in the sleeve notes which song came from which show. Ladies and Gentlemen from April 1971 and Dozin' at the Knick from Spring 1990 were two others.

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Agree 100% with your comments on Jerry, what a genius! The whole band was.

Just finishing up Dave's 11 now. Comments to follow.

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Dooo, just listened to that last week, for first time, so maybe we’ll sneak another round in after this 71 grease fest we’ve got going on today .....fall 72 is def fo shizzle....

EDIt: MHAMMOND12...whoa. I’m not sure what’s more impressive, seeing the laryngitis shows or all that top shelf jazz in a club setting???

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Dicks picks vol 21 , not the main show the extras , Iko iko > morning dew > sugar magnolia . Absolutely sublime , and without doubt one of the best dew’s 😸

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I shouldn't really call the Backdoor a club. It was an empty room on the ground floor of the Student Union and Performing Arts building on campus that the A.S. booking people converted into a small concert venue. Just a stage and corked walls. No seats. No refreshments. Bring your own. The talent that appeared there was unbelievable looking back. Freddie King. John Lee Hooker. Two memories...sitting under McCoy Tyner and watching his right sock working its way down past his ankle has he stomped his foot keeping constant time...Roland Kirk playing the flute with his nose, playing three saxophones at once, playing the piano with his elbows and head, and careening around the room playing saxophone being led by his handler (Rahsaan was blind you know) who had an air raid siren he would blow off in your face if you didn't get out of the way fast enough. And none of this seemed like a gimmick. Bright moments indeed.

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In reply to by mhammond12

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This show and bonus tracks from Oklahoma City is definitely top stuff. Sound quality is A+. A great Bear recording! Man, he did great work.
The whole show flows nicely, although not a long second set. Love the Sugaree, Bird Song is awesome, Jack Straw, Box of Rain! Come on. Casey Jones to close the first set and than open with Cumberland. Great Truckin Other One, very unique Other One. Always loved Brokedown Palace and this one they play flawlessly.

I will throw out 12/28/79 Road Trips 3.1??

Let me know Gents.

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I like the post-space UJB and Bertha on that one a lot mainly for Brent's harmonies. Overall a classic pick with a lot to like. I might give DP5 (12/26/79) the edge however. That pick is hefty.

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In reply to by Vguy72

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Listened to both Dave Picks 11, 11/17/72, and Europe 72, 04/07/72, as assigned by Bolo. Dave's Picks 11 is one of my favorite releases. Great recording by Owsley improved by the treatment of Mr. Norman. Has an incredible Bird Song. Just a wonderful release.

Europe 72, 04/07/72 Wembley just blows it away. Leaves a smoking crater where Wichita used to be. Europe 72 can not be bettered.

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This one has a nice slow relaxed build up with some ripping Jerry. TOO than blows the roof off! The only TOO>Brokedown Palace. End of set 2 all great. A perfect prelude to the next to nights.

ps. 4/7 Rips the paint off the walls from the first note. No contest.

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Okay Bolo, what are your thoughts?
Next show for today?

I suggested 12/28/79. RT3.1

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I’m down, right after my John Prine compilation

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I relocated last week and since that time I have been unpacking as much as I can and maintaining my workload from home. So I have been out of commission here for a while. I came across this pick of the day and I am all for it.

Just to throw a show out there ( not for today) but how about 9/8/73? I have never heard it but Dick Latvala spoke highly of it. It might be nice to give it a listen.

Meanwhile it looks RT 3.1 will it be for today. Maybe I will add 4/8/72 as well.

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Nice - been a while since that one hit my headphones.

MHammond gets a gold star. But what did you listen to AFTER lunch?

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I was at this show, it was a blast! Sugaree, High Time, The Music Never Stopped, this show was great from start to finish. This show sounds so much better then Dave's Picks 31 from just a .sound point of view. Yeah, this show was a hell of a lot of fun!

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Sugaree lovely, the rest of the set is okay Music rocks! Set 2 Alabama grooving, GSET explosive!, Terrapin super sweet jam, PITB end jam is sick!, UJB outta drums/space yes!, short Miracle, Bertha>Good Love, CJ , OMSN rockin!

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In reply to by fourwindsblow

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....on it. (I'm the tour buddy still in the car doing bong rips as y'all are heading to the gate.)

https://relisten.net/grateful-dead/1983/09/10
Santa Fe Downs. Give me this. But for Friday. I'm working tomorrow, but off Friday.
I've stood at Santa Fe Downs and looked east. The view is spectacular.
Whats all the hubbub, bub?
It's got a Music opener and a Cold Rain encore. Warts and all.
Things are strange outside. Bird Songs all day.
edit. Found something!!
https://faroutmagazine.co.uk/grateful-dead-jerry-garcia-favourite-song/
Spoiler alert. Row Jimmy. Also a favorite of Bill The Drummer. It was playing as I read it (12.28.79. Disc one. Track four).
I still don't believe in coincidences.

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DaP11: Last half of disc two - the whole He’s Gone thru BDP is incredible

Just starting RT3.1 now , if the first song is any indication of this night, I’m in for something special!

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In reply to by DeadAreMyDealers

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Hendrix Freak threw this one out a couple days ago but yall were onto something else.....it got me thinking about some primal dead, and haven’t had a good 68 fix for a bit....So Wadaya say Laddys?

MHammond: RT 3.1, nice pick. Started to go through the 79 stuff when DaP 31 came out but didn’t make it, rember liking this one more than 31, and yesterday confirmed that. Really need to get to DP 5 from 12/26, it’s been so long for that one. Maybe this weekend I’ll roll that?

VGUY: I’m down with some Santa Fe tomorrow. Heard about this one for years but don’t think I’ve ever checked it out. Plus 83 would be a nice change up here....

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12/28/79! Is this the best RT release? Maybe, certainly the best 79 release from the Vault so far. Betty did another excellent job here.
I like this release more and more every time I listen to it. Sound quality is A+.Sugaree opener! Different feel to this show without Keith and Donna, but I dig it. Brent's keyboards really shine. Really good flowing Terrapin, Playing, UJB. The show closers are fun and groovy. Makes me want to get up and dance.
And then there is the bonus disc, from 12/30/79. 10 additional songs of bliss. Scarlet Fire, Let it Grow, Truckin! Sweet.

Would love to see more 79 and of course 80. The early Brent years! I know the Chicago release didn't match this release but 79 has a lot to offer.
Yesterday I also listened to 9/1/79. Not an official release, but again great 79 sound.
If you have not heard it, check it out.

Looking forward to our next pick. Let us know!

I can't take credit for that pick. I'm trying the Europe 72 night by night thing and I'm already behind.

Playing now.
Is that today’s pick?

First got this on cassette in mid-90’s and loved it right away. Then got a CD-R copy. Was really happy to get it as a commercially released CD.

This show needs a Plangentized/Normanized remaster 180g vinyl record store day release.

Edit:
Looks like I’m a day behind. No worries, I’ll catch up.

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8 years

In reply to by icecrmcnkd

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Good to have you kid.

Bolo, what are your thoughts on the last pick. Sounds like the crowd is feeling Dick's 22 for today/ tonight. I will have to sit this one out as I don't have this one. Looking forward to tomorrow's choice.
Be well folks!
Snowed here in MN today☹️