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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1281
    Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • #1282
    rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • #1283
    daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • #1284
    rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • #1285
    daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • #1286
    Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • #1287
    daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • #1288
    PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • #1289
    daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • #1290
    DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Thats_Otis on Thu, 04/23/2020 - 11:44

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This 91 show is a real gem! Thanks for posting the link VGUY, I don't have Boxilla, but this Matrix sounds sweet!

Wrapping up Set 1 now! That Cassidy got DEEP! High Time was another highlight, but this has been an overall excellent listen!

Set II of Nashville yesterday went about as I expected. I enjoyed the energy of the LL>Supp opener, I'm always a sucker for Must Have Been the Roses, and then I admit I got a little lost in the Estimated jam, which does seem to just meander around. The Eyes is speedy, which is not my favorite type, but it was ok, then Drums, which in 78 is almost always too long, NFA, Wharf Rat (late set highlight) Sugar Mags, OMSN - all fine versions, but not too exciting. I think I do like this pick slightly more than DaP7 - Normal, but I agree with GOGD, it was nice to dust this one off, but I think it'll get popped back on the shelf for a while.

Also, Good Ole - I am planning on checking out that 4/22/77 show - I just DL'd it and I think I will cue it up after DiP12, though I know that one so well I may just pop in for some highlights (of which there are MANY!)

Loving this new board! Good vibes all around!

Gotta go - they just opened set II with Help On the Way!

Peace

...er, a, I can’t keep up! The posts, the POTDs, pant, pant, this is becoming like a job....so I’ve had to miss a few. That’s ok, I didn’t need to hear some of those.
Did dig the JGB live, always a favorite. Top shelf all the way; Audio, tunes, and the band is definetly peak period.
DPs 12: yeah, haven’t heard this one much, prolly too much other competing new stuff to constantly chase? But I’ve always loved this one. I don’t necessarily mind some of the chopped picks when their sort of sequential and/or make sense flow wise. Don’t dig the “cut up” method.
9/10/91: this will be next fo shure, whenever that might be! I might be a couple a few Mississippi Halfsteps behind, but I’m with ya! Rock on folks!

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Submitted by Thats_Otis on Thu, 04/23/2020 - 14:34

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... God, I love this song.
Engraved on my wedding ring - "I'd rather be with you."

Peace

EDIT: What an overall wonderful show! Great pick! What's on for tomorrow?

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Submitted by The Good Ole G… on Thu, 04/23/2020 - 15:50

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Yeah, I was bored.

I wanted to see how the audio spectrums reacted to Slipknot!

Thanks for watching!

Good show with B. M. Love the Shakedown opener, C.C Rider is good and that Dylan song was different. Help, Slip, Franklins was strong as well for that era. Definitely a change of pace. Thanks.

I think we owe FourWinds a pick?

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Submitted by Vguy72 on Thu, 04/23/2020 - 20:17

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....I've done two. I don't wanna bogart the joint here.
I'm in PST. At eleven, if there isn't a pick, my hand will be forced.

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Submitted by Vguy72 on Thu, 04/23/2020 - 23:07

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....looks fun!! No clue how fixable feet plays into it, but looks fun nonetheless!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 05:54

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Dave's Picks 3: 10/22/71 and filler from 10/21/71

Disc 3 from 10/21 only, Dark Star> Sitting> Dark Star and a St, Stephen> JBG

Thanks All

Maybe will here from Doc.

ps. Shake IT, Shake It, Sugaree!!!

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Submitted by Zomby Woof on Fri, 04/24/2020 - 06:13

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Bolo24, you didn't show your work!

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 06:29

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Morning!

Alright, got some good stuff peaking out here today. Nice Work You All!

FOURWINDSBLOW picks 10/22/71 & 10/21 Filler - Gonna Jam That

Also Mentioned: 04/29/80 - The Famous “Fixable Foot” show! (Wink, wink, nod, nod BOLO & Haha @Zomby Wolf)

Recorded by none other than famous Taper Joani Walker.

I’ve got a lot of tapes with her name on it as the source, not just the shows she recorded, but lots of 1st Generation SBDs!

It’s an honor to spin one of her recordings this morning.

And if this Jack Straw is any example of where this show goes… hold on to your hat!! WOW!

You’ve done it again people, another good day to listen to the Dead:)

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Submitted by JimInMD on Fri, 04/24/2020 - 06:53

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Yea bolo..

Didn't show your work, …… No Prize For You!

Now that I see the show, the clues were so obvious. Fixable Foot. Fixable, seven letters, 4/29/80 was the seventh performance of 1980

01/13/80- Oakland Coliseum Arena - Oakland, CA
03/30/80- Capitol Theater - Passaic, NJ
03/31/80- Capitol Theater - Passaic, NJ
04/01/80- Capitol Theater - Passaic, NJ
04/05/80- NBC Studios - New York City, NY
04/28/80- Boutwell Auditorium - Birmingham, AL
04/29/80- Fox Theater - Atlanta, GA

Foot. This involves a little history of the Fox Theatre. You see, when the theatre was built, the owners also purchased the “Mighty Mo”, the 3,622-pipe Möller organ or Foot Organ, "that remains the largest Möller theatre organ in the world even today. "

So simple.. of course, the fixable foot show. I can't believe we missed this. I am going out to amazon right now and ordering some of those processed from jellyfish memory enhancement pills. This sheltering in place stuff is making us all weak.

Have a good day all.

es·o·ter·ic
/ˌesəˈterik/ - adjective

1. intended for or likely to be understood by only a small number of people with a specialized knowledge or interest.

Wow... That's amazing.

BOLO24.. @JIMINMD should get some kind of consolation prize?

Reading that made my morning.

So impressed.. and this Fox 4/29/80 show is good!

I think Jerry partied on the set break though, he seems to have forgotten some of the words...
but he still knows how to play and PITB Jam is super Cool sounding!

Thanks @JIMINMD for showing me how it's done!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 08:51

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9/10 a elegant show played very loud,
6/28 a rockin' show played very loud.

hahaha

Listened to the first few songs last night. That MNS starts off clunky but then really picks up. From what I heard last night it sounds more like an 84 than an 83. Will finish the show today.

While listening last night I remembered that a few days earlier I realized that I have video of that show. It’s partial and includes a few songs from 9/4. It’s a VTS folder which is used for burning DVD-R’s, but the file can also be mounted on a computer desktop and viewed that way.
If anyone wants a copy let me know, I already uploaded it to Google Drive.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:36

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This was another show I had in mind. Is it okay if we do this instead or for tomorrow?

I think I remember this show was pretty good.

ps. Jeez check out Phil on Bird Song don't know if I ever heard it played like that.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 09:41

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Maybe I had to much too fast.

Here's an Updated list of what's come before through today 4/24/20 (I think):
1967-10-22 - Anthem 50th Bonus Material (2020-04-06)
1968-02-23 & 24 DiP V22 (2020-04-09)
1969-01-24, 25 & 26 - Aoxomoxoa 50th Bonus Material (2020-04-12)
1970-04-15 - 30 Trips (2020-04-15)
1971-10-21 & 22 - Dap 3 (2020-04-14)
1972-04-16 - Europe 72 Box (2020-04-16)
1972-04-17 - Europe 72 Box (2020-04-17)
1972-08-25 - Dap V24 - (SUGGESTED for 2020-04-25)
1972-11-15 & 17 - DaP V11 (2020-04-07)
1973-02-26 & 28 DiP V28 (2020-04-18)
1973-11-30 & 12-02 - DiP 14 (2020-04-13)
1976-09-25 & 09-28 - DiP 20 (2020-04-20)
1978-02-03, 04 & 05 - DiP V18 (2020-04-06)
1978-04-22 - DaP V15 (2020-04-22)
1979-12-26 & 28 - DiP V5 & RT 3.1 (2020-04-07)
1980-04-29 - Audience by Joani Walker (2020-04-24)
1980-11-30 - DaP V8 (2020-04-19)
1983-09-10 & 11 - SBDs (2020-04-08)
1989-07-12 - RFK Box (2020-04-15)
1990 - JGB Released 1991 (2020-04-21)
1991-09-10 - 30 Trips (2020-04-23)

The following shows were also Mentioned
1969-04-21
1973-02-09
1973-02-15
1973-09-08
1973-12-01
1974-06-26 & 28 - DiP V12
1977-04-21
1977-06-07
1979-09-01
1980-09-02
1980-10-10
1982-04-10 - Jerry
1983-04-16 & 04-17
1984-04-20 & 21
1985-11-01
1989-07-13
1989-09-12

I’m listening to 10/22/71 now, as I don’t think I jumped on this thread until around 4/15 ish.. yeah the Days & the Dead are starting to blend together… it's the supplies!

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Submitted by Vguy72 on Fri, 04/24/2020 - 09:46

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....Don't Ease as a second set opener is pretty fun!! Passenger kicked ass!
8.25.72 for Saturday sounds grate. It even features a OMSN!!! Just exactly perfecto!
GOGD....Daves 15 was 4.22.78 not 77.

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Submitted by bolo24 on Fri, 04/24/2020 - 09:58

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Jim's answer is better - that took some work (and a slightly unhinged thought process - I like that!). I agree, he deserves a consolation prize, just for including the umlaut in Möller! Jim - send me your address and I'll shoot something your way.

OK, here's the original solution. The only two-word anagram for Fixable Foot that uses all the letters is Lifeboat Fox. A quick Google search would show that Oscar-nominated "Lifeboat" was the only film made for 20th Century Fox by Alfred Joseph Hitchcock. And, of course, Sir Hitchcock met his demise on April 29, 1980. But not at Atlanta's Fox Theater - he left in disgust after Jerry had that major brain fart during Terrapin Station!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:03

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That sounds good. Thanks.

4/29/80 Jack Straw!

Thanks for the list.

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:11

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Bolo24 - Amazing & Funny in one post.. Nice Work!

VGuy72 - Gotta Love a Good Editor!! Thank you, Edit made.
My thoughts on Don't Ease & Passenger Exactly!
BTW Nice work keeping up on the Avatars, I'm enjoying that. Well Done

FOURWINDSBLOW - I think that Jack Straw is ultimately the best song played that night, SMOKER!
And Nice Pick... Anything '72 will do..
Lemieux sounded like '72 is essentially his favorite year, I mean I'm reading between the lines in his comments, but yeah.. that's what it sounded like.

And this 10/22/71 is sounding super GOOD, I love a '71 Black Peter, might be my favorite year for that song.. not sure about that.

This is fun you guys!

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:11

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Sorry was not trying yo ignore you brother. Great pick!

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Submitted by Thats_Otis on Fri, 04/24/2020 - 10:15

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No harm, no foul, no worries :) Dave's 3 is one of my favorite of the series!

I really tried to get Bolo's game, but after seeing the rationale, I was not on the same plane of reasoning. Would have never gone the Hitchcock direction. I did originally get Fox Theater though!

So, is Bolo's "Fixable Foot" show, 4/29/80, today's pick?

Peace

Edit: It looks like the answer to my question is "yes." Firing it up now! Happy Friday, DeadLand!

Ditto on FOURWINDSBLOWS post

I think you said it perfectly yesterday -

Loving this new board! Good vibes all around!

And I gave special attention to SOTM yesterday in your honor :)

....but you are savage sometimes with these contests. (Lifeboat is a great movie btw). 4.29.80 is the pick of the day. I missed the Dave's 3 pick, so that will be next so i can ketchup.

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Submitted by fourwindsblow on Fri, 04/24/2020 - 10:35

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Dave gets paid to do this.

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Submitted by Vguy72 on Fri, 04/24/2020 - 10:46

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laguna seca 5.9.87. Touch of grey video shot that night. Dog took drummers leg/foot. Roadie put it back.
That was my first one.
Googled fixable foot. Brought me to club feet. A foot is 12 inches. Club Twelve. A non-profit. Which happens to reside in San Antonio, Texas. San Antonio Civic Auditorium. 11.12.71.
That was my second one. I, apparently, need to think outside the box (of rain) more often for these.

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 10:51

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Mind Blown... Just Think!

Wow... I do it for free, I'd def do it for money.. but even BETTER!

@VGUY72, @OTIS @FOURWINDSBLOW, etc.. Dave's 3 is the SICK!

Early Comes A Time.. so good, extra verses, Jerry's reading of it, gots to be my favorite year for that song. So much good on this here release..

I'm glad this came on today cause it sounds just exactly perfect!

My 1st was 10/29/85 - Anagrams of Fox (Theater) and TOO - this show is at the Fox, has an Other One, and a Brokedown Palace (ref. something "fixable.") Also, the first set was cut short due to technical difficulties, another "fixable" problem.

Second guess was Lyceum 5/26/72 - It is the show that TOO was taken from to make-up the "Epilogue/Prelude" sections of the original E72 Lp, which prominently features a foot in need of fixing on the cover. I went this way after Bolo's comment that I needed to "go a little bit further" than I had before, so I went across the Atlantic.

Now I see that both guesses were woefully simple. Still, a fun game!

As to today's show - this raging Passenger is a perfect follow-up to that gorgeous Peggy-O! Another day, another great pick!

Peace

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Submitted by Thats_Otis on Fri, 04/24/2020 - 11:14

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Just wait til' you get to the "Dark Star>Sitting On Top of the World> Dark Star>Bobby McGee"! One of the best segments of any Dave's Pick so far, in my (very) humble opinion.

Glad you're digging on it! Forensic Doc's love of 71 inspired me to check it out more, and now it is one of my favorite years for the band.

Peace

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Submitted by The Good Ole G… on Fri, 04/24/2020 - 11:34

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Can't wait, 10/22 Rocked!

Early Keith TIFTOO Kills.. It's unreal that he'd just joined the band.

Hitting up 10/21 after lunch, can't wait!

'71 is special
One of my first bootlegs was 4/29/71, I played it to death.
When I got back into collecting Dead after a long break, I got a hold of that Houseboat RT release and the China > Rider brought tears to my eyes as I realized what I'd been missing.

It's not my go to year cuz there's just so many other great years.. but it'll always be special to me!

What a Year, What a Show, What a Band!

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Submitted by Vguy72 on Fri, 04/24/2020 - 11:38

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....i think i speak for all of us that we would have all been a sweaty mess. Nice Playin' jam in that second set too. I give this show 7.2 goonie birds out of 10. (if you went to shows in '88-'89, you know what i mean).

I got a Goonie Bird at my first show in '86.. It was totally Goonie, I wasn't sure if what I was seeing was real or not.

I agree.. that Bertha is full on!

Man, seeing a show. Those were the days.

I think it's a young persons game, but I was young and dug it!

Hi-Five!

You beat me by 2 1/2 months, went to Riverbend 6/30/86 shortly after my 16th birthday:)

I remember going into the place it looked like an amusement park or something, again I was having trouble trusting what I was seeing, it was super hot and there was tie-dye everywhere and that goonie bird..

I can't remember a lot of things, but I've got some memories from that day that I always smile about.

There was a running dialogue all day I kept picking up on. It went something like:
Man it's Hot Out, You got your ticket?, It's Gonna Be a Good Show.. Man it's Hot Out, You Got your ticket? It's Gonna Be a Good Show..

I'd check my pockets every time. It's funny what you remember.

EDIT: Supplication Jam > Let It Grow!! You lucky Dog You!

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Submitted by unkle sam on Fri, 04/24/2020 - 12:22

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I was at this show, soundboard was taking up our reserved seats so they pulled out some nice padded chairs and put us right at the soundboard. I would have never guessed this was the pick. 2 word anagram, was that part of the clue? Missed that. What I remember (almost 40 years now) about this show was the Jack Straw opener, always loved a Jack Straw opener, got the crowd into it right off, the Passenger being really good, but I'm bias, I've always loved that tune. The second set with Don't ease as the opener, we all looked at each other and went "odd", the Lost Sailor>Saint being very nice. Of course the most remembered part was the awesomeness of the Fox Theatre itself, what a beautiful place and the planetarium ...wow, the sun went down the band came on, it got dark, the stars came out and we went to space and the band played on as the dawn approached, all inside that beautiful theatre. I do believe it is the nicest venue I have ever seen a band at, early 20th century decor, that carpet and those drapes, those bathrooms with the attendant, just so cool. Maybe not the best dead show, but I will never forget it. I've got the ticket stub around here somewhere, sparkles on the Grateful Dead lettering, if I find it, I'll post a pic of it.