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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • 1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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This 91 show is a real gem! Thanks for posting the link VGUY, I don't have Boxilla, but this Matrix sounds sweet!

Wrapping up Set 1 now! That Cassidy got DEEP! High Time was another highlight, but this has been an overall excellent listen!

Set II of Nashville yesterday went about as I expected. I enjoyed the energy of the LL>Supp opener, I'm always a sucker for Must Have Been the Roses, and then I admit I got a little lost in the Estimated jam, which does seem to just meander around. The Eyes is speedy, which is not my favorite type, but it was ok, then Drums, which in 78 is almost always too long, NFA, Wharf Rat (late set highlight) Sugar Mags, OMSN - all fine versions, but not too exciting. I think I do like this pick slightly more than DaP7 - Normal, but I agree with GOGD, it was nice to dust this one off, but I think it'll get popped back on the shelf for a while.

Also, Good Ole - I am planning on checking out that 4/22/77 show - I just DL'd it and I think I will cue it up after DiP12, though I know that one so well I may just pop in for some highlights (of which there are MANY!)

Loving this new board! Good vibes all around!

Gotta go - they just opened set II with Help On the Way!

Peace

...er, a, I can’t keep up! The posts, the POTDs, pant, pant, this is becoming like a job....so I’ve had to miss a few. That’s ok, I didn’t need to hear some of those.
Did dig the JGB live, always a favorite. Top shelf all the way; Audio, tunes, and the band is definetly peak period.
DPs 12: yeah, haven’t heard this one much, prolly too much other competing new stuff to constantly chase? But I’ve always loved this one. I don’t necessarily mind some of the chopped picks when their sort of sequential and/or make sense flow wise. Don’t dig the “cut up” method.
9/10/91: this will be next fo shure, whenever that might be! I might be a couple a few Mississippi Halfsteps behind, but I’m with ya! Rock on folks!

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... God, I love this song.
Engraved on my wedding ring - "I'd rather be with you."

Peace

EDIT: What an overall wonderful show! Great pick! What's on for tomorrow?

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Yeah, I was bored.

I wanted to see how the audio spectrums reacted to Slipknot!

Thanks for watching!

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Good show with B. M. Love the Shakedown opener, C.C Rider is good and that Dylan song was different. Help, Slip, Franklins was strong as well for that era. Definitely a change of pace. Thanks.

I think we owe FourWinds a pick?

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....I've done two. I don't wanna bogart the joint here.
I'm in PST. At eleven, if there isn't a pick, my hand will be forced.

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The Pick will come.

By the way Bolo, what was the answer to your contest?

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....looks fun!! No clue how fixable feet plays into it, but looks fun nonetheless!

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Dave's Picks 3: 10/22/71 and filler from 10/21/71

Disc 3 from 10/21 only, Dark Star> Sitting> Dark Star and a St, Stephen> JBG

Thanks All

Maybe will here from Doc.

ps. Shake IT, Shake It, Sugaree!!!

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Bolo24, you didn't show your work!

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Morning!

Alright, got some good stuff peaking out here today. Nice Work You All!

FOURWINDSBLOW picks 10/22/71 & 10/21 Filler - Gonna Jam That

Also Mentioned: 04/29/80 - The Famous “Fixable Foot” show! (Wink, wink, nod, nod BOLO & Haha @Zomby Wolf)

Recorded by none other than famous Taper Joani Walker.

I’ve got a lot of tapes with her name on it as the source, not just the shows she recorded, but lots of 1st Generation SBDs!

It’s an honor to spin one of her recordings this morning.

And if this Jack Straw is any example of where this show goes… hold on to your hat!! WOW!

You’ve done it again people, another good day to listen to the Dead:)

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Yea bolo..

Didn't show your work, …… No Prize For You!

Now that I see the show, the clues were so obvious. Fixable Foot. Fixable, seven letters, 4/29/80 was the seventh performance of 1980

01/13/80- Oakland Coliseum Arena - Oakland, CA
03/30/80- Capitol Theater - Passaic, NJ
03/31/80- Capitol Theater - Passaic, NJ
04/01/80- Capitol Theater - Passaic, NJ
04/05/80- NBC Studios - New York City, NY
04/28/80- Boutwell Auditorium - Birmingham, AL
04/29/80- Fox Theater - Atlanta, GA

Foot. This involves a little history of the Fox Theatre. You see, when the theatre was built, the owners also purchased the “Mighty Mo”, the 3,622-pipe Möller organ or Foot Organ, "that remains the largest Möller theatre organ in the world even today. "

So simple.. of course, the fixable foot show. I can't believe we missed this. I am going out to amazon right now and ordering some of those processed from jellyfish memory enhancement pills. This sheltering in place stuff is making us all weak.

Have a good day all.

es·o·ter·ic
/ˌesəˈterik/ - adjective

1. intended for or likely to be understood by only a small number of people with a specialized knowledge or interest.

Wow... That's amazing.

BOLO24.. @JIMINMD should get some kind of consolation prize?

Reading that made my morning.

So impressed.. and this Fox 4/29/80 show is good!

I think Jerry partied on the set break though, he seems to have forgotten some of the words...
but he still knows how to play and PITB Jam is super Cool sounding!

Thanks @JIMINMD for showing me how it's done!

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9/10 a elegant show played very loud,
6/28 a rockin' show played very loud.

hahaha

Listened to the first few songs last night. That MNS starts off clunky but then really picks up. From what I heard last night it sounds more like an 84 than an 83. Will finish the show today.

While listening last night I remembered that a few days earlier I realized that I have video of that show. It’s partial and includes a few songs from 9/4. It’s a VTS folder which is used for burning DVD-R’s, but the file can also be mounted on a computer desktop and viewed that way.
If anyone wants a copy let me know, I already uploaded it to Google Drive.

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This was another show I had in mind. Is it okay if we do this instead or for tomorrow?

I think I remember this show was pretty good.

ps. Jeez check out Phil on Bird Song don't know if I ever heard it played like that.

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Maybe I had to much too fast.

Here's an Updated list of what's come before through today 4/24/20 (I think):
1967-10-22 - Anthem 50th Bonus Material (2020-04-06)
1968-02-23 & 24 DiP V22 (2020-04-09)
1969-01-24, 25 & 26 - Aoxomoxoa 50th Bonus Material (2020-04-12)
1970-04-15 - 30 Trips (2020-04-15)
1971-10-21 & 22 - Dap 3 (2020-04-14)
1972-04-16 - Europe 72 Box (2020-04-16)
1972-04-17 - Europe 72 Box (2020-04-17)
1972-08-25 - Dap V24 - (SUGGESTED for 2020-04-25)
1972-11-15 & 17 - DaP V11 (2020-04-07)
1973-02-26 & 28 DiP V28 (2020-04-18)
1973-11-30 & 12-02 - DiP 14 (2020-04-13)
1976-09-25 & 09-28 - DiP 20 (2020-04-20)
1978-02-03, 04 & 05 - DiP V18 (2020-04-06)
1978-04-22 - DaP V15 (2020-04-22)
1979-12-26 & 28 - DiP V5 & RT 3.1 (2020-04-07)
1980-04-29 - Audience by Joani Walker (2020-04-24)
1980-11-30 - DaP V8 (2020-04-19)
1983-09-10 & 11 - SBDs (2020-04-08)
1989-07-12 - RFK Box (2020-04-15)
1990 - JGB Released 1991 (2020-04-21)
1991-09-10 - 30 Trips (2020-04-23)

The following shows were also Mentioned
1969-04-21
1973-02-09
1973-02-15
1973-09-08
1973-12-01
1974-06-26 & 28 - DiP V12
1977-04-21
1977-06-07
1979-09-01
1980-09-02
1980-10-10
1982-04-10 - Jerry
1983-04-16 & 04-17
1984-04-20 & 21
1985-11-01
1989-07-13
1989-09-12

I’m listening to 10/22/71 now, as I don’t think I jumped on this thread until around 4/15 ish.. yeah the Days & the Dead are starting to blend together… it's the supplies!

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....Don't Ease as a second set opener is pretty fun!! Passenger kicked ass!
8.25.72 for Saturday sounds grate. It even features a OMSN!!! Just exactly perfecto!
GOGD....Daves 15 was 4.22.78 not 77.

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Jim's answer is better - that took some work (and a slightly unhinged thought process - I like that!). I agree, he deserves a consolation prize, just for including the umlaut in Möller! Jim - send me your address and I'll shoot something your way.

OK, here's the original solution. The only two-word anagram for Fixable Foot that uses all the letters is Lifeboat Fox. A quick Google search would show that Oscar-nominated "Lifeboat" was the only film made for 20th Century Fox by Alfred Joseph Hitchcock. And, of course, Sir Hitchcock met his demise on April 29, 1980. But not at Atlanta's Fox Theater - he left in disgust after Jerry had that major brain fart during Terrapin Station!

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That sounds good. Thanks.

4/29/80 Jack Straw!

Thanks for the list.

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Bolo24 - Amazing & Funny in one post.. Nice Work!

VGuy72 - Gotta Love a Good Editor!! Thank you, Edit made.
My thoughts on Don't Ease & Passenger Exactly!
BTW Nice work keeping up on the Avatars, I'm enjoying that. Well Done

FOURWINDSBLOW - I think that Jack Straw is ultimately the best song played that night, SMOKER!
And Nice Pick... Anything '72 will do..
Lemieux sounded like '72 is essentially his favorite year, I mean I'm reading between the lines in his comments, but yeah.. that's what it sounded like.

And this 10/22/71 is sounding super GOOD, I love a '71 Black Peter, might be my favorite year for that song.. not sure about that.

This is fun you guys!

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Sorry was not trying yo ignore you brother. Great pick!

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No harm, no foul, no worries :) Dave's 3 is one of my favorite of the series!

I really tried to get Bolo's game, but after seeing the rationale, I was not on the same plane of reasoning. Would have never gone the Hitchcock direction. I did originally get Fox Theater though!

So, is Bolo's "Fixable Foot" show, 4/29/80, today's pick?

Peace

Edit: It looks like the answer to my question is "yes." Firing it up now! Happy Friday, DeadLand!

Ditto on FOURWINDSBLOWS post

I think you said it perfectly yesterday -

Loving this new board! Good vibes all around!

And I gave special attention to SOTM yesterday in your honor :)

....but you are savage sometimes with these contests. (Lifeboat is a great movie btw). 4.29.80 is the pick of the day. I missed the Dave's 3 pick, so that will be next so i can ketchup.

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Dave gets paid to do this.

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In reply to by fourwindsblow

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laguna seca 5.9.87. Touch of grey video shot that night. Dog took drummers leg/foot. Roadie put it back.
That was my first one.
Googled fixable foot. Brought me to club feet. A foot is 12 inches. Club Twelve. A non-profit. Which happens to reside in San Antonio, Texas. San Antonio Civic Auditorium. 11.12.71.
That was my second one. I, apparently, need to think outside the box (of rain) more often for these.

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Mind Blown... Just Think!

Wow... I do it for free, I'd def do it for money.. but even BETTER!

@VGUY72, @OTIS @FOURWINDSBLOW, etc.. Dave's 3 is the SICK!

Early Comes A Time.. so good, extra verses, Jerry's reading of it, gots to be my favorite year for that song. So much good on this here release..

I'm glad this came on today cause it sounds just exactly perfect!

My 1st was 10/29/85 - Anagrams of Fox (Theater) and TOO - this show is at the Fox, has an Other One, and a Brokedown Palace (ref. something "fixable.") Also, the first set was cut short due to technical difficulties, another "fixable" problem.

Second guess was Lyceum 5/26/72 - It is the show that TOO was taken from to make-up the "Epilogue/Prelude" sections of the original E72 Lp, which prominently features a foot in need of fixing on the cover. I went this way after Bolo's comment that I needed to "go a little bit further" than I had before, so I went across the Atlantic.

Now I see that both guesses were woefully simple. Still, a fun game!

As to today's show - this raging Passenger is a perfect follow-up to that gorgeous Peggy-O! Another day, another great pick!

Peace

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Just wait til' you get to the "Dark Star>Sitting On Top of the World> Dark Star>Bobby McGee"! One of the best segments of any Dave's Pick so far, in my (very) humble opinion.

Glad you're digging on it! Forensic Doc's love of 71 inspired me to check it out more, and now it is one of my favorite years for the band.

Peace

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8 years 8 months

In reply to by Thats_Otis

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Can't wait, 10/22 Rocked!

Early Keith TIFTOO Kills.. It's unreal that he'd just joined the band.

Hitting up 10/21 after lunch, can't wait!

'71 is special
One of my first bootlegs was 4/29/71, I played it to death.
When I got back into collecting Dead after a long break, I got a hold of that Houseboat RT release and the China > Rider brought tears to my eyes as I realized what I'd been missing.

It's not my go to year cuz there's just so many other great years.. but it'll always be special to me!

What a Year, What a Show, What a Band!

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17 years 2 months

In reply to by The Good Ole G…

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....i think i speak for all of us that we would have all been a sweaty mess. Nice Playin' jam in that second set too. I give this show 7.2 goonie birds out of 10. (if you went to shows in '88-'89, you know what i mean).

I got a Goonie Bird at my first show in '86.. It was totally Goonie, I wasn't sure if what I was seeing was real or not.

I agree.. that Bertha is full on!

Man, seeing a show. Those were the days.

I think it's a young persons game, but I was young and dug it!

Hi-Five!

You beat me by 2 1/2 months, went to Riverbend 6/30/86 shortly after my 16th birthday:)

I remember going into the place it looked like an amusement park or something, again I was having trouble trusting what I was seeing, it was super hot and there was tie-dye everywhere and that goonie bird..

I can't remember a lot of things, but I've got some memories from that day that I always smile about.

There was a running dialogue all day I kept picking up on. It went something like:
Man it's Hot Out, You got your ticket?, It's Gonna Be a Good Show.. Man it's Hot Out, You Got your ticket? It's Gonna Be a Good Show..

I'd check my pockets every time. It's funny what you remember.

EDIT: Supplication Jam > Let It Grow!! You lucky Dog You!

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15 years 11 months
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I was at this show, soundboard was taking up our reserved seats so they pulled out some nice padded chairs and put us right at the soundboard. I would have never guessed this was the pick. 2 word anagram, was that part of the clue? Missed that. What I remember (almost 40 years now) about this show was the Jack Straw opener, always loved a Jack Straw opener, got the crowd into it right off, the Passenger being really good, but I'm bias, I've always loved that tune. The second set with Don't ease as the opener, we all looked at each other and went "odd", the Lost Sailor>Saint being very nice. Of course the most remembered part was the awesomeness of the Fox Theatre itself, what a beautiful place and the planetarium ...wow, the sun went down the band came on, it got dark, the stars came out and we went to space and the band played on as the dawn approached, all inside that beautiful theatre. I do believe it is the nicest venue I have ever seen a band at, early 20th century decor, that carpet and those drapes, those bathrooms with the attendant, just so cool. Maybe not the best dead show, but I will never forget it. I've got the ticket stub around here somewhere, sparkles on the Grateful Dead lettering, if I find it, I'll post a pic of it.