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    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

  • DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Beautiful sunshine morning, fresh brewed coffee, and DaP 24, with its extra dose of Phil. Love this show, one of my favorite releases in the Dave's series. Can't wait for other shows in the run to be released.

So many excellent picks suggested in this thread. Thank you! A lot of them outside my general rotation, maybe years since last solid listen, and its been super fun to rediscover, or in some cases, finally really actually "get it". I'm sort of freestyling through, hopping and skipping - if not able to listen right away, then mental note to follow up. Listened to Disc 3 on DaP 3 yesterday, with that first Keith Dark Star and man was that a sweet journey to lose oneself in. That whole release shines. DaP 8 '80 Fox is def in the queue, maybe later today.

As some fellow travelers have noted, that first night at Alpine '87 was something else. I wasn't sure what the freaking heck was happening when suddenly all sorts of crazy jungle sounds were pouring out of the speakers during that jam out of Eyes. And yea, that Watchtower, completely and totally unexpected for most of us, was one of the more hair raising musical moments I ever experienced. Wowza. As to Alpine '88, for me it comes down to that final night, with that first Believe it or Not and the aura-shooting-out-of-the-top-of-your-head Morning Dew (10th row (?) in front of Jerry for that wonderful spiritual spirit-filled night.) Yes, it was on GD Hour that Healy's back and forth panning of the board tapes from that show was discussed. I know he did it for the first night of the run also. Doesn't bother me much but ultimately you have to wonder what the heck he thought he was doing. My word-on-the-street understanding was that the ultramatrix boards Healy made at Alpine in '87 were unlistenable. Love to to find out otherwise. His boards during the spring tour seem to have been hit and miss.

Thanks everybody for all the fun and musical goodness served up here. An oasis of good vibes during a dark and difficult time. Stay safe and healthy everyone.

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It is very weird how the Healy ultramatrix recordings or what is in the vault from '87 mostly spring tour don't sound that good and the Don Person ultramatrix recordings sound great. C.M. says the recordings were made on the same kind of cassette deck but his sound better.

Fun post & nice to Meet Ya!

I agree about the Thread, it's been a real nice Alternate reality.

DaP 24 & DaP 3 have been great listens for sure. There's magic in them there tapes.

And thanks for the Alpine stories.. it's fun to hear other travelers feedback on that first night in '87, it wasn't just a dream! Good times.

Thanks for the input on the tapes, I figured if they haven't come out yet, they probably aren't listenable. I know experimentation was a thing, but I wish it wouldn't have been '87 that all that UltraMatrix experimentation was happening. Those were magic shows and to have clean boards of some of those... alas.

Yeah Morning Dew '88 and then we got that BlackBird encore that was nice, real nice. A lot of new songs during those 4 shows.

Good Stuff!

JIMINMD - Alpine memories made you flash! write it down..

9/3/72 Folsom Field is getting a dust off over here and SBD has got issues, but is also pretty cool so far:) PITB coming up after some Godchaux introductions.. gonna listen

Thanks all.. and what else are you gonna listen to this weekend?

For sure the Don Pearson Upgrades are the best sounding yet. There were some good Joani Walker cassette masters too.

I'd love to know more about both those players. Sounded like Joani met Healy and was running the Cassette taping for awhile there, and Don Pearson was part of the crew.

So yeah, who's got the scoop on all that?

Jesse Jarnow are you writing a book on Taper's? That would be cool.. especially if it was like Heads!

Fun to think about. BTW 9/3/72 PITB is DOPE! (sounds a little rough, but not as bad as some of the UltraMatrix we be talking about)

EDIT: Oh and with the Spring Matrix, Healy was going way heavy with the ambient mic making them sound like Audience recordings, I believe is the big diff.

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Right? That's been happening a lot lately.. Dead magic ;)

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Skipped the 80 show for now to do 4/24/72 yesterday. But need to check that out ASAP. Oh, of course had mind properly blown by 4/24/72....listened to most of disc three three times!

9/10/91: not sure if I got a round to this one before, but it’s going in regular rotation now! Listened to second set twice! Jinxees Shaggy that was awesome! Great choice!

Doing 8/25/72 now. Haven’t heard this one much either? Mostly when it came out. So much dead, so little time etc. need to spend more time with this one...

DaP 3: yeah that DS sequence is a real Bobbie Dazzler!

4WINDS/87 UM: interesting!...haven’t dived deep, but had similar thoughts on the Pearson recordings...that’s the dream catcher I was referencing days back: could there be useable Pearson tapes or some possible combo that might provide something? useable..

Don Pearson: .FYI for whomever ever asked. Don was with Ultra Sound, the Dead’s PA company supplied/supported by Meyers Sound etc. Don, and Howard and a few others were like regular crew guys with the Dead but working for the PA company or something along those lines. Don had Black hair and a mustache (I think?, so long ago..,) and could be seen hanging at the board working in conjunction with Healy...

SHOWS ATTENDED: yeah, setting that up was fun, but beyond convoluted...luckily I did that years ago at a job that I couldn’t get started on...so at least I got paid to do it, lol.

6/30/86: great first show! Always have felt this was a top tier attended show. Think I ate a whole garden of veggies that tour, and that night, phheewwww, remember the barge and river boats that came at exactly the right moments, like it was orchestrated, during Big River, then Ship of Fools, whhhoooaaa, still freaks me out! One of the few times I got good seats from GDTS, I think only indoor Amp tix? Just to the right of right isle, about 15 rows back, sweet!

ALPINE: there 86, 87, and 2 outta 3 in 89. Don’t remember anything about 86 except camping in that sweet lot next lot over in the shade next to the trees, and that we got way the fug out at those shows...like I say that whole tour, hell that whole year is a real blur. 87 it was too hot, crowded, and all that MTV/TOG phenomenon was in full swing so good shows but didn’t dig the scene like 86. 89 is a whole legend unto itself...

Yeah, 8/25/72....need to get better acquainted with this one..”oooo, water bong so smoooooth!” name that quote?

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Shoot chip, gonna have to do that disc 3 (at least) again later! That was like Dark Star sheet der mon!
But first: A little Frampton Comes Alive, assorted Clapton, and some Stones (needed to change it up so Lovey won’t knife me in my sleep)

Such a laid back show, and that stellar start with Cold Rain and Snow. Nice He's gone, Black Peter is really good. FOTD, boy did they change this up when they returned in 1976, I sometimes forget how different the early versions were. Bird is hot, Playing. Solid Truckin and great finish. Sound quality in this release is A+. Another release courtesy of ABCD LLC. Thanks gents.

What is on tap for tomorrow?

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....this He's Gone is something else. And that Cold Rain opener was 🔥. I agree with the Minnesotian.

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....Black Peter Jack Straw.
Jerrys tone is dialed the fuck in. Keith is all over it on FOTD. You know, these guys are pretty good!

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....and then; whoosh. The exits are here 👈, and here👉. In case you get scared. - GD flight attendant Donna Jean Godchaux. Pilot Jerry takes control at the 8:30 mark and assures the safety of his passengers. Co-pilot Phil bouncing bass bomb radar pings ahead. Hopefully we have enough parachutes. Dodging storm clouds. If the thunder don't getcha....
The sky clears at thirteen minutes. Haven't seen the sun in awhile.

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Not really going on a limb here, but in honor of #34 coming soon, let's give 7/31/74 a run. Dave's Picks #2. I hear the bonus disc is also super good. I still have never heard it.

What do you think Vguy?

Would be interested in hearing all of your opinions on this release.

Be well.

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....lets check out that limb. Been a while.
Newsflash! No. Its not covid related. Phil solo at the 13:30 mark of Truckin'. All good. Aaaand he spills his bottom end splurge into a Spanish Lady. Way to go Philster!! 👏👏 Stud

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That Stella out of that E.T. space was nice!

On to summer 74. Scarlet's killing it out of the gate!

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Almost a bookend indoor version of Veneta. Bird Song is as beautiful as it gets. 1972 versions are my favorite anyway. Interesting that Folsom Field was the following Dead concert after Oregon.

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This ain't Kentucky Man... It's Berkeley!

Stellar Show, Top Tier in my opinion, especially after a focused re listen yesterday. (Two maybe Three-ish)

Not sure there’s much to add about the music based on what’s been said here already.

So I’ll just lay out some of the facts:
Last Show of a 4 Show run at the Berkeley Community Theater
First Hometown Shows since Europe ’72
Bear Recorded it (freshly released from prison)
Looks like it didn’t circulate in it’s entirety before it’s release in October 2017
(Incomplete in Dead Base through DB 50 Updates, Taper’s Compendium list only through El Paso)
Nice Bill Graham Introduction
1 of 7 Cold Rain & Snow openers in 1972
1 of 5 Black Peter in 1972
Bird Song candidate for best of ’72
PITB earns it’s place with the other greats of ’72
Truckin’ > The Other One is Epic!

Set 1
Closes with Bird Song (11:30), PITB (16:48) & Bertha (6:40) - Only Time Played in this Order (Credit: FOURWINDSBLOW)
35 minutes of completely wonderful music.
Those 3 songs alone are worth admission (and in that order, wow!).

Set 2
Opens with Truckin’ (16:02) > TOO (28:03)
44 minutes of completely wonderful music.
Upper echelon Truckin’ > TOO! The Jam from Truckin’ into TOO is worth serious exploration and Phil’s contributions up to the Spanish Lady, I could listen to that a lot and will.

There’s a few stumbles in Bertha made up for with some sick Jerry shredding @ end (as mentioned by all)
Stella is different…
This show is GREAT!

Under the radar likely due to two factors:
1. Lives in the Shadow of Veneta Oregon 8/27/72
2. Full Show didn’t circulate until 2017

I absolutely love this show, and will be listening to it much more often.

Really really really enjoyed this pick!!

Thanks for making me re listen, it’s my favorite pick here as of today:)

7/31/74 you say? Onward…

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Just starting to listen... and can you believe it, it is raining in Rhode Island!!! There also is another Dillon Stadium show from 7/16/72 that features some of the Allman Brothers.. and there is only one version on Internet Archive, I always forget about it when we are talking Watkins Glen or 6/9/73... enjoy your day everyone and be safe.. bob t

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Set 2 sounds real good!

ps. Bird, Playin, Bertha. Only time these song were played in that order.

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Spent a good portion of yesterday afternoon on the front porch, drinking Sierra Nevada Pale Ale, doing some light reading, and soaking up my newly acquired DiP28. I made it all the way through the Nebraska show, and just that alone assured me that my money had been well spent. The "NFA>GDTRFB>NFA" to end it all is killer! GOGD, you were right about having some good listening ahead of me. I think I will try to sneak in the Salt Lake show today, but no porch sitting, as it's raining here in Baltimore... (isn't that a song from the 90s?)

Yesterday's BCT show was absolutely eye-opening. Again, I have no idea why it didn't click for me when it came out, or why I have neglected it for so long, but that is another top-tier pick for sure!

Just fired up DaP 2 (7/31/74) for today's listen. Another great pick, and another standout in the series. The bonus disc is my favorite of the series, and serves as a delicious and heady dessert to the Dillion show main course.

I hope everyone is safe and happy!

Peace

EDIT: Man, this "Me and My Uncle" is SWINGING, BABY!

Happy Indeed!

Haven't even looked outside yet.. but there is a light source out there:)

To distracted listening, reading and talking GD!

Yesterdays trip through 8/25/72 came in waves...
First Listen, Break and Exploration of 9/3/72 - Recommend checking out DiP V36 bonus material at least.. SICK!!!
Back to 8/25/72 this time outside in a sun break around 4:20.. new colors, shapes, textures appeared.
It began to stand out in totally different ways.. as it does!
Another listen to selected parts later in the evening as I dug into Taper's Compendium, Dead Base, interweb to find out more. Loved it all a new / old Favorite! Great Choice!

OTIS - Stoked for you man, them's some good tunes!

7/31/74 - China Cat > Sunflower sounds so good right now, Wall of Sound, Jerry riffing with Phil on lead up to IKYR, that jam they used to do right there, big smiles, heady stuff..

Another Fun Day in Dead Land!

PS - VGUY - I dug that article:)

Speaking of Billy
He's killing it all over the place on this WOS show.. his playing started to really grab my attention during S2 Big River, but then Eyes!! He's a monster, best year for Billy's playing? '72, '73 or '74.. dude is such a sick drummer.

And the separation between the instruments in this recording.. The crew and the band.. the things they did.

Wow!

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"Row Jimmy" gets too much flak, IMO. I for one am always happy to see it on a set list, and this version is quite lovely. As was the "Roses", as is this whole dang first set.

Peace

Set One, down the hatch! Two more (and a bonus) to go!

Jerry liked it too, so do I.

All this talk about '73 makes me think of the first two shows.. 2/9 Maples Pavilion and 2/15 Dane County Coliseum.

I am quite sure we will another dose of '73 this year in one way shape or form. If not, 2021 will be 73 heavy.

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Opening with "El Paso"... that's an interesting choice. I love this song, but I wonder if it ever opened a set before or again.

Set II - LOVED the "Big River" (Billy DOES kill it on the skins!) The "Eyes" was nice and juicy, and I loved the "China Doll" "Around and Around" "Ship of Fools" run. I'm noticing how many really strong ballads are in this show... Still have a "To Lay Me Down" to come too!

I know that I've said it recently, but I really like this new thread! It is fun to know that folks are listening to the same stuff - even if it might be at different times. Also, the overall attitude around these parts has been overwhelmingly positive, which I really appreciate.

Set III awaits as I prepare Sunday dinner (Beef Bourguignon - one of my personal faves!)

Peace

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In reply to by Thats_Otis

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I am! I am! I am! I am!

Seems so fitting.

I thoroughly enjoyed listening to that show.

Billy was an all-star throughout.. and his drums were big in the mix, which personally, is not a bad thing at all.

The Ballad's really shine:
IMHBTR, Row Jimmy, China Doll, Ship, TLMD.
Jerry's voice is so sweet.

If you get TLMD that's pretty much a good show IMO, but if you get TLMD and everything else in this show? Wow!

Too many highlights to list Three Sets worth!
But here's a few I remember:
Big River
Eyes
Loved WRS
Real nice Mind Left Body Jam
US Blues ('74 best year for that song?) - seems fitting
Uncle John's Band
All the Ballads

That was fun!

Gonna go read the reviews on Veneta '72 in the Taper's Compendium and listen to Dave's Picks 2012 Bonus Disc.
(Despite being out of date, the Taper's Compendium is still really cool and informative)

It's sunny out here, hope it's nice where you are, be well and enjoy the Dead!

OTIS - Rockin' Thread & Row Jimmy fo Sure!
JIMINMD - 2/9/73 Row Jimmy is my favorite all time version, first one I ever heard, and still my fave.

Keep on Rockin' You All!

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In reply to by The Good Ole G…

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....high of 90 today. Where are you at GOGD? Location?
7.31.74 later. Still have GarciaLive 13 to play. But, I need to disinfect and don my PPE. Gotta make a grocery store run. Current listening? Something Else by The Kinks. Spotify/Galaxy Phone/Pocket/Buds+.
RIP last roll of Cottenell. Onto Scott's. A distant second.

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Bonus disc, Bonus disc, Bonus disc.

ps. Let me tell ya about the time we went to Kentucky in '93.

We left N. E. Pa. about 10 o'clock the night before four of us in a 1969 Buick Electra with a broken bench seat and a hole in the gas tank. Having to stop every hundred miles to get gas cause we could only fill to half and only me and the guy whose car we took had a license to drive. So half way through Ohio he ask me if I could drive I said sure so I got in the car now he was a bit taller than me so the broken bench seat was no problem for him. I on the other hand had to lift up to see over the door panel so we went on our way before too long everybody was asleep I just kept driving every time a car came passed they had to think there is nobody in this car until I lifted up and looked at them over the door panel that really must have been something to see. So we get to Freedom Hall finally and wouldn't you know it they book a "Wing Ding" convention on the same days as the shows. Honda Gold Wings as far as the eye could see it was funny and the guy who owned the Buick Electra was a real Harley guy he was loosing it all day having to look at all these Honda's. Show was okay couldn't get a room for a 50 mile radius so we slept at a rest area got up the next day and those guy's drop me and another guy off at the hall for night two they headed home. After the second night we hitch it to a camp ground and then to Deer Creek the next day.

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In reply to by fourwindsblow

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Finally have a real solid chunk of "free" time.. what are we on, DaP 2? I'm half tempted to go back in time and pick one of the shows I missed.. DaP 2 will do. ahh.. 1974 the comfort food all things music, dovetails right into the Zen of bicycle maintenance and that's my afternoon in a nutshell.

...add to that some nice fresh roasted organic Ethiopian Sidama Shantawene Village coffee, full city ++, just exactly perfect.

VGUY - TIGHT Avatar today, just noticed... Jerry!

Portland, OREGON in the house!

Personally, I kinda like Scotts... less shed.

But yeah, going to the Grocery Store straight sucks these days (didn't like it before, like it way less now).

Put on that PPE, don't touch your face, be quick and Good Luck man!
Wash your hands when you're done.. cause you got some listening to do!!

Be Safe bro

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In reply to by fourwindsblow

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Epic!! Got to read that Tale from Summer ‘93 while listening to this sweet sweet Sugaree..

Do road stories ever get old?

I wonder if Jer knew how right he was when he said going on the road with the GD was the last chance for grand adventure in this new lame America.

Oops that’s kinda depressing... WRS to the rescue!!

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...is the exact reason the Goddamn Grateful Dead are the best band to grace our lives. They're not only just the best at what they do, they're the ONLY ones that do what they do.

1974 : Of all the years combined, this one may be my favorite. Summer in particular was pure FIRE!

What's on-tap for Monday, folks?

Peace

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In reply to by Thats_Otis

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I had to look up that beef dish.
Looks pretty good in the pictures online.

Guess I’m lazy, I’m just doing a sirloin tip in a Dutch oven at 300 for a couple of hours.

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In reply to by icecrmcnkd

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It is an involved dish, but nothing too technical. In fact, after getting and prepping the ingredients, most of it is just letting it cook for a few hours, which gives a lot of time for "other" activities. That being said, it is not a weeknight/busy kinda meal. Also, avoid those recipes that call for too much - it's basically a beef stew with a lot of wine :)

That being said, your dinner sounds great too!

Now, on to that bonus disc. I see another "Truckin'" and Spanish Jam in my future, but this time, with a "He's Gone" and an "Other One" thrown in the mix. Oh, and that "Sugaree".... :)

Today has been a grand Sunday, thanks to you all!

Peace

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In reply to by icecrmcnkd

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....kinda tough to do when the Dead keep stealing it. Ha!
Home safe. One thing about everyone wearing masks. Forces one to focus on people's eyes. Indeed, the eyes of the world.

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In reply to by Thats_Otis

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Otis - Hold on to your hat!!!

There’s whole new worlds and galaxies of goodness contained within that disc.

I just got rocked.

Dare I say it’s better.. oh but terms such as better are useless when describing the Dead. It’s yet another cosmic voyage into the places the music takes us!

Been reading too much Dwork.. he’s a really good writer!

And your all’s cooking is making me realize I need some new recipes. Maybe that’s another thread we need to start ;)

Oh man, I’m excited to hear what you think.. I’m speechless.

So good!

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In reply to by Vguy72

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Whoa Trippy!!

Eyes of the World 👀

So glad you made it!