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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3761
    proudfoot
    Joined:
    Randomz

    4 18 71 sweet
    4 24 71 good
    6 19 80 good

  • #3762
    rockthing
    Joined:
    Givin' Bobby some luv. First…

    Givin' Bobby some luv. First time checkin' out Wolf Brothers.

    PROUDFOOT: It's some seriously heavy poetry. Lemmy was a lyricist for a lot of other singers, too. R.A.M.O.N.E.S., for instance, was written for the actual Ramones to record... and I think they might have actually done so. He wrote lyrics for Ozzy, and others, too, but 1916. I think he won a Grammy for that, didn't he?

  • #3763
    proudfoot
    Joined:
    Rockthing

    I usually skip that track because I get so verklempt.

    Lemmy excels at high energy swaggering strutting rock n roll

    and he can then do 1916, whorehouse blues, God was never on your side....

  • #3764
    rockthing
    Joined:
    4/20/84, aka Dave's 35,…

    4/20/84, aka Dave's 35, right? That's in my Amazon cart, but "so soon after payday"... The Holbrook source comes with a little commentary from the Crew. As they indicate, Feel Like a Stranger does not yet seem to have come into its own, but there's nothing particularly wrong with it. Good Cumberland, but that Rooster, which the tapers also mention as being sort of "the beginning of the show", struck me as possibly the best Little Red Rooster I've ever heard the Dead do.

    Speaking of splitting hairs, as OROBORUS was alluding to, it's really hard to quantitatively say any rendition of a standard blues number is better than another, but I think the dynamics of this performance are what make it stand out for me. (The opinions of this author in no way reflect the opinions of anyone else anywhere). They bring it up, and then take it back down, creating a dramatic experience. Jerry gets really raunchy with his slide solo, and the crowd responds, lifting the band just that touch further before they drop back down into the verse, which leaves space for the audience show their appreciation, thus giving the band further confidence. The feedback loop of live performance. Many times this tune just seems to plod along, but not on this night.

    Let it grow also has a kind of wild vibe on this night. Again, maybe this was the norm for the day. I need to unpack the '84 shows from earlier this week.

    The Scarlet-Fire. First of all, I love how the Holbrook source leaves this couplet as one track. Scarlet Begonias also benefits from a dynamic performance that takes it to a raucous place at which it normally never even hints. Perhaps Jerry's breathing difficulties actually contribute to the rousing performance as he begins to scream to get to higher notes that used to be easy for him. The band is pulled along by this energy, and Jerry's guitar work also gets a kick. Love this, despite the mixed feeling about it being a result of Jerry struggling with health issues. Fire has lots of meandering jamming, which, to me, always makes it better. This is amazing, while having a completely different character than the great Scarlet-Fire jams of the late 70s. They really came out of the box strong for the second set.

    Hearing Jerry kind of struggling with his vocals in the mid-80s had always kind of left me with a sad feeling, which is probably why my listening experience is weak in this era, but this show may have enlightened me as to that actually being the attraction of this period. Jer has to really dig deep, and the extra effort that once was not required infects the band and the audience with its energy. Dunno, just a thought inspired by listening to this show.

    Samson and Delilah absolutely had me out of my seat, lord I had to dance!

    I made it up to Drums before other duties required my ears.

    OROBORUS: 4/24/71. That's one tape I've had for as long as I can remember having tapes. I tend to go to 4/18 more often, so this'll be nice to revisit.

    JIMINMD: 4/22/79 is the last two track Betty Board? Don't really know her history well enough, other than she made a ton a great recordings. Are her masters multi-track from then on, or did she stop touring with the band after that?

    Actually, I was wrong about having Brent's first show. I'd read about it somewhere, Deadology, or Dead Listening blog, or something. The closest thing I had was 5/5. That has now been remedied. Fantastic audience source available. Feels a touch mid-scooped, but the Miller transfer of Mark Severson's tapes seemed, to my ears, to have the smoothest frequency response. I have not listened to more than a few A/Bs of Mama Tried, however. Looks like a good time, but we've already moved on.

    PROUDFOOT: Yeah, I completely lost track of Shock G and that whole scene, but the Humpty Dance was a phenomenon, wasn't it? There's a really interesting interview with Shock G thread-posted to Twitter. No mention of oatmeal. :P

    As much as I like the April '71 tapes I've got, I've never managed to "collect'em all". This is one of my gaps.

    Also, Motorhead 1916. The song 1916 is so heavy without actually being "heavy" as in heavy metal. Chokes me up every damn time. Jerry and the boys coulda destroyed that song at the end of the second set. 20 thousand Dead Heads weeping in unison. Also a lotta good old rock'n'roll, cranked to 11, on that album. Picked that up back in the day when I stopped at a random "cassette shop" that I'd passed every day on the way to work for a while. Needed some new tunes for the commute. Couldn't say why the car wasn't full a Dead tapes, but there have been a few periods where I set'em aside for a while... or maybe just didn't wanna leave'em in the car.

  • #3765
    proudfoot
    Joined:
    My first potd

    6 25 85

    85 box would be welcome, ptb.

  • #3766
    rockthing
    Joined:
    In lieu of an actual copy of…

    In lieu of an actual copy of Dave's Picks 35 (sorry Official Dead dot Net ^^;) I had a poke around the Archive. A further poke around revealed I could actually get a copy from Amazon by the middle of next week for less than 80 bucks. I'd just assumed all those things were sold out on pre-order.

    So, before realizing I could get the official release (but too late to contribute to any discussion about it) I did some taste testing on The Archive. Using BIODTL as a quick starting mid-first set number, hoping the house sound would be pretty much dialed in by then, I listened to The Executive Crew's FOB Beyer XY cassette master, then listened to the Miller transfer of the Silberman digital source. Yep. A digital field recording from 1984. Pretty avant garde. I listened back to the Beyer. Listened to the Silberman Sennheiser 441's again, then the Beyer cassette master, and so on for a while. The Silberman digital source probably has a touch more clarity, and even more so than a lot of Sennheiser recordings seem to me, even the Senn source attributed to Jim Wise, but suspiciously having the exact same set up as the Silberman source. At the end of the day, there's something that seemed warm and soothing, but at the same time, a little rough and tumble, about the cassette master. Perhaps it strikes a balance between what I often perceive as a kind of muffled sound from the Senns and the hyper clarity of the Silberman/Miller project. I've noticed my ear's preference for Beyer recordings, but it's never guaranteed. The binaural recording from this same team is intriguing and will likely be revisited, but for now, I'll be downloading the Beyer XY cassette pull. Confirmed as a Luddite, I am.

  • #3767
    rockthing
    Joined:
    JIMINMD, is your buddy's…

    JIMINMD, is your buddy's tape circulating?

    So it's Daves's Picks 35? Ah, I see. 4/20. Sounds good to me.

    I've really been loadin' up on April '84 shows lately. '82~'85 had been a real weak spot in my listening until a year or so ago. Been really into all the '82 shows I've checked out so far. The '85 New Year's show, with Ken Kesey absolutely freaking the fxxx out, was one of my first dozen tapes, though.

    I think I've got a copy of Brent's first show hangin' about on a hard disk. Disco Dead, I'm all over... well, not really, but I've spent more time with that period, at least. Gonna start with that '84, show, though, 'cause I'm sure I've never heard it.

  • #3768
    Oroborous
    Joined:
    PF: opinions are what makes this place interesting!

    So op away mi amigo!
    I felt the same about this one as I did the last; really dug the first set, both H2H were awesome, the banter is priceless, but the second sets....? seemed slightly...? a tad, ruff, ragged, forced, distorted...? Sorry, can’t spit it out, but not as bad as this might make it seem. I’m nit picking comparing to for instance the 17 & 18th. But hey that’s just me...
    Have enjoyed em all so far. Really looking to the big final stretch next week!

    Had a nice visit with Dave’s 35 too. Need to hit 37 again before 38.
    But onward to 4/24/71 today since I have time but won’t tomorrow.

    Awful quiet around here.....(sound of crickets......)......
    Seems like it might be time for SOMETHING? Come on Dave!!
    Now is the Time!

  • #3769
    proudfoot
    Joined:
    "I like my oatmeal lumpy"

    RIP Humpty Hump

    every time I eat instant oatmeal, I hear that line...

  • #3770
    proudfoot
    Joined:
    my thoughts on 4/22/71 (not that anyone asked)

    Hard to Handle is great
    The Microphone Monitor Level Test is great (great snakes!)

    other than that...meh

    the time crunch during the second set reminds me of some blunt Zappa lyrics:

    "got in and got soft"

    anyway...palate cleansing at the moment with the mighty Motorhead 1916 CD

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by DeadVikes on Mon, 04/06/2020 - 10:22

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In process and it has been a while. Sound quality from my perspective is somewhat lacking. Love the Dupree's, It's all over now, good Passenger, Brown Eyed Women. Just finished Eyes, really good. Again, wish the sound quality was better.

Thanks Bolo and Mary!

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Submitted by stoltzfus on Mon, 04/06/2020 - 10:39

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Disc one is fun (it's a mix of several shows, me remembers...CR&S is always welcome)
Disc two is sublime. Eyes, Playin' > Wheel > Playin'. I do notice some sound quality issues at times, but they are not horrific and permanent. I remember the Playin' is good as always, and then gets reeeeeeally good
Disc three is phenomenal. As I listened recently, I remember smiling at the glory of the show. Scarlet > Fire, Truckin' > The Other One > Wharf > Around

the Madison show took place about 50 miles north of where l lived at the time. but since I was in 8th grade, I had no clue or awareness of that fact.

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Submitted by bob t on Mon, 04/06/2020 - 10:40

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One of my favorites Scarlet>Fire's of all time.... Also love the Samson when after a prolong opening jam Weir does the woohoo type of shout out!! I've posted about the Scarlet>Fire before but there is a Jerry Keith chord interaction after the singing in Scarlet that for me is mind melting!!! Good first choice Bolo... One last ramble, for me this show 2/5/78 is in my mind is the last show of 77... The April tour after this has a different vibe..

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Submitted by Vguy72 on Mon, 04/06/2020 - 11:57

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....listened to the first disc last night. Cold Rain, All Over Now, Duprees and BE Woman all top shelf renditions. Man. Iowa got all the good shows. Will start up disc two a little later.
Thats the show with the extended Samson due to Bob's mic difficulties, correct?

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Submitted by Sixtus_ on Mon, 04/06/2020 - 12:46

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A few momentous stand outs for me: The Music Never Stopped; this version easily made it onto a "best of" compilation early on and has never been supplanted. Fight me. Also, the Estimated > Eyes of so so good. Beautiful elongated Eyes intro, then just mad jamming all the way through, nice upbeat Eyes tempo. Great exploratory Estimated as well. I love the drop into Eyes here; expertly pulled off. The Scarlet > Fire is very awesome too. Long, jammy. Nothing new here, just adding my love.

Nice idea.
Sixtus

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Submitted by daverock on Mon, 04/06/2020 - 14:43

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The first thing I noticed is that it features two nights, but unless I am looking in the wrong place, there is no indication which nights which songs are from. I could have checked in Deadbase...but that's upstairs and as I was settled down to listen I didn't bother. It looks like one first and two second sets.

I have just played the first cd so far. Coming from Europe 72, this sounds a lot simpler rhythmically. During Spring 72, you can focus on Bill, Phil, Bob, or Keith - as well as Jerry obviously-and they are all playing with energy and imagination. Here, the focus is more just on Jerry. I like his fiery guitar sound on here, but I am not as keen on Bob's sound. Donna, on the other hand, sounds nice on Looks Like Rain. I prefer this version of Good Lovin to the ones played in 72. It sounds almost calypso-a real celebratory sound.
The cd picks up pace nicely on the last three songs, with great guitar solos from Jerry. It seems a bit more like standard "rock" in a way, compared to the swing they had with one drummer and a fully functioning Keith. I enjoyed listening to it, but I will probably leave the first of the set 2s for tomorrow.

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Submitted by fourwindsblow on Mon, 04/06/2020 - 15:06

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Not much left to say LLR crackled like a thundercloud!

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Submitted by Vguy72 on Mon, 04/06/2020 - 15:29

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....Jerry fresh off his laryngitis. The crackling in his voice during Wharf Rat proves it. His voice was never the same, but still rocks my soul.
Trey Pistachio dropped another song. "Are You There Colleen?". With a message of getting off drugs. Methinks Colleen was his dealer back in the day. Might be wrong. Never right.
I had a dealer back in the day. Name was Chill. Called him from payphones. That was a long time ago though. Thank God.

At the start of 1978 I'd sort of lost interest in the Dead, having last seen them in 74. 78 was my fifth year in college (yeah I know) and I was way more into jazz than rock in large part due to an awesome jazz club on campus, the Backdoor. The place just had a constant stream of major talent coming through. McCoy Tyner, Charlie Mingus, Elvin Jones, Roland Kirk etc. So in early January I see the Dead are gonna be at Golden Hall so my girlfriend and I say "What the hell?" and I get tickets for 1/07. Now in 78 the Dead were not that big of a draw and I wasn't expecting much, sort of a nostalgia trip. Wrong. They were great, just awesome. So after the show we immediately get tickets for 1/08. These were the Bobby songs only nights but that didn't matter a bit. My girlfriend (now my wife) cried during Looks Like Rain. We were back on the bus until 85 when the arrival of our first kid changed everything. Footnote to that is our last show was a week before his birth and she was major prego and treated like royalty by all you wonderful heads. So I love DP 18 and I especially like the Eugene show release. Stay home.

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Submitted by bolo24 on Mon, 04/06/2020 - 21:38

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Nice! I'm overdue for a listen.

RE: DP18, agree with Jim - Brown-Eyed Women is PERFECT! For that matter, so is TMNS - powerful! And then there's disc 3. If I had to rescue only one single disc from my burning house, this one would be in the running. That Scarlet/Fire is a half-hour blissfest, Truckin' is solid, TOO is insanely good. Masterful music!

On to Wichita!

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Submitted by Vguy72 on Mon, 04/06/2020 - 21:39

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....has metal influences. Garcia tapping into his inner Iommi. My ear told me so.
Wichita this soon into the game? Bold move Cotton. Let's see how it pans out.

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Submitted by bob t on Tue, 04/07/2020 - 02:49

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Love the Dodge Ball reference!!

funny how they didn't list out what shows the songs are from. even funnier, the songs in Disc 1 are actually from 3 shows - Its All Over Now and Duprees are from 2/4/78 Milwaukee! The Wikipedia entry for DP 18 lays it out if you're interested. Deadbase IX also lists a soundcheck of Ripple x3 in Milwaukee - what the heck is that??!!

As others have noted, among many highlights a great Music Never Stopped and Eyes of the World from 2/3 - love the super long intro to Eyes, it reminds me of a post-hiatus favorite, 6/8/77. They Love Each Other is fantastic. The 2nd set from 2/5 is just wild. Such a raw sound to the Wolf! Would love to see released the Uptown shows that immediately proceed this. Worth noting how rare The Wheel was at this time - 2/3 was first time played since mid fall '77, another year until played again on 2/17/79 (Keith & Donna's last show), and then another year and a half before it finally re-entered regular rotation.

A couple technical notes - based on Dick's Caveat Emptor, 2/3 appears to have been recorded at a slower tape speed (7.5 ips vs. 15), and so the sound quality is a bit rougher. Also, IIRC, there is an unpatched gap (sad face) in the jam between verses 2 and 3 in Eyes of the World. There's a very nice audience of 2/3 on the Archive if anyone wants to hear that.

Now on to Wichita!!

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Submitted by bolo24 on Tue, 04/07/2020 - 11:09

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After listening to almost 4 hours of insanely wonderful music, the overriding conclusion is that, in my opinion, NO ONE can play guitar like Garcia did. At times subtle and nuanced, at other times raging, but always just exactly perfect within the context of the song they were playing. Remarkable, really. Feeling blessed to have experienced GD/JGB live so many times.

Garcia may not be the "best" guitarist (highly subjective, as most of those inane "best of" polls demonstrate), but he is the only guitarist I can listen to every day. That includes Hendrix, Page, Clapton, Gilmore and whoever else you want to throw in there.

It's grate to be a Deadhead!!

http://www.quickmeme.com/meme/3p838b

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Submitted by mhammond12 on Tue, 04/07/2020 - 11:53

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You're a harsh taskmaster! Listening to Grateful Dead concerts will continue until morale improves.

Bluecrow - thanks for the tip. There were a couple of compilations that came out in the 1990s that featured songs from multiple shows, but didn't indicate in the sleeve notes which song came from which show. Ladies and Gentlemen from April 1971 and Dozin' at the Knick from Spring 1990 were two others.

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Submitted by DeadVikes on Tue, 04/07/2020 - 14:40

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Agree 100% with your comments on Jerry, what a genius! The whole band was.

Just finishing up Dave's 11 now. Comments to follow.

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Submitted by Oroborous on Tue, 04/07/2020 - 14:43

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Dooo, just listened to that last week, for first time, so maybe we’ll sneak another round in after this 71 grease fest we’ve got going on today .....fall 72 is def fo shizzle....

EDIt: MHAMMOND12...whoa. I’m not sure what’s more impressive, seeing the laryngitis shows or all that top shelf jazz in a club setting???

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Submitted by perithecat on Tue, 04/07/2020 - 15:25

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Dicks picks vol 21 , not the main show the extras , Iko iko > morning dew > sugar magnolia . Absolutely sublime , and without doubt one of the best dew’s 😸

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Submitted by mhammond12 on Tue, 04/07/2020 - 15:56

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I shouldn't really call the Backdoor a club. It was an empty room on the ground floor of the Student Union and Performing Arts building on campus that the A.S. booking people converted into a small concert venue. Just a stage and corked walls. No seats. No refreshments. Bring your own. The talent that appeared there was unbelievable looking back. Freddie King. John Lee Hooker. Two memories...sitting under McCoy Tyner and watching his right sock working its way down past his ankle has he stomped his foot keeping constant time...Roland Kirk playing the flute with his nose, playing three saxophones at once, playing the piano with his elbows and head, and careening around the room playing saxophone being led by his handler (Rahsaan was blind you know) who had an air raid siren he would blow off in your face if you didn't get out of the way fast enough. And none of this seemed like a gimmick. Bright moments indeed.

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Submitted by DeadVikes on Tue, 04/07/2020 - 18:43

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This show and bonus tracks from Oklahoma City is definitely top stuff. Sound quality is A+. A great Bear recording! Man, he did great work.
The whole show flows nicely, although not a long second set. Love the Sugaree, Bird Song is awesome, Jack Straw, Box of Rain! Come on. Casey Jones to close the first set and than open with Cumberland. Great Truckin Other One, very unique Other One. Always loved Brokedown Palace and this one they play flawlessly.

I will throw out 12/28/79 Road Trips 3.1??

Let me know Gents.

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Submitted by wilfredtjones on Tue, 04/07/2020 - 20:00

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I like the post-space UJB and Bertha on that one a lot mainly for Brent's harmonies. Overall a classic pick with a lot to like. I might give DP5 (12/26/79) the edge however. That pick is hefty.

Listened to both Dave Picks 11, 11/17/72, and Europe 72, 04/07/72, as assigned by Bolo. Dave's Picks 11 is one of my favorite releases. Great recording by Owsley improved by the treatment of Mr. Norman. Has an incredible Bird Song. Just a wonderful release.

Europe 72, 04/07/72 Wembley just blows it away. Leaves a smoking crater where Wichita used to be. Europe 72 can not be bettered.

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Submitted by fourwindsblow on Wed, 04/08/2020 - 09:42

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This one has a nice slow relaxed build up with some ripping Jerry. TOO than blows the roof off! The only TOO>Brokedown Palace. End of set 2 all great. A perfect prelude to the next to nights.

ps. 4/7 Rips the paint off the walls from the first note. No contest.

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Submitted by DeadVikes on Wed, 04/08/2020 - 10:16

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Okay Bolo, what are your thoughts?
Next show for today?

I suggested 12/28/79. RT3.1

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Submitted by Oroborous on Wed, 04/08/2020 - 10:39

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I’m down, right after my John Prine compilation

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Submitted by Gratefulhan on Wed, 04/08/2020 - 15:49

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I relocated last week and since that time I have been unpacking as much as I can and maintaining my workload from home. So I have been out of commission here for a while. I came across this pick of the day and I am all for it.

Just to throw a show out there ( not for today) but how about 9/8/73? I have never heard it but Dick Latvala spoke highly of it. It might be nice to give it a listen.

Meanwhile it looks RT 3.1 will it be for today. Maybe I will add 4/8/72 as well.

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Submitted by bolo24 on Wed, 04/08/2020 - 16:03

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Nice - been a while since that one hit my headphones.

MHammond gets a gold star. But what did you listen to AFTER lunch?

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Submitted by billy the kid on Wed, 04/08/2020 - 16:50

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I was at this show, it was a blast! Sugaree, High Time, The Music Never Stopped, this show was great from start to finish. This show sounds so much better then Dave's Picks 31 from just a .sound point of view. Yeah, this show was a hell of a lot of fun!

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Submitted by fourwindsblow on Wed, 04/08/2020 - 16:54

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Sugaree lovely, the rest of the set is okay Music rocks! Set 2 Alabama grooving, GSET explosive!, Terrapin super sweet jam, PITB end jam is sick!, UJB outta drums/space yes!, short Miracle, Bertha>Good Love, CJ , OMSN rockin!

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Submitted by Vguy72 on Wed, 04/08/2020 - 18:08

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....on it. (I'm the tour buddy still in the car doing bong rips as y'all are heading to the gate.)

https://relisten.net/grateful-dead/1983/09/10
Santa Fe Downs. Give me this. But for Friday. I'm working tomorrow, but off Friday.
I've stood at Santa Fe Downs and looked east. The view is spectacular.
Whats all the hubbub, bub?
It's got a Music opener and a Cold Rain encore. Warts and all.
Things are strange outside. Bird Songs all day.
edit. Found something!!
https://faroutmagazine.co.uk/grateful-dead-jerry-garcia-favourite-song/
Spoiler alert. Row Jimmy. Also a favorite of Bill The Drummer. It was playing as I read it (12.28.79. Disc one. Track four).
I still don't believe in coincidences.

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Submitted by DeadAreMyDealers on Thu, 04/09/2020 - 04:49

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DaP11: Last half of disc two - the whole He’s Gone thru BDP is incredible

Just starting RT3.1 now , if the first song is any indication of this night, I’m in for something special!

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Submitted by Oroborous on Thu, 04/09/2020 - 08:49

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Hendrix Freak threw this one out a couple days ago but yall were onto something else.....it got me thinking about some primal dead, and haven’t had a good 68 fix for a bit....So Wadaya say Laddys?

MHammond: RT 3.1, nice pick. Started to go through the 79 stuff when DaP 31 came out but didn’t make it, rember liking this one more than 31, and yesterday confirmed that. Really need to get to DP 5 from 12/26, it’s been so long for that one. Maybe this weekend I’ll roll that?

VGUY: I’m down with some Santa Fe tomorrow. Heard about this one for years but don’t think I’ve ever checked it out. Plus 83 would be a nice change up here....

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Submitted by DeadVikes on Thu, 04/09/2020 - 08:51

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12/28/79! Is this the best RT release? Maybe, certainly the best 79 release from the Vault so far. Betty did another excellent job here.
I like this release more and more every time I listen to it. Sound quality is A+.Sugaree opener! Different feel to this show without Keith and Donna, but I dig it. Brent's keyboards really shine. Really good flowing Terrapin, Playing, UJB. The show closers are fun and groovy. Makes me want to get up and dance.
And then there is the bonus disc, from 12/30/79. 10 additional songs of bliss. Scarlet Fire, Let it Grow, Truckin! Sweet.

Would love to see more 79 and of course 80. The early Brent years! I know the Chicago release didn't match this release but 79 has a lot to offer.
Yesterday I also listened to 9/1/79. Not an official release, but again great 79 sound.
If you have not heard it, check it out.

Looking forward to our next pick. Let us know!

I can't take credit for that pick. I'm trying the Europe 72 night by night thing and I'm already behind.

Playing now.
Is that today’s pick?

First got this on cassette in mid-90’s and loved it right away. Then got a CD-R copy. Was really happy to get it as a commercially released CD.

This show needs a Plangentized/Normanized remaster 180g vinyl record store day release.

Edit:
Looks like I’m a day behind. No worries, I’ll catch up.

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7 years 10 months

Submitted by DeadVikes on Thu, 04/09/2020 - 18:16

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Good to have you kid.

Bolo, what are your thoughts on the last pick. Sounds like the crowd is feeling Dick's 22 for today/ tonight. I will have to sit this one out as I don't have this one. Looking forward to tomorrow's choice.
Be well folks!
Snowed here in MN today☹️