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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • CaseyJanes
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    WilfredT UJB

    You are correct sir about the Bm...also a Dm and Dsus2 according to Ultimate Guitar Tabs on the “Official Version”. I love the above mentioned app. Has most every song that you can think of and usually there are many versions to play so if you’re not quite getting one arrangement there is usually a way for guys like me to dumb it down a bit. That said I need to add those chords on UJB as they are in my range. Will also try the riff....I have a little pentatonic game as well! (I’m guessing there)

    For the record, and if memory serves, I do believe I’ve seen youtube of you playing WilfredT, and you are an excellent player. I’m like a wanna be campfire player at best, but it’s more fun then a frog in a glass of milk.

  • Oroborous
    Joined:
    Hola Senor Janes

    Good to see ya!
    I think Bob was alluding to what I’ve heard/read all of them say over the years; it got harder and harder to get the band (especially Jerry) to rehearse and some of those songs you just couldn’t do well without rehearsal: LS, Cosmic Charlie, St Stephen etc. Unfortunately another side effect of ole Jer Bears monkey...especially when you consider how hard many of Jer’s parts were on these songs...it’s a bummer but no wonder many of the greats were set aside.

    GUITARS & CADDILACS; used to play all the time. Tried to play guitar for ten years, occasionally professionally, once in the studio....switched to bass and rarely looked back. Did try the solo acoustic/apre thing briefly, but wasn’t that good and it’s really hard carrying the whole show by your self. And Scarry! Don’t have that front man Mojo either “star waaarrrsss, nothing but staaaarrrrr wwwaaaarrrsss” much prefer to play with 3 to 5 people, the interaction is where it’s at. But the rush of playing in a hot band in front of a bunch of people IS uncompareble....talk about a high!
    But yeah, I preferred being in the back row under the dark lights grooving on the Bass. Played that professionally on and off for 20 years, last ten it was my main, though not only job...It was a gas, but after 100-150 nights a year, often at shitty bars and clubs, when your feet are killing you and your back can’t take that heavy lumber anymore, we’ll sometimes it’s a double edge sword doing what you love for a living....unfortunately haven’t really played in like ten years now. Had to TRY and grow up and get a real job....plus after I got booted out of my main gig, eventually all the calls stopped coming as it is a small, close knit group that gets the gigs here.
    I truly miss it in my minds eye, but I don’t miss schlepping that heavy ass gear at 3 in the morning, or getting hassled by the law, or trying to get inspired when your back hurts and it’s late, and there’s only 4 drunks left, but I do miss it.
    GUITARS
    - Ibanez Muscian Series I got in 79 and modified with Alembic circuitry/pickups in 84.
    - Madeira Acoustic
    - 84 Alembic Spoiler 4 string electric Bass
    - Michael Kelly Club Deluxe 5 String Acoustic/Electric Bass. picked this up early century when I was playing a lot to get upright sound etc. Never spent enough on upright to be proficient as it’s physicaly painful, and it’s a drag trying to play live with a loud band. I liked the sound I good get with the Kelly and a Sans Amp tech 21 Acoustic DI. It’s made for Acoustic guitar but works awesome for the Acoustic Bass. Seceret is the adjustable mid....
    shit, ramblin again, sorry, fun topic. DAVEROCK sportin’ the Bobbie Dazzler! Nice axe bra! My guitar teacher always played and sold Gretches. Wish I would of got one, but wanted a Bob Weir Ibenez so bad. Almost had one but got the Muscian series instead. I’ve seen pictures of both Bob and Jerry playing one but not sure what show (s)? Think it was around when Bob was first using Ibenez?

  • wilfredtjones
    Joined:
    Casey Janes UJB chords and guitars

    There's a B Minor in there somewhere...I think after the G. The riff is fun, too! Don't forget to learn that :-)

    Thanks for sharing info. on your guitars, too. I also have a '96 Washburn (D-20 in Koa). My brother just bought his first guitar, a Seagull S6... :-)

  • Oroborous
    Joined:
    6/22/83 source

    Yeah I think that’s the same source as I had. As I say at the time it was definetly my best sounding tape which in those days wasn’t saying much, but this one shined! Great show too, and looks like it must of been a great place to freak freely from the news clip.
    So my buddy Doug hooked up with some dude who either was doing the taping or ? Not sure I really knew, but they knew WTF they were doing, had like Nac with sennhieser mics and were usually low generation and near that quality.
    I had the best gear so most of my friends/cousins would bring their new tapes to my house for coping etc so I’d usually get decent generations. Some shows better than others depending on where they were located. Remember, this was before taper section so some diehard pros would poach in front of board, which sometimes was awesome, other times too loud or tone unbalanced etc...
    Anyway, we start getting some killer 83’s, probably end of year I’m guessing. Unfortunately I never got the source guys info and next thing you know ole Doug’s knocked up the bosses daughter, whose family is super religious so shotgun wedding and no more fun for ole druggles, poor bastard! And no more tapes for us! Dooaah
    Funny part was he got our band to play his ultra conservative wedding, but’s that’s a whole nother story for the bonfire....

  • CaseyJanes
    Joined:
    Guitars and UJB

    Hey all, COVID seems to have me busier than I’ve ever been with both the wife and kid working and schooling here at the cave...so I’ve just been lurking here lately on the site, but I have to jump in on a good guitar convo.

    Dennis, I’ve read that 1983 is right around when Gibson started producing great acoustics again, shifting back to some of the methods that they used on 60s flat top guitars. I would love to play that Hummingbird. I’ll bet it sounds awesome, and from knowing what I know of you, it is probably very well cared for! I just recently learned UJB. It was surprisingly (to me at least) very easy to learn and made up of only 5 basic chords (G, D, C, Am, Em) which are some of the first chords (and easiest) that most guitar players will learn. Rhythmically, the toughest part of the song IMO is probably in what would be considered to be the chorus....that is the part that goes “whoa-o what I want to know is ______________....there are some quick chord changes in that line which take some practice, but all in all, not to difficult. That said, singing it and playing at the same time for me is much more difficult. I have only recently been able to incorporate some singing along with my playing and I have been playing for more than 20 years. Some of that I think is confidence factor of worrying about what others think I sound like, which I really don’t give a shit about anymore, but the other part is that rhythmically it is not easy to learn, especially if the song has difficult chord phrasing. Did anyone hear the Bob Weir Shakedown interview from Friday night? He had some interesting comments about Lost Sailor and the reason it didn’t stay around for too long in the bands repertoire. Too difficult to play and the other band members didn’t want to spend the time on it. And we’ve seen that LS has only recently been brought back into D&Cs repertoire. So this got me thinking about the progression of Bob Weirs playing ability. Of course it’s widely know that Bob was nearly kicked out of the band early on because of complaints about his guitar playing. And to be fair he only started playing guitar at the age of 13 and then met Garcia just 3 years later. And any player is going to experience some plateauing, especially early on. That said, it make me wonder if the shift in style on WMD and AB were at least partly made in efforts to help with this handicap as the arrangements are much simpler and back to the basics. (Here is a quote from wiki on the subject:
    “The incident apparently led to a period of significant growth in Weir's guitar playing. Phil Lesh said that when drummer Mickey Hart left the band temporarily in early 1971, he was able to hear Weir's playing more clearly than ever and "I found myself astonished, delighted and excited beyond measure at what Bobby was doing." Lesh described Weir's playing as "quirky, whimsical and goofy" and noted his ability to play chord voicings on the guitar (with only four fingers) that one would normally hear from a keyboard (with up to ten fingers).[13].

    Cousins: what kind of guitars do you own? What gets the most play? Based on your bands genre, I’m going to guess a Fender Telecaster?

    Here are my guitars:

    1). 1996 Washburn Limited Edition Acoustic
    2). 2017 Gibson Les Paul High Performance in Cherry Red Sumburst
    3). Seagull Artist Studio CW Deluxe Element
    4). MJT Custom Telecaster build that is aged vintage relic...Taos Turquoise over 3-Tone burst
    5). Rhino issued Grateful Dead Dancing Bear/Stealie ukulele (don’t really play this one just decoration
    6). I also recently ordered a Taylor GS Mini Koa Plus E with edge burst on my 4 years zero interest Sweetwater card. I needed a good travel guitar and this one gets phenomenal reviews....can’t wait!, but sshhhhhh! Don’t tell Mrs Casey!

    -the one I play the most (currently) is the Seagull...most accessible hanging on the wall right next to the couch in my living room. It has a pick up so I can plug it in but I rarely do as it projects nicely anyway. It as a solid Sitka Spruce Top, with Solid Rosewood back and sides, Mahogany neck and Ebony fingerboard, gold vintage tuners. It’s a beautiful guitar that sounds just as good as it looks.

    Oro - Great repo car story...had me LOL as usual! For those interested, I promise to finish my Gorge story very soon. Fell off the wagon on that one, but the details are still there. Anniversary is also fast approaching....bummed I can’t do the repeat as I planned for Boulder in July...hopefully we can get back at it soon!

    Doc - Great to read your regular posts again. Glad you’re back.

    Be Well Dead People!

    KCJ

    Led Ded: just read your post...couldnt agree more. No better hobby and incredibly gratifying when you are able to overcome a plateau....repitition and practice....I’m at least one hour a day usually early mornings or later at night!

  • LedDed
    Joined:
    Yes, some of us really play...

    I am a guitar freak. I have about two dozen electrics, two acoustics and a couple basses, untold effects pedals and several amps. I actually do pick up those instruments with my two hands and play the shit out of them, every day, sometimes only for a half hour and other times all day long, esp. on weekends.

    It's the most gratifying hobby I've ever known. When you start out, you suck and sound like shit. Over time, you learn other people's songs, chord changes, scales, etc. One day you find yourself sitting there with a drink and wailing along to "Layla" at full volume, kicking ass and blending right into the record. And then, you start coming up with your own stuff. Some people eschew covers and play as themselves right off, but if there's a kind of music you like, learning that stuff gives you a toolbox of techniques from which to start doing your own thing.

    You get out of it what you put into it, practice practice practice. I don't really practice so much as play, but you hone your skills through repetition and hours devoted as you pick up new things here and there. One of my favorite things is to crank up a "Big River" like the one on One From The Vault, and wail along with Jerry. He was so good in his prime it's sick.

    I'm not in a band. I have a straight job and a family (and a mortgage etc.) However now and again getting in a room with other musicians, especially with drums present, and turning up is as much fun as it looks. Unfortunately it looks like a bleak time right now for anyone struggling to make it as a musician. First album sales were destroyed by the internet and bands had to depend on live concerts and merch sales. What are they going to do now?

    A long time ago, I might have leaned that way, but I'm glad I went with the straight job, keeping the guitar playing on the side, pure artistic expression with no strings attached or record company bullshit. Last, anyone who's always wanted to learn to play the guitar, go buy a decent one and get after it! If you keep with it, it will reward you more than you can imagine.

    \m/

  • Deadheadbrewer
    Joined:
    Did someone say, "Saint Paul"?

    LOVE that show from '77 (AND the Saint Paul show from the 1978 box), but cannot allow myself to get distracted from my E72 studies. I still need to finish Bickershaw AND Amsterdam, then get to Rotterdam on its anniversary today. The back-to-back concerts on this tour make things difficult . . .

    I didn't get into Grateful Dead until I was 21 (1991), but if I had been born ten or fifteen years earlier, I would have attended those old MN and upper-midwest shows.

  • Cousins Of The…
    Joined:
    @Dennis

    Hey Dennis, I'll take your Hummingbird if it's lonely :-)
    I play guitar in a band(Western Swing/Honky Tonk) , although not sure when we'll be able to play out again this year.

  • Dennis
    Joined:
    Dave's guitar and Dave's Pick

    Just got DP29 in from Real Gone Music. I never bought any of the DP's when they were coming out, my buddy was getting them and sending me copies, money was tight and what the hell. In the end, wish I had bought them all as they came. Now I'm too cheap to pay some of the prices I see for complete sets, and the wife would never understand :-).

    I have to say for anyone who hasn't bought these real gone music releases, they did a nice job on it. At first blush I thought the bonus tracks weren't included, but though not listed, they are there. It was 60 bucks from amazon (got a price cut before it shipped!) So maybe I'll look into getting the real gone collection,,,,, if it's cheap enough :-)

    Dave the Rock and the Gretsch - I know Dave's not the only one on these boards who has guitars AND I know absolutely NOTHING about guitars or playing. But I looked up your guitar and yeah, pricey things. The demo's online made it sound very nice. My question, can you really play? I've met many people over the years who have instruments of all types, played "in my youth", they can still strum a few basic cords, but really can't play. I have a Gibson hummingbird my wife gave me back in 83-ish, why, I have no idea. Maybe she thought I develop unknown talents. I told it's a nice guitar, quite a few people have strummed it over they years and say "very nice". But one night at the store a customer who came in all the time (doctor of some sort), had just bought a new hummingbird, asked me bring in my old one. Bastard sat down and knocked out UJB off top of head. Blew me away. BTW - said my old hummingbird was much louder than new ones.

    So Dave, do you play? Also other folks out there, do you really play? I believe some of you are in bands?

    Just curious.

  • musicnow
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    bonus disc

    The bonus disc is simply amazing! Classic songs/jams and the sound is superb. This was a GRATE addition to a magnificent show. Thank you Dave!

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

....the infamous Wharf Rat show (for all the wrong reasons). I have listened to this one and it was instantly forgettable for sure. Jerrys levels were turned so far down, I believe even he knew something was amiss.

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And I should have added that even when the band didn't bring it on, we still had a good time with our friends and even on an off night, the boys always came through on a few tunes. Imagine playing 3 hrs+ of intense music and making no mistakes, particularly under commercial pressure on a tour with shows attended by 10s of 1000s. Man, I'd plop one in my diapers just coming out on stage...

I do clearly remember a Rocks show in mid-80s when I realized -- having watched Jer for 12 years in the GD and solo -- that he was out of synch somehow. At that time, I wondered if anyone else heard/saw/perceived what I did. I had no idea about his habit at that time, but looking back now realize I knew his music and approach on guitar and vocals well enough to know something was amiss.

But, yeah, to Jim's point, so I caught a sloppy first set. At least I wasn't up on a ladder painting houses that day. Or driving a forklift or a truck, all of which were among the crappy jobs I had before I turned pro at age 28.

I had an amazing run, 1972 to 1992 (no shows between 1987 and 1991). Of the final two, in June '92 in Albany (I was cultivating in the mtns of Vermont that summer), one was so-so, the second one pretty strong.

In fact, just to have been alive at a time when this band was still killing it is one of my greatest pleasures and inspirations.

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"¡Ándale, ándale! ¡Arriba, arriba!"???? That was what the Speedy Gonzalez cartoon character said, based (not very well) on Mexican peasant Spanish. It's a pretty harsh stereotype, and not even accurate given that Miami's Latin community is primarily Cuban, with very few Mexicans. Kind of embarrassed for you.

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In reply to by Vguy72

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Glad I saw every show I was fortunate to see...there were definetly some that weren’t as good as others, definetly plenty of average shows, but I don’t think I ever usually felt the whole show was bad.
Just like after say 91, increasingly, it became less and less likely to see a whole show that was good. By 92 there’d always be moments, but these would decrease with time.
I haven’t listened to most of these yet, and I’ve found that after a listen, usually it will improve a show memory rather than taint it. But I think most of my negative memories were at least somewhat situational, influenced by expecting what we’d been use to for so many years. So the changes, and the scene, and getting a little older, and going back to college at like 30, all influenced our perspective to perhaps be more critical? When I listen now after all these years, I wonder what I was so down about? Much of 87 is like that for me: thought meh for most of it then, but can dig much of it now...
Thus, eventually the brief moments of goodness were starting to not be worth the resources and sacrifices, so we’d only go if nearby or convenient etc. But again, I wouldn’t trade being at anyone of them, and miss it all more than anything!

80s: of course there was some shwill now and again, 86 seems to feel like there could be some ruff patches? But don’t recall ever feeling a whole show sucked. Used to think 3/13/81 was lame, but the recording has proved it was just me! Now I love that show.
91: saw 6, recall all were at least decent, most good, nothing mind blowing
92: saw 6, recall most were decent. Some had good moments or sections
93: only went to 6/13/93. Really need to listen to this one because my recollection was being pretty disappointed. Don’t mean like multiple train wrecks or anything, just phone it in, boring? We’ll have to listen...
94: 7/13/94 was probably the worst? That or the last 2 in 95...again, more “what the fuck is going on with these guys” and Jerry was obviously having issues. Recall it was a bit of a shit show too, definetly hot/muggy. Was stoked for Vermont, but didn’t live up to expectations. Will have to listen some time...
7/31/94 & 8/1/94 recall being decent, had fun, and 8/1 was surprisingly mostly good. Felt like maybe there was still hope...
95: 6/30 wasn’t too bad either. Fun second set, but I think the weather had a lot to do with that. I think it inspired the band as well as us. 7/8&9/95: what can I say, it was ruff. Remember thinking “glad we didn’t pay for this crap” (there as associates of The Band) and “something is really, really wrong with Jerry”. Like it was getting seriously alarming just to look at him, and well, I have listened to these and unfortunately they do seem to reinforce the feeling of dread, some impending doom that was in the air, especially after all the reports about the whole troubled tour. But I’m really glad we went because it was totally serendipitous that we were even there, and it was nice to be there at the end.

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Because it was the last one!! I still have two unused tickets to this show... My friend bought tickets but they arrived the next day, went to will call and they wrote us a pass to get in...

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In reply to by Oroborous

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DaveRock - I was also at all the Wembley shows including 11/1 which you went to. I remember it being a decent show but they were obviously tired after a long schlep through Europe and Jerry had a bad cold. Still glad I went. After the show I just wanted to get back to my home in Nottingham after having driven down each night for the concerts and also a little zonked from travelling to Paris to catch the shows there (both excellent by the way). My friend said something like ‘hang around for a bit Frank, we won’t see them again’ and he was right. They never made it back to England.

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In reply to by frankparry

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Frank - yes, I have heard that show 11/1/90, since and its much better than I remember it. I was at all three of the Wembley shows, too. It must have been great going to Paris to see them - it never occurred to me to do that.

One of the things that sticks in my mind was how many American there were at those Wembley shows. They must have travelled all over Europe with them, and they dominated the atmosphere of the shows, from what I remember. All very intriguing-the atmosphere outside Wembley as well. I saw them twice in 1981 in London, and the American presence was nowhere near as noticeable then.

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In reply to by frankparry

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I started going in '86, so I don't have peak 70s or 60s shows to judge against.

I do not remember too many 'meh' shows until '92. And upon listening to the tapes, I realized it was usually me. Some better than others.

Nothing jaw droppingly good after that. Though there were jaw dropping moments, even in '95 (Unbroken Chain).

I guess my poorest would be my first and last. 7/2/86 Akron Rubber Bowl with Dylan & Petty (Petty carried the day). Jerry was in a coma soon thereafter. And the last Deer Creek show in summer '95, Bob singing Desolation Row as Heads broke through the gate & tore down the fence. Next show cancelled. Never saw Jerry again.

Bronze medal to Charlotte '95, even with Hornsby there, you could really tell he was struggling. High Time seemed all too appropos.

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Wharf Rat

wooowww.

The audience sure seems to like it.

Poor Jerry. The other band members must have been horrified.

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In reply to by stoltzfus

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....there's an aud tape out there somewhere where you can hear people around the taper muttering comments and they seemed kinda scared when Jerry got totally lost. There are arguments out there that he was just restructuring the song ala Dylan. No. No he wasn't. The man was lost. Sad.
I would look for it, but i want to stay in a good mood

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This show was a blast, from start to finish. This year and 1982 were the two best years at the Frost, a great box set could be made out of those 4 shows! The Frost was a very cool place to see the Dead!

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Listening to it again now. I know I listened to it another time when it came up for discussion, but didn't remember what was so wrong with it. Four minutes in, it's coming back to me. This is sad. Why he sticks to a Throwing Stones kind of riff and that fast singing is just baffling. That he gets the words tells me he was at least able to read the words on the prompter, but it's like he's reading a chord chart and never heard the song, let alone played it 300 times. But as bad as it is, it's better than the zero shows I got to see.

It's terrible that it got to where it did for Jerry that summer that he had weeks left to live. But, he also made it long past many of his peers, and stayed in the same band and helped shape both the direction and history of, not just rock, but music, and across the globe. It's great reading something that isn't about the Dead, but happens to mention them in some way, usually with a touch of snideness. Like they can point out the innovations brought about by their pioneering live sound in the 1960s that they used to propel rock music to a louder, clearer representation of the most mind blowing and exploratory music in the rock idiom. And had these pioneering PAs long before they went down Owsley's rabbit hole toward The Wall. So an article on sound may credit them with the best sound based on high level engineering and the resultant companies such as JBL, Meyer Sound, and Alembic while also mentioning in a mocking way Owsley's other claim to fame and deride the Dead as a bunch of drugged out people noodling endlessly and unable to play a song, missing the fact that the term noodling was coined to belittle Mozart's piano playing and the Dead are responsible for some of the great songs in the rock canon. Today's resurgence of bands playing their songs, of John Mayer touring this music, JRAD a supergroup devoted to covering this music, Phil's A-List lineups for 20 years proves greater than the off nights like 6/18/95. (On the Lucy in the Sky encore now and can't help but wonder if that choice was a nod to Jerry's reason for spacing out on Wharf Rat?)

Long rant, but the point can be summed up thus: Jai Alai Fronton (hopefully) arrives in days, and that's literally the kind of show that got somebody like me who never got to see them become a guy who has two giant shelves on one bookcase, and a third on another holding my official releases. 6/18/95 will never be on a shelf, and that's okay.

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In reply to by icecrmcnkd

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....your turn.

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Very cool post.

I had never listened to that Wharf Rat before tonight. So, so sad.

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In reply to by Angry Jack Straw

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....one listen was enough for me.
I was warned by reading the archive comments, but I had to hear for myself.

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Just received mine. I cant really remember a show being bad enough to remember 30 years or so later. I was always partying to much to remember. All I know is that those concerts were the best days of my life.

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In reply to by carlo13

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First off I hope everyone is safe and healthy on these parts...strange times indeed...anyway at the beginning of the year i finally lost it with iTunes (yeah I know, who hasn't)...I asked for advice here and got pointed in the right direction on various portable Digital Music Players, ended up getting a mid level Sony player that plays Hi Res music files, FLAC, WAV, MP3, ACC etc....it's strictly a drag and drop...it only holds 16 GB's worth of music but it can handle 128 GB micro SD cards...I have 4 of those filled with various stuff...the only problem is my car stereo won't recognize the files through the USB connection but it does play through the AUX input, problem with that is you cant control the player as you drive...I broke down and bought some 24/96 bit downloads of some of my classic needs and have had a blast listening to them...my last five (through headphones)

Brothers & Sisters Super Deluxe Edition The Allman Brothers...4 disc set with discs 3 & 4 being a complete '73 Winterland show that is simply amazing

Live at Leeds Deluxe Edition The Who...incredible sound, Keith's drums just snap out at you...this download actually had the correct running order of the show unlike the CD release that had the first part and the end of the concert on Disc 1 so Tommy could run complete on Disc 2...

I had to go to my Dylan Trio ... Bringing It All Back Home, Highway 61 Revisited, Blonde On Blonde...

Although I won't be buying a whole lot more of these Hi Res downloads for now I will keep an eye out for more faves...what i reallly like about this player is there is no need to convert files, I can just drop them straight in...

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In reply to by Jason Wilder

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Daverock - I went to some of both the spring and fall 1981 Rainbow shows too. I was living just down the road in Highbury at the time so no travelling. Now you mention it, there did seem to be more Americans in 1990. I saw someone who looked like Dave Lemieux in the line outside one of the Wembley gigs. This might be me back-projecting because this is 30 years ago and he would have been very young and not like he looks now. I think he did go to the shows in London, though. Whoever it was was talking (in a North American accent) to someone in the line and was carrying a large back pack which for some reason or another I remember after all these years.

I thought the 1981 shows, as much as I enjoyed seeing them, were a little subdued. I hadn’t really been following the band at the time as can be shown by the fact that I was not aware that Keith and Donna had left! I loved the venue though as much as I disliked Wembley (the venue, not the music). Paris was a blast. I only went because I used to buy (and occasionally write an article for) an English fanzine called Spiral Light and a group of us hired a coach to go over.

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Sounded better than I expected. Sounded more like confusion that sets in after a fresh bong hit of Blue Dream than H.

Anyway, saw them at the Knick on the 22nd of June, 11 from the end, last Help Slip Franklin. I wasn't a hardcore Deadhead in those days, but it sounded good and the crowd had a good time. Nobody in the crowd I was with seemed aware of Jerry's health issues other than being overweight and hoping nothing like the 86 diabetes incident recurred.

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In reply to by frankparry

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Frank..yes, I remember it well. I subscribed from about 1986-1996. I have just been up in the attic to have a look at the few remaining copies I have left, and there only seem to be two up there. But lo and behold, in issue 35, there you are-credited in the section marked "Help On The Way". I was quite sorry to see you hadn't actually written article in it-or in the other one I have. I wondered what happened to all those people who wrote for that fanzine. I had one article published-but I no longer have it.

Going back to the 1981 and 1990 London shows-the 1981 shows did seem a lot more sedate, as I remember them. The atmosphere was no different from any of the other concerts I saw. A band on stage, people sitting or standing in their appointed or assumed place-a few people dancing about-everybody facing the stage.
In 1990, when I arrived-again on 1/11/90, people around me seemed to be cheering or shouting, even though nothing was happening on stage. When the band came on the crowd were very noisy-throughout both sets. Even during quiet songs-I can remember people around me shouting and cheering during Stella Blue. The atmosphere was more like that at a football game than at any other concert I had seen. It might be a gross misunderstanding...but the people around me seemed more interested in making their presence felt than they were in listening to the music. Maybe just a different way of enjoying a show.

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Sixtus - Agreed, I always felt lucky to be at a dead show. Like you had a chance to watch magic happen.

Daverock - the crowd. Lord knows this conversation has occurred here before, but, yeah, why the hell do you go to a concert and then talk the whole time. Especially during a quite passage. Jerry searching out the dark corners of Stella and some asshole gotta yell, "JERRY". Yeah I'm sure he needed that inspiration to carry on.

Finally just listened to that Wharf Rat folks have been whining over, come on, it's okay. :-)

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Morning, rockers!!!

Wasn't supposed to be at work today, but lol here I am....................

So, is today the anniversary of the greatest dead show ever played????

Rock on my friends!!

Doc
P.S. As I recall, 4/1/85 was also kind of a stinker, the Dead played their own April Fool's Day joke on us.........

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....got my notice, looks like this is starting to drop - a burst of sunshine among dark days!

And incidentally Dave is playing portions of this on Sirius right now as I type (it's a repeat play from yesterday but even so -Cumberland is sounding fantastic).

In other news, I installed a 9-hole very legit disc golf course at my house over the past weekend, baskets & all. It allows you to walk the entire property while also honing your disc-chucking chops. All holes are Par 3, except for the third hole, which his an uphill Par 5. This is a perfect social distancing sport. Who's around?

Hope All are Well
Sixtus

...and saw AJS's clarification that his intention was not to talk about your worst show.. I hadn't read the whole thing and replied to the most recent post.

But I was thinking before I went back to bring up the most fun had a show as a nice pivot. Not to be confused with Best Show seen, the Most Fun. An easy one for me.. 6/20/83, Merriweather Post Pavilion. The great flood.

Noah where art though.

There must have been special pixie dust in the brew that night. If you've ever seen Fantasia, think the moment in the film midway through the Sorcerer's Apprentice where Mickey Mouse discovers he has magical powers but doesn't understand he cannot fully control them and things get away from him, and fast. Great water reference in the film too. That's what things were like that night.

Far from the best show I have seen but far and away the most fun. That storm! The energy, then the storm got down right scary, it must have rained four or more inches during the show, it was a deluge.. and the band kept playing on. Very Phil Centric and Loud... There must have bene something in my tea that night because most of memories were more related to the mayhem then the music and we had to literally swim home as we had walked to the show and all the highways and roads were quite flooded by the time show had ended. So imagine swimming home from a dead show with the fungus just beginning to wear off scratching your head and trying to piece back together what had just happened.

More fun than a frog in a glass of milk.

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Got the tracking number this morning. I did the subscription.
I’m psyched for this release. The SBD/AUD matrix on archive.org is really great. I love the sonic clarity of soundboards and the atmosphere of audience.

Interesting note. When Zeppelin were touring in ‘72 Jimmy page set up three audience mikes . A track dedicated to each audience Mike. I love that setup. Soundboard clarity plus audience atmosphere.

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regarding your fave Bowie boot, Santa Monica Civic '72...Being a So Cal resident I went to many a show at The Civic...I actually had a ticket for this show along with another three of my buds...unfortunately we had gathered way earlier than usual at a friend's house for a little pre-gig partying.... I imbibed a in a little too much alcohol and as I wasn't very much of a drinker when it came time to leave my pals left me snoring on the couch...they claimed to to try to wake me but I always thought it a bit suspicious that they gave my ticket to the prettiest young lady at the party and took her...oh well...

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Most fun show?

Maybe Lewiston 9/6/80. Great day of music (not just the Dead, although they did play a fine show), outdoors in Maine, tons of fun.

SPAC 6/27/85 was also fun. Only show I went to solo. Rode out on the bike, beautiful day, sat on the lawn and just enjoyed the heck out of the music. Rode down to Hershey the next day, maybe a better show but not as much fun.............

Most intense shows, anybody???
6/26/74
9/27/76
5/7/77
10/12/84
10/20/84

Rock on!!!

Doc
Celebrate 4/28/71!

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In reply to by nappyrags

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Looks like it’s coming USPS the whole way. USPS hasn’t received it yet. Wonder if it’s coming from Gnarlywood or Franklin.

Nappy, you lightweight, you missed a good show. The remastered version from a few years ago sounds way better than the CD I got in the 90’s.

Disc golf tournie at Sixtus’?

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Got the Shipping Notice. Said it will arrive Friday May 1st. coming from California

Saw the Dead hundreds of times between 1968 and 1995. Best years and Shows are from 1968 to 1974...second best times were 1976 to 1978. Early 1980's were still good but never got the magic from 1974 and earlier shows late 80's and early 90's were good too. only a few shows from mid 80's and Mid 90's were "so so" because of Jerry's condition.

I like any years for releases of shows between 1965 and 1995 as long as the sound quality is good. Those shows from the Fillmore East that lasted until Sunrise will always be among my Favorites, Jersey City 73 Watkins Glen 73 Philly Civic center 74 ALL GOOD

Chuck

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In reply to by nappyrags

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Nappyrags...whoops. Not the best show to miss in 1972 ! Even at 15 I could sense that this was a game changer.

From what you say, Doc, I would go on to say that our experience of any show depended-and still depends on, for that matter-a number of factors. And the music played is only one of them. Who we are at the time and our own personal state and circumstances influences how we perceive anything at any given time. And as William Blake wrote " A fool sees not the same tree that a wise man sees." Same thing with Dead shows.

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For Jim & others,

Ain't dead yet. The reports of my death are greatly exaggerated, although I often do feel these days that I have one foot in the grave and the other on a banana peel. Stroke, pneumonia, hip bursitis, what's next, the Andromeda Strain???

Since we've been speaking of best & worst & such:
I recall that we didn't have a good time at Colt Park in 76. I think because we had some bad acid. Many speak highly of that show, musically speaking..............

But we did have a marvelously trippy time at Springfield in 78............

Off for my MRI. As the deadhead said, Garcia later..............

Rock it on out,

Doc

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In reply to by Jason Wilder

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Jason, do you have a brother named Todd? I think I went to school with him in PA. Thought he had an older brother named Jason.

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Hey, Dave. All right? Wow, yesterday came to me here in Brazil the vol 33. Today I ran to book vol 34 and it's over? What a pity.. I'm not in luck anyway. Too bad because I really wanted to hear this GD show.

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Another great show at the Frost, just as good as the day before, if not better. The whole show burns, two encores, U.S. Blues and She Belongs to Me. 1985 and 1982 more then release worthy as a 4 show box set. The Frost and the Orpheum. Theatre, my two favorite places to see the Dead.

I hadn't given up on you Doc.. but a life well still being lived didn't sound as good so I left the wording alone.

Rock on.. Now, I have to visit the what are you listening to now thread because I hear the show du jour is Big Rock Pow Wow.. Love that release.

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In reply to by tysonsupina

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Was this directed at me?

If so, nope. Only child (though I do have 5 step brothers/sisters). Grew up and an still in Ohio. Though I had some real good friends that went to school in Philly.

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In reply to by Jason Wilder

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We had big fun at a LOT of shows. Some ones that come to mind: Buckeye '88, St. Pete '88, Cincy '89, Alpine '89, Foxboro '89, Spectrum '89, Hartford '90, Copps '90, Louisville '90, Deer Creek/Tinley Park '90, Richfield '90 (my 21st), Buckeye '91, Buffalo '92, Deer Creek/Buckeye '92, Richfield '93 (even with the snow out), Deer Creek/RFK '93, RFK '94, Auburn Hills '94.

Big fun.

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Received mine as well.

Regarding the Blizzard '93 show, upon listening later was better than I remembered. I do remember the run of songs "Terrapin > Jam > Drums > Miracle > Stella Blue" being really well played. That Stella is one of my favorites I saw. Very powerful jam.

With the exception of the Deer Creek riot show in 95', the 50 some odd shows I attended were enjoyable experiences. Alpine 86' & 87' probably the most fun. Buckeye 88' was about as not "social distancing" friendly in today's terms as it got. Jam packed. A crazy fun time for a 106 degree day.

I would give anything to be back in the day of seeing Jerry play live. I Think we could all attest to that.

On a side thought, that Germany run from E72' are really nice.

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Glad to see you back.

You and I have a lot of overlap.

I agree completely about SPAC and Hershey. SPAC was way more fun. Perhaps it was the long drive through the night or maybe the torrential rain, but Hershey was not much fun.

4/1/85 was an average show for me. The previous night was the Day Tripper, so it might have been a let down. If I recall, that was the night it snowed during the show. We exited to over 6 inches of snowfall and had to drive 5 hours through the back roads of Maine to get back to school. Arrived at 6:30 in the morning and had a Signals and Systems exam at 8:00. Got a 41. The highest grade in the class. My proudest moment in college.

Every Maine show I attended was a ton of fun. I never missed one in all my years of touring. Such a great place.

Most fun shows, aside from 10/12/84, certainly did not coincide with a well played concert.

10/12/84 stands far apart from any concert that I ever attended. Everything about it. The drive up to Augusta was during peak foliage. Just spectacular scenery. 10/11/84 was an average show. We under-dosed mushrooms and slept in the car at near freezing temperatures. The wooded knoll was too crowded to sleep. Not fun by any means. We awoke to unbelievably warm sunshine. Found a government building in town with a locker room and hot showers. Refreshed, we headed back to the Civic Center. Everyone was in such a good mood. The show itself needs no explanation. A life changing experience for sure. I will never forget walking out of there and wondering what the hell just happened.

As an aside, I was up in Maine last summer doing the tour of the three LACs with my daughter. The whole place is now littered with strip malls. Kinda sad, but I will always have those memories.

Most fun shows:

All the Maine shows were great. Oxford was especially fun, but nothing more than average shows. By average, it was still far better than anything out there. Just not life altering. That only happens once. I posted a month or so ago about Milwaukee 89. Probably the most fun we ever had, because of the town itself, not the shows. Again, nothing more than average.

Ironically, 7/4/87 was once of the worst shows I ever saw, but also the most fun. There were 30 of us. We were well aware of the headache getting out of there, so came fully prepared with grills, food, beer, etc. Way more fun hanging out in the parking lot than the show itself.

Funny you mention 10/20/84. I was there too. The Angry Jack Straw to close the first set. Never saw anything like that again either.

Peace Doc and be well.

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