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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • bluecrow
    Joined:
    Another June 13 in Seattle

    So just now recollecting that I in fact saw another June 13 Seattle show - 6/13/94 Memorial Stadium. Some might see the year and shrug their shoulders and turn away. So be it. Stadium was maybe a little over half full. It was cool and misty - I think there's pictures of Jerry Set I wearing a leather bomber jacket. Jerry was bringing it all night long. Huge Scarlet > Fire to open Set II. And the Morning Dew that finishes Set II is pure Jerry's cup runneth over with love.

    Only the first 1/2 of Set II circulates as a SB (and it sounds really good), but there are good audience pulls available. If not a POTD maybe extra credit for those who aspire to the DHB hat trick. Next night didn't have such big jams but was really well played also. And it had a That Would Be Something. At the time I didn't realize it was a Paul McCartney tune and my thought was that Hunter had written a beautiful but lyrically simple song that Jerry could easily remember!

    Sorry to hear about the hospital "stuff" Jim. Best wishes. As difficult as being in a hospital with a loved one can be, it's good that you can actually be there with them. So often these past 2 years that hasn't been an option for many of us.

    Oro - yes, what i heard of 6/24/70 was very much listenable. I'd go with the Ken Lee source, but if that wasn't available I'd still listen to the others. Amazing show. A SB holy grail - sadly almost certainly not recorded by the crew. The Not Fade Away that opens that last set is crazy good and segues into a kick ass Easy Wind.

    Second booster 2 weeks ago. Vaccines are a "miracle."

    Back to our regularly scheduled programming. Onward : - )

  • Oroborous
    Joined:
    Old folks boogie

    Down on the farm. Sounds like a hoot! (Just teasing as one who’s been there)
    Hope they’ll be well soon!!

    Bluecrow: 6/24/70, I’ll mark that down and we’ll have to slip it in…you say it’s listenable?

  • JimInMD
    Joined:
    6/80

    I'm all over that. Just back from couple days in the hospital with one of my parents in their mid 80's, so an 80's show fits that bill. Also excited to hear the new price placed ever so gently on Archive.org. What a gift.

    Thanks all.. lots of good stuff these last few days.

    Over and out.

  • Oroborous
    Joined:
    DV +

    Glad your back. Sorry, just saw the PM. Haven’t had time for here lately.
    Great minds think alike though. I was going to inquire about checking out that 80s show of nitecat.

    Yeah, sorry but I’m with Jim and I think he handled it fine.
    Misinformation is not opinion, and it’s getting out of control.

  • bluecrow
    Joined:
    6/13/80

    yeah DV, let's jump on the John Deere and join nitecat in Seattle. I listened to Set II but it was just on my laptop speakers, which are decidedly not optimal so it would good to listen on my old Sennheisers. Wild that you got locked out. I find that as of late Recaptcha will suddenly get a wild hair and its just wave after wave of challenges.

    Bonner Springs makes me think of the next show on that tour - Lousiville 7/6/90, and specifically the He's Gone > jam. IIRC good friend's brother was front row in front of Jerry and was eyeballs deep and way way out there. Brother told my friend that Jerry was locked in on him during that jam and had the most gnarly crazed look about him as he played. And years ago as I listened to it I could feel the complete holy shit energy about it. That sequence got released as bonus material on View from the Vault I, which I don't own (low on funds, pick an choose guy back in the day.)

    Found myself listening to the Ken Lee source for electric set for 6/24/70 Capital Theatre. Yowza. I can't recall doing that show as a POTDWD but feel like it had to have happened given what a monster show that is. Whole show with all the acoustic material is up in a Hance/SirMick transfer.

  • daverock
    Joined:
    a strange one

    I can't for the life of me see how anyone could take offence at Gary's last post. Surely its the intention behind what we say that matters, not the accidental outcome - and there was obviously no harm intended.

  • DeadVikes
    Joined:
    Today's Pick

    Been locked out of posting for the last four days. Nurse!

    So, it is working again. Was it something I said?

    How about about 6/13/80, from Seattle taped by our own Nitecat. Full disclosure I have never heard this show but it is getting rave reviews elsewhere. I believe he is Wiseman.

    Oh and 7/4/90 was a good show. Vocals a little funky Bob t was there. You saw a lot of good shows that summer Bob. Great Scarlet Fire.

    4/19/82- I hit this one not too long ago per a Jim pick. Great show and that Raven space had my dog hiding under the couch and my wife coming downstairs wondering what the hell I was listening to. Just Raven space!

  • JimInMD
    Joined:
    Re: Love ya gfar..

    but ...damage done with the covid vaccine? You're not supposed to snort it or smoke the stuff.

    Saying in jest.. hoping to god all holy hell does not break out here. Tread carefully and perhaps consider safer topics like religion, politics, or Donna wails. I'm just not sure this one belongs here, actually I'm pretty sure it doesn't. There are many who read these posts that have lost loved ones and it's not a passing comment that will elude attention.

    I don't believe you meant any ill will and no offense meant in my comments.

  • Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • Gary Farseer
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    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Now when I go shopping I look like the uni-bomber hood up glasses on mask I'm afraid to go to the bank.

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One typo, 3-22-93 was in ATL not Oakland. Don’t know how this site got that wrong.
Oh wait, not surprised that this site has errors.

7-31-74, Promised Land just ended, I have a lot to look forward to while cooking. Probably time for some beer.

....es no bueno. Plenty of alcohol though. Whew!
11.10.73 Bob T says? Twist my joint.
The Kinks were incredible. Every album is different! You go Davies Bros! Reminds me of another band. Too bad they fought so much.

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....is a pic from the 7.31.74 booklet. Look at Garcia leaning back and blowing everyone's minds!! Yup. Kinda like that! Lookit him loving on Wolf.

I wasn’t saying to listen to it tomorrow, I was saying “Hey Dave, how about 12-18-73 for DaP36?”
But that doesn’t mean that you can’t listen to it tomorrow after 11-10-73.

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You’re so lucky to live in a cool state.

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....list shows attended. Pour some good bourbon, light a preroll and go!
Nevada is a cool state, Vegas mayor notwithstanding.
Prepping the grill for ribeyes.
I fear for my home city though.
I still have Primus tix for July in Vegas.
LMG says 10.6.20 will be a date to focus on. Kept it short and sweet. We shall see.

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My vote is for the Winterland show, though Curtis is incredible.

Maybe some Pig and/or Brent shows going forward?

Peace

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Bolo so incredibly envious i think is the word.... 11/10/73, first show wow!! Playing>Uncle John's>Morning Dew>Uncle John's>Playing, I think I would have passed out!!! Did you go the next night??? bob t

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Still working my way through this monster. Love the Scarlet opener. Great first set. Nice China Rider. Love the Eyes, WPS.

Every time I listen to this show, I always think the fidelity is just a little off. Doesn't seem to match some of the other 74 releases like Dick's 31, RT2
2.3 or Dave's 9, the May MT show, which are all A+ in sound quality. What do you all think? Do I have a bad copy?

Winterland 73, wow Bolo that is pretty cool that was your first show.
I am in on 11/10/73 for tomorrow.

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....I'm representing the Big Rock Pow Wow 5.23-24.1969. Road Trip Vol 4. No 1. I was one year old. Makes sense to me. Music to be birthed by.
You want the grease? There ya go.
Jimbo is especially fond of this release. Hard to argue.
If there are rules to this endeavor, I might have just broken them.

....was ahead of the curve.
Nuances. Jerry flutters the strings at the 1:50 mark of BE Women.....getting settled here.

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11/10/73 - Fine start with Bertha, Jerry's solo says it's gonna be a good night out of the box.

BOLO tell us a first show story!

And when you say "official" show, is there un-official shows? Just trying to be hip, on all the jive;)

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Bertha grooving I can see Bolo dancing, Jack, Loser into a beautiful LLR, Deal still climbing, nice Mexicali, wonderful Tenn Jed & El Paso, Fair Thee Well I want to cry, BIODTL, hoping Row J, and Weather Report takes me home.

Set 2 dives right into the deep end. Stella Blue, Truckin' are they teasing Nobodys Fault, psychedelic Wharf Rat

I remember listening to this run when I first got it 11/9 I thought was great, the 10th was okay some nice parts played very well. I think they were holding back some so they could blow everyone's minds on the 11th. It's played with enough energy to carry from 9 into the incredible 11.

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... As you can see, being a rock n' roller ain't no bed of roses.

Love these guys! 11/10/73 commencing.

Peace

Set 1 was a real nice trip.

iTunes is telling me I haven't listened to this since 10/11/13 @ 12:41pm & I'm thinking I was probably pretty toasted then based on the time..

I'm really getting a lot out of these revisits... so many days between.

Crazy to think that in 2008 this was the 2nd big Box Set of a run of shows released. Previously planned for 2006 release, who remembers waiting?

Brokedown Palace 1 of 7 from '73.. real good.
Weather Report Suite was so good too.
(little tape flutter I'm hearing in there?).

Time for a Set Break.

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What show are we doing today, Winterland 73 or Big Rock Pow Wow? I'm so confused...

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I would be right at home at this one. Can't wait till tomorrow.

This site thinks I'm a robot. Do I look like a robot?

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I got a rabbit sits out front of the house everyday listening to the tunz. Them must be some good picks.

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Dillon Stadium had some kind of dynamic effect on the band. Exploratory China Cat /I Know you Rider . , think about 50 year anniversary of Harper College May 2 next Saturday . Considered one of the most amazing Dead concerts of all time.
Mark me down for Seminole Powwow, Alligator land.

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In reply to by Strider 808808

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November 73 is so damn good. This show is awesome. Again, the focused listen to get through the whole show in one day is fun. I will be checking out 11/9 and 11/11 again this week as well.
Sound quality is A+. First Plangent Box, what a great job and partnership with Dave and crew.

Always like hearing a Brokedown Palace. Of course the Playing/UJB/Dew/UJB/Playing sandwich is epic.

Great finish. Big River, Stella Truckin, etc. Casey Jones encore.

And you were there Bolo, wow! What a unbelievable first show.

Great Pick!
Thanks a lot folks.

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The sea was angry that day, my friends.

My brother and I arrived at the corner of Post and Steiner, queueing up to enter the vaunted Winterland Arena. It was my birthday present from him, and the first time I'd seen the Dead since 1/14/67, the Human Be-In (thats a whole 'nother story).

As we're waiting to go in, my brother ran into a college buddy of his, Dell Furano, who was working for Bill Graham at the time. He and his brother would go on to form Winterland Productions with Graham the following year.

Anyway, Dell decided that we should see the show from a unique vantage point - a wooden light/camera box perched on the side of the wall with a great view of the band, stage right. We had to climb up a less-than-stable wooden ladder mounted on the wall, and I'm pretty certain we and other friends of the Furanos exceeded the legal weight capacity of said box by at least 200%.

As the show went on, any beer that was confiscated at the front doors mysteriously found its way up to our little box. It was a pretty steady supply for the duration.

During the set break, we found ourselves in the middle of a spontaneous drum circle in the lobby. We were chanting and banging on anything we could find - trash cans, empty beer bottles, etc. After several minutes, a rather large security dude came toward us and pulled a wooden baton out of a hip holster. I thought we were in for it, but he just joined in, banging on a concrete column and grinning widely. The whole scene was as cool as one could possibly imagine - complete bliss!

After the famous Playin' sandwich to launch the second set, well, that was it for me. Plaster from the old ceiling was literally raining down on us as Phil dropped bomb after bomb, and I was in heaven - I'd officially found my seat on the bus!

After the show we hung around for a bit with a few folks, waiting until I felt it was OK to drive. I remember leaving through a side door, and I paused for a couple seconds and peeked out the door, because I wasn't entirely convinced that I was walking outside to the same planet Earth I'd departed a few hours earlier. Turns out my instincts were correct - the world would never look or feel or sound the same to this day. I, like all of you, was granted the extreme privilege of peeking behind the curtain. The soundtrack to my life had been established once and for all, and it's been a glorious journey ever since.

The End.

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From where I was standing, I could see directly into the eye of the great fish.

A Great and Well told story!

You just can’t beat that, thank you sir.

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"Mammal." "Whatever!"

11/9 Takes most of set 1 to get it dialed in, some roughs spots here and there China> Rider, Playin' pretty good. HCS to open set2.

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The "Brokedown" is gorgeous, that whole 2nd disc is great, and the "Wharf Rat" is glorious. It was fun to dive into the boys towards the beginning of 73 (DiP28) and towards the end. What a great year!

I have (surprisingly) never listened to Big Rock, as I missed nearly all of the Road Trip series on the original go through, but I have found a way to stream it - looking forward to hearing what all of the hype is about!

Peace

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....consists of beer brats with medium cheddar wrapped in crescent rolls and portobello mushrooms in a butter/garlic sauce with thyme and parmesian.
Looking for a chateau, 21 shrooms and one to go.
It works.
I'm no cook, but I spent last night at a Holiday Inn. Evens out.
Onto the second set.
Oh. And a merlot.

11/10/73 - Kidd Candelario’s tricked out 2-Track recording of Winterland ’73 along with Bolo24’s wonderful tale and copious recounts and reviews from GD scholars & fans took me there!

Said to be “maybe” the best 2-Track recordings from ’73 in the Vault quality wise

Set 2 Absolutely Rocks and the 1st of 3 PITB > UJB > Morning Dew > UJB > PITB palindrome is definitely the highlight. The rest of the set really sparkles too.
Really rockin’ Big River, nice Stella, top notch Truckin’ > Wharf > Sugar Mags, OMSN.
One of my favorite moments you ask?
Right before the Encore you hear a fan call for “Casey Jones!” and then “Drivin’ That Train…”
Ah.. Winterland that hallowed hall, I wish I knew you!

Ask and you shall be rewarded, right Bolo24?

Such a great first show story. Thanks again for sharing, I liked that firsthand account as much as the revisit, and the two together… Extra Sweet!

Yet another reason ’73 is mentioned as a “best” year for the GOGD.

Alright, onward you say? 5/23 & 24 of 1969 you say? Well, well, well…

After yesterdays revisit of '73 I'd like to hear that 11/11/73 Dark Star again & 11/17/73 DaP V5 Palindrome #2 again

So I’ll toss those two out to the wind and let’s see if they make it into our little revisit list..

But until then I will go with you all to the cosmic year of 1969!

PS - If no-one wants to listen to the two shows mentioned above 11/11/73 & 11/17/73 then, lmk cause I’ll listen to those in my “spare” time;)

ICECRMCNKD - 12/19/73 Complete Show Re-Issue / ReMaster. YES Please!!!

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Commencing now.

"Hard to Handle" right outta the gate!

Looking forward to this one... I'll be sure to keep my hands out of my pockets.

Also, got my shipping notice for Jai-Alai - looks like delivery by end-of-day Friday. Good stuff.

Peace

EDIT: Just saw that according to our friend Doc, 4/28/71 may be the best show in GD history. Well, I know what I am going to put on after the Pow Wow!

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What a show the 23rd is, how many times did they do St. Stephen>the Eleven outta Dark Star? This is a really good Dark Star and a very nice Morning dew, what's not to like. Plus I think this is the first Casey Jones. I have been to the Seminole Indian Reservation, went to the Phish show down there for the 1999 new years run, but that's a different story. I can only imagine how desolate and out in the middle of nowhere this show must have been, must have been a gas to drive on Alligator Alley to get to this show. I've also seen Alligators and Indians and have experienced Orange Sunshine, just not all together at the same time :)

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10 was dialed in so from Bertha on the sound was there maybe a few tweaks here and there, they were really able to hear each other very well kinda like 8-24-72 where you can hear all the nuances, and the band played very well. I made it to Eyes from the 9th it was late and things didn't seem to be clicking.

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Pigpen just heckles the shit out of the announcer.... "You ain't if you don't shut up!!" Listen closely if you never have... I threw a quote out from this show when i requested to listen to the Dave's Wichita 72 show, "Don't be programming it baby let's just get it on!!""" bob t

Running a little late, just getting into Set I of of 11-10-73. Bolo, that's quite the Origin Story!! Such a fun vivid picture to have painted for this collective listen. Wow, the sound is dialed in from the get go. Gorgeous. Another great pick o' the day. Disc 3 from the next night was in the road music rotation for a good while, but even that seems like ages ago. Looking forward to the Big Rock Pow Wow - that sequence with He Was A Friend Of Mine is sweet!

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The Spirit's are alive! The Katcinas here.

This show sound dialed I can hear everything twice the band is playing great, Dark Star through the roof. What i like most about the era is it goes right into it. Bear was The Sound Man I guess everybody else learned it from him.

When life gives you lemons you go put on Pow Wow from '69.

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I enjoyed today's listen - though I must admit that I did not do the back-to-back 30~min. "Lovelights."

"Death Don't" is a track that I need to listen to more often - one of my favorites from the earlier days, and I thought this one was haunting and perfect.

I too was at the Phish 1999 NYE shows in the Everglades, and yes, I did see some gators. What a trip it must have been to be there in 69.

Good stuff. And yes, the band really did seem to give that announcer hell.

Peace

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Sounds real nice. I hope that the 24th sounds good too but this Lovelight is pretty good.