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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Strider 808808
    Joined:
    Frank Zappa / Montana

    My second and last time seeing Frank Zappa was in 1974 at the Berkeley Community Theater . They performed Montana. Kin Vassey on vocals was over the top outrageous. Who writes this stuff?

  • JimInMD
    Joined:
    Hartford Tomorrow, Sure..

    Full Disclosure, I just finished 5/14/78 today.. great show, but I get the feeling one day soon, I will have to be more descriptive with my show reviews.. RockThing is probably right, albeit I am an in moment kind of fungi.

    Additionally, I want to do 5/14 74 to.. as I think I might be going to Montana Soon... so I think that was the suggested pick today, but for us slackers that were behind.. can we do this the day after tomorrow by chance?

    I think this is a big tent group, all picks get covered eventually.. castles made of sand, slip into the sea, eventually....

  • DeadVikes
    Joined:
    Tomorrow's Pick

    How does 4/4/88 Hartford sound? Edit. Jerry was sick during this show. Recording sounds fantastic, Jerry is hurting.

    There is a fresh Miller transfer from June of this year. Recorded by Healy and Pearson.

    I will start the campaign now for more 88, oh and while we are at it, more 79-81.

    Peace folks.

  • Strider 808808
    Joined:
    5/14/74

    All this talk about Montana. I better check it. Rock-thing, I’m impressed you know about Joseph Epes Brown. I lived in the Bitterroot Valley for a time in the 70s and was friends with Joseph and his family. I also used to sit in on his class. Informal student. He would have me share stories of New Mexico in his class, Southwest Indian Religions. I’m still on the trail.
    Grateful Dead forever!

  • 1stshow70878
    Joined:
    Record Skips

    Rockthing, Since that LP is almost new a skip could be a tiny chunk of pressing material. If you can't see a visible scratch going generally sideways debris is possible. Get a bright light and a hand lens to look down in the groove. I've had luck with a toothbrush for removing a chunk as well. Soft things obviously. I still use a discwasher brand record brush every play and sometimes without the liquid for a quicky dusting if it was cleaned recently. Also use that hand lens to examine the tip of the stylus. If it still looks pointy and not missing a chunk or too rounded it may not be the stylus. In my dormitory days where my roommate or friends may have been doing the DJ-ing I discovered my Shure M-44E (basic mid level cart.) had a slightly bent cantilever but still played fine. Vinyl is the best. Good luck and cheers.

  • rockthing
    Joined:
    JimInMD>
    Hey, man. Thanks…

    JimInMD>

    Hey, man. Thanks for indulging me. I won't say I don't have preferences for material, and so forth, and occasionally find myself in hyper-critical moods, but that's what discussion is for, I reckon. Ten people all sayin' "killer" isn't very enlightening, but it certainly makes for quicker browsing! ^^; There's good stuff happenin' right through their career, and it's fantastic to be able to watch (listen to) the evolutionary process, even when it sometimes feels like the spark is not what it once was. The goddess still shines upon them.

    Just did one full run through the 5/14/78 Providence show. Day-yum. I had ta start takin' notes.

    This Let It Grow is cookin' and what the hell is this crazy hyper jam? Whoa-- That Jerry tremolo picking is out of control, no, totally IN control. Perfect. I think I'm starting to understand something I read about the band's veer toward gluttonous virtuosity in '78. This is some killer playing (see, I said it). The dancers must already be picking their asses up from the floor. They're gonna need oxygen by the time this tune is over. I've tried to find merit in the Giza shows, but I think they really can only be described as nothing short of disastrous. I have not heard the compilation that was finally officially released. Keith is goin' nuts here. Really on it. It's impossible to think that just a year from now the lineup will be totally revamped. Holy Shxt! That's not even the ending jam! This is off the hook.

    Sampson & Delilah continues the absolutely rockin' high energy trip.

    Ship of Fools is a nice surprise. Jerry's diction seems kind of odd. He still has that silvery tone, but maybe the old pipes are already startin' to show some wear and tear. When was the laryngitis show? That was '78 wasn't it?

    Estimated is nice. Really searching, possibly a touch on the aimless side, but I'm not really gonna complain about Jerry jammin' a minute or two longer. Might relisten to this.

    Eyes is off to the races, but Phil is just shredding the arpeggios. I think that's Phil playing in the upper register just goin' over and over... hard to tell, but that's usually where Phil's bass solo goes.

    Dude, the NFA jam is 15 minutes long and that doesn't even include a St. Stephen, or GDTRFB (yet).

    Ahh, Bobby takin' a little time out for a little on-the-job slide training. lol. :)

    Man, they brought the HEAT to Providence. I can see how this'd be good music to do housework to. Done. Lickety split.

    Ok. I really did have other stuff to do today. So you're rid of me for a while.

  • DeadVikes
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    Hey Rockthing

    Good to hear from you. You are right, a couple of months did make a difference with the sound and performance from year to year. Shoot, I was always thought from one night to the next, you could hear a big difference sometimes.

  • JimInMD
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    Re: At the Risk of Double....

    There's no rules here, feel free to ramble on and off topic, on and off the pick of the day. Great posts.. sorry about the record skip.

    I am better suited to hang here than some of the other threads, no era or keyboardist is out of bounds and a very positive vibe. It all flows like a very well tuned show... Just my two cents.

  • rockthing
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    At the risk of double…

    At the risk of double-posting...

    Strider 808808>

    Wow. A Joseph Epes Brown reference! Thank you! Black Elk Crying For A Vision from a mid-70s omnibus made a huge impact on me in my late teens, but I've only recently got round to picking up The Sacred Pipe in its entirety. You actually studied with him!? m(_ _)m

    The Ken Babs book sounds interesting. I know what a Water Buffalo is, but not the expression about shooting one.

    So many Dead-related books. I've got a ton wishlisted, but there's only so much time in the day. I've been interested in the Owsley book for a while, but have yet to pull the trigger.

    I wanted to hit that 7/31 show last weekend but just couldn't get it going for one reason or another. Couldn't remember if I already had a copy, or if I only knew it from legend.

    DeadVikes>

    3/24/73. That's always a good idea! :D

    Oroborous>
    Oooh, 2/14 at the Carousel. That's cookin', ...or cleanin' I guess in your case. ;)

    Not sure I'm familiar with 5/14/78. Had 9/2 on repeat play last week, or so. We often talk about years regarding the Dead sound, but a few months can make a big difference with these cats. :) Thanks for the tip... as if I need any encouragement..... up to Brown Eyed Women now, listening to the matrix and downloading the mono AKG source. Lovin' it! Never had any problems with '78, myself, other than the stunning disappointment of the GIza shows :0 IDK, I usually associate 78 with the great groove they've got goin' on here in the 5/14 show. Wow. BEW is hot, and that was just the first guitar solo. Damn. Cheers, folks. Whatever I was supposed to be doing this morning has just gone out the window. lol. :D

  • rockthing
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    Hey Now. I guess this thread…

    Hey Now. I guess this thread /is/ called "Pick of the Day", not simply "Now Playing with Discussion", but I'm just gonna bore you with stuff I've been listening to lately.... and then you probably won't see me again for a month, so, hey, decent trade-off, I'd say.

    First off, right now I've got 3/24/93 Chapel HIll rollin'. (I'll explain later) It's weird how in the second set the band totally sees-off Jerry's attempt to start Crazy Fingers out of the Playin' Jam. Phil basically sounds like he's just thrown his hands up, and completely stops playing. In fact, basically every just stops, er... dead. Only Vince seems game to find something to do. When Jer finally gives up, they launch into Box of Rain. After they finish BoR Jerry immediately starts Crazy Fingers again and they actually do it, and do they ever.

    Whadda ya figure's goin' on there? Did Jer "forget" the pre-written set list? was it like a super-tease, or did Jerry just get vetoed on his audible? The Playin' jam was sounding cool and a spaced out transition into Crazy Fingers would've been killer. However, Box of Rain into drums would have been, let's just say, unusual. It seems Billy's got some bidness to take care of, 'cause it pretty much immediately turns into a Mickey Beam solo.... as did the 3/25 drums, but Space takes off into a Spanish Jam that seems to go on and on, thankfully. When they launched into GDTRFB I was thinking, wait, what song were they just playing, did I space out?... well, I guess in a way I got spaced out. ... Now that I think of it, there may have been a "We Want Phil" chant starting in the Phil Zone, but it's not audible in the SBD, and I can't remember if that was actually before Box of Rain, or not.

    The Crazy Fingers is actually really cool, btw. SPOILER ALERT there's this momentary, and initially slightly awkward, little Playin' reprise before someone gets on the intercom (you can hear the ambient noise disappear for a second... yes I'm listening to a board for once) and seems to call it off. All of these questions seem to typify the sort-of cool, detached, risk-averse nature of this period. Haven't found an AUD source from the Dean Dome that has much life to it. Might be some new ones. It's a basketball arena designed to amplify cheering voices, not music, I'd imagine.

    Anyway, just wanted to take a peak at Jer the last time I saw him, in Vegas back in '94, and the same YouTube uploader also had the second night from Chapel Hill, which is notable for its nice Terrapin, and perhaps more so for the stellar Morning Dew. Jerry keeps trading sly grins with someone, and getting an outright laugh out of watching Bobby do his thing. I actually read the comments on YouTube videos 'cause, wow. there are some opinions out there. One dude mentioned this Crazy Fingers from the 24th and how the first night had "always" overshadowed the second. In my mind it had been the other way 'round, which sent me to the Archive this monsoon-drenched morning. Yeah, nobody goes back to listen to 90s Dead, I know. Even the band seems bored sometimes, but there are diamonds in the rough. More often, however, there are outright wth? mysteries like the one above.

    The other one... on heavy rotation has been the 50th Anniversary Skull & Roses 180g vinyl. Missed the propeller variant waiting for the credit card roll-over date. Anyway, wow, the bass is boomin'. I mean, it's not overpowering booming, but there is a LOT of Phil. I A/B'ed it with the single disc CD, and even though there's a lot of Phil on that too, he's allotted a lot more low frequencies on this version... which is odd, because people will tell you that you can't put too much bass on vinyl or it'll cause the needle to skip. No fade in, but Bertha also starts a few seconds earlier than on the CD version. There's some little warming up noise before they hit it. Pretty superfluous, but, hey, 2 more seconds! I have not heard the OG Skull and Roses vinyl, but I actually debated on picking one up from Discogs instead of getting the anniversary edition, which ended up being released three weeks late. The price is comparable. Maybe next month.

    Speaking of records skipping, I've had the 5/4/72 Olympia Theater vinyl for, what, less than two months and Bertha is already skipping. I think I screwed it up with the generic replacement stylus that I installed back in April. Apparently the Sure stylus/cartridge division has gone belly up. I've kept the old needles lying around, and found one that had been swapped out really early for some reason, so I went back to that. Otherwise, I can't figure out what the problem could be. I play my records, but consider myself more careful than most when handling them. Hard to say. I might have damaged the record, or stylus myself, but it looks like I'm in the market for a new cartridge. The vinyl had no problems at first, but I have records I bought 30 years ago that still play fine, while this one is skipping after 5~10 spins.

    The difference between Phil's bass frequencies on the Olympia Theatre record versus Skull and Roses, is beyond description. Phil is fully present in the Olympia Theatre release, but he couldn't deliver a bass bomb if he tried with the frequency range he's assigned here. Wanna compare with the Europe 72 album, but actually don't have a copy of Europe '72 in any format. Just ordered a green label '72 pressing. It was a mint for one in decent condition, but so will any 50th anniversary that might come out next year be. These are supposed to sound amazing. They've already done a bunch of Europe 72 reissues recently, so it might get the Live/Dead treatment.

    Two non-audio notes about the Olympia Theatre box are regarding the photos used for the inner sleeves. At first they seemed really dark, and not particularly interesting. The photo of out-of-her-mind-on-Owsley Donna was of interest for how calmly she appeared to be peering out into the spotlight, but a closer look reveals a rather wild set to her jaw, or perhaps I'm just projecting. The other photo that finally grabbed my attention was the Side 1 photo of the band, completely washed out in red lighting taken from stage left, almost behind them. Bobby is standing out front in the spotlight singing and Jerry and Phil appear to be standing behind(!) Billy with Pig at the organ stage right harmonizing with Bobby. So, Jer and Phill would totally just retreat into the shadows when they didn't have any singing parts in those days? Fascinating. Might depend on the stage. You don't see that in the Veneta footage, but there really weren't any shadows that day, were there.

    Anyway, my answer to a question nobody asked.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In process and it has been a while. Sound quality from my perspective is somewhat lacking. Love the Dupree's, It's all over now, good Passenger, Brown Eyed Women. Just finished Eyes, really good. Again, wish the sound quality was better.

Thanks Bolo and Mary!

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In reply to by DeadVikes

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Disc one is fun (it's a mix of several shows, me remembers...CR&S is always welcome)
Disc two is sublime. Eyes, Playin' > Wheel > Playin'. I do notice some sound quality issues at times, but they are not horrific and permanent. I remember the Playin' is good as always, and then gets reeeeeeally good
Disc three is phenomenal. As I listened recently, I remember smiling at the glory of the show. Scarlet > Fire, Truckin' > The Other One > Wharf > Around

the Madison show took place about 50 miles north of where l lived at the time. but since I was in 8th grade, I had no clue or awareness of that fact.

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One of my favorites Scarlet>Fire's of all time.... Also love the Samson when after a prolong opening jam Weir does the woohoo type of shout out!! I've posted about the Scarlet>Fire before but there is a Jerry Keith chord interaction after the singing in Scarlet that for me is mind melting!!! Good first choice Bolo... One last ramble, for me this show 2/5/78 is in my mind is the last show of 77... The April tour after this has a different vibe..

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In reply to by bob t

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....listened to the first disc last night. Cold Rain, All Over Now, Duprees and BE Woman all top shelf renditions. Man. Iowa got all the good shows. Will start up disc two a little later.
Thats the show with the extended Samson due to Bob's mic difficulties, correct?

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A few momentous stand outs for me: The Music Never Stopped; this version easily made it onto a "best of" compilation early on and has never been supplanted. Fight me. Also, the Estimated > Eyes of so so good. Beautiful elongated Eyes intro, then just mad jamming all the way through, nice upbeat Eyes tempo. Great exploratory Estimated as well. I love the drop into Eyes here; expertly pulled off. The Scarlet > Fire is very awesome too. Long, jammy. Nothing new here, just adding my love.

Nice idea.
Sixtus

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The first thing I noticed is that it features two nights, but unless I am looking in the wrong place, there is no indication which nights which songs are from. I could have checked in Deadbase...but that's upstairs and as I was settled down to listen I didn't bother. It looks like one first and two second sets.

I have just played the first cd so far. Coming from Europe 72, this sounds a lot simpler rhythmically. During Spring 72, you can focus on Bill, Phil, Bob, or Keith - as well as Jerry obviously-and they are all playing with energy and imagination. Here, the focus is more just on Jerry. I like his fiery guitar sound on here, but I am not as keen on Bob's sound. Donna, on the other hand, sounds nice on Looks Like Rain. I prefer this version of Good Lovin to the ones played in 72. It sounds almost calypso-a real celebratory sound.
The cd picks up pace nicely on the last three songs, with great guitar solos from Jerry. It seems a bit more like standard "rock" in a way, compared to the swing they had with one drummer and a fully functioning Keith. I enjoyed listening to it, but I will probably leave the first of the set 2s for tomorrow.

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Not much left to say LLR crackled like a thundercloud!

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....Jerry fresh off his laryngitis. The crackling in his voice during Wharf Rat proves it. His voice was never the same, but still rocks my soul.
Trey Pistachio dropped another song. "Are You There Colleen?". With a message of getting off drugs. Methinks Colleen was his dealer back in the day. Might be wrong. Never right.
I had a dealer back in the day. Name was Chill. Called him from payphones. That was a long time ago though. Thank God.

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At the start of 1978 I'd sort of lost interest in the Dead, having last seen them in 74. 78 was my fifth year in college (yeah I know) and I was way more into jazz than rock in large part due to an awesome jazz club on campus, the Backdoor. The place just had a constant stream of major talent coming through. McCoy Tyner, Charlie Mingus, Elvin Jones, Roland Kirk etc. So in early January I see the Dead are gonna be at Golden Hall so my girlfriend and I say "What the hell?" and I get tickets for 1/07. Now in 78 the Dead were not that big of a draw and I wasn't expecting much, sort of a nostalgia trip. Wrong. They were great, just awesome. So after the show we immediately get tickets for 1/08. These were the Bobby songs only nights but that didn't matter a bit. My girlfriend (now my wife) cried during Looks Like Rain. We were back on the bus until 85 when the arrival of our first kid changed everything. Footnote to that is our last show was a week before his birth and she was major prego and treated like royalty by all you wonderful heads. So I love DP 18 and I especially like the Eugene show release. Stay home.

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Nice! I'm overdue for a listen.

RE: DP18, agree with Jim - Brown-Eyed Women is PERFECT! For that matter, so is TMNS - powerful! And then there's disc 3. If I had to rescue only one single disc from my burning house, this one would be in the running. That Scarlet/Fire is a half-hour blissfest, Truckin' is solid, TOO is insanely good. Masterful music!

On to Wichita!

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....has metal influences. Garcia tapping into his inner Iommi. My ear told me so.
Wichita this soon into the game? Bold move Cotton. Let's see how it pans out.

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Love the Dodge Ball reference!!

funny how they didn't list out what shows the songs are from. even funnier, the songs in Disc 1 are actually from 3 shows - Its All Over Now and Duprees are from 2/4/78 Milwaukee! The Wikipedia entry for DP 18 lays it out if you're interested. Deadbase IX also lists a soundcheck of Ripple x3 in Milwaukee - what the heck is that??!!

As others have noted, among many highlights a great Music Never Stopped and Eyes of the World from 2/3 - love the super long intro to Eyes, it reminds me of a post-hiatus favorite, 6/8/77. They Love Each Other is fantastic. The 2nd set from 2/5 is just wild. Such a raw sound to the Wolf! Would love to see released the Uptown shows that immediately proceed this. Worth noting how rare The Wheel was at this time - 2/3 was first time played since mid fall '77, another year until played again on 2/17/79 (Keith & Donna's last show), and then another year and a half before it finally re-entered regular rotation.

A couple technical notes - based on Dick's Caveat Emptor, 2/3 appears to have been recorded at a slower tape speed (7.5 ips vs. 15), and so the sound quality is a bit rougher. Also, IIRC, there is an unpatched gap (sad face) in the jam between verses 2 and 3 in Eyes of the World. There's a very nice audience of 2/3 on the Archive if anyone wants to hear that.

Now on to Wichita!!

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After listening to almost 4 hours of insanely wonderful music, the overriding conclusion is that, in my opinion, NO ONE can play guitar like Garcia did. At times subtle and nuanced, at other times raging, but always just exactly perfect within the context of the song they were playing. Remarkable, really. Feeling blessed to have experienced GD/JGB live so many times.

Garcia may not be the "best" guitarist (highly subjective, as most of those inane "best of" polls demonstrate), but he is the only guitarist I can listen to every day. That includes Hendrix, Page, Clapton, Gilmore and whoever else you want to throw in there.

It's grate to be a Deadhead!!

http://www.quickmeme.com/meme/3p838b

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You're a harsh taskmaster! Listening to Grateful Dead concerts will continue until morale improves.

Bluecrow - thanks for the tip. There were a couple of compilations that came out in the 1990s that featured songs from multiple shows, but didn't indicate in the sleeve notes which song came from which show. Ladies and Gentlemen from April 1971 and Dozin' at the Knick from Spring 1990 were two others.

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Agree 100% with your comments on Jerry, what a genius! The whole band was.

Just finishing up Dave's 11 now. Comments to follow.

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Dooo, just listened to that last week, for first time, so maybe we’ll sneak another round in after this 71 grease fest we’ve got going on today .....fall 72 is def fo shizzle....

EDIt: MHAMMOND12...whoa. I’m not sure what’s more impressive, seeing the laryngitis shows or all that top shelf jazz in a club setting???

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Dicks picks vol 21 , not the main show the extras , Iko iko > morning dew > sugar magnolia . Absolutely sublime , and without doubt one of the best dew’s 😸

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I shouldn't really call the Backdoor a club. It was an empty room on the ground floor of the Student Union and Performing Arts building on campus that the A.S. booking people converted into a small concert venue. Just a stage and corked walls. No seats. No refreshments. Bring your own. The talent that appeared there was unbelievable looking back. Freddie King. John Lee Hooker. Two memories...sitting under McCoy Tyner and watching his right sock working its way down past his ankle has he stomped his foot keeping constant time...Roland Kirk playing the flute with his nose, playing three saxophones at once, playing the piano with his elbows and head, and careening around the room playing saxophone being led by his handler (Rahsaan was blind you know) who had an air raid siren he would blow off in your face if you didn't get out of the way fast enough. And none of this seemed like a gimmick. Bright moments indeed.

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This show and bonus tracks from Oklahoma City is definitely top stuff. Sound quality is A+. A great Bear recording! Man, he did great work.
The whole show flows nicely, although not a long second set. Love the Sugaree, Bird Song is awesome, Jack Straw, Box of Rain! Come on. Casey Jones to close the first set and than open with Cumberland. Great Truckin Other One, very unique Other One. Always loved Brokedown Palace and this one they play flawlessly.

I will throw out 12/28/79 Road Trips 3.1??

Let me know Gents.

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I like the post-space UJB and Bertha on that one a lot mainly for Brent's harmonies. Overall a classic pick with a lot to like. I might give DP5 (12/26/79) the edge however. That pick is hefty.

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Listened to both Dave Picks 11, 11/17/72, and Europe 72, 04/07/72, as assigned by Bolo. Dave's Picks 11 is one of my favorite releases. Great recording by Owsley improved by the treatment of Mr. Norman. Has an incredible Bird Song. Just a wonderful release.

Europe 72, 04/07/72 Wembley just blows it away. Leaves a smoking crater where Wichita used to be. Europe 72 can not be bettered.

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This one has a nice slow relaxed build up with some ripping Jerry. TOO than blows the roof off! The only TOO>Brokedown Palace. End of set 2 all great. A perfect prelude to the next to nights.

ps. 4/7 Rips the paint off the walls from the first note. No contest.

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Okay Bolo, what are your thoughts?
Next show for today?

I suggested 12/28/79. RT3.1

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I’m down, right after my John Prine compilation

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I relocated last week and since that time I have been unpacking as much as I can and maintaining my workload from home. So I have been out of commission here for a while. I came across this pick of the day and I am all for it.

Just to throw a show out there ( not for today) but how about 9/8/73? I have never heard it but Dick Latvala spoke highly of it. It might be nice to give it a listen.

Meanwhile it looks RT 3.1 will it be for today. Maybe I will add 4/8/72 as well.

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Nice - been a while since that one hit my headphones.

MHammond gets a gold star. But what did you listen to AFTER lunch?

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I was at this show, it was a blast! Sugaree, High Time, The Music Never Stopped, this show was great from start to finish. This show sounds so much better then Dave's Picks 31 from just a .sound point of view. Yeah, this show was a hell of a lot of fun!

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Sugaree lovely, the rest of the set is okay Music rocks! Set 2 Alabama grooving, GSET explosive!, Terrapin super sweet jam, PITB end jam is sick!, UJB outta drums/space yes!, short Miracle, Bertha>Good Love, CJ , OMSN rockin!

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In reply to by fourwindsblow

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....on it. (I'm the tour buddy still in the car doing bong rips as y'all are heading to the gate.)

https://relisten.net/grateful-dead/1983/09/10
Santa Fe Downs. Give me this. But for Friday. I'm working tomorrow, but off Friday.
I've stood at Santa Fe Downs and looked east. The view is spectacular.
Whats all the hubbub, bub?
It's got a Music opener and a Cold Rain encore. Warts and all.
Things are strange outside. Bird Songs all day.
edit. Found something!!
https://faroutmagazine.co.uk/grateful-dead-jerry-garcia-favourite-song/
Spoiler alert. Row Jimmy. Also a favorite of Bill The Drummer. It was playing as I read it (12.28.79. Disc one. Track four).
I still don't believe in coincidences.

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DaP11: Last half of disc two - the whole He’s Gone thru BDP is incredible

Just starting RT3.1 now , if the first song is any indication of this night, I’m in for something special!

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17 years 4 months

In reply to by DeadAreMyDealers

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Hendrix Freak threw this one out a couple days ago but yall were onto something else.....it got me thinking about some primal dead, and haven’t had a good 68 fix for a bit....So Wadaya say Laddys?

MHammond: RT 3.1, nice pick. Started to go through the 79 stuff when DaP 31 came out but didn’t make it, rember liking this one more than 31, and yesterday confirmed that. Really need to get to DP 5 from 12/26, it’s been so long for that one. Maybe this weekend I’ll roll that?

VGUY: I’m down with some Santa Fe tomorrow. Heard about this one for years but don’t think I’ve ever checked it out. Plus 83 would be a nice change up here....

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In reply to by DeadAreMyDealers

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12/28/79! Is this the best RT release? Maybe, certainly the best 79 release from the Vault so far. Betty did another excellent job here.
I like this release more and more every time I listen to it. Sound quality is A+.Sugaree opener! Different feel to this show without Keith and Donna, but I dig it. Brent's keyboards really shine. Really good flowing Terrapin, Playing, UJB. The show closers are fun and groovy. Makes me want to get up and dance.
And then there is the bonus disc, from 12/30/79. 10 additional songs of bliss. Scarlet Fire, Let it Grow, Truckin! Sweet.

Would love to see more 79 and of course 80. The early Brent years! I know the Chicago release didn't match this release but 79 has a lot to offer.
Yesterday I also listened to 9/1/79. Not an official release, but again great 79 sound.
If you have not heard it, check it out.

Looking forward to our next pick. Let us know!

I can't take credit for that pick. I'm trying the Europe 72 night by night thing and I'm already behind.

Playing now.
Is that today’s pick?

First got this on cassette in mid-90’s and loved it right away. Then got a CD-R copy. Was really happy to get it as a commercially released CD.

This show needs a Plangentized/Normanized remaster 180g vinyl record store day release.

Edit:
Looks like I’m a day behind. No worries, I’ll catch up.

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In reply to by icecrmcnkd

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Good to have you kid.

Bolo, what are your thoughts on the last pick. Sounds like the crowd is feeling Dick's 22 for today/ tonight. I will have to sit this one out as I don't have this one. Looking forward to tomorrow's choice.
Be well folks!
Snowed here in MN today☹️