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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    Thanks BC

    Was wondering what Spirit looked like.
    Here's to him.
    Cheers

  • JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I believe that was the decision, but I know GOGD is also jamming the 50th of 5/1/70 today.

This one seems to be missing the 2nd set, but it has 1 and 3, and sounds typical Charlie Miller awesome!
https://archive.org/details/gd1970-05-01.sbd.miller.95683.sbeok.flac16/…

I'm going with Dick's 5, as it was my suggestion, and one of my all-time favorites! Shakedown>UJB Reprise encore? Yes, please :)

Peace

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....starts off with Cold Rain & snow, C.C. Rider and Dire Wolf. No complaints so far!

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@VGuy - Dick's 5 12/26/79 is gonna rock!

@OTIS - Nice PICK bro!

Didn't mean to muddy the waters I just had to listen to some acoustic Dead to start my day, anniversary and all.. so I hopped that train.

But that next train be passing later today and I'll be hopping aboard it to join you all fo sure!

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Nice pick and, the best thing is it's Betty Board.

Starts off with CR&S you know it's gonna be Hot!! haha

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Now maybe I can catch up with all theses great picks!

Wait...every day is like a weekend.

Never mind.

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Hot DAMN!

"Alabama>Promised Land" should have ended more sets. Scorching!!!

What a wonderful set - incredibly strong playing throughout. Aside from the closing duo, I particularly liked the opening combo of "CR&S" and "CC Rider," the "Brown-Eyed Women," and Bobby's reading of "LLR."

Got some meetings to pretend to care about, so Set 2 will have to wait for a bit.

Peace

the little brother in the Christmas story...trying to keep up with the bigger kids in his giant snow suite!
But I’m trying, lol

- 5/23&24/69 ✔️ Smoking! Got this a year or so ago. Gets lots of rotation...
RT 2.3 6/16&18/74: do not have yet. I’ve been catching up on the RTs I was missing as they were re-releasesing them regularly almost on schedule with Dave’s. Started at 4.5 and were moving forward until last year then it stopped for some mysterious reason? Started again this winter so I’m up, down, whatever to 3.2, but no news as to when they’ll do next one? This is a bummer because I’ve been drooling for all the volume 2s, which would of been out by now if they’d kept to their schedule. Doooaaaahhh! I have most of vol 1, and at least copies of everything except vol 2...did pick up Dicks 29 and 31 though. Have a copy of 31. Not a big 77 fan but most of 2 shows for $69, WTH....

RT 1.4 10/21&22/78 ✔️ Just went with the chop release, but easy enough with my trusty Album Player SW to put in correct sequence (including bonus disc material). This release is all over the place, but I mostly enjoyed it, and some parts, like most of 10/21 were fuggin ripping! Estimated, Mojo, TOO, and holy shit Batman, forgot how hot that Stella is, patches and all! The rest was ok, though I was preoccupied so maybe missed something. But 10/21 was a pleasant surprise as I don’t normally listen to 78 much. Nice pick, hadn’t heard in too long.
Oh, yeah, that Workd to Give >> A&A was awesome. That song has always been one of my favorite Jer tunes. Yes, it boggles the mind why they didn’t keep playing it? This and Believe it or not, though I like WTG better...I need to check out that 10/17 show as it gives me the “hot” vibe...

Also been sneaking in some E72 shows or at least the good parts. Looking forward to DP 5 12/26/79 today as I continue to sort through great piles of accumulated crap in the lower level. Hopefully get 4/29/72 in tonight on the big boy system. Definetly DP 8 5/2/70 tomorrow. Haven’t heard either of these Dicks in quite a while. Love them both so stoked. So enough rambling, let the tunes begin!
Rock on folks!

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I just got done with set 1 now I have to take a
break to put the fire out, that was blazing.

Takes a whole pail of water just to cool him down.

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I just got the Sting openers from Sam Boyd '93

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DiP 5 was one of the first of the series that I got, and I have been in love with it ever since. The heat of the first set is only enhanced over the course of the next two discs - every tune is a highlight for me. The track after Drums, labeled "Jam 2" is a trip! Sweet "Brokedown", rocking "Around>JGB" (another pairing they should have done more often) and then the awesome "Shakedown>UJB Reprise" encore - just an all around killer show.

This pick is a big reason why I consider the Fall/Winter of 79 to be a pinnacle in the band's illustrious career. Thanks for jamming to this one with me today, and...

Happy Friday, DeadLand!

Peace

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In reply to by fourwindsblow

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You talkin' to me? :)

All 3 nights? I'd like to hear those.

How was Sting at RFK.. you got to see Jerry jam with.

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I only got the last two nights at Sam Boyd and the second night at RFK so far they are from sbd and sbd-aud. The RFK is the one Jerry jammed on so I get to hear it now.

When I was at RFK '93 I unfortunately didn't go in for the openers. I only saw a few Dead show openers, CSN Buffalo '90, Little Feet Giants '91 and Steve Miller Giants '92.

ps. They sound good. Intermission music.
pss. I wish I could get them to you I can only go snail mail.

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In reply to by fourwindsblow

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Good to see you Oroborous! What burn out?

Bolo, what did you send Jim?

When is the next mind bending contest?

79 has a lot to offer, good pick. Would love to see this one remastered.

Peace folks!

FWB: Nice! I had to look for a minute, but I do have that 5/16/93 opening set after all.

RFK '93: Were peeps raving about it when you got there that Jerry jammed with Sting? Curious

That was trip seeing Donna Jean! She's funny. Bobby Weir and 7/2/89 next week Bro!

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Don't want to say, as I'm not sure he's opened it yet.

Another contest (perhaps) after the warm glow of receiving DaP 34 has subsided a bit.

Does anyone have Dave's #34 yet?

Mine still just says label created, which is not a good sign.

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'RFK '93: Where peeps raving about it when you got there that Jerry jammed with Sting? Curious'

I don't remember people saying much about it I don't think many peep's went in for Sting. I personally was a little worried that last night of the tour I hadn't planned on the RFK shows so I didn't have a plan on how I was going to get home after the show as I was hitch hiking that summer but, I new that I had friends there I tried for two days to find them to get a ride home. So I skipped out during Liberty on a last chance to find them in the lot it was like looking for a needle in a haystack so I started to go up and down the rows in the lot and I hear someone ask me If I would like a cold soda and here it was my buddy I was looking for I was so re-leaved I found them and was not stuck in D C.

Things always seemed to work out at the shows.

12/2679 remaster, I have the vinyl record of this show and that was supposed to be a remaster J. Norman

Have a goodnight everybody see ya tomorrow.

....we saw him the first night in Vegas '93. He was pretty good....Partied a little longer in the lot the second and third shows because we assumed they would be pretty much the same sets (which they were). Sting never sat in either.

FWB: that summer ‘93 story is great! Good times :)

DeadVikes - my tracking stayed shipping notified until today, looks like it might come tomorrow.. hang in there, it’s coming! :)

Reissue 5/2/70 now has CR&S said DL. (Remastered?)
I did not know that..

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In reply to by Vguy72

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There's a lil variety in those set lists, especially the 3rd night

Prob caught wind that he needed to try a little bit harder ;)

Race ya! Portland or Nevada... who gets there first?!?!

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....had focused listening to the first set @ work. Solid. Then phones and clients. Home now. Second set starting. Very familiar with this release, but never got tired of it.

....it was right there! Then they decided to make a left hand turn into a Caution Jam. That then faded into a Mojo jam? (echoes of 10.21.78 sans Lee Oscar's harmonica)....for a few seconds there, is it Stella or a rat in a drain ditch? Ditch it is.

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....good pick dude. Nothing Shaking on Shakedown Street. Ain't that the truth.
12.26.79 gets 8.8 out of 10 goonies.
Harpur College on tap. The cream.
Be safe people. Wash hands. Play Dead.

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Well, I'm ready when you are. In fact I've already listened to half of it.

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Poor Jim was probably sworn to secrecy by agent Bolo to never reveal what the prize was with threat of being put in front of firing squad.

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Thanks man!

The transition from U.J. into Estimated was perfect.

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Perhaps because the Dead are about to blow some college minds wide apart.

Dick's Picks 8, 50 years ago today. Acoustic set for breakfast - very nice indeed :)

Peace

.. sorry for the delay and for getting behind here. It all started a few days ago, when I got a parcel on my front porch addressed from:

Bolo24
CIA

I didn't think much of it.. I set it aside in the part of the front porch where I let mail age for a couple to three days before opening. Then at some point yesterday I got to that stack of mail that had cleared the quarantine period, I opened the package. Now.. I live in a quiet neighborhood for the most part, but immediately upon opening I heard the sound of three large vehicles pull down the street and stop in front of my house. Turned out to be three Lincoln Navigators with dark shaded windows. I did glance briefly at the contents of the package, which was sparse. A change in skivvies, an n95 mask, some minimal food, water a gps device, a high def portable music player with a small graphic of the 5/2/70 Dicks Picks cover, a Visine bottle marked for emergency use only and a new passport with my picture and the name Henry Spencer on it.

After getting in one of the Navigators, we proceeded several miles away to a clearing. When I went to get out of the vehicle, someone placed an ether soaked rag over my face. I am just waking up now from a tranquil dream state, my bed, a thin layer of straw covering the dirt floor. The structure, privative with a thatched roof. There is a stump next to my sleeping space with some items on it including a small laptop with access to the internet somehow.. The bottle of Visine is now empty and I have this strange taste in my mouth. The portable 5/2/70 music player is there, I can hear running water in the background.. rapids of some sort and a small booklet that appears to be instructions. I can hear monkeys howling in the background, something must be going on and it's quite hot and humid here.

Reading the instructions now.. "....barely time to wait.., grab your stuff, put the headphones on, hit play don't forget your passport. Walk out the door ..now. Watch out for the monkey's they are not friendly....." The monkey's all stopped howling in unison, not a good sign. more to co

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Your the tops! Your the tower of Pisa, your the smile on the Mona Lisa...

I don't how you do it but, keep it up brother.

I got to get out today so stay safe and everyone have a great show.

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I Know You Rider, very spiritual ,
Kinda like that feeling I get when I listen to Iggy Pop. Just kidding.
Three set Grateful Dead was a rare bird . 1970 throw in NRPS and one had an awesome , exciting night of music.

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I got a head start on this in the wee small hours this morning, starting with the Dead acoustic set. I realize now this must be my favorite Dead acoustic set. Every rendition here is an all-time favorite. There may be more carefully played "Rider" 's but none more heartfelt and urgent. Well, the whole show is heartfelt and urgent. A half acoustic/electric "Cumberland" - perfect! The crowd is electrified by the "Friend of the Devil". Note the band's half-hearted reprimands when it ends.

Next, the spectacular NRPS set. I didn't realize before that Mickey was still their drummer at this show. It's a treat to hear Mickey as the sole drummer, and I think he's perfect for this music. Marmaduke's vocals are always good for the head. David Nelson's picking is right on point. (dang, I was supposed to see Nelson for the first time last month before the Covid Kabosh) Garcia is tearing it up on pedal steel, you can tell he's having a blast. Here again, the crowd is electrified. McDuke seems pleasantly taken aback by it - witness his exclamation of "far out" after Lodi.

Both sets have a good amount of Dead Freak screams from the audience - like the Aoxomoxoa St. Stephen screams. These are always a welcome addition to the proceedings. For me this cosmic cowboy music is just as deep and profound as the psychedelic electric stuff - next up.

p.s. Jim have you been watching Ozark, or something? :)

Hey y’all! Last night’s show on shakedown stream was a blast! What’s today’s pick? I need to clean my apartment and need some tunes!

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"We're going through some transitions. Our music is not what it was: it's continually changing. What we've been doing in the States lately is having like 'an evening with the Grateful Dead.' We start off with acoustic music with Bobby and I playing guitars, light Drums and very quiet electric bass. Pigpen plays the organ. Then we have a band we've been traveling with, The New Riders of the Purple Sage, where I play pedal steel, not guitar, Mickey plays Drums, and three of our friends from the coast, musicians that we've known for a long time, are fronting the band. So we start off with acoustic music and then The New Riders of the Purple Sage - it's like very snappy electric country-rock, it's kinda hard to describe - and then we come on with the electric Dead, so it keeps us all really interesting, and it's six hours of this whole development thing. By the end of the night it's very high." - Jerry Garcia speaking to Dick Lawson 5/24/70 - England

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For those of you looking for some extra credit on this fine Saturday, here is a link to the Charlie Miller transfer of this immortal show, which contains the full NRPS set and sounds WAY better than the only other version of that set that I can seem to find. It also has the full Dead show, in case some of you don't have the actual release.

https://archive.org/details/gd1970-05-02.138227.sbd.miller.flac1648

JimBo - Letting your mail age for a couple - three days... priceless! I hear the news contained therein gets a little smoother that way. Stay safe out there, and watch out for those monkeys!

Peace

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Tell ya all a Story -
At some point shortly after High School, I got a hold of the Mama Tried, Me & My Uncle & The Weight with Bobby Ace from Harpur College, I think it was from the Grateful Dead Hour in around ’88 (can’t confirm that) or maybe it was just filler on a tape. Anyhow, it wasn't properly labeled and didn't have a date, so it was kind of a mystery. When I heard the harmonies & pedal steel on Mama Tried, MAMU I was mesmerized, what is THIS!?! Then The Weight came on, a song I’d grown up hearing on the radio, so familiar and yet never like this. Is that Bobby & Jerry singing? Is this the Grateful Dead playing The Weight (not sure I even knew the song title). I listened to that tape over and over and over. It was unlabeled, there was no internet, I was just a high school kid in Ohio, didn’t have a good trading connection, got most of my “quality” stuff off GD Hour at that point, would sit in front of my tape deck and anxiously wait & look forward to it every week. I loved listening & thinking about that tape. The tape would remain a cherished mystery for years. At some point I lost the tape, and would think about it from time to time, I wonder where that was from? what the hell was that?…

Flash to today. Well all these years later, on it’s 50th anniversary, I can hear that “tape” in it’s proper context along with the most Amazing evening with the Grateful Dead.

What A Long Strange Trip it’s Been!

Grateful Dead coming on in about 10 - 15 minutes.. Thank you!

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If I had to pick just one Dead show to attend out of all the Dead shows ever played, this would be the one. Only gripe, I wish they would have played the full version of Candyman, like the killer version on 5/15/70. Love the Dire Wolf.