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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I believe that was the decision, but I know GOGD is also jamming the 50th of 5/1/70 today.

This one seems to be missing the 2nd set, but it has 1 and 3, and sounds typical Charlie Miller awesome!
https://archive.org/details/gd1970-05-01.sbd.miller.95683.sbeok.flac16/…

I'm going with Dick's 5, as it was my suggestion, and one of my all-time favorites! Shakedown>UJB Reprise encore? Yes, please :)

Peace

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Submitted by Vguy72 on Fri, 05/01/2020 - 08:56

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....starts off with Cold Rain & snow, C.C. Rider and Dire Wolf. No complaints so far!

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Submitted by The Good Ole G… on Fri, 05/01/2020 - 08:59

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@VGuy - Dick's 5 12/26/79 is gonna rock!

@OTIS - Nice PICK bro!

Didn't mean to muddy the waters I just had to listen to some acoustic Dead to start my day, anniversary and all.. so I hopped that train.

But that next train be passing later today and I'll be hopping aboard it to join you all fo sure!

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Submitted by fourwindsblow on Fri, 05/01/2020 - 09:01

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Nice pick and, the best thing is it's Betty Board.

Starts off with CR&S you know it's gonna be Hot!! haha

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Submitted by bolo24 on Fri, 05/01/2020 - 10:19

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Now maybe I can catch up with all theses great picks!

Wait...every day is like a weekend.

Never mind.

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Submitted by Thats_Otis on Fri, 05/01/2020 - 10:36

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Hot DAMN!

"Alabama>Promised Land" should have ended more sets. Scorching!!!

What a wonderful set - incredibly strong playing throughout. Aside from the closing duo, I particularly liked the opening combo of "CR&S" and "CC Rider," the "Brown-Eyed Women," and Bobby's reading of "LLR."

Got some meetings to pretend to care about, so Set 2 will have to wait for a bit.

Peace

the little brother in the Christmas story...trying to keep up with the bigger kids in his giant snow suite!
But I’m trying, lol

- 5/23&24/69 ✔️ Smoking! Got this a year or so ago. Gets lots of rotation...
RT 2.3 6/16&18/74: do not have yet. I’ve been catching up on the RTs I was missing as they were re-releasesing them regularly almost on schedule with Dave’s. Started at 4.5 and were moving forward until last year then it stopped for some mysterious reason? Started again this winter so I’m up, down, whatever to 3.2, but no news as to when they’ll do next one? This is a bummer because I’ve been drooling for all the volume 2s, which would of been out by now if they’d kept to their schedule. Doooaaaahhh! I have most of vol 1, and at least copies of everything except vol 2...did pick up Dicks 29 and 31 though. Have a copy of 31. Not a big 77 fan but most of 2 shows for $69, WTH....

RT 1.4 10/21&22/78 ✔️ Just went with the chop release, but easy enough with my trusty Album Player SW to put in correct sequence (including bonus disc material). This release is all over the place, but I mostly enjoyed it, and some parts, like most of 10/21 were fuggin ripping! Estimated, Mojo, TOO, and holy shit Batman, forgot how hot that Stella is, patches and all! The rest was ok, though I was preoccupied so maybe missed something. But 10/21 was a pleasant surprise as I don’t normally listen to 78 much. Nice pick, hadn’t heard in too long.
Oh, yeah, that Workd to Give >> A&A was awesome. That song has always been one of my favorite Jer tunes. Yes, it boggles the mind why they didn’t keep playing it? This and Believe it or not, though I like WTG better...I need to check out that 10/17 show as it gives me the “hot” vibe...

Also been sneaking in some E72 shows or at least the good parts. Looking forward to DP 5 12/26/79 today as I continue to sort through great piles of accumulated crap in the lower level. Hopefully get 4/29/72 in tonight on the big boy system. Definetly DP 8 5/2/70 tomorrow. Haven’t heard either of these Dicks in quite a while. Love them both so stoked. So enough rambling, let the tunes begin!
Rock on folks!

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Submitted by fourwindsblow on Fri, 05/01/2020 - 13:59

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I just got done with set 1 now I have to take a
break to put the fire out, that was blazing.

Takes a whole pail of water just to cool him down.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 14:11

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I just got the Sting openers from Sam Boyd '93

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Submitted by Thats_Otis on Fri, 05/01/2020 - 15:23

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DiP 5 was one of the first of the series that I got, and I have been in love with it ever since. The heat of the first set is only enhanced over the course of the next two discs - every tune is a highlight for me. The track after Drums, labeled "Jam 2" is a trip! Sweet "Brokedown", rocking "Around>JGB" (another pairing they should have done more often) and then the awesome "Shakedown>UJB Reprise" encore - just an all around killer show.

This pick is a big reason why I consider the Fall/Winter of 79 to be a pinnacle in the band's illustrious career. Thanks for jamming to this one with me today, and...

Happy Friday, DeadLand!

Peace

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Submitted by The Good Ole G… on Fri, 05/01/2020 - 16:35

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You talkin' to me? :)

All 3 nights? I'd like to hear those.

How was Sting at RFK.. you got to see Jerry jam with.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 16:54

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I only got the last two nights at Sam Boyd and the second night at RFK so far they are from sbd and sbd-aud. The RFK is the one Jerry jammed on so I get to hear it now.

When I was at RFK '93 I unfortunately didn't go in for the openers. I only saw a few Dead show openers, CSN Buffalo '90, Little Feet Giants '91 and Steve Miller Giants '92.

ps. They sound good. Intermission music.
pss. I wish I could get them to you I can only go snail mail.

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Submitted by DeadVikes on Fri, 05/01/2020 - 17:56

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Good to see you Oroborous! What burn out?

Bolo, what did you send Jim?

When is the next mind bending contest?

79 has a lot to offer, good pick. Would love to see this one remastered.

Peace folks!

FWB: Nice! I had to look for a minute, but I do have that 5/16/93 opening set after all.

RFK '93: Were peeps raving about it when you got there that Jerry jammed with Sting? Curious

That was trip seeing Donna Jean! She's funny. Bobby Weir and 7/2/89 next week Bro!

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Submitted by bolo24 on Fri, 05/01/2020 - 18:15

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Don't want to say, as I'm not sure he's opened it yet.

Another contest (perhaps) after the warm glow of receiving DaP 34 has subsided a bit.

Does anyone have Dave's #34 yet?

Mine still just says label created, which is not a good sign.

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Submitted by fourwindsblow on Fri, 05/01/2020 - 18:29

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'RFK '93: Where peeps raving about it when you got there that Jerry jammed with Sting? Curious'

I don't remember people saying much about it I don't think many peep's went in for Sting. I personally was a little worried that last night of the tour I hadn't planned on the RFK shows so I didn't have a plan on how I was going to get home after the show as I was hitch hiking that summer but, I new that I had friends there I tried for two days to find them to get a ride home. So I skipped out during Liberty on a last chance to find them in the lot it was like looking for a needle in a haystack so I started to go up and down the rows in the lot and I hear someone ask me If I would like a cold soda and here it was my buddy I was looking for I was so re-leaved I found them and was not stuck in D C.

Things always seemed to work out at the shows.

12/2679 remaster, I have the vinyl record of this show and that was supposed to be a remaster J. Norman

Have a goodnight everybody see ya tomorrow.

....we saw him the first night in Vegas '93. He was pretty good....Partied a little longer in the lot the second and third shows because we assumed they would be pretty much the same sets (which they were). Sting never sat in either.

FWB: that summer ‘93 story is great! Good times :)

DeadVikes - my tracking stayed shipping notified until today, looks like it might come tomorrow.. hang in there, it’s coming! :)

Reissue 5/2/70 now has CR&S said DL. (Remastered?)
I did not know that..

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Submitted by The Good Ole G… on Fri, 05/01/2020 - 18:57

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There's a lil variety in those set lists, especially the 3rd night

Prob caught wind that he needed to try a little bit harder ;)

Race ya! Portland or Nevada... who gets there first?!?!

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Submitted by Vguy72 on Fri, 05/01/2020 - 19:06

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....had focused listening to the first set @ work. Solid. Then phones and clients. Home now. Second set starting. Very familiar with this release, but never got tired of it.

....it was right there! Then they decided to make a left hand turn into a Caution Jam. That then faded into a Mojo jam? (echoes of 10.21.78 sans Lee Oscar's harmonica)....for a few seconds there, is it Stella or a rat in a drain ditch? Ditch it is.

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Submitted by Vguy72 on Fri, 05/01/2020 - 20:36

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....good pick dude. Nothing Shaking on Shakedown Street. Ain't that the truth.
12.26.79 gets 8.8 out of 10 goonies.
Harpur College on tap. The cream.
Be safe people. Wash hands. Play Dead.

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Submitted by daverock on Sat, 05/02/2020 - 00:38

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Well, I'm ready when you are. In fact I've already listened to half of it.

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Submitted by fourwindsblow on Sat, 05/02/2020 - 03:22

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Poor Jim was probably sworn to secrecy by agent Bolo to never reveal what the prize was with threat of being put in front of firing squad.

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Submitted by fourwindsblow on Sat, 05/02/2020 - 05:15

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Thanks man!

The transition from U.J. into Estimated was perfect.

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Submitted by Thats_Otis on Sat, 05/02/2020 - 05:43

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Perhaps because the Dead are about to blow some college minds wide apart.

Dick's Picks 8, 50 years ago today. Acoustic set for breakfast - very nice indeed :)

Peace

.. sorry for the delay and for getting behind here. It all started a few days ago, when I got a parcel on my front porch addressed from:

Bolo24
CIA

I didn't think much of it.. I set it aside in the part of the front porch where I let mail age for a couple to three days before opening. Then at some point yesterday I got to that stack of mail that had cleared the quarantine period, I opened the package. Now.. I live in a quiet neighborhood for the most part, but immediately upon opening I heard the sound of three large vehicles pull down the street and stop in front of my house. Turned out to be three Lincoln Navigators with dark shaded windows. I did glance briefly at the contents of the package, which was sparse. A change in skivvies, an n95 mask, some minimal food, water a gps device, a high def portable music player with a small graphic of the 5/2/70 Dicks Picks cover, a Visine bottle marked for emergency use only and a new passport with my picture and the name Henry Spencer on it.

After getting in one of the Navigators, we proceeded several miles away to a clearing. When I went to get out of the vehicle, someone placed an ether soaked rag over my face. I am just waking up now from a tranquil dream state, my bed, a thin layer of straw covering the dirt floor. The structure, privative with a thatched roof. There is a stump next to my sleeping space with some items on it including a small laptop with access to the internet somehow.. The bottle of Visine is now empty and I have this strange taste in my mouth. The portable 5/2/70 music player is there, I can hear running water in the background.. rapids of some sort and a small booklet that appears to be instructions. I can hear monkeys howling in the background, something must be going on and it's quite hot and humid here.

Reading the instructions now.. "....barely time to wait.., grab your stuff, put the headphones on, hit play don't forget your passport. Walk out the door ..now. Watch out for the monkey's they are not friendly....." The monkey's all stopped howling in unison, not a good sign. more to co

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Submitted by fourwindsblow on Sat, 05/02/2020 - 06:55

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Your the tops! Your the tower of Pisa, your the smile on the Mona Lisa...

I don't how you do it but, keep it up brother.

I got to get out today so stay safe and everyone have a great show.

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Submitted by Strider 808808 on Sat, 05/02/2020 - 07:33

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I Know You Rider, very spiritual ,
Kinda like that feeling I get when I listen to Iggy Pop. Just kidding.
Three set Grateful Dead was a rare bird . 1970 throw in NRPS and one had an awesome , exciting night of music.

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Submitted by Gollum on Sat, 05/02/2020 - 09:02

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I got a head start on this in the wee small hours this morning, starting with the Dead acoustic set. I realize now this must be my favorite Dead acoustic set. Every rendition here is an all-time favorite. There may be more carefully played "Rider" 's but none more heartfelt and urgent. Well, the whole show is heartfelt and urgent. A half acoustic/electric "Cumberland" - perfect! The crowd is electrified by the "Friend of the Devil". Note the band's half-hearted reprimands when it ends.

Next, the spectacular NRPS set. I didn't realize before that Mickey was still their drummer at this show. It's a treat to hear Mickey as the sole drummer, and I think he's perfect for this music. Marmaduke's vocals are always good for the head. David Nelson's picking is right on point. (dang, I was supposed to see Nelson for the first time last month before the Covid Kabosh) Garcia is tearing it up on pedal steel, you can tell he's having a blast. Here again, the crowd is electrified. McDuke seems pleasantly taken aback by it - witness his exclamation of "far out" after Lodi.

Both sets have a good amount of Dead Freak screams from the audience - like the Aoxomoxoa St. Stephen screams. These are always a welcome addition to the proceedings. For me this cosmic cowboy music is just as deep and profound as the psychedelic electric stuff - next up.

p.s. Jim have you been watching Ozark, or something? :)

Hey y’all! Last night’s show on shakedown stream was a blast! What’s today’s pick? I need to clean my apartment and need some tunes!

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 09:06

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"We're going through some transitions. Our music is not what it was: it's continually changing. What we've been doing in the States lately is having like 'an evening with the Grateful Dead.' We start off with acoustic music with Bobby and I playing guitars, light Drums and very quiet electric bass. Pigpen plays the organ. Then we have a band we've been traveling with, The New Riders of the Purple Sage, where I play pedal steel, not guitar, Mickey plays Drums, and three of our friends from the coast, musicians that we've known for a long time, are fronting the band. So we start off with acoustic music and then The New Riders of the Purple Sage - it's like very snappy electric country-rock, it's kinda hard to describe - and then we come on with the electric Dead, so it keeps us all really interesting, and it's six hours of this whole development thing. By the end of the night it's very high." - Jerry Garcia speaking to Dick Lawson 5/24/70 - England

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Submitted by Thats_Otis on Sat, 05/02/2020 - 09:08

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For those of you looking for some extra credit on this fine Saturday, here is a link to the Charlie Miller transfer of this immortal show, which contains the full NRPS set and sounds WAY better than the only other version of that set that I can seem to find. It also has the full Dead show, in case some of you don't have the actual release.

https://archive.org/details/gd1970-05-02.138227.sbd.miller.flac1648

JimBo - Letting your mail age for a couple - three days... priceless! I hear the news contained therein gets a little smoother that way. Stay safe out there, and watch out for those monkeys!

Peace

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 09:38

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Tell ya all a Story -
At some point shortly after High School, I got a hold of the Mama Tried, Me & My Uncle & The Weight with Bobby Ace from Harpur College, I think it was from the Grateful Dead Hour in around ’88 (can’t confirm that) or maybe it was just filler on a tape. Anyhow, it wasn't properly labeled and didn't have a date, so it was kind of a mystery. When I heard the harmonies & pedal steel on Mama Tried, MAMU I was mesmerized, what is THIS!?! Then The Weight came on, a song I’d grown up hearing on the radio, so familiar and yet never like this. Is that Bobby & Jerry singing? Is this the Grateful Dead playing The Weight (not sure I even knew the song title). I listened to that tape over and over and over. It was unlabeled, there was no internet, I was just a high school kid in Ohio, didn’t have a good trading connection, got most of my “quality” stuff off GD Hour at that point, would sit in front of my tape deck and anxiously wait & look forward to it every week. I loved listening & thinking about that tape. The tape would remain a cherished mystery for years. At some point I lost the tape, and would think about it from time to time, I wonder where that was from? what the hell was that?…

Flash to today. Well all these years later, on it’s 50th anniversary, I can hear that “tape” in it’s proper context along with the most Amazing evening with the Grateful Dead.

What A Long Strange Trip it’s Been!

Grateful Dead coming on in about 10 - 15 minutes.. Thank you!

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Submitted by billy the kid on Sat, 05/02/2020 - 09:41

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If I had to pick just one Dead show to attend out of all the Dead shows ever played, this would be the one. Only gripe, I wish they would have played the full version of Candyman, like the killer version on 5/15/70. Love the Dire Wolf.