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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Firstshow. Betty

    Firstshow, I believe she left the band in the early eighties after a relationship with Brent that went bad. She fell on rough times and had some of her recordings and Rex's recordings in a storage locker. She could no longer afford the rent and the locker was sold off to three different parties. I thought it was actually in 1986 before Jerry's coma. Anyway, she informed the band about her situation and the music in the locker. They did not act. At the time, I don't think they saw the value.

    I believe Dave has written about the returned reels in the Summer 78 Box and a couple of Dave's Picks.
    Also, there are a couple of good articles out there on the Betty Boards and ABCD LLC and their quest to return the reels to the band.
    I believe Dave's #21 was the first release from the returned reels and the 78 Box was the first box set from the returned reels.

    Oh, and wasn't that your first show?

    Edit. The write up from Dave on the reels was included in the GSTL Box, not the July 78 Box.

  • 1stshow70878
    Joined:
    Just read the rob eaton story

    about how these tapes came back. ( Dead Essays 3-26-72 from deadessays dot blogspot) Very interesting and a tidbit of copyright law that allowed him to get them back where they belonged. The guy who had them wanted a million dollars and the office basically told him to eff himself. He owned the physical tapes but not the music on them. So Dick's 30 and Dave's 14 + bonus disc it is. (and bonus disc for Rockin' The Rhein if I have it) Thanks Doc.
    Cheers

    Edit: so now I want to find out how/why the Bettys came to auction in 1986 in various lots. Was she gone by then? Why wouldn't she have gotten these back to the band? And interesting to hear a good portion of this lot was JGB and Saunders and some Jerry and Howard Wales too.

  • Forensicdoceleven
    Joined:
    If you fell down yesterday, stand up today…….

    Mornin’, rockers!!!

    Pick Of The Day: Academy Of Music March 26 1972

    Yes, I know this was briefly discussed recently, but I compose these things well in advance, so here we are……

    Back in the day, in the crazy daze of tape trading, there were no commonly circulating soundboards of this run yet. It was rumored that they weren’t recorded, there was a flood in the vault, perhaps the building had been struck by lightning. Our audience recordings---much like the Port Chester 71 run----varied from borderline listenable to truly wretched. We dreamed of better quality………

    Well, apparently, maybe they had been there after all, well guarded, well protected, top secret material. The official releases started in 2003----can you believe it’s been nearly twenty years already?---and were a revelation. While perhaps not up to the creamy scorching brilliance of the E72 tour, the entire AOM run is excellent in it’s own way, looser perhaps, but all worthy!

    I always wondered what exactly was the AOM run? Open, paid rehearsals? A tune-up for the European tour? A week long musical party to pay for their fun across the pond?

    The March 26 show was released in 2015, and while appearing “standard on paper” does have a good mix of grease, jamming, and rock and roll. What more could one expect of the Dead at that time? Absolutely worthy of a revisit!!

    The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn……

    Rock on!

    Doc
    Nothing leads so straight to futility as literary ambitions without systematic knowledge……

  • bluecrow
    Joined:
    11-20-78

    Thoughts Part I - Not sure if i ever listened to Set I, but Set II caught my attention many years ago. In part because of the obvious set list weirdness (thumbing through Deadbase) and as part of that set list weirdness the first Jack-a-Roe after the initial handful in Spring '77 (previous 6/7/77) (Jack-a-Roe can be my Cumberland) - its the only one in '78, before being brought back in rotation final month and a half of Godchaux era from 1/7 to 2/17/79. So, as Oro mentions, the word from Healy to a head was that Bob was "sick as a dog" (see IA), so not on stage beginning Set II but, trooper that he is, does make it back. Sounds like Jerry was going to open set with Shakedown but given circumstances slowly leans into what could easily be a jam out of Playing. Pretty freaking cool.

    [Edit] - Thoughts Part 2 - What a unique and amazing Set II. Total "Wow". As Inspector Clue notes, despite an eyewitness account, Bobby is back on stage for Jack-a-Roe and rest of set. The intro and outro to World to Give are otherworldly haunting and gorgeous. In that way they remind me of the atmosphere of Days Between. I think Jerry struggles on some high end vocals, maybe that's why the song didn't last. On the outro Bob's not so much playing slide but making whale calls and it sounds fantastic and beautiful. Tough to have the board cut during the Playing reprise because that Reprise is a beauty but being in the audience from there on out its clear that its a big old party and the Around and Around is a full on swinging-from-the chandeliers closer. Maybe, just maybe, the end of Set II was in fact recorded at the board, we can only hope. Would love to have Set II released.

  • daverock
    Joined:
    Gateway drugs

    Many people discovered Chuck Berry through listening to The Dead. The Stones served the same function in England.

  • 1stshow70878
    Joined:
    11-20-78

    Wanted to hear that third IIHTWTG so I went to the Bertrando/Sacks that starts at the post-Supplication Jam which without it's connection was fairly hard to guess but it sounds like Jerry was just noodling and trying to get to Playin' already. Then Drums into more pre-Playin' then shuffles right into a good Jack-a-roe. Playin' starts for real and abruptly shifts to a bouncy and funky Shakedown and has the crowd clapping along in time. Slow shift to the IIHTWTG with an almost silent (confused or maybe just respectful?) crowd. Fairly different from the debut which was as-written-clean (was this ever on a studio album?) including Bob adding some slide that turns into whale song (Jim, the gift that keeps on giving, lol) while Jerry fans the ending. Tough song to sing with lots of chord changes. Maybe that's why it was dropped? Then Playin' reprise with Bob trying to go elsewhere, but settles nicely before the slam into Around & A.
    Glad I got to hear this and thanks to Oro. Will try that 11-21-78 on your recommendation.
    Cheers
    Edit: Duh, of course! IIHTWTG was on the Shakedown album. There's a ut-oob of the Cleveland IIHTWTG with good sound but no video. Lots of interesting comments there. Lots of love for this song. One guy suggests this was a tough one to sing as it stretched Jerry's vocal range a bit. Same guy has a great detailed logical argument for why they dropped Cosmic Charlie, well reasoned. Another poster said this was their wedding song - cool! Another said it was a dedication from her hubby who has passed on. And a strange number of people said they liked/loved Bob's slide on this. No accounting for taste I guess. Oh and one said Bob had issues at start of second set which may explain some of that weirdness with the "Jams". (as Oro has already documented in his review a few posts back)
    Doc, you know what happens when the going gets weird. If not see Hunter Thompson.

  • Oroborous
    Joined:
    11/20/78

    Miller 95660, it’s an SB, but it has flaws and several patches. I didn’t mess with the others…
    11/21/78: went with Carpenter SB, recording overall better than 11/20, still has some patches.
    11/21 is a hot show! Only hiccup I recall is Black Pete…hell did they ever play bad in Ra cha cha?
    78 nuts will want to hear 11/21 and at least the Playin Sandwich from 11/20!

    December 73. What a month!
    Not sure about 1985 1st show. With no net, Deadbase etc, all we were focused on was trying to get to as many shows as practical, and hopefully later getting tapes of those shows. Never dreamed of the riches that have been mined since!
    Years later when I did start to consider these things, besides shows we were at it was all about those magic last ten shows of 73, featuring just the guys.

    3/24/71: I like 1971, but sorry, just did like 96% of 71 last year so not ready for rehash yet. I will say I really enjoyed this show though.
    That JBG off of Skullfuck was the lightning bolt that changed me from interested, to whoa, I have got to see these guys!
    It was April 78 and I was at my buddies. We listened to Skullfuck a lot sans not much else live Dead to listen to. Live Dead was still probably too weird for us to fully engage. Steal Your Money was cool, but it was all about S&R.
    Being a Hendrix freak in HS, I was really into JBG, and I’d heard this version many times, but for whatever reason something happened that day and JBG just blew me away. I made him replay it over and over and from then on the scaled tipped and I started becoming more into the Dead then the other stuff.
    The final straw was finally getting to see them in January. The rest as they say is history.

  • DeadVikes
    Joined:
    11/20/78

    I wasn't able to find a good source for this show. What source did you listen to guys?

    December 73. Another fine month Jim.

  • daverock
    Joined:
    Lagging behind

    3/18/71 is a good show - least the first cd moves nicely through it's changes, and the song list and jams to come look promising.

  • Forensicdoceleven
    Joined:
    Proceed Plan Dakota…………………

    Hey hey hey rockers!!

    Pick Of The Day: Winterland March 24 1971 (Benefit for the Sufi Choir Of San Francisco)

    Code Seminole, check 3 check 3 check 1, Red Dog over……………

    The yang to the yin of March 3. The band may have started the month off low, but they ended high. Yes they may have forgotten an organ, but this fine and underrated show is much crunchier and more expansive than what came three weeks previously.

    The Skull Album Johnny B Goode, so early in the first set. Top notch grease, especially the crispy Hard To Handle. A big jam sequence in the first set highlighted by an excellent Other One. How and why did they end the set with such a hard rockin’ Beat It On Down The line? Solid NFA suite to close set two, followed by a nice Uncle John’s Band encore.

    I know not everybody digs 1971 shows, but this one is worth a listen, and would make a nice official release some day……..

    Is it weird in here, or is it just me?

    Rock on!

    Doc
    Where's your will to be weird?

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....for one one the best shows I've heard them play. 9.7 goonie birds out of 10 and Don't Ease Me In hasn't even ended yet. Pure gold. Off today and the wife went to work. This one begs to be turned to eleven.
"Relax people. We have you all night long."

excellent anniversary pick! acoustic 1970 is such a special sound. so intimate, at times almost like you're seated cross legged in front of them in a small room with your close friends. once again, it's been awhile since I've listened to this set, more recently those in that awesome Road Trips 5/15/70 release. we really need another of these acoustic / electric shows from 1970 released. too bad that most of the fall run appears to not have been taped.

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....Jerry making that pedal steel sing. Outstanding!
If Henry doesn't get your foot tapping, better check yourself for a pulse.

....gotta take a break. Shower up. Because I know that the upcoming St. Stephen->The Other One->Cosmic Charlie is going to blow my mind and will have me picking my face up off the floor. Again.

....hitting that record button at the start of St. Stephen. Wonder why? "Guys! Wait a minute! I was hanging with the crowd! You usually take a longer break! Dammit! (Pushes the button). Ahhhh. All is good."
I got all clean, just to get dirty again. Let's gooooo!
The 6.9.76 RT release also has a cut start to St. Stephen. Hmmmm.....

DP 5 12/26/79✔️ Ahh, finally got back to this one. Been meaning to play this one. It was played all the time back in the day since there weren’t many official releases yet, or at least I didn’t have many. When DaP 31 came out I dove into as much fall 79 as I had, but somehow didn’t get to this one. So now, finally we get back to this gem. Typical for 79 but great first set, with an UJB to open the second sliding nicely into a hot Estimated. But the highlight to me is the 2 jams. The first is more traditional with them skirting around the edges of a Caution jam, with wiffs of DS and Eyes, but then Phil clearly try’s to start He’s Gone, but Jerry’s not ready until a few minutes later Phil starts again and this time they go with it, SWEET! Then after a nice He’s Gone, TOO, and drums, they slide into almost space like segment that gets delightfully weird. One of my favorite things from this tour is all the far out jams and weirdness that regularly popped up in the second sets. The rest is standard fare except a nice but perhaps a tad allegro Brokedown. Of course the big surprise is the Shakedown UJB reprise for the encore. It’s not surprising ole Dick put his name on this one, what a great 79 show!
4/29/72: ✔️so then I did this one to somewhat follow the European trail. I even had Sierra Nevada 2019 Ocktoberfest, Sierra Nevada Skiesta “Bavarian Style” and my last bottle of EKU 28. All leftovers I’ve been saving for too long for a tasting that’s not going to happen anytime soon. So not proper authentic German beer, but in the spirit of the event celebrating the fine show and DS from the sister city of my hometown, Hamburg.
10/26/89: after this one came up the other day I figured I’d give it a spin. Since it was getting late and the buzz was making me sleepy, I FF here and there and by the end of DS was falling asleep in the big boy chair, so decided, hang it up and see what tomorrow brings....was totally enjoying the show, but not sure I’d rank it above 10/9 or 10/16? I’ll have to slip back to this one after 5/2/70....

....is strong with this Spanish lady with a rose. Total cacophony, into a lulling bliss, then back into masterful ladder climbing. Its an auditory roller coaster. Pretty much perfection. Makes me feel high, without being high.
The 12:20 mark....for fucks sake. Rainbow colors blended.

my favorite year is '72, like the deep space mind melt of the Berkley show. but a fire-breathing cryptical - other one - cryptical is another beast altogether, and i love them too! phil thunder intro right now! holy shit!

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....its a full fledged Pigpen grease party. Incredible.
Life pro tip. If you have a grease fire, water or fire extinguishers don't suppress it. Gotta cut off the oxygen.
The 5:35 mark of Good Lovin'. Kicking into the extra gear. Reminds me of wild horses. Can only tame them so far until they race off.

....also marked.
Ducked out of the CD into the archive for the Cold Rain & Snow that was cut from the release. Earning my badge.

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“The goal is to find shows that can stand up under repeated listenings and still give you the goods.” - Dick Latvala

Harpur College – anyone with any common sense knows Harpur College is a show that should have come out centuries ago. It was ten years of trying to get that one up the flagpole. Healy would say, ‘That Latvala, he can’t tell the difference between stereo and mono!’ And that’s why he would reject Harpur College, cause the electric sets are in mono. So fucking what? Does anyone say that ain’t a great example of a show? I’ll tell you, it wasn’t like I snapped my fingers to have it occur, it was like embarrassing myself forever to get it out.”

Thanks Dick,
I hope you know how right you were.. LATVALA!

Anybody want Electric Wine? = Dick's Picks Volume 8

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In reply to by The Good Ole G…

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Here’s the first paragraph of the DaP34 announcement:

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

Sounds like you’re all having a good time with Harpur.

I have some more yard work to do, but then it’s Harpur, beer, grilling. Looks like I got a good evening coming.

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My 2nd Dead concert was 5/15/70 early show. That was also first time seeing NRPS. Then Workngmans Dead released late May. May 3rd was free Jefferson Airplane concert at Central Park bandshell. Super intense , only one of two times seeing JA. Kent State happened in early May .Saw CSNY at the the Fillmore East at the end of May 1970. Neil Young had already written Ohio. What a month , fifty years ago!
Now to the electric sets.

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Great Other One descriptions Vguy & thanks for those Latvala & Lawson-Garcia quotes Good Ole.
I listened to Good Lovin' and Man's World on my Saturday outdoor stroll to the Grocer. Even the Man's World shines on this show. Every note was golden that night. It was great to escape my quarantine and be outside in the sun with bugs and dogs and the Grateful Dead. This show has always felt very Springlike anyways.

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I first got this show-5/2/70-about 1987 on a very rough sounding tape. I only had a primitive ghetto blaster to play it on, but I loved it and played it to death.
So on to Dicks Picks, which sadly missed the New Riders set-which was on the tape I had, and seemed to be an essential part of the whole show. Its my favourite in the series. Then I got the vinyl last year, which has no New Riders but includes a somewhat ropey Cold Rain and Snow. But it is an incredible show in any format. The acoustic set is beautifully recorded-they could be here in my living room.

I always think of the electric set as being the last hurrah for primal Dead. The versions of Other One, Dancing in the Street, Good Lovin' and Viola Lee Blues are incendiary. It seems to me as though they take a bit of a breather with the shorter songs in the set, before diving off the high board again with these all powerful jams. I can't think of another Dead show that is like this, either. Unique and brilliant.

.....Billy The Kid said earlier "if there was one show I could time machine back to, it would be this one." I paraphrased, but you get the gist. Top 10.
Good luck to tomorrow's pick.

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Listened to the whole night together for the first time. Even though I've listened to DP8 tons of times, I really absorbed it + NRPS this time around. I may have to wander up into the mountains for a week or so to process what I just heard.

I know we're a biased lot here on this site, but, really, who else is in the conversation for Musician of the 20th Century besides Garcia? Mastery of varied instruments and genres, improvisational skills, longevity, number of people played in front of....you get the picture. Yet try to find him listed on those inane "best of" polls that pop up from time to time. Sheesh.

Maybe our deadhead brains are just wired differently than the rest of humanity. If that's indeed the case...thank you, God!!

....either you get IT or you don't. Screw the "lists". I'm hard wired. Jerome John Garcia is/was the most pleasing guitar player, at least to my ears.
Miss you.

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Right on bolo. No other musician comes close to Garcia in my world. We are lucky....

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In reply to by Gollum

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That’s why people say that they didn’t find the Dead, the Dead found them.

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In reply to by icecrmcnkd

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What a great pick, Strider. You people hear these guitars?

Haven't listened to this one a while, so great, the acoustic set! I know you Rider is so smooth and relaxed.

I have no clue when my Dave's 34 is coming. Tracking still just says lable created, not yet shipped. I guess it is my turn to experience the shipping blues.

Be well folks!

I, too, listened to the whole thing in one sitting. I managed to carve out just enough time and mother nature took care of the rest.. a relatively easy close by river was running just right, temps in the mid sixties (hey, that rolls right off your tongue).. I combined the listen with an outdoor adventure, social distance style.

Dropped off my bike at the bottom and proceeded to the top with my boat. A 12 mile wilderness canyon, a ten mile bike ride to the truck allowed me to be completely alone for the entire day with it. Most excellent. There and back again.. four and a half hours of mind blown fun, nobody could call me, text me, email me, tap me on the shoulder, ask me a question.. no one could disrupt a single note. Heaven. Plus I completely burned off the cabin fever that's been building up these last couple months. Man, if I ever get the chance to do what I did today again, it will be a life well lived. Holy shit what a piece of music. A psychedelic masterpiece, the entire thing. Oh, and to drive the point home, I did reach deep into my bag of tricks to make sure my mind was properly malleable for the journey.

No point for me to get into a song by song study, everyone else did a great job covering the details.

Great choice, great day. It really was not that different than what I described this morning.. not that different at all.

Edit: Out of shape and sore I am.. What a drag it is getting old...

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In reply to by Vguy72

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I love Paris in the springtime

Good times were had at Harpur College for sure!

Did anybody else get something cool in the mail yesterday?

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5/2/70 might have left a smoking crater of our minds...

5/3/72, Paris - that should set it right.

GOGD - Still no mail here in B'more :(

Happy Sunday, friends.

Peace

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In reply to by Thats_Otis

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The music comes on and keeps coming!

It's in the music

It's in the water

More Dead

May 5, 1970 - Colonial News SUNY Binghampton by Richard Walinsky

OTIS: It's coming!
I'ma holding off and waiting for you all, for now... :)

Sunday listening = Olympia Theatre 5/3/72.. don't mind if I do!

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Looks like everyone had a great show yesterday. I am on Dire Wolf right now sounds nice!

5/372 sounds like another fine pick. Thanks!

ps. I am wondering if anyone has any interest in doing a Sunday Night At The Movies with VFTV 4 7/26/87 Anaheim.

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I'm in a bit of a mind fog myself.. not from alcohol. ..and my body hurts.

Right there with you Otis/4Winds. I will get up some energy to make a good day of it soon. I am thinking 5/3/72 sans the stem I chewed on yesterday.

Yesterday was a glorious day in Western MD. I owe it all you guys pumping up the good vibes.. and Bolo for keeping it all unreal.

Thanks all.

P.S. View IV is a monster.. The Jack Straw opener is epic and it just grows from there.

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In reply to by JimInMD

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Extra props for being one with nature yesterday JIMINMD!

This here 5/3/72 Tennessee Jed is the first one I ever heard...

No can do VFTV 4 tonight.. But that sounds fun!

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Also The Playin'> D/S> Uncle Johns is mighty fine too. Miracle> Bertha> Sugar Mag, But the 7/26 has some unique Jerry just saying.

If this is not doable can I have tomorrows pick? Thanks!

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....but the arrival date got bumped to Monday instead of Wednesday, so there's that!
5.3.72 on deck. A 3h 40min monster! Going to have break this one up.

VGUY72 - 40 plus minutes of that close to 4 hours is a big bad Other One Monster that weaves in and out of Set 2.. and it's sounding pretty hot too.

And Monday is better than Wednesday fo sure!

FOURWINDSBLOW - The 5/2/70 Monster Other One suite is some of the greatest Dead ever IMO (and many others from the sounds of things).. and it never gets old, every time it's sick!

What's everyone thinking in regards to listening to Dave's Picks Vol 34?
They seem to be trickling in at diff times all over the country as we speak.

Just curious.. that Monster keeps looking at me...

Yes, for sure!

Love the Taper's Compendiums, out-of-date but still great!

Along with the liner notes article reprint it really paints a cool scene.

Damn, I'd love to hear the beginning of that St. Stephen, just hearing the crowd response to those opening notes..

alas, it's all a dream we dreamed, One afternoon long ago

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This is a show i really like that I had not listened to in a while.

It's a really great show, the best!

11/8/1969 Dick's Picks, Volume Sixteen

Heard it was one of Dick's all time Favorites, posthumously released as a tribute to him.

I'm on a Latvala trip, Dick sure knew how to Pick!

Latvala!

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Dick was the best!

I thought I'd make up for the '87 suggestion.

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In reply to by fourwindsblow

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FWB: Dude ‘87 pick is still in the mix!

Love ‘87 & haven’t heard that in awhile..

But.. it’s no 11/8/69
JIMINMD that was all FWB’s pick, I just picked up on it ;)

But yeah that’ll put you right back on the bus!!

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In reply to by The Good Ole G…

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....is indeed a good show. Comes highly recommended by yours truly! 👍🌹💀
Then again, I was at 7.26.87. First world problems!
Back to Paris. Love the fade out from Sugar Mags into NFA. Good stuff right there.

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Jerry was the father I never had and I like to see him when I saw him. Sometimes.

Never could compete with 11/8/69 I know.

ps, Just so ya know I'm a sixties head (Freak!).

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In reply to by fourwindsblow

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Dick Latvala's response to Jim Wise after receiving the "fixed" version of 11/8/69 master.

Initially planned to be released in honor of it's 30th Anniversary.

The amount of work put in to this recording in order for us to hear it at it's best possible sound quality, is impressive to say the least.

Another fine moment in Grateful Dead history, both the show and the story of how we are now able to listen to it.

Big Thanks to Jim Wise & Dick Latvala!!

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I’m up for that

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In reply to by Strider 808808

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RE: STRIDER 88

Would love to hear your 2nd Dead concert 5/15/70 early show story some time..

That had to be amazing.

Jesse Jarnow speculated in a blog post that this show was "possibly" the night that Jerry was tripping so hard that he began to think that assassins / mobsters were after him, and that the only way he'd survive is if he played for his life.

Of course there's no way to know for sure, but..

It sure sounds like he's playing for his life.