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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1291
    DeadVikes
    Joined:
    Dave's 13 and 42

    Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

    I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!

  • #1292
    rockthing
    Joined:
    5/19/74

    I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

    A Pat Lee master cassette passed down the generations.

    It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

    Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

    Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

    Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

    Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

    Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

    Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

    Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

    Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

  • #1293
    rockthing
    Joined:
    Woodstock

    >DAVEROCK>

    "It's about 37 minutes long, but it seems more like an hour when you watch it."

    HAHAHA

    I'll be on the lookout for that CCR set. John Fogerty strikes me a somewhat difficult man. Brilliant songwriter and producer, though. Never get tired of Cosmo's Factory, in particular. Gotta get reacquainted with the first album. I recall it being more psychedelic.

    Got a trove of stuff to listen to after yesterday's catch up. Thanks!
    Not sure where I'll start, but probably with something that already has ID tags. lol.

  • #1294
    daverock
    Joined:
    Woodstock

    There was a good cd of CCR's set that came out a couple of years ago. Apart from Hendrix, possibly my favourite set of the whole festival. "Lovelight" was included on a dvd as an extra, on one of the celebratory reissues of the festival. I don't think I'm being controversial when I say that it wasn't there finest hour. It's about 37 minutes long, but it seems more like an hour when you watch it.
    The Dark Star, I've just remembered, was included in the 6 cd 40th anniversary release of Woodstock, too. That's okay. But it's not a show I would suggest as a contender for an official release.

  • #1295
    rockthing
    Joined:
    Back from the... er... Dead: James "Blood" Ulmer info?

    Hey folks.
    Whew! Wall to wall autumn (deliberately avoiding the overly-insistent rhyme) and have taken the new year winter decompression to track a lot of the transfers of old vinyl I'd made back in August. Thanks to that, The Dead have taken something of a backseat in my listening during the new year as I've now got all of these other things in a convenient format.

    While tidying up an old hard disk, I came across a James "Blood" Ulmer show I must've torrented over ten years ago, but for whatever reason never unpacked. No info file, and so far various Googling can't even prove that the concert even happened. The directory is only listed as ulmer2_27_86. Anybody have a suggestion where I might look to find some more info on this? I checked out the taper forum, and the "Looking for..." forum, but there hasn't been a lot of activity over there.

    One new Dead show in my library, however:
    6/8/74 FOB which I've only had on once, but wasn't giving my full attention. I think I found it also unpacked on a hard disk while "house cleaning". My (slowly) ongoing exploration of Wall Of Sound audience tapes. Any takers?

    There is also a trove of late 60s shows that were binge torrented and then never unpacked. Can't wait to get to those.

    Well, I'd wanted to recap, but I'm not even out of August, so I'll spare you the flashbacks.

    >Oroborous>
    Thank you for the acknowledgement so many months ago.

    ●　Just put the 2/24/71 Port Chester show on. This one I'd transferred from an old cassette. Haven't heard it in a really long time, and don't have as many specific memories of it, like the 2/18 tape.

    Oooh. This Bertha. Bump! Bump!

    Either my cassette was running slow or this is the most mellow Hard to Handle I've ever heard. Dig it.

    I love these really slow early Losers, too. It seemed like it might be vying for a spot in the Dew rotation in those days, but they eventually picked up the tempo to a slow trot as the years went by. This being transferred from a tape, it may just be a media issue. I sometimes cover this on acoustic, and always do it real slow and always only ask for 1 gold dollar, not ten. To me, these are the archetypal Losers.

    Epic Good Lovin' drum solo!

    Thanks for that ranking of that Feb '71 run. Found AUDs on the Archive for the 19th and 21st. Back in the day, I ended up with only 2/18, 2/23, and 2/24 somehow. I was trying to explore as many different eras as possible, I guess, so didn't go for a completist approach... I guess... who knows what I was thinking back then?! lol. I'd take whatever I could get. Those tapes accompanied me on many a road trip cause that period is just fantastic driving music....

    ●　A good buddy lent me the 3/9/81 discs. I don't think he got the MSG box, just the single show on offer. Those were on in the car for quite a while last fall.

    My buddy was, like, "Dude. Check this China Cat," and he was not wrong. For me, because I'm less familiar with this era, I felt like there was some really unusual interplay between Phil and Jerry in there. Brent's synth work is pretty novel, too. Sounds like he'd been listening to some Steve Winwood. I could stand for a bit more of it, if I'm honest.

    Bird Song was the first tune in this show to really grab me, though.

    An electric Deep Elem? I'll take that.

    Uncle Johns is kind of a mixed bag. There are some really cool things happening, but it seems a little ragged at times too. That's just how it goes, but that's how I hear this one. No disrespect for hanging it out in front of a huge crowd.

    The Drums > Space > Other One is also fantastic. Sounds like someone (I'll guess Mickey) is playing with some microphone feedback, incorporating it into the jam.

    That Stella Blue seems to start out a little unsure of its footing, but by the end is soaring. That's a real highlight... I mean, I love Stella Blue pretty much any time you'll give it to me, but after a few listens this one really grew on me.

    I think I'm still a little partial to 3/7/81 at U. of Maryland, though.

    >bluecrow>
    Cal Expo rang a bell, but I've only got 5/26, 27 from 1993.

    5/26 is a 3rd gen cassette 1st set and a 4th gen 2nd set AUD. Not sure how that happened. Couldn't tell you anything about it off the top of my head other than that there is a heart mark next to Playin' > Drums > Space > and I tracked that all as just Playin' because that's how I roll.

    ●　5/27/93 is a partial board, but 7th gen cassette... only the 2nd set. I was doin' postage and blanks, so ended up pretty far out on a limb a lot. I'm not using headphones, but there's not a thing wrong with the sound quality. Might have just lost the first set, or maybe never had it.

    Pretty worthy Scarlet/Fire.

    Might skip Wave to the Wind so I can get an ear on the Cassidy > Uncle Johns > Cassidy Reprise > Drums segment. Nah. Wave to the Wind is 7 minutes long. There must be some sort of jam in there. Better be. Certainly are a lot of changes. Jer's on top of 'em. That's about all I can say.

    Cassidy is mellow and starting to jam out, but...ah, well, nice try. The seque into UJB comes across pretty forced. A bit more patience, and cooperation might have helped that jam. Good idea.

    The UJB jam, however is goin' off! Love how it is deconstructing toward drums. The band is showing a lot more patience here... oh, and the brief reprise of Cassidy is smooth as silk. You can hear Jerry hinting at it for a while. It would have been magic if they'd pulled that off on the way out of Cassidy.

    Drums could always be counted on to deliver in the 90s. I'll expect no less here. Nice beam drones. More like space.

    Oddly, Space just seems to stop and Jerry's there playing TOO on his own for a bit. Cool super distortion Bobby cutting is the perfect ground for Jerry's crystal clear lines. Don't appear to be any Martian vocal effects on Bobby's voice, which is a shame. I always liked that. Jer digs in to some overdriven runs after the first chorus which are now weaving nicely with Bobby's stabs and dives. Good mix. The drums are touch lost behind the guitars, maybe. Vince is real low in the mix. Say what you want about '93, dudes are goin' for it. Some heavy echo on Bobby's voice for the second verse, which immediately diffuses into Wharf Rat. Coulda dealt with a bit more TOO, but that was as smooth a transition as you can ask for. The thing about this era is that they have the in-ear monitors, and intercoms, so they didn't have to hint at anything musically. All anyone needed to do was call a tune into the ears of the others. Makes the transitions a lot more succinct, which can be both smoother, but also sometimes a little less thrilling.

    Wharf Rat is a tune that suited Jerry any day, any year. This tune is gonna be solid no matter what... at least as far as I know. Tape starting to sound a little muddy at this point for some reason. It was fine earlier. Love that Bobby is well-represented in the mix to add his coloring throughout. Is this after they fired Dan Healy? Well, I spoke too soon. The Life I Should found the limit of Jerry's voice on this particular night.

    Sounds like Jer's starting GDTRFB, but maybe it's just because this Sugar Mag slides out of Wharf Rat as easy as can be before Bobby takes the lead. Even Bobby's sounding a bit froggy at this point. Musta been something in the air. (Can't imagine what!) Nothing to write home about, but nothing to complain about, either.... Jerry's lettin' some overdrive licks fly throughout the Sunshine Daydream section. It's interesting because it's like you can still hear his clean tone at the core of his distorted effect. Pretty aggressive, if short. No encore on my tape, unfortunately.

    ●　My only May 91 show is Shoreline on the 12th and it's FOB probably available on the Archive. Couldn't tell ya anything about it off the top of my head.

    >Forensicdoceleven>
    >JimInMD>
    >PT Barnum>
    RE Woodstock

    Perfect back yard recreation. Hahahaha. :)

    Just listened to my old, old vinyl copy of the Woodstock Soundtrack a couple weeks ago, and even that excerpt of Hendrix is totally face melting. If I recall correctly this wasn't The Experience.

    I'm not sure I've ever heard the Dead's entire Woodstock set. Last year I was surprised to learn that CCR, Mountain, and Johnny Winter had also played Woodstock. I'm pretty sure I'd never known that. They were also not part of the soundtrack or film. Jerry, at least, makes a memorable cameo in the film.

    PT Barnum> RE Fall '91
    Near miss. I've got 8/16, and 9/17 in the library. Couldn't tell you anything about them off the top of my head. If there's one thing this group always does, it's fill in the gaps. Cheers.

    JeffSmith> RE HDTracks

    DUDE! Thank you! I've been looking for a site where I can get minimum 16b44.1 quality downloads. Being on the other side of the world, shipping even CDs is murder. One of my favorite things about nugs net is that you can buy, not hi-res, but at least CD quality downloads. I think downloads sound better than CDs, tbh. Something happens during the CD manufacturing process, or at least it has begun to seem that way to me.

  • #1296
    JimInMD
    Joined:
    2/23/74

    I forgot about this one.. haven't given it a listen since release time. I'll have to change that.

  • #1297
    bluecrow
    Joined:
    1974

    1974 in the air I guess (isn't it always somewhere close?) as out here in the high desert I was reaching for DaP 42 and DaP 13 (Winterland Feb. '74) .

    The Road Trips series is chock full of gems. Happy to say I picked up all of them at the time with lone exception of Cal Expo '93. Of course I would love to see some of the partial shows released in full show glory (and run through Plangent) just like some of Dick's Picks need a revisit. But don't take that as a complaint, just a wish.

    Edit - DV I need to revisit the Penn State and Cornell volumes, plus the April Fools 88 show - they've been sitting there wondering if they're the chopped liver of RT. They haven't gotten the attention that the early years in that series have.

    Sort of almost the weekend. Onward!!

  • #1298
    JimInMD
    Joined:
    Did someone say 1974?

    Portland... Funny, I just did 5/17 Vancouver recently. I'll hit Portland, it's been a while. I might have tossed this show out on this forum sometime in 2020. Hot hot, China Rider and that second set is interesting and pretty hot.

  • #1299
    Oroborous
    Joined:
    73/74

    Rest of 3/15/73 seemed to get better as it went. Sweet jam in there.
    5/19/74: man I need to listen to this box more.
    Awesome jam!

  • #1300
    DeadVikes
    Joined:
    5/19/74

    This is a great show, minus the 3 1/2 song vocal drop out in the first set. The first set is really good, with a rocking Half Step, Big Railroad Blues, Scarlet, solid China Rider. Really like the WRS, Wharf Rat, Big River Peggy O into a killer Truckin, long Jam that is really fun. Great closing songs to a great show.

    Hard to believe this Box is already five years old. Put me in the camp of wanting more 74.

    Okay, all this Road Trips talk makes me want to que up #3.4 from Penn State and Cornell 1980.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....for one one the best shows I've heard them play. 9.7 goonie birds out of 10 and Don't Ease Me In hasn't even ended yet. Pure gold. Off today and the wife went to work. This one begs to be turned to eleven.
"Relax people. We have you all night long."

excellent anniversary pick! acoustic 1970 is such a special sound. so intimate, at times almost like you're seated cross legged in front of them in a small room with your close friends. once again, it's been awhile since I've listened to this set, more recently those in that awesome Road Trips 5/15/70 release. we really need another of these acoustic / electric shows from 1970 released. too bad that most of the fall run appears to not have been taped.

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Submitted by Vguy72 on Sat, 05/02/2020 - 11:20

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....Jerry making that pedal steel sing. Outstanding!
If Henry doesn't get your foot tapping, better check yourself for a pulse.

....gotta take a break. Shower up. Because I know that the upcoming St. Stephen->The Other One->Cosmic Charlie is going to blow my mind and will have me picking my face up off the floor. Again.

....hitting that record button at the start of St. Stephen. Wonder why? "Guys! Wait a minute! I was hanging with the crowd! You usually take a longer break! Dammit! (Pushes the button). Ahhhh. All is good."
I got all clean, just to get dirty again. Let's gooooo!
The 6.9.76 RT release also has a cut start to St. Stephen. Hmmmm.....

DP 5 12/26/79✔️ Ahh, finally got back to this one. Been meaning to play this one. It was played all the time back in the day since there weren’t many official releases yet, or at least I didn’t have many. When DaP 31 came out I dove into as much fall 79 as I had, but somehow didn’t get to this one. So now, finally we get back to this gem. Typical for 79 but great first set, with an UJB to open the second sliding nicely into a hot Estimated. But the highlight to me is the 2 jams. The first is more traditional with them skirting around the edges of a Caution jam, with wiffs of DS and Eyes, but then Phil clearly try’s to start He’s Gone, but Jerry’s not ready until a few minutes later Phil starts again and this time they go with it, SWEET! Then after a nice He’s Gone, TOO, and drums, they slide into almost space like segment that gets delightfully weird. One of my favorite things from this tour is all the far out jams and weirdness that regularly popped up in the second sets. The rest is standard fare except a nice but perhaps a tad allegro Brokedown. Of course the big surprise is the Shakedown UJB reprise for the encore. It’s not surprising ole Dick put his name on this one, what a great 79 show!
4/29/72: ✔️so then I did this one to somewhat follow the European trail. I even had Sierra Nevada 2019 Ocktoberfest, Sierra Nevada Skiesta “Bavarian Style” and my last bottle of EKU 28. All leftovers I’ve been saving for too long for a tasting that’s not going to happen anytime soon. So not proper authentic German beer, but in the spirit of the event celebrating the fine show and DS from the sister city of my hometown, Hamburg.
10/26/89: after this one came up the other day I figured I’d give it a spin. Since it was getting late and the buzz was making me sleepy, I FF here and there and by the end of DS was falling asleep in the big boy chair, so decided, hang it up and see what tomorrow brings....was totally enjoying the show, but not sure I’d rank it above 10/9 or 10/16? I’ll have to slip back to this one after 5/2/70....

....is strong with this Spanish lady with a rose. Total cacophony, into a lulling bliss, then back into masterful ladder climbing. Its an auditory roller coaster. Pretty much perfection. Makes me feel high, without being high.
The 12:20 mark....for fucks sake. Rainbow colors blended.

my favorite year is '72, like the deep space mind melt of the Berkley show. but a fire-breathing cryptical - other one - cryptical is another beast altogether, and i love them too! phil thunder intro right now! holy shit!

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Submitted by Vguy72 on Sat, 05/02/2020 - 12:56

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....its a full fledged Pigpen grease party. Incredible.
Life pro tip. If you have a grease fire, water or fire extinguishers don't suppress it. Gotta cut off the oxygen.
The 5:35 mark of Good Lovin'. Kicking into the extra gear. Reminds me of wild horses. Can only tame them so far until they race off.

....also marked.
Ducked out of the CD into the archive for the Cold Rain & Snow that was cut from the release. Earning my badge.

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 13:35

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“The goal is to find shows that can stand up under repeated listenings and still give you the goods.” - Dick Latvala

Harpur College – anyone with any common sense knows Harpur College is a show that should have come out centuries ago. It was ten years of trying to get that one up the flagpole. Healy would say, ‘That Latvala, he can’t tell the difference between stereo and mono!’ And that’s why he would reject Harpur College, cause the electric sets are in mono. So fucking what? Does anyone say that ain’t a great example of a show? I’ll tell you, it wasn’t like I snapped my fingers to have it occur, it was like embarrassing myself forever to get it out.”

Thanks Dick,
I hope you know how right you were.. LATVALA!

Anybody want Electric Wine? = Dick's Picks Volume 8

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Submitted by icecrmcnkd on Sat, 05/02/2020 - 13:58

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Here’s the first paragraph of the DaP34 announcement:

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

Sounds like you’re all having a good time with Harpur.

I have some more yard work to do, but then it’s Harpur, beer, grilling. Looks like I got a good evening coming.

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Submitted by Strider 808808 on Sat, 05/02/2020 - 14:02

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My 2nd Dead concert was 5/15/70 early show. That was also first time seeing NRPS. Then Workngmans Dead released late May. May 3rd was free Jefferson Airplane concert at Central Park bandshell. Super intense , only one of two times seeing JA. Kent State happened in early May .Saw CSNY at the the Fillmore East at the end of May 1970. Neil Young had already written Ohio. What a month , fifty years ago!
Now to the electric sets.

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Submitted by Gollum on Sat, 05/02/2020 - 14:06

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Great Other One descriptions Vguy & thanks for those Latvala & Lawson-Garcia quotes Good Ole.
I listened to Good Lovin' and Man's World on my Saturday outdoor stroll to the Grocer. Even the Man's World shines on this show. Every note was golden that night. It was great to escape my quarantine and be outside in the sun with bugs and dogs and the Grateful Dead. This show has always felt very Springlike anyways.

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Submitted by daverock on Sat, 05/02/2020 - 14:10

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I first got this show-5/2/70-about 1987 on a very rough sounding tape. I only had a primitive ghetto blaster to play it on, but I loved it and played it to death.
So on to Dicks Picks, which sadly missed the New Riders set-which was on the tape I had, and seemed to be an essential part of the whole show. Its my favourite in the series. Then I got the vinyl last year, which has no New Riders but includes a somewhat ropey Cold Rain and Snow. But it is an incredible show in any format. The acoustic set is beautifully recorded-they could be here in my living room.

I always think of the electric set as being the last hurrah for primal Dead. The versions of Other One, Dancing in the Street, Good Lovin' and Viola Lee Blues are incendiary. It seems to me as though they take a bit of a breather with the shorter songs in the set, before diving off the high board again with these all powerful jams. I can't think of another Dead show that is like this, either. Unique and brilliant.

.....Billy The Kid said earlier "if there was one show I could time machine back to, it would be this one." I paraphrased, but you get the gist. Top 10.
Good luck to tomorrow's pick.

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Submitted by bolo24 on Sat, 05/02/2020 - 14:44

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Listened to the whole night together for the first time. Even though I've listened to DP8 tons of times, I really absorbed it + NRPS this time around. I may have to wander up into the mountains for a week or so to process what I just heard.

I know we're a biased lot here on this site, but, really, who else is in the conversation for Musician of the 20th Century besides Garcia? Mastery of varied instruments and genres, improvisational skills, longevity, number of people played in front of....you get the picture. Yet try to find him listed on those inane "best of" polls that pop up from time to time. Sheesh.

Maybe our deadhead brains are just wired differently than the rest of humanity. If that's indeed the case...thank you, God!!

....either you get IT or you don't. Screw the "lists". I'm hard wired. Jerome John Garcia is/was the most pleasing guitar player, at least to my ears.
Miss you.

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Submitted by Gollum on Sat, 05/02/2020 - 15:06

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Right on bolo. No other musician comes close to Garcia in my world. We are lucky....

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Submitted by icecrmcnkd on Sat, 05/02/2020 - 15:36

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That’s why people say that they didn’t find the Dead, the Dead found them.

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Submitted by DeadVikes on Sat, 05/02/2020 - 17:06

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What a great pick, Strider. You people hear these guitars?

Haven't listened to this one a while, so great, the acoustic set! I know you Rider is so smooth and relaxed.

I have no clue when my Dave's 34 is coming. Tracking still just says lable created, not yet shipped. I guess it is my turn to experience the shipping blues.

Be well folks!

I, too, listened to the whole thing in one sitting. I managed to carve out just enough time and mother nature took care of the rest.. a relatively easy close by river was running just right, temps in the mid sixties (hey, that rolls right off your tongue).. I combined the listen with an outdoor adventure, social distance style.

Dropped off my bike at the bottom and proceeded to the top with my boat. A 12 mile wilderness canyon, a ten mile bike ride to the truck allowed me to be completely alone for the entire day with it. Most excellent. There and back again.. four and a half hours of mind blown fun, nobody could call me, text me, email me, tap me on the shoulder, ask me a question.. no one could disrupt a single note. Heaven. Plus I completely burned off the cabin fever that's been building up these last couple months. Man, if I ever get the chance to do what I did today again, it will be a life well lived. Holy shit what a piece of music. A psychedelic masterpiece, the entire thing. Oh, and to drive the point home, I did reach deep into my bag of tricks to make sure my mind was properly malleable for the journey.

No point for me to get into a song by song study, everyone else did a great job covering the details.

Great choice, great day. It really was not that different than what I described this morning.. not that different at all.

Edit: Out of shape and sore I am.. What a drag it is getting old...

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 06:41

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I love Paris in the springtime

Good times were had at Harpur College for sure!

Did anybody else get something cool in the mail yesterday?

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Submitted by Thats_Otis on Sun, 05/03/2020 - 06:56

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5/2/70 might have left a smoking crater of our minds...

5/3/72, Paris - that should set it right.

GOGD - Still no mail here in B'more :(

Happy Sunday, friends.

Peace

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 07:05

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The music comes on and keeps coming!

It's in the music

It's in the water

More Dead

May 5, 1970 - Colonial News SUNY Binghampton by Richard Walinsky

OTIS: It's coming!
I'ma holding off and waiting for you all, for now... :)

Sunday listening = Olympia Theatre 5/3/72.. don't mind if I do!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 07:29

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Looks like everyone had a great show yesterday. I am on Dire Wolf right now sounds nice!

5/372 sounds like another fine pick. Thanks!

ps. I am wondering if anyone has any interest in doing a Sunday Night At The Movies with VFTV 4 7/26/87 Anaheim.

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Submitted by JimInMD on Sun, 05/03/2020 - 07:54

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I'm in a bit of a mind fog myself.. not from alcohol. ..and my body hurts.

Right there with you Otis/4Winds. I will get up some energy to make a good day of it soon. I am thinking 5/3/72 sans the stem I chewed on yesterday.

Yesterday was a glorious day in Western MD. I owe it all you guys pumping up the good vibes.. and Bolo for keeping it all unreal.

Thanks all.

P.S. View IV is a monster.. The Jack Straw opener is epic and it just grows from there.

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 08:13

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Extra props for being one with nature yesterday JIMINMD!

This here 5/3/72 Tennessee Jed is the first one I ever heard...

No can do VFTV 4 tonight.. But that sounds fun!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 09:48

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Also The Playin'> D/S> Uncle Johns is mighty fine too. Miracle> Bertha> Sugar Mag, But the 7/26 has some unique Jerry just saying.

If this is not doable can I have tomorrows pick? Thanks!

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Submitted by Vguy72 on Sun, 05/03/2020 - 10:33

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....but the arrival date got bumped to Monday instead of Wednesday, so there's that!
5.3.72 on deck. A 3h 40min monster! Going to have break this one up.

VGUY72 - 40 plus minutes of that close to 4 hours is a big bad Other One Monster that weaves in and out of Set 2.. and it's sounding pretty hot too.

And Monday is better than Wednesday fo sure!

FOURWINDSBLOW - The 5/2/70 Monster Other One suite is some of the greatest Dead ever IMO (and many others from the sounds of things).. and it never gets old, every time it's sick!

What's everyone thinking in regards to listening to Dave's Picks Vol 34?
They seem to be trickling in at diff times all over the country as we speak.

Just curious.. that Monster keeps looking at me...

Yes, for sure!

Love the Taper's Compendiums, out-of-date but still great!

Along with the liner notes article reprint it really paints a cool scene.

Damn, I'd love to hear the beginning of that St. Stephen, just hearing the crowd response to those opening notes..

alas, it's all a dream we dreamed, One afternoon long ago

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Submitted by fourwindsblow on Sun, 05/03/2020 - 13:07

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This is a show i really like that I had not listened to in a while.

It's a really great show, the best!

11/8/1969 Dick's Picks, Volume Sixteen

Heard it was one of Dick's all time Favorites, posthumously released as a tribute to him.

I'm on a Latvala trip, Dick sure knew how to Pick!

Latvala!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 15:50

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Dick was the best!

I thought I'd make up for the '87 suggestion.

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 17:03

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FWB: Dude ‘87 pick is still in the mix!

Love ‘87 & haven’t heard that in awhile..

But.. it’s no 11/8/69
JIMINMD that was all FWB’s pick, I just picked up on it ;)

But yeah that’ll put you right back on the bus!!

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Submitted by Vguy72 on Sun, 05/03/2020 - 17:12

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....is indeed a good show. Comes highly recommended by yours truly! 👍🌹💀
Then again, I was at 7.26.87. First world problems!
Back to Paris. Love the fade out from Sugar Mags into NFA. Good stuff right there.

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Submitted by fourwindsblow on Sun, 05/03/2020 - 17:39

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Jerry was the father I never had and I like to see him when I saw him. Sometimes.

Never could compete with 11/8/69 I know.

ps, Just so ya know I'm a sixties head (Freak!).

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 07:45

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Dick Latvala's response to Jim Wise after receiving the "fixed" version of 11/8/69 master.

Initially planned to be released in honor of it's 30th Anniversary.

The amount of work put in to this recording in order for us to hear it at it's best possible sound quality, is impressive to say the least.

Another fine moment in Grateful Dead history, both the show and the story of how we are now able to listen to it.

Big Thanks to Jim Wise & Dick Latvala!!

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Submitted by Strider 808808 on Mon, 05/04/2020 - 11:20

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I’m up for that

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 13:27

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RE: STRIDER 88

Would love to hear your 2nd Dead concert 5/15/70 early show story some time..

That had to be amazing.

Jesse Jarnow speculated in a blog post that this show was "possibly" the night that Jerry was tripping so hard that he began to think that assassins / mobsters were after him, and that the only way he'd survive is if he played for his life.

Of course there's no way to know for sure, but..

It sure sounds like he's playing for his life.