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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3341
    rockthing
    Joined:
    Hey Now. I guess this thread…

    Hey Now. I guess this thread /is/ called "Pick of the Day", not simply "Now Playing with Discussion", but I'm just gonna bore you with stuff I've been listening to lately.... and then you probably won't see me again for a month, so, hey, decent trade-off, I'd say.

    First off, right now I've got 3/24/93 Chapel HIll rollin'. (I'll explain later) It's weird how in the second set the band totally sees-off Jerry's attempt to start Crazy Fingers out of the Playin' Jam. Phil basically sounds like he's just thrown his hands up, and completely stops playing. In fact, basically every just stops, er... dead. Only Vince seems game to find something to do. When Jer finally gives up, they launch into Box of Rain. After they finish BoR Jerry immediately starts Crazy Fingers again and they actually do it, and do they ever.

    Whadda ya figure's goin' on there? Did Jer "forget" the pre-written set list? was it like a super-tease, or did Jerry just get vetoed on his audible? The Playin' jam was sounding cool and a spaced out transition into Crazy Fingers would've been killer. However, Box of Rain into drums would have been, let's just say, unusual. It seems Billy's got some bidness to take care of, 'cause it pretty much immediately turns into a Mickey Beam solo.... as did the 3/25 drums, but Space takes off into a Spanish Jam that seems to go on and on, thankfully. When they launched into GDTRFB I was thinking, wait, what song were they just playing, did I space out?... well, I guess in a way I got spaced out. ... Now that I think of it, there may have been a "We Want Phil" chant starting in the Phil Zone, but it's not audible in the SBD, and I can't remember if that was actually before Box of Rain, or not.

    The Crazy Fingers is actually really cool, btw. SPOILER ALERT there's this momentary, and initially slightly awkward, little Playin' reprise before someone gets on the intercom (you can hear the ambient noise disappear for a second... yes I'm listening to a board for once) and seems to call it off. All of these questions seem to typify the sort-of cool, detached, risk-averse nature of this period. Haven't found an AUD source from the Dean Dome that has much life to it. Might be some new ones. It's a basketball arena designed to amplify cheering voices, not music, I'd imagine.

    Anyway, just wanted to take a peak at Jer the last time I saw him, in Vegas back in '94, and the same YouTube uploader also had the second night from Chapel Hill, which is notable for its nice Terrapin, and perhaps more so for the stellar Morning Dew. Jerry keeps trading sly grins with someone, and getting an outright laugh out of watching Bobby do his thing. I actually read the comments on YouTube videos 'cause, wow. there are some opinions out there. One dude mentioned this Crazy Fingers from the 24th and how the first night had "always" overshadowed the second. In my mind it had been the other way 'round, which sent me to the Archive this monsoon-drenched morning. Yeah, nobody goes back to listen to 90s Dead, I know. Even the band seems bored sometimes, but there are diamonds in the rough. More often, however, there are outright wth? mysteries like the one above.

    The other one... on heavy rotation has been the 50th Anniversary Skull & Roses 180g vinyl. Missed the propeller variant waiting for the credit card roll-over date. Anyway, wow, the bass is boomin'. I mean, it's not overpowering booming, but there is a LOT of Phil. I A/B'ed it with the single disc CD, and even though there's a lot of Phil on that too, he's allotted a lot more low frequencies on this version... which is odd, because people will tell you that you can't put too much bass on vinyl or it'll cause the needle to skip. No fade in, but Bertha also starts a few seconds earlier than on the CD version. There's some little warming up noise before they hit it. Pretty superfluous, but, hey, 2 more seconds! I have not heard the OG Skull and Roses vinyl, but I actually debated on picking one up from Discogs instead of getting the anniversary edition, which ended up being released three weeks late. The price is comparable. Maybe next month.

    Speaking of records skipping, I've had the 5/4/72 Olympia Theater vinyl for, what, less than two months and Bertha is already skipping. I think I screwed it up with the generic replacement stylus that I installed back in April. Apparently the Sure stylus/cartridge division has gone belly up. I've kept the old needles lying around, and found one that had been swapped out really early for some reason, so I went back to that. Otherwise, I can't figure out what the problem could be. I play my records, but consider myself more careful than most when handling them. Hard to say. I might have damaged the record, or stylus myself, but it looks like I'm in the market for a new cartridge. The vinyl had no problems at first, but I have records I bought 30 years ago that still play fine, while this one is skipping after 5~10 spins.

    The difference between Phil's bass frequencies on the Olympia Theatre record versus Skull and Roses, is beyond description. Phil is fully present in the Olympia Theatre release, but he couldn't deliver a bass bomb if he tried with the frequency range he's assigned here. Wanna compare with the Europe 72 album, but actually don't have a copy of Europe '72 in any format. Just ordered a green label '72 pressing. It was a mint for one in decent condition, but so will any 50th anniversary that might come out next year be. These are supposed to sound amazing. They've already done a bunch of Europe 72 reissues recently, so it might get the Live/Dead treatment.

    Two non-audio notes about the Olympia Theatre box are regarding the photos used for the inner sleeves. At first they seemed really dark, and not particularly interesting. The photo of out-of-her-mind-on-Owsley Donna was of interest for how calmly she appeared to be peering out into the spotlight, but a closer look reveals a rather wild set to her jaw, or perhaps I'm just projecting. The other photo that finally grabbed my attention was the Side 1 photo of the band, completely washed out in red lighting taken from stage left, almost behind them. Bobby is standing out front in the spotlight singing and Jerry and Phil appear to be standing behind(!) Billy with Pig at the organ stage right harmonizing with Bobby. So, Jer and Phill would totally just retreat into the shadows when they didn't have any singing parts in those days? Fascinating. Might depend on the stage. You don't see that in the Veneta footage, but there really weren't any shadows that day, were there.

    Anyway, my answer to a question nobody asked.

  • #3342
    Oroborous
    Joined:
    5/14/78

    Good Housekeeping tunes!
    Kept the mother rolling with first disc of 2/14/68 etc. shizzle fo sho!

    Next chance I get we will get down to tge funky sounds of 3/24/73!

  • #3343
    JimInMD
    Joined:
    5/14/78 - 30 Trips

    Great show... It's been a long time since I listened to it.

  • #3344
    DeadVikes
    Joined:
    5/14/78-OB

    The 30 Trips show, yes, this one smokes. On it!
    Thanks Oroborous.

    I was going to offer up another Spectrum show, Dave's Picks #32, 3/24/73. Maybe tomorrow.

    My #39 still has not shipped, 😩.

  • #3345
    Oroborous
    Joined:
    How’s bouta pick?

    Maybe 5/14/78?
    Got my server back, up and running and need to HEAR, some good sheet mon.

  • #3346
    Oroborous
    Joined:
    Thanks Strider!

    For the reference, I’ll definitely have to check that one out. Love Babs, what a character!
    I’ll bet his memoir will be very interesting after all he’s lived.

    And thanks for the rest of your sage words of wisdom.
    You should write a book!

    Been really digging 71. Was sorta a flyby year for me until nice folks like you and Doc helped show us the light.
    His job was to shed light, not to master...

  • #3347
    Strider 808808
    Joined:
    Babbs

    Who Shot the Water Buffalo is a great book by Ken Babbs. The title has a funny twist , double meaning. Any of us old time wild land firefighters knows what it refers to. Once they get to that point in the book.
    Pick of the day. I have been staying on the 50th anniversaries of 1971 Dead shows since January. Otherwise taking a break from Grateful Dead music. Kind of like smoking ganga all the time. The effect may become lack luster. As was said in the old days, “space your trips”. Although yesterday I did watch the black & white video of Robert Hunter sitting in with the Garcia Band 1980 at the New Jersey Capitol Theater. Tiger Rose “where the children play ringolevio”.
    Speaking of books, “Ringolevio” by Emmett Grogan was one of Jerry Garcia’s favorite books.
    On the subject of the mountain west states. Ironic that the people who lost the most , true Natives and in the case of Montana where I lived from 1975-1981 the Blackfeet treated me the best. Very similar here in New Mexico where I’ve lived most of my life. But respect has to be earned and that doesn’t happen overnight.
    As an old professor Joseph E. Brown who taught Native American Studies at the University of Montana used to finish his class by saying, “Be of good heart”.

  • #3348
    Oroborous
    Joined:
    Happy happy joy joy

    To Mr JG. Hope yer digging the jam...

    STRIDER: thanks for the tales, always a pleasure!
    Your Yale description let’s us be there, instead of in our mind.

    Interesting show. CM SB Audio started out less than stellar but was pretty good bye and bye...
    Really dug the Dark Star, perhaps the spaciest of the year so far?
    Perhaps this show is a slight step back from some of the earlier beasts, but it’s another solid, very enjoyable 71!

    4/12/83: glad you liked it DV. This one goes under the radar, which is a shame, as I think it hangs with most any other on the tour. Among other highlights, forgot about that sweet Rat!
    Of course I’m big time biased on this one;
    - My 10th show
    - front row between Phil and Bob (closer to Phil)
    - first show tripping (purple dot I believe, had beautiful death experience)
    - first time seeing new, awesome varilights etc
    - first time hearing, awesome new Meyers PA
    - first time seeing/hearing Phil’s new awesome Modulus 6 string bass (perhaps new Bob guitar?)
    - first Help/Slip/Franks, which besides slight early vocal hiccup was awesome
    - first (I think?) NFA fadeaway/chant to end, then Mickey came back out and they quietly pick back up and fade back into for encore NFA, followed by sweet Baby Blue!
    One of those shows that even after the lights came up nobody moved right away, many still doing the chant! The kind of night where it appeared like A LOT of people were tripping, total 10k mind meld, gives me shivers to recall....

    BABS memoir, bet that’ll be interesting!
    Loved Last Go around, and that bus one, but don’t have Water Buffalo?
    Guess we’ll have to talk to Santa about some books...

  • #3349
    Strider 808808
    Joined:
    Happy 79th birthday for Jerry Garcia

    I listened to the complete July 31, 1971 yesterday late afternoon and into the the night. Aside from my copy of Road Trips that is only part of that Dead show I had never heard the complete concert since being there 50 years ago. There was a fresh new sound that brought a flood of memories during last nights listen. First a couple quick corrections. I mentioned Pigpen stepping out in front during the third song. Obviously he was playing the Hammond B3 organ while singing Mr Charlie. Another correction is from reading the notes of Blair Jackson in Dead Base 50. Blair states that the audience rushed the stage during the first song Truckin’ but it was indeed the third song, Mr Charlie when people poured on to the grass in front of the band. My friend Danno who I have stayed in touch with for over 50 years also correlates that sequence of events. Practically nobody danced during the first two songs. It was as if it was a high school dance where hardly anyone was wanting to be the first up and dancing.
    On a side note the best writers involved in the history of the Grateful Dead in my biased opinion are Blair Jackson, David Gans and Dennis McNally. I have to include Rosie McGee in that mix as combined writer and photographer who was there from the beginning (or damn close) of course add in the books by Jerilyn Lee Brandelius (GD family album) , Phil Lesh (Searching for the Sound) , any of the books written by Mickey Hart ( Song Catchers my favorite) Bill Kreutzmann’s book with ghost writer Benjy Eisen. Must include John Barlow autobiography. So much for book reviews
    What struck me about 7/31/71 was the high energy that comes through. Jerry is candid as in effervescent, both singing, playing and commentary with the audience.
    Another aspect I remember was the moon was out, and I looked this up on the internet, it was waxing gibbous at 60% illumination.
    Another important note, my old school classmate and friend Missy Infante attended her first Dead show that night. I mention her to honor her memory as she passed on in recent years.
    So those are some of the flashes I can remember from Yale Bowl, July 31, 1971.
    This was at a time when I was earning money cutting oak for firewood. It was how I paid for my first trip to the Bay Area a few days later to visit my sister who was living in Sausalito. That trip included my first two west coast Dead shows that were at the Berkeley Community Theater mid August and then hitchhiking to Oregon to visit my brother and his wife who were spending the summer living in a tipi 35 miles southeast of Eugene. But that’s a whole other story.
    Yale Bowl Grateful Dead was an amazing night.
    Jerry Garcia would have been 79 today. Also, today Ramblin’ Jack Elliot turns 90.
    “ Rollin with my baby down by the San Francisco Bay”.

  • #3350
    DeadVikes
    Joined:
    Strider

    That is cool Strider. I will have to check that Ken Babbs book out. Gunther your kid is waiting for you at the Kiddie corral.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....for one one the best shows I've heard them play. 9.7 goonie birds out of 10 and Don't Ease Me In hasn't even ended yet. Pure gold. Off today and the wife went to work. This one begs to be turned to eleven.
"Relax people. We have you all night long."

excellent anniversary pick! acoustic 1970 is such a special sound. so intimate, at times almost like you're seated cross legged in front of them in a small room with your close friends. once again, it's been awhile since I've listened to this set, more recently those in that awesome Road Trips 5/15/70 release. we really need another of these acoustic / electric shows from 1970 released. too bad that most of the fall run appears to not have been taped.

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Submitted by Vguy72 on Sat, 05/02/2020 - 11:20

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....Jerry making that pedal steel sing. Outstanding!
If Henry doesn't get your foot tapping, better check yourself for a pulse.

....gotta take a break. Shower up. Because I know that the upcoming St. Stephen->The Other One->Cosmic Charlie is going to blow my mind and will have me picking my face up off the floor. Again.

....hitting that record button at the start of St. Stephen. Wonder why? "Guys! Wait a minute! I was hanging with the crowd! You usually take a longer break! Dammit! (Pushes the button). Ahhhh. All is good."
I got all clean, just to get dirty again. Let's gooooo!
The 6.9.76 RT release also has a cut start to St. Stephen. Hmmmm.....

DP 5 12/26/79✔️ Ahh, finally got back to this one. Been meaning to play this one. It was played all the time back in the day since there weren’t many official releases yet, or at least I didn’t have many. When DaP 31 came out I dove into as much fall 79 as I had, but somehow didn’t get to this one. So now, finally we get back to this gem. Typical for 79 but great first set, with an UJB to open the second sliding nicely into a hot Estimated. But the highlight to me is the 2 jams. The first is more traditional with them skirting around the edges of a Caution jam, with wiffs of DS and Eyes, but then Phil clearly try’s to start He’s Gone, but Jerry’s not ready until a few minutes later Phil starts again and this time they go with it, SWEET! Then after a nice He’s Gone, TOO, and drums, they slide into almost space like segment that gets delightfully weird. One of my favorite things from this tour is all the far out jams and weirdness that regularly popped up in the second sets. The rest is standard fare except a nice but perhaps a tad allegro Brokedown. Of course the big surprise is the Shakedown UJB reprise for the encore. It’s not surprising ole Dick put his name on this one, what a great 79 show!
4/29/72: ✔️so then I did this one to somewhat follow the European trail. I even had Sierra Nevada 2019 Ocktoberfest, Sierra Nevada Skiesta “Bavarian Style” and my last bottle of EKU 28. All leftovers I’ve been saving for too long for a tasting that’s not going to happen anytime soon. So not proper authentic German beer, but in the spirit of the event celebrating the fine show and DS from the sister city of my hometown, Hamburg.
10/26/89: after this one came up the other day I figured I’d give it a spin. Since it was getting late and the buzz was making me sleepy, I FF here and there and by the end of DS was falling asleep in the big boy chair, so decided, hang it up and see what tomorrow brings....was totally enjoying the show, but not sure I’d rank it above 10/9 or 10/16? I’ll have to slip back to this one after 5/2/70....

....is strong with this Spanish lady with a rose. Total cacophony, into a lulling bliss, then back into masterful ladder climbing. Its an auditory roller coaster. Pretty much perfection. Makes me feel high, without being high.
The 12:20 mark....for fucks sake. Rainbow colors blended.

my favorite year is '72, like the deep space mind melt of the Berkley show. but a fire-breathing cryptical - other one - cryptical is another beast altogether, and i love them too! phil thunder intro right now! holy shit!

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Submitted by Vguy72 on Sat, 05/02/2020 - 12:56

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....its a full fledged Pigpen grease party. Incredible.
Life pro tip. If you have a grease fire, water or fire extinguishers don't suppress it. Gotta cut off the oxygen.
The 5:35 mark of Good Lovin'. Kicking into the extra gear. Reminds me of wild horses. Can only tame them so far until they race off.

....also marked.
Ducked out of the CD into the archive for the Cold Rain & Snow that was cut from the release. Earning my badge.

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 13:35

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“The goal is to find shows that can stand up under repeated listenings and still give you the goods.” - Dick Latvala

Harpur College – anyone with any common sense knows Harpur College is a show that should have come out centuries ago. It was ten years of trying to get that one up the flagpole. Healy would say, ‘That Latvala, he can’t tell the difference between stereo and mono!’ And that’s why he would reject Harpur College, cause the electric sets are in mono. So fucking what? Does anyone say that ain’t a great example of a show? I’ll tell you, it wasn’t like I snapped my fingers to have it occur, it was like embarrassing myself forever to get it out.”

Thanks Dick,
I hope you know how right you were.. LATVALA!

Anybody want Electric Wine? = Dick's Picks Volume 8

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Submitted by icecrmcnkd on Sat, 05/02/2020 - 13:58

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Here’s the first paragraph of the DaP34 announcement:

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

Sounds like you’re all having a good time with Harpur.

I have some more yard work to do, but then it’s Harpur, beer, grilling. Looks like I got a good evening coming.

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Submitted by Strider 808808 on Sat, 05/02/2020 - 14:02

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My 2nd Dead concert was 5/15/70 early show. That was also first time seeing NRPS. Then Workngmans Dead released late May. May 3rd was free Jefferson Airplane concert at Central Park bandshell. Super intense , only one of two times seeing JA. Kent State happened in early May .Saw CSNY at the the Fillmore East at the end of May 1970. Neil Young had already written Ohio. What a month , fifty years ago!
Now to the electric sets.

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Submitted by Gollum on Sat, 05/02/2020 - 14:06

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Great Other One descriptions Vguy & thanks for those Latvala & Lawson-Garcia quotes Good Ole.
I listened to Good Lovin' and Man's World on my Saturday outdoor stroll to the Grocer. Even the Man's World shines on this show. Every note was golden that night. It was great to escape my quarantine and be outside in the sun with bugs and dogs and the Grateful Dead. This show has always felt very Springlike anyways.

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Submitted by daverock on Sat, 05/02/2020 - 14:10

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I first got this show-5/2/70-about 1987 on a very rough sounding tape. I only had a primitive ghetto blaster to play it on, but I loved it and played it to death.
So on to Dicks Picks, which sadly missed the New Riders set-which was on the tape I had, and seemed to be an essential part of the whole show. Its my favourite in the series. Then I got the vinyl last year, which has no New Riders but includes a somewhat ropey Cold Rain and Snow. But it is an incredible show in any format. The acoustic set is beautifully recorded-they could be here in my living room.

I always think of the electric set as being the last hurrah for primal Dead. The versions of Other One, Dancing in the Street, Good Lovin' and Viola Lee Blues are incendiary. It seems to me as though they take a bit of a breather with the shorter songs in the set, before diving off the high board again with these all powerful jams. I can't think of another Dead show that is like this, either. Unique and brilliant.

.....Billy The Kid said earlier "if there was one show I could time machine back to, it would be this one." I paraphrased, but you get the gist. Top 10.
Good luck to tomorrow's pick.

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Submitted by bolo24 on Sat, 05/02/2020 - 14:44

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Listened to the whole night together for the first time. Even though I've listened to DP8 tons of times, I really absorbed it + NRPS this time around. I may have to wander up into the mountains for a week or so to process what I just heard.

I know we're a biased lot here on this site, but, really, who else is in the conversation for Musician of the 20th Century besides Garcia? Mastery of varied instruments and genres, improvisational skills, longevity, number of people played in front of....you get the picture. Yet try to find him listed on those inane "best of" polls that pop up from time to time. Sheesh.

Maybe our deadhead brains are just wired differently than the rest of humanity. If that's indeed the case...thank you, God!!

....either you get IT or you don't. Screw the "lists". I'm hard wired. Jerome John Garcia is/was the most pleasing guitar player, at least to my ears.
Miss you.

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Submitted by Gollum on Sat, 05/02/2020 - 15:06

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Right on bolo. No other musician comes close to Garcia in my world. We are lucky....

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Submitted by icecrmcnkd on Sat, 05/02/2020 - 15:36

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That’s why people say that they didn’t find the Dead, the Dead found them.

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Submitted by DeadVikes on Sat, 05/02/2020 - 17:06

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What a great pick, Strider. You people hear these guitars?

Haven't listened to this one a while, so great, the acoustic set! I know you Rider is so smooth and relaxed.

I have no clue when my Dave's 34 is coming. Tracking still just says lable created, not yet shipped. I guess it is my turn to experience the shipping blues.

Be well folks!

I, too, listened to the whole thing in one sitting. I managed to carve out just enough time and mother nature took care of the rest.. a relatively easy close by river was running just right, temps in the mid sixties (hey, that rolls right off your tongue).. I combined the listen with an outdoor adventure, social distance style.

Dropped off my bike at the bottom and proceeded to the top with my boat. A 12 mile wilderness canyon, a ten mile bike ride to the truck allowed me to be completely alone for the entire day with it. Most excellent. There and back again.. four and a half hours of mind blown fun, nobody could call me, text me, email me, tap me on the shoulder, ask me a question.. no one could disrupt a single note. Heaven. Plus I completely burned off the cabin fever that's been building up these last couple months. Man, if I ever get the chance to do what I did today again, it will be a life well lived. Holy shit what a piece of music. A psychedelic masterpiece, the entire thing. Oh, and to drive the point home, I did reach deep into my bag of tricks to make sure my mind was properly malleable for the journey.

No point for me to get into a song by song study, everyone else did a great job covering the details.

Great choice, great day. It really was not that different than what I described this morning.. not that different at all.

Edit: Out of shape and sore I am.. What a drag it is getting old...

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 06:41

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I love Paris in the springtime

Good times were had at Harpur College for sure!

Did anybody else get something cool in the mail yesterday?

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Submitted by Thats_Otis on Sun, 05/03/2020 - 06:56

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5/2/70 might have left a smoking crater of our minds...

5/3/72, Paris - that should set it right.

GOGD - Still no mail here in B'more :(

Happy Sunday, friends.

Peace

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 07:05

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The music comes on and keeps coming!

It's in the music

It's in the water

More Dead

May 5, 1970 - Colonial News SUNY Binghampton by Richard Walinsky

OTIS: It's coming!
I'ma holding off and waiting for you all, for now... :)

Sunday listening = Olympia Theatre 5/3/72.. don't mind if I do!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 07:29

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Looks like everyone had a great show yesterday. I am on Dire Wolf right now sounds nice!

5/372 sounds like another fine pick. Thanks!

ps. I am wondering if anyone has any interest in doing a Sunday Night At The Movies with VFTV 4 7/26/87 Anaheim.

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Submitted by JimInMD on Sun, 05/03/2020 - 07:54

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I'm in a bit of a mind fog myself.. not from alcohol. ..and my body hurts.

Right there with you Otis/4Winds. I will get up some energy to make a good day of it soon. I am thinking 5/3/72 sans the stem I chewed on yesterday.

Yesterday was a glorious day in Western MD. I owe it all you guys pumping up the good vibes.. and Bolo for keeping it all unreal.

Thanks all.

P.S. View IV is a monster.. The Jack Straw opener is epic and it just grows from there.

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 08:13

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Extra props for being one with nature yesterday JIMINMD!

This here 5/3/72 Tennessee Jed is the first one I ever heard...

No can do VFTV 4 tonight.. But that sounds fun!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 09:48

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Also The Playin'> D/S> Uncle Johns is mighty fine too. Miracle> Bertha> Sugar Mag, But the 7/26 has some unique Jerry just saying.

If this is not doable can I have tomorrows pick? Thanks!

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Submitted by Vguy72 on Sun, 05/03/2020 - 10:33

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....but the arrival date got bumped to Monday instead of Wednesday, so there's that!
5.3.72 on deck. A 3h 40min monster! Going to have break this one up.

VGUY72 - 40 plus minutes of that close to 4 hours is a big bad Other One Monster that weaves in and out of Set 2.. and it's sounding pretty hot too.

And Monday is better than Wednesday fo sure!

FOURWINDSBLOW - The 5/2/70 Monster Other One suite is some of the greatest Dead ever IMO (and many others from the sounds of things).. and it never gets old, every time it's sick!

What's everyone thinking in regards to listening to Dave's Picks Vol 34?
They seem to be trickling in at diff times all over the country as we speak.

Just curious.. that Monster keeps looking at me...

Yes, for sure!

Love the Taper's Compendiums, out-of-date but still great!

Along with the liner notes article reprint it really paints a cool scene.

Damn, I'd love to hear the beginning of that St. Stephen, just hearing the crowd response to those opening notes..

alas, it's all a dream we dreamed, One afternoon long ago

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Submitted by fourwindsblow on Sun, 05/03/2020 - 13:07

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This is a show i really like that I had not listened to in a while.

It's a really great show, the best!

11/8/1969 Dick's Picks, Volume Sixteen

Heard it was one of Dick's all time Favorites, posthumously released as a tribute to him.

I'm on a Latvala trip, Dick sure knew how to Pick!

Latvala!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 15:50

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Dick was the best!

I thought I'd make up for the '87 suggestion.

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 17:03

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FWB: Dude ‘87 pick is still in the mix!

Love ‘87 & haven’t heard that in awhile..

But.. it’s no 11/8/69
JIMINMD that was all FWB’s pick, I just picked up on it ;)

But yeah that’ll put you right back on the bus!!

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Submitted by Vguy72 on Sun, 05/03/2020 - 17:12

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....is indeed a good show. Comes highly recommended by yours truly! 👍🌹💀
Then again, I was at 7.26.87. First world problems!
Back to Paris. Love the fade out from Sugar Mags into NFA. Good stuff right there.

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Submitted by fourwindsblow on Sun, 05/03/2020 - 17:39

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Jerry was the father I never had and I like to see him when I saw him. Sometimes.

Never could compete with 11/8/69 I know.

ps, Just so ya know I'm a sixties head (Freak!).

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 07:45

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Dick Latvala's response to Jim Wise after receiving the "fixed" version of 11/8/69 master.

Initially planned to be released in honor of it's 30th Anniversary.

The amount of work put in to this recording in order for us to hear it at it's best possible sound quality, is impressive to say the least.

Another fine moment in Grateful Dead history, both the show and the story of how we are now able to listen to it.

Big Thanks to Jim Wise & Dick Latvala!!

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Submitted by Strider 808808 on Mon, 05/04/2020 - 11:20

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I’m up for that

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 13:27

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RE: STRIDER 88

Would love to hear your 2nd Dead concert 5/15/70 early show story some time..

That had to be amazing.

Jesse Jarnow speculated in a blog post that this show was "possibly" the night that Jerry was tripping so hard that he began to think that assassins / mobsters were after him, and that the only way he'd survive is if he played for his life.

Of course there's no way to know for sure, but..

It sure sounds like he's playing for his life.