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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #851
    1stshow70878
    Joined:
    5-3-72 Paris

    Huge and another damn near perfect show with 3 Other Ones! The crowd seems more engaged and yelling a bit more than some of the more polite audiences. And interestingly they didn't understand that the show wasn't over at set break. Read attendee Bob Welle's review in DeadbaseX and his cool viewpoint of having been cruising around EU and just luckily caught this one, wondering who are these new people on stage.
    After all these good ones in a row it's hard to see the almost Barton Hall fervor over this one though. I'm having a tough time doing a top 5 of the first 11 shows they are all so good but this one is certainly in there. Onward indeedy! Didn't expect anyone to join in my insanity to do them all so good on ya' Oro. Had to do it once in a lifetime, lol.
    Cheers

  • #852
    JimInMD
    Joined:
    Ha

    I was talking about a mini box of Feb '74 before they released 2/24 (and now 2/23), but I like the way you think.

    I always assumed, probably incorrectly, that there were problems with the recordings of much of the October 74 run. I know Owsley was very vocal that they had excessive bleeding from mic to mic, etc.

    As for something to listen to today.. not that I am strictly a Today in GD History person but 9/18/70, 9/18/74 and 9/18/87 were all excellent shows. 9/16/87 was surprisingly good for the period also.

    That's all I have for now.

  • #853
    Oroborous
    Joined:
    Ok, back to Europe

    Hit 5/7, 5/10, and 5/11 this WE. Of course I’ve forgotten the finer points and things I wanted to say, but I’ve not wanted to be overly analytical, or get distracted with notes, and instead, just get right, relax, and try to enjoy them. (Which has not been hard ; )
    5/7 is just too much! It’s not always the most precise or perfect of the tour, but that’s because it’s a freight train on steroids!
    I’ve always preferred full steam ahead Dead even when that leads to more worts, not that this one has many, perhaps just a few more noticeable than some of the more reserved, precise (hey, they were trying to make an album) shows.
    Actually, I think the album factor is one reason this tour is so good. They’re in a place where they’re ontop of their game and can let it rip, but keeping it just enough under raps to keep the consistency high for recording purposes.
    Win win, but 5/7 seems more about the live gig, the large miserable crowd that seems to really appreciate the effort etc, more than playing it straight for the tape machine?
    Choo Choo, all aboard! what a beast! Garcia starts out in 5th gear and doesn’t let up for almost 4 hours!
    Dark Star AND an Other One! Full on grease fest with six beauties, including a nice LL that fits the format better than going on too long, and a nice unusual Segway into GDTRFB. Clearly they were enjoying themselves in spite of the conditions? They joke about blowing the big ones, but not this time bubba!
    I’ve had this one so have heard it several times, but it was a real treat to sit outside in a warm but not super hot day and just groove on this one!
    Yesterday I hit 5/10 for the first time and unfortunately didn’t get quite the best listen, at least to the later parts.
    But I did enjoy it, even if it was perhaps a little more laid back than 5/7 etc. Hey they all can’t be rocket ships lol.
    The word that kept coming to me was Smooth…this show seemed smooth. They’re gelling as a unit so well by now, and the consistency is so good. Sure there’s a miscue or clam every once in awhile, (I dare you to find a show that there isn’t ; ) but the overall tightness, energy, musicianship is truly better or on par with any tour they ever did!
    Of course there’s the sweet He’s Gone they finally got right, and why it’s the one! Another Sing me as they’ve worked that one in the repertoire nicely. And if I remember correctly, this had another of those unusual Other Ones, kinda jazzy perhaps and similar to 4/16? Unfortunately this one’s a blur for various reasons including hitting 5/11 afterwards. I’ll definitely want to rehit this, 5/3, and the Wembleys after the tour…but for now I want to go in order…
    Ok, 5/11, this one for whatever reason has always been perhaps my favorite?
    Not saying it’s the best show of the tour, just for whatever reasons perhaps my favorite?
    Certainly the set list is part of it: Nice Playing if not huge opener, plenty o grease, including a cool and final Caution, with final WHO Do You Love tease, Nice Truckin ender to mix it up, and a very cool, perhaps unusual Dark Star!
    Maybe it’s just because I think this might have been the first ala cart show I bought when I hand to the head realized what I was missing not having these Dark Stars? (Now realizing same about the cool spacey TOO’s)
    Other One can get real repetitive but these ones are often very diverse and different! The weirder the better I say!
    Whatever the reasons, this show, even after taking the tour plunge, still resonates very strong for me? Hey, I even think the cover art might be my fav? Ok, maybe I’ll hit it again streaming while working, before moving onto 5/13 and 5/16, both I’ve never heard yet, so hoping I’ll get to spend some extra time with em during the week…
    ONWARD! Ok, who stole my Heineken Dark?

  • #854
    Oroborous
    Joined:
    More shows

    That’s all I ment.
    Everyone’s made good points, and there’s no easy answer.
    I was going for a conversation starter more than just to editorialize.
    Like most things, no easy answers.
    It’s just now that I’m all addicted to this collecting nonsense, I need as many RJ shows as they’ll give us, and I’m afraid things are going to start slowing down, and eventually it won’t be worth it to them, and so many great shows will never get fixed up and released. And don’t you worry 1stshow ole buddy, there’s still plenty of RJ shows in the vault.
    As a rabid nut trying to tag as many of em as I can before I croak, I’m here to tell ya there’s plenty of gold left in them there hills! Yes many are cassette, but the gang has been getting better and better every year at fixing em up!
    And, there’s still lots of DATs and still a decent amount of killer multitracks, all just rotting in the vault!

    I totally get what yer saying, but think of it this way: suppose the summer 78 box was never released and only a couple others from that year. If they came out and said “this is your one chance to get the 20 best of 78”, including those shows in the July box, would you not find some way to get it? For sure, not everyone is going to want all of em, but I think you’d be able to scrape up at least 10k folks who would want at least one or 2?
    Really they should be digitizing them all, or at least the top 20 or 30 from each year that haven’t been released, and have a system where they announce a certain number, or block at a time, and do pre orders, to have inventory control.
    Some shows might sell big, some not so much. Perhaps have a rule that shows that don’t meet a certain threshold won’t get released?
    I guess the solution would involve somehow having a cost effective way to prep them, but pre order so you don’t always have to have such big sales numbers for every show? Perhaps DL like you say, but that hasn’t worked so well, so far anyway…
    Again, no easy answers, and I totally understand other pov. I just would hate to see so much good music not get the treatment it deserves. And yeah, the archive is awesome, but there’s nothing like getting a great show that’s been fully fixed/Normaned!

    Hey DV, where ya been hiding? Good to see ya, and sorry, I won’t mention you know who. It has got to be really tough being a fan. It’d be one thing if they just stunk, but they have potential, if only they could stop beating themselves.
    A well, it’s early still…

  • #855
    DeadVikes
    Joined:
    Releases

    Would love to see more shows released. My preference is still CDs.
    It would be interesting to know what the terms of the contract are with Rhino? Are they able to release as much as they want or are there limits?
    Do they even have the ability to release more per year then they currently are? Is Jeffrey Norman able to mix and master much more than he is now. He might need help. Maybe you could assist OB?

    There are some shows they already mixed and mastered that could be released on CD. For example, the two shows from the first Road Trips that they released as digital downloads, 11/5 and 11/6 1979. Also, the shows from the download series.
    Would also be interested in more video. Why not release the shows from the MUATM. They did this with the 91 show in the Giants stadium box, but would love to see the others released at some point. The 91 Chicago show was really good.

    Okay, seems others are talking about 1988 for #48. We will see next month.

  • #856
    1stshow70878
    Joined:
    Box discussion

    I'm a dinosaur as Oro describes it and know zero about streaming and how younger folks get their music, movies, and TV but I'm guessing the Dinos are the ones buying hard copy CDs. My question is, if the '80s and '90s scene was populated by more younger concertgoers in huge stadiums in numbers way beyond the earlier shows shouldn't there be a demand for those shows in a format they like? I'd bet lots of folks will buy a show they attended. Mickey's model may fit that some day. That said, I'm ignoring the fact that some earlier shows had attendance in the 100,000+ range (Englishtown?) but there were just a few of those. I know Dave said that the last increase to 25,000 copies per release would be the last increase and maybe that's the limit for profitability for hard copy. I'm guessing the download option would be more profitable regardless of sales numbers (if they could ever get the damn things to work!) as all you need is a bank of servers and a few tech savvy people to run it. Large box offerings could be done as a pick and choose your favorite with quantity discounts for more shows. I know I won't be buying twenty shows from individual years I don't like as much and there is likely some truth in the theory that a good portion of "the good stuff" has already been released. Seems like, as with many things, tech is going to have to save us in this dilemma. Affordability is key either way. I can't afford $500 boxes even if I like the offering. It's as simple as that. So Mickey, let's get digitizing! Us Dinos will just have to figure out how to download and stream.
    Cheers
    Oh, and the price of the downloads needs to come down. Currently makes no sense if the price is almost the same just without the shipping. No incentive to be green.

  • #857
    Oroborous
    Joined:
    Y’all are missing the point…

    I’m not talking about preferences, if I was, I’d be down with Conekids idea.
    I’m talking about the reality of only a somewhat limited number of boxes getting released.
    Their not going to do this forever!!!
    For example, say they only releases 8 or 10 more years at one box a year.
    With 3 show mini boxes that’s only 30 more shows. Plus say 40 more Dave’s. (4x10).
    There’s still way more than 70 great shows in that vault…
    My plan,
    25 for primal 67-70
    15 for 71
    20 for 72
    20 for 73 (at least!
    ? 74 might just be mostly scraps
    20? for 76? Maybe
    77 is already over represented so he can spit the last few out on DaP
    20 for 78
    20 for 79 and 80
    20 for 81 & 82
    20 for 83 & 84
    20 for 85 & 86
    20 for 87 & 88
    20 for 89 including fall tour (alpine should be a stand alone
    90 not sure you’d need to do 20 as it’s already fairly represented?
    20 for 91 & 92
    20 for 93-95
    These plus DaP and special separates and one might say we’ve received most of the best!
    Take pre orders plus run an extra 10% so your not stuck with inventory but have a few for Johnny come latelies…
    You could still make them “limited”…
    Release 2 a year, everybody wins cept maybe the finicky heads who probably won’t buy much more anyway…

    Voila, all hardcore heads gets represented,

    And remember when Mickey made his bold pronouncement about making all shows available (about the same time he said Phil must have got the liver of a jerk) .
    But I’m sure things won’t change, sales eventually will make cost prohibitive and the vault will go to waste, but hey at least we will have most of 77…and four versions of October 74…
    Think about the cruel reality of only 3 to 5 shows a year for only 8 more years….the horror!
    Tic toc…

  • #858
    daverock
    Joined:
    Winterland 74 box

    Yes, next year hopefully - vinyl too. Bit of leisure wear to listen to it in. Nice.

    Mini boxes score where you might not want 17 shows or whatever. I wouldn't mind a few shows from Europe 1990, having attended the London ones - but I'm not sure I would want the whole lot !

  • #859
    icecrmcnkd
    Joined:
    Winterland Oct 74 Box, and we need more releases Dave/Rhino

    Hopefully it’s moving into production soon so that we get it for the 50th anniversary next year.
    With all the video included.

    I’ll take mini-Boxes.
    3-show mini-Boxes, released once every other month, and not during a month where a DaP is released. Thus, the DaP’s and mini-Boxes would give us a release 10 months out of the year. The other 2 months would be RSD and Black Friday RSD.
    Sounds like a grate plan to me.

  • #860
    JimInMD
    Joined:
    Winterland

    Agree..

    Can anyone tell me why we did not get a Winterland '74 Box Set? The box design would, of course, been a mini Wall of Sound.

    Wars have been fought for less.

    Oh, the horror.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

....for one one the best shows I've heard them play. 9.7 goonie birds out of 10 and Don't Ease Me In hasn't even ended yet. Pure gold. Off today and the wife went to work. This one begs to be turned to eleven.
"Relax people. We have you all night long."

excellent anniversary pick! acoustic 1970 is such a special sound. so intimate, at times almost like you're seated cross legged in front of them in a small room with your close friends. once again, it's been awhile since I've listened to this set, more recently those in that awesome Road Trips 5/15/70 release. we really need another of these acoustic / electric shows from 1970 released. too bad that most of the fall run appears to not have been taped.

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Submitted by Vguy72 on Sat, 05/02/2020 - 11:20

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....Jerry making that pedal steel sing. Outstanding!
If Henry doesn't get your foot tapping, better check yourself for a pulse.

....gotta take a break. Shower up. Because I know that the upcoming St. Stephen->The Other One->Cosmic Charlie is going to blow my mind and will have me picking my face up off the floor. Again.

....hitting that record button at the start of St. Stephen. Wonder why? "Guys! Wait a minute! I was hanging with the crowd! You usually take a longer break! Dammit! (Pushes the button). Ahhhh. All is good."
I got all clean, just to get dirty again. Let's gooooo!
The 6.9.76 RT release also has a cut start to St. Stephen. Hmmmm.....

DP 5 12/26/79✔️ Ahh, finally got back to this one. Been meaning to play this one. It was played all the time back in the day since there weren’t many official releases yet, or at least I didn’t have many. When DaP 31 came out I dove into as much fall 79 as I had, but somehow didn’t get to this one. So now, finally we get back to this gem. Typical for 79 but great first set, with an UJB to open the second sliding nicely into a hot Estimated. But the highlight to me is the 2 jams. The first is more traditional with them skirting around the edges of a Caution jam, with wiffs of DS and Eyes, but then Phil clearly try’s to start He’s Gone, but Jerry’s not ready until a few minutes later Phil starts again and this time they go with it, SWEET! Then after a nice He’s Gone, TOO, and drums, they slide into almost space like segment that gets delightfully weird. One of my favorite things from this tour is all the far out jams and weirdness that regularly popped up in the second sets. The rest is standard fare except a nice but perhaps a tad allegro Brokedown. Of course the big surprise is the Shakedown UJB reprise for the encore. It’s not surprising ole Dick put his name on this one, what a great 79 show!
4/29/72: ✔️so then I did this one to somewhat follow the European trail. I even had Sierra Nevada 2019 Ocktoberfest, Sierra Nevada Skiesta “Bavarian Style” and my last bottle of EKU 28. All leftovers I’ve been saving for too long for a tasting that’s not going to happen anytime soon. So not proper authentic German beer, but in the spirit of the event celebrating the fine show and DS from the sister city of my hometown, Hamburg.
10/26/89: after this one came up the other day I figured I’d give it a spin. Since it was getting late and the buzz was making me sleepy, I FF here and there and by the end of DS was falling asleep in the big boy chair, so decided, hang it up and see what tomorrow brings....was totally enjoying the show, but not sure I’d rank it above 10/9 or 10/16? I’ll have to slip back to this one after 5/2/70....

....is strong with this Spanish lady with a rose. Total cacophony, into a lulling bliss, then back into masterful ladder climbing. Its an auditory roller coaster. Pretty much perfection. Makes me feel high, without being high.
The 12:20 mark....for fucks sake. Rainbow colors blended.

my favorite year is '72, like the deep space mind melt of the Berkley show. but a fire-breathing cryptical - other one - cryptical is another beast altogether, and i love them too! phil thunder intro right now! holy shit!

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Submitted by Vguy72 on Sat, 05/02/2020 - 12:56

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....its a full fledged Pigpen grease party. Incredible.
Life pro tip. If you have a grease fire, water or fire extinguishers don't suppress it. Gotta cut off the oxygen.
The 5:35 mark of Good Lovin'. Kicking into the extra gear. Reminds me of wild horses. Can only tame them so far until they race off.

....also marked.
Ducked out of the CD into the archive for the Cold Rain & Snow that was cut from the release. Earning my badge.

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Submitted by The Good Ole G… on Sat, 05/02/2020 - 13:35

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“The goal is to find shows that can stand up under repeated listenings and still give you the goods.” - Dick Latvala

Harpur College – anyone with any common sense knows Harpur College is a show that should have come out centuries ago. It was ten years of trying to get that one up the flagpole. Healy would say, ‘That Latvala, he can’t tell the difference between stereo and mono!’ And that’s why he would reject Harpur College, cause the electric sets are in mono. So fucking what? Does anyone say that ain’t a great example of a show? I’ll tell you, it wasn’t like I snapped my fingers to have it occur, it was like embarrassing myself forever to get it out.”

Thanks Dick,
I hope you know how right you were.. LATVALA!

Anybody want Electric Wine? = Dick's Picks Volume 8

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Submitted by icecrmcnkd on Sat, 05/02/2020 - 13:58

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Here’s the first paragraph of the DaP34 announcement:

"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

Sounds like you’re all having a good time with Harpur.

I have some more yard work to do, but then it’s Harpur, beer, grilling. Looks like I got a good evening coming.

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Submitted by Strider 808808 on Sat, 05/02/2020 - 14:02

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My 2nd Dead concert was 5/15/70 early show. That was also first time seeing NRPS. Then Workngmans Dead released late May. May 3rd was free Jefferson Airplane concert at Central Park bandshell. Super intense , only one of two times seeing JA. Kent State happened in early May .Saw CSNY at the the Fillmore East at the end of May 1970. Neil Young had already written Ohio. What a month , fifty years ago!
Now to the electric sets.

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Submitted by Gollum on Sat, 05/02/2020 - 14:06

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Great Other One descriptions Vguy & thanks for those Latvala & Lawson-Garcia quotes Good Ole.
I listened to Good Lovin' and Man's World on my Saturday outdoor stroll to the Grocer. Even the Man's World shines on this show. Every note was golden that night. It was great to escape my quarantine and be outside in the sun with bugs and dogs and the Grateful Dead. This show has always felt very Springlike anyways.

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Submitted by daverock on Sat, 05/02/2020 - 14:10

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I first got this show-5/2/70-about 1987 on a very rough sounding tape. I only had a primitive ghetto blaster to play it on, but I loved it and played it to death.
So on to Dicks Picks, which sadly missed the New Riders set-which was on the tape I had, and seemed to be an essential part of the whole show. Its my favourite in the series. Then I got the vinyl last year, which has no New Riders but includes a somewhat ropey Cold Rain and Snow. But it is an incredible show in any format. The acoustic set is beautifully recorded-they could be here in my living room.

I always think of the electric set as being the last hurrah for primal Dead. The versions of Other One, Dancing in the Street, Good Lovin' and Viola Lee Blues are incendiary. It seems to me as though they take a bit of a breather with the shorter songs in the set, before diving off the high board again with these all powerful jams. I can't think of another Dead show that is like this, either. Unique and brilliant.

.....Billy The Kid said earlier "if there was one show I could time machine back to, it would be this one." I paraphrased, but you get the gist. Top 10.
Good luck to tomorrow's pick.

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Submitted by bolo24 on Sat, 05/02/2020 - 14:44

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Listened to the whole night together for the first time. Even though I've listened to DP8 tons of times, I really absorbed it + NRPS this time around. I may have to wander up into the mountains for a week or so to process what I just heard.

I know we're a biased lot here on this site, but, really, who else is in the conversation for Musician of the 20th Century besides Garcia? Mastery of varied instruments and genres, improvisational skills, longevity, number of people played in front of....you get the picture. Yet try to find him listed on those inane "best of" polls that pop up from time to time. Sheesh.

Maybe our deadhead brains are just wired differently than the rest of humanity. If that's indeed the case...thank you, God!!

....either you get IT or you don't. Screw the "lists". I'm hard wired. Jerome John Garcia is/was the most pleasing guitar player, at least to my ears.
Miss you.

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Submitted by Gollum on Sat, 05/02/2020 - 15:06

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Right on bolo. No other musician comes close to Garcia in my world. We are lucky....

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Submitted by DeadVikes on Sat, 05/02/2020 - 17:06

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What a great pick, Strider. You people hear these guitars?

Haven't listened to this one a while, so great, the acoustic set! I know you Rider is so smooth and relaxed.

I have no clue when my Dave's 34 is coming. Tracking still just says lable created, not yet shipped. I guess it is my turn to experience the shipping blues.

Be well folks!

I, too, listened to the whole thing in one sitting. I managed to carve out just enough time and mother nature took care of the rest.. a relatively easy close by river was running just right, temps in the mid sixties (hey, that rolls right off your tongue).. I combined the listen with an outdoor adventure, social distance style.

Dropped off my bike at the bottom and proceeded to the top with my boat. A 12 mile wilderness canyon, a ten mile bike ride to the truck allowed me to be completely alone for the entire day with it. Most excellent. There and back again.. four and a half hours of mind blown fun, nobody could call me, text me, email me, tap me on the shoulder, ask me a question.. no one could disrupt a single note. Heaven. Plus I completely burned off the cabin fever that's been building up these last couple months. Man, if I ever get the chance to do what I did today again, it will be a life well lived. Holy shit what a piece of music. A psychedelic masterpiece, the entire thing. Oh, and to drive the point home, I did reach deep into my bag of tricks to make sure my mind was properly malleable for the journey.

No point for me to get into a song by song study, everyone else did a great job covering the details.

Great choice, great day. It really was not that different than what I described this morning.. not that different at all.

Edit: Out of shape and sore I am.. What a drag it is getting old...

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 06:41

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I love Paris in the springtime

Good times were had at Harpur College for sure!

Did anybody else get something cool in the mail yesterday?

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Submitted by Thats_Otis on Sun, 05/03/2020 - 06:56

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5/2/70 might have left a smoking crater of our minds...

5/3/72, Paris - that should set it right.

GOGD - Still no mail here in B'more :(

Happy Sunday, friends.

Peace

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 07:05

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The music comes on and keeps coming!

It's in the music

It's in the water

More Dead

May 5, 1970 - Colonial News SUNY Binghampton by Richard Walinsky

OTIS: It's coming!
I'ma holding off and waiting for you all, for now... :)

Sunday listening = Olympia Theatre 5/3/72.. don't mind if I do!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 07:29

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Looks like everyone had a great show yesterday. I am on Dire Wolf right now sounds nice!

5/372 sounds like another fine pick. Thanks!

ps. I am wondering if anyone has any interest in doing a Sunday Night At The Movies with VFTV 4 7/26/87 Anaheim.

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Submitted by JimInMD on Sun, 05/03/2020 - 07:54

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I'm in a bit of a mind fog myself.. not from alcohol. ..and my body hurts.

Right there with you Otis/4Winds. I will get up some energy to make a good day of it soon. I am thinking 5/3/72 sans the stem I chewed on yesterday.

Yesterday was a glorious day in Western MD. I owe it all you guys pumping up the good vibes.. and Bolo for keeping it all unreal.

Thanks all.

P.S. View IV is a monster.. The Jack Straw opener is epic and it just grows from there.

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 08:13

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Extra props for being one with nature yesterday JIMINMD!

This here 5/3/72 Tennessee Jed is the first one I ever heard...

No can do VFTV 4 tonight.. But that sounds fun!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 09:48

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Also The Playin'> D/S> Uncle Johns is mighty fine too. Miracle> Bertha> Sugar Mag, But the 7/26 has some unique Jerry just saying.

If this is not doable can I have tomorrows pick? Thanks!

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Submitted by Vguy72 on Sun, 05/03/2020 - 10:33

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....but the arrival date got bumped to Monday instead of Wednesday, so there's that!
5.3.72 on deck. A 3h 40min monster! Going to have break this one up.

VGUY72 - 40 plus minutes of that close to 4 hours is a big bad Other One Monster that weaves in and out of Set 2.. and it's sounding pretty hot too.

And Monday is better than Wednesday fo sure!

FOURWINDSBLOW - The 5/2/70 Monster Other One suite is some of the greatest Dead ever IMO (and many others from the sounds of things).. and it never gets old, every time it's sick!

What's everyone thinking in regards to listening to Dave's Picks Vol 34?
They seem to be trickling in at diff times all over the country as we speak.

Just curious.. that Monster keeps looking at me...

Yes, for sure!

Love the Taper's Compendiums, out-of-date but still great!

Along with the liner notes article reprint it really paints a cool scene.

Damn, I'd love to hear the beginning of that St. Stephen, just hearing the crowd response to those opening notes..

alas, it's all a dream we dreamed, One afternoon long ago

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Submitted by fourwindsblow on Sun, 05/03/2020 - 13:07

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This is a show i really like that I had not listened to in a while.

It's a really great show, the best!

11/8/1969 Dick's Picks, Volume Sixteen

Heard it was one of Dick's all time Favorites, posthumously released as a tribute to him.

I'm on a Latvala trip, Dick sure knew how to Pick!

Latvala!

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Submitted by fourwindsblow on Sun, 05/03/2020 - 15:50

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Dick was the best!

I thought I'd make up for the '87 suggestion.

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Submitted by The Good Ole G… on Sun, 05/03/2020 - 17:03

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FWB: Dude ‘87 pick is still in the mix!

Love ‘87 & haven’t heard that in awhile..

But.. it’s no 11/8/69
JIMINMD that was all FWB’s pick, I just picked up on it ;)

But yeah that’ll put you right back on the bus!!

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Submitted by Vguy72 on Sun, 05/03/2020 - 17:12

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....is indeed a good show. Comes highly recommended by yours truly! 👍🌹💀
Then again, I was at 7.26.87. First world problems!
Back to Paris. Love the fade out from Sugar Mags into NFA. Good stuff right there.

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Submitted by fourwindsblow on Sun, 05/03/2020 - 17:39

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Jerry was the father I never had and I like to see him when I saw him. Sometimes.

Never could compete with 11/8/69 I know.

ps, Just so ya know I'm a sixties head (Freak!).

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 07:45

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Dick Latvala's response to Jim Wise after receiving the "fixed" version of 11/8/69 master.

Initially planned to be released in honor of it's 30th Anniversary.

The amount of work put in to this recording in order for us to hear it at it's best possible sound quality, is impressive to say the least.

Another fine moment in Grateful Dead history, both the show and the story of how we are now able to listen to it.

Big Thanks to Jim Wise & Dick Latvala!!

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Submitted by Strider 808808 on Mon, 05/04/2020 - 11:20

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I’m up for that

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Submitted by The Good Ole G… on Mon, 05/04/2020 - 13:27

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RE: STRIDER 88

Would love to hear your 2nd Dead concert 5/15/70 early show story some time..

That had to be amazing.

Jesse Jarnow speculated in a blog post that this show was "possibly" the night that Jerry was tripping so hard that he began to think that assassins / mobsters were after him, and that the only way he'd survive is if he played for his life.

Of course there's no way to know for sure, but..

It sure sounds like he's playing for his life.