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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Boo469
    Joined:
    Harpur 5-2-70

    NRPS opens, Pig with a sweet " Man's World" and it's available on vinyl! Whooo Hooo

  • Boo469
    Joined:
    Harpur 5-2-70

    NRPS opens, Pig with a sweet " Man's World" and it's available on vinyl! Whooo Hooo
    The vinyl version updated with new remastering, plantgent process, and includes Cold Rain and Snow

  • The Good Ole G…
    Joined:
    Harpur College

    Feels like we've been here before, huh?

    51st Anniversary of one the all time greats today.

    Had a good time listening to this last year, we'll see how it sounds this year ;)

    The DaP V38 bonus disc has been in heavy rotation over here.
    Hot stuff!
    And Strider's pal Jay wrote some great liner notes, so cool to hear stories of the '73 Dead scene.

    Hope all yours find you and raise a toast to the epic Evening with the Grateful Dead that happened 51 years ago today!

  • rockthing
    Joined:
    RE: Jerry rips on people who…

    RE: Jerry rips on people who are calling for "Dawk Staw"

    I usually associate that job with Phil.
    <squeaky voice> Saint Stephen. Saint Stephen. Play Saint Stephen, man<end voice>.
    He can come off pretty harsh sometimes, but mostly with the house lighting crew, maybe.

    Oroborous: Nice summary. I've been having a hard time just getting through the 28th and 29th, but that April '71 project sounds well worth the effort. Hearing the interplay of the guitars so clearly on the 28th board really heightens the excitement of Hard to Handle. So much good stuff happening when Tom Contstanten joins at the end. I finally know how to pronounce his name!

  • proudfoot
    Joined:
    4 25 71

    Jerry rips on people who are calling for "Dawk Staw"

  • Oroborous
    Joined:
    What a run

    Been meaning to do a big wrap up of the last 2 huge April 71 Fillmore shows, but just haven’t had the time, and I’m sure enough has been said already, so I’ll just pile on the accolades. WOW, both shows are definitely prime Dead.
    I think I’m with Doc in likening the 28th better than the 29, and after hearing every version since 3/24, also think the H2H from the 28th is the Bobbie Dazzler fo sho! But that’s just a dog sense kinda thing as both shows are stellar.
    So glad I did the whole month in order as you can appreciate these last shows even more. How far they came on the new songs and how tight, relaxed, on top of things. Basically they started back at Port Chester with a whole new/old GD; balls out shoot em up bar band with a whole slew of new material that totally fit their new motif!
    At first it could be manic, sloppy, etc, but by keeping it basic and literally pounding it out on the road (like over 20 shows in 25 days) by the end of the run in NY they had this new MO down!
    By the end I don’t think they sound tired as much they just seem extremely comfortable, like anyone on top of their game. There in NY for a week with all the grueling travel behind them, they’ve paid their dues and got shit happening, just need to relax, enjoy, and roll some tape...
    I’m sure some of the vibe was due to tape rolling. Tapes not cheap so you can tell their playing to the tape somewhat, but in a good way...and how sweet to throw in all those old chestnuts for the hip NY crowd.
    I won’t say 71 has become a “favorite” year, but I’m gaining a much greater appreciation after spending this wonderful time getting better acquainted. Or reacquainted as S&R was on constant rotation during my formative years.
    Definitely will be checking out more 71 than just the occasional spin from something later in the year.

    4/22/83: that was a nice change up in the midst of all that 71, another solid off the beaten path show we can check off the list. Spring 83 can be a little inconsistent, but this show seemed pretty together and enjoyable.

    Did 6/22/73 yesterday since I haven’t received 38 yet but wanted a little of the 73 magic. Still feel like a stranger with this box. Someday I’ll get the right time/space and binge out and get right with it. Still blows my mind that Box has not sold out? Maybe I’ll continue on with that today?

  • rockthing
    Joined:
    Put on 4/29/71 last night,…

    Put on 4/29/71 last night, my own transfer from the Nth Generation Maxell I've had for thirty years... it actually wasn't too far along the tree... At first I thought maybe I'd forgotten to adjust the speed! lol. Mello~w start, so I thought maybe I should broaden my horizons and go check out 4/28 first. Man, this show is su~per relaxed, too. Was someone saying something about these shows being at the end of a long run... I mean, all I gotta do is look at the dates to see that, I guess.

    Whoever was praising the recording (everyone!), truly unbelievable. It is weird how even <EDIT><<audience>> soundboard <EDIT> tapes can vary so much from night to night. I don't know who hit record on this, but I'd imagine Betty and Bob, for example, were experimenting with different approaches from night to night nearly as much as the band. Whoever it was , nailed it on this one! As much a die-hard audience tape fan as I am, I still love these early 70's boards where everyone is still so young, and giddy, and enjoyin' the hell out of it. You get to hear completely off mic things like an incredibly casual, "Whaddaya wanna do man?" before they settle on the next tune. The on-mic stage banter in this period is all gold. "How 'bout makin' this microphone work most of the time?" In fact, that may be what makes '71 so endearing to me, even more than the music. Just hearin'em talk so unselfconciously... or just hearing Jerry talk at all!

    I like that Bobby is really clear in the mix, too. The guitars are separated nicely so that even at roughly the same level, they can both be made out. Bobby's always busy doin' his Bobby shix and it's a joy to hear it in this recording.

    I do not think I have ever heard The Rub before. Wow. Thank you!

    King Bee workin' the transmission till the motor won't run no more!.

    It was getting late, but on a piece of paper next to my computer I simply wrote, "Hard to Handle", and that seems to sum it up.

    Oddly getting a little lost during the opening Cryptical, but regardless, major applause for tracking Cryptical, Drums, and The Other One as piece! I love that. I'd like to see more shows tracked that way. I've said it before, and no doubt I'll say it again. I know it doesn't matter when your streaming... actually it does matter when you're streaming, 'cause there's a short pause between every single track, and when you've got Song > Jam > Different Jam > Drums > Back Into That First Song, that's a lot of baited breath. I also like that someone is still adding the "In a circle" to the refrain at this point. I don't think that lasts much longer, or maybe it's just normally inaudible to the audience. Man, I've been workin' non-stop lately, I could not stay awake another second. Gotta start over from there, 'cause it appears things are about to really get off the hook.

    RE: Three points of contact. Best to have two good buddies holdin' onta ya like you've got a couple broken legs. :P

    Re: Streaming from The Archive. Good question. I don't have any facts for you, but I've got a truckload of speculation. It seems unlikely that the streams would be lossless. It takes, like 30 or 40 minutes just to download a 16bit 44.1Hz zip, but, now that I think of it, each track takes quite a while to cache. On my connection, it's usually impossible to scrub forward until I've heard the whole song at least once. The 24 bit 96Hz shows, though, they can't be streaming at that quality, but there is no noticeable difference loading for playback.

    I used to go for those hi-res shows, but they take so damn long to DL, and I have to downsample'em to get'em on my ipod anyway... which is where I listen to most of my music these days since I've started commuting a couple hours a day. Just installed an Onkyo music player that plays FLAC and any bit/sample rate you can think of, though. Not sure what the DAC on my ancient phone is all about, though, but at least I don't have to go through the whole conversion and library addition thing. I'm obsessive, but not compulsive. If I'm gonna put the show in my iTunes library, I'm gonna hafta do all the data entry, too. On the other hand, if I've got a FLAC player in my pocket, then I'll just put "Today's drive to work and back" show in and not worry about it.

  • JimInMD
    Joined:
    Re:

    "Isn’t today the anniversary of you cracking your skull open?"

    I chortled my beer when I read this. Hilarious.. really, this comment is hilarious on so many levels. Many thanks to VGuy for sharing and for the cone kid for remembering it on it's anniversary. Reminds me of Spikoli from Fast Times at Ridgemont High, 'people on ludes should not drive.' Clearly wise, well chosen words.

    The things we learn here at dead.net. "Always maintain three points of contact when inhaling balloons in the parking lot."

    I'm behind on what are you listening today. April 71 blew away my free time. It made me look and realize that my digital library is stale.. there have been many Charlie Miller upgrades to shows I had so I have to add these before I listen.. and I am not finished with the FE run.

    I have question to all you wise folks out there.. when you stream from the archive... .is it lossless, SHN or do they stream a compressed file like MP3 when you hit the stream playlist VBR button. Anyone know?

    Hey.. seriously.., to all the kind, thoughtful and far from norml people out there. I am digging how this thread has become a place to not only listen, suggest and comment on a hand picked show of the day but to check in and add some free form comments. Seems reasonable to me.

    Concussion anniversary one day removed.. love it. What were your first words when coming to, It's got a Cumberland?

  • Spectrum78
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    Joined:
    Dave’s 38

    Loving it so far…don’t panic during first 30 seconds of Bertha, they quickly get everything just exactly perfect. Thanks for the sticker Dave

  • jefito
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    Joined:
    Progress...

    Starting to work through DaP 38, slow progress since I've never really been able to listen to music properly while I'm working, plus got distracted delving into 4/28 and 4/29 of '71.

    The 71' is some fantastic stuff -- I've heard it all before at one time or another: the 4/29 Alligator sequence was my first or second bootleg back in college in '76 -- could have also been 6/19/76's Let it Grow/Dancin'/Cosmic Charlie sequence. Both of those are still around, on my gym MP3 player and in my car; the Hard to Handle is my favorite version, a Just Exactly Perfect (tm) handoff from Pigpen to Bobby to Jerry and back to Pig for the close. Later on, I got hold of the 4/28 Dark Star, a perfect, beautiful jewel of a version, from a Gans broadcast, I think, and eventually I acquired the whole 5 show series -- the 4/28 Other One is sublime, and there's lots of other fun stuff as well (Second that Emotion was a delightful surprise the first time I heard it).

    BTW, my DaP 38 is #1856. I have no idea what that means -- seems to be random across releases...

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .