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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • bluecrow
    Joined:
    salt lake '95

    Strider - soft spot in my heart for the last show of the run on 2/21. i was working in Ootah (pronounciation courtesy of a Zuni colleague) when Jerry died, and when i landed there "for good" next summer i was gifted with a sweet audience of Set II. I love that version of Foolish Heart - a favorite - Jerry's solo is sublime, same glorious energy that i experienced during Foolish Heart in Seattle May '95. and the return of Visions must of been "mind blown" for some (the one on 7/8/95 had me in tears.) Looks to have been a great first set- how can you lose with that Salt Lake City opener?! Broken Arrow and So Many Roads. This show was an excellent choice for the 30 trips box.

    looking forward to 2/23/71 later today - that will be a first time listen.

    stay safe everyone and enjoy the music. onward!

  • The Good Ole G…
    Joined:
    '93 for me

    Started out the day with a lil 2/23/93.. pretty neat.
    Ornette Coleman guesting.
    I didn't do the whole show, kicked it off with Lazy River Road.
    Sounds like Bolo and his Krewe were there :)

    Gonna dust off 2/23/71 after this dip into '93 winds down.

    Ahhh... what a trip!

  • DeadVikes
    Joined:
    Bonus Disc for RT4. 3

    Hey Bob t. I do have a digital copy of this bonus disc from a kind soul on this site. The physical copy remains elusive. The release with the bonus disc sells for $300 -400 on the secondary market, way too much for this kid. Love the digital copy and that 46 minute Dark Star is wild.

  • bob t
    Joined:
    bonus disc for RoadTrips

    Deadvikes if you don't have the 12/6/73 Cleveland Bonus disc, try to hunt that down. It was from the Denver shows.... Good call for 6/9/76!!! Bob t

  • DeadVikes
    Joined:
    2/21/71 and the Pick of the Day

    Another great show and I agree OB, it does sound a little more laid back than at least 2/18/71. Wish they didn't drop Easy Wind, always loved it.

    How does 6/9/76 Boston Music Hall sound? The last road trips release 4.5.

    I just read an interesting write up from Blair Jackson regarding the Road Trips series and why it started. I am guessing many of you know this already, but he stated they started the compilation concept due to very poor sales of the last couple of Dick's Picks and the Dead shows being available on the archive.
    They were trying to keep the price low, with two CDs and a bonus disc. They were surprised how much the fans hated this concept and eventually they moved back to full shows.
    There is some great music in almost all of these releases and I know I am still busy trying to get my hands on these and all the bonus CDs.

    Stay well out there.

  • Strider 808808
    Joined:
    Sandwich Range

    Past two days smorgasbord, 2/20/71. Thoroughly enjoyed on its Saturday 50th anniversary of being there. So I added 2/20/95 Salt Lake City, from my last Grateful Dead shows. Yesterday listened to 2/21/71 50th anniversary of being there and followed up with my very last Grateful Dead concert,2/21/95.
    Real interesting contrast and pleasantly surprised how good that Salt Lake City run was. Easy Wind from 2/21/71 sounded like somewhere halfway in the middle from bebop and shy of hip hop with Pigpen witty word play.

  • daverock
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    Psychedelic?

    Interesting that in that book of interviews with Jerry by Charles Reich, "A Signpost To New Space", Jerry indicates that he doesn't recognise psychedelic music as being a category in it own right. He quotes Phil, on page 83, as saying " Acid rock is music you listen to when you are high on acid". In which case, 1971 would be just as psychedelic as 1969 if you had taken some before listening.
    Personally, not having tripped for decades, I would say that certain records - like "Anthem of the Sun" reactivate sensations for me, while others - like "Skull and Roses", don't. In terms of years, 1968 does it and 1971 doesn't. Still good, though.

  • Vguy72
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    I got busy and missed the 21st....

    ....life sometimes gets in the way.
    Happy Birthday to Vince. 🍻

  • Oroborous
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    Moving right along, 2/21/71

    2/21
    Overall, Relaxed, but in a good way..

    The question with these 71 shows for some of us less initiated is; why? Why no more jams, short country or country like songs, etc....why did they stop doing what the proverbial “I” liked (think early 69).
    Why, because it’s actually what they need and wanted to do! Lesson here perhaps is to not compare too much between different “dead’s”, but consider what dead THEY were at or after, at that time? The tunes, the length, the tone and style, the AUTHENTICITY they seemed to continually be after with most different styles, sometimes completely so.
    So the trap is to not compare styles, or apples to oranges, but rather concentrating on how well they assimulated and perfected the style du jour! Of course it all ended up gumbo style, flavoring the whole.
    What ever their current focus, identity or style, without being over the top, they would throw themselves totally into, while always maintaining just a bit of the “old” former styles, until it was time to go furthur, and try something else. That trying to avoid the whole closed in thing JG speaks of...think how much they, especially JG, would delve/deep dive into some of these styles;
    Blues
    Psychedelic
    Folk, Americana
    Jazz, free form, just to name a few...and now shoot em up, straight ahead Bakersfield country bar rock. Yee haw pass me a longneck and let’s get rocking!

    Cold Rain &Snow opener, followed by a Bobby McGee; tight, but JG hits a few clams, though he has nice feel.
    Loser: well played, already not like a new song, except JG solo, still searching for the sound there...
    Easy Wind: prime grease, and though he flubs, he actually recovers nicely and improvs outta it. Nice solid, relaxed jam, no ones in a hurry, JGs on now, nothing stratospheric, just G.O. 71 GD!
    Playing in the Band: progressing, Phil better every version? See now why they didn’t use any of these shows for Skull Fuck; probably wanted some of the new material on the live album but most of these just weren’t there yet compared to the versions they did use from April...
    Luckily we get the multi-track snapshots of this historic little run anyways...Sure we’ll get more... : )
    Bertha: progressing nicely. more of the nice relaxed energy versus forced. ....and then....damn tuning.
    Eventually, the advent of tuners was a blessed event for them as well as us!
    But in the mean time, ahem.
    Nice if perhaps apprehensive electric version of Ripple with nice harmonies, including Phil, whom I haven’t noticed so much this run? You can feel the confidence build with the music and with the energy of the crowd.
    Lied Cheated: : after perhaps stepping outta their comfort zone a tad, it’s back with some solid straight up, bacon, no chaser! Again that relaxed, confident, comfortable, we own this shit and thus are in no hurry vibe.
    Same with another nice countrified Sugar Mag.
    Greatest Story: still not fully entraining on this one. Not bad for a new tune though, but another example of the infancy of some of these tunes..
    Interestingly, it seems like Garcia’s songs are a bit tighter and more formulated with the band then Bobs new songs...
    Nice one 2 punch with rocking JBG to close the set. Rocking, but still that nice in control, what I’ve been calling relaxed vibe, not the frantic, slightly unsteadiness sometimes found

    China Cat/Rider: Phun Phil messing with the intro! before they slid into by now an old regular, Really feeling like this version of the band is better served by one drummer. Just as I believe the psychedelic stuff was better with 2 drummers. Nice solid, familiar versions of these including nice Phil harmonies.
    Bird Song: smooth and getting smoother by the version.Blows me away that this is only the fourth version!
    And it’s got a Cumberland, a second set Cumberland!, though that wasn’t really a thing back then, but boy it’s just right for typing! More settled in/relaxed vibe.PROPER!
    King Bee: please pass the napkins cuss there’s a grease hog buzzin’ around my brain! And just like that they tap back into the blues band of yore. And the folk band with, BIODTL by request? is another by now fun, old chestnut. It’s like they’ve done the heavy lifting by this point on a “Sunday” and are just having fun cruising now on some familiar, so easier terrain toward their day off?
    RAT; well, maybe not just yet..though by this point it doesn’t sound new. Besides Bob being a little outta tune, it’s pretty damn tight! Another that blows me away knowing this is only the fourth version. Diggin the stand alone versions too.
    Trucking: amusingly starts a little slow but they quickly bring up to the M.O. that is this evenings nice relaxed, smooth vibe. A band comfortable with who they are and where there going.
    Cool to think several of these Working Mans/AB tunes aren’t really all that old on this night, but already sound like tight old classics.
    HA! New York’s got the ways and means, but just won’t let you be, makes me think of ole Strider able to have the means to just hop on the subway, and no big deal head down to the Capitol, but almost gets jumped in the alley!
    More of the nice “status quo” of many of the above, on Casey J., and of course got ta keep on moving on up and pushing’ on. Pig Fest!
    Like y’all have had your drinks, appts.,soups and salads, but now it’s time for the main corse..the greasy BBQ simmered to fine perfection by this point in time! (I can see BTK drooling out there ; ) ready for some Cherry pie now!
    And then, like a 80s brokedown to close a run on a Sunday, a nice UJB, unfortunately marred by the damn tuning issues. It must of been really frustrating to be so hampered, but such was life back then. Guess that’s downside of not hiding behind a wall of distortion like many other guitarist of the time.
    When I first heard this show when released last year, I hadn’t heard any of these shows except the 19th. But now that we’re going in order, it fits in just right in the overall flow. Nice Sunday, relaxed, confident, feeling of achievement? Like we did what we had to do, now we get a day off, then 1,2, end of the run and onward.
    I’d have a tough time picking wether I liked this one better than the 18th, but I liked it more than the 20, but not as much as the 19th? So far...
    Like the band, I’m ready for a day off. Might not listen to any dead at all tomorrow to keep my reference inside this run, but allow a cleanse elsewhere...
    But really looking forward to the last 2 on Tuesday and Wednesday as I’ve never heard either.
    Until then amigos!

  • proudfoot
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    Agreed Oro

    2 20 is ok, not stratospheric

    2 23 71 is stratospheric

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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Strider...do you remember much about the ESP experiments at these shows?

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .