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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    11/29/79

    OB-Would have to give the nod to the Kiel show, #47.
    Of course 11/29/79 isn't a polished up version either. But I don't think this one will ever be released.

    Looking for a good 1980 show for today. Hard to find good recordings for 1980.

  • Oroborous
    Joined:
    So

    DV, yeah it’s not the Rectum (personally I dig 11/6) but how would you compare to 31 and 47?

    6/27/15: yeah, that’s a set list! What’s become isn’t mind blowing performance wise, but talk about weird and a WTF, moment! I remember watching at my cousins and hearing it before they started it and thinking, na, no way, then Holy Crap! Lol
    I remember being ecstatic at the P&Ph Denver Philmore in 99 I think, because of 2 things: one, the music was in good hands and going to live on, and two, those of us who unfortunately missed the early years were finally getting the goods! They were breaking out all the old chestnuts, not JUST Dark Star, SS etc, but New Potato, Born Cross Eyed, all the sweet early weird shit, frickin Daverock would have been outta his mind hearing all these old gems live! Lol
    So yeah, the 6/27 show was perhaps a bit tepid and unpolished at times, but it was fun as hell and shows the potential of what might have been again, and was by far my favorite from the five shows. It also set the bar for D&C as now it was not only a possibility that they play these nuggets, it was now expected again! So thanks again Phil!
    The weirder the better I always say…

  • JimInMD
    Joined:
    What's Become of the Baby

    I think I saw Further do this. I have to look.. it might have been at Radio City Music Hall the week after Bear died?? I might have seen Phil do Rosemary too with P&F, likely also in NY. Of all the spin off bands, I have always liked what Phil is doing the best. He had an interesting approach and brought in top shelf talent. Plus, I always had a good time and made plenty of phriends.

    If I had an opportunity to see him tomorrow, I'd take it.

    I don't recall either of these being exceptionally good, but they were exceptionally weird.. which counts for something, right? There was an Alice D. Millionaire mixed into one of these shows and a few other oddities. You gotta give Phil credit for embracing the weird and embracing those old primal songs. Bobby brought a few back also.

  • bluecrow
    Joined:
    What's Become Of The Baby

    Maybe at top of my list of GD songs I never heard live. I think I knew Phil did it at least once. Didn't realize the FareTheeWell group performed it. I'll check 6/27 - sweet set list indeed.

  • 1stshow70878
    Joined:
    They're Listening In On Us

    11-29-79 in this week's Taper's.
    From Black Peter to U.S. Blues.
    Oh, duh. The other 2nd set chunk was on last week's Jam-o-week.
    Yeah, I keep forgetting how that works.
    That Eyes was weirdly fast (but lengthy), like where's the next gig fast. And you'd think with all those verses of don't tell me this town don't have no heart they could have worked in some Huey Lewis, the heart of rock & roll is still beating, in
    Cleveland, you known, rap like Pig man. Oh wait, Huey comes later. Never mind.
    Cheers

  • DeadVikes
    Joined:
    11/29/79-OB

    Finally finished this one up today OB. Another fine 79. I thought the sound quality was good for what it is .
    PT Barnum and the Shah of Iran!
    Nice energy through out the first and second set. Enjoyed the Shakedown, High Time, Estimated. I thought the Eyes was a little off, seemed disjointed and too fast and not up to that spectacular version from 11/5. Good finish with BP, JBG and US Blues.
    Would definitely listen again.
    Love this period.

  • Oroborous
    Joined:
    6/27/15

    Yeah 1stshow, my understanding from my insider source was they didn’t practice as much as they were supposed to (imagine that lol) and especially all that old stuff, since those shows got added sorta last minute. Phil, and Bob somewhat in Furthur, were playing much of that, but not sure how up to speed the rest of the crew was?
    But my goodness, what a set list!
    I’d take this set list, rust and all over the stuff they did in Chicago!
    One of the very few times What’s Become of they Baby was performed perhaps topping the list.
    Wish they would have released a video of this one, though guessing it’s out there somewhere?

  • 1stshow70878
    Joined:
    6-27-15

    Pre-Dead & Co., still the GD?
    Cannot believe it has been that long since Fare Thee Well.
    All the songs played were from 1970 or before! Almost fossilized.
    I can see why they were a bit rusty.
    Dust off those rusty strings just one more time.
    Cheers

  • Oroborous
    Joined:
    Tanks!

    Anyone else, keep ‘em coming…
    After checking my Deadbase, looks like I hit Richfield and a couple that ole BC mentioned.
    Hopefully I’ll get a winter hiatus and do more recon next year!

    Hit the 88 shows from the Crap center this week, solid, mostly good, the 3rd and 5th I think I liked best.

    EDIT: wasn’t feeling up for full on GD yesterday, so hit the psychedelic goodness from 6/27/15.
    It’s a shame they didn’t rehearse more, especially this cool early stuff, but it’s still surprisingly good sans a few transitions etc.

  • bluecrow
    Joined:
    '94?

    Seattle - 6/13 & 6/14
    Eugene - 6-17 (and 6/18 & 6/19)

    Honestly feel that the late years (93 - 95) Northwest Coast shows were not like most other shows of their era. At the 94 and 95 Seattle shows and all the Autzen shows from 90 to 94 but one. .6/13 and 6/14 (Seattle 94) very different in their song selection and both excellent in their way. Dew that closes 6/13 Set II was way awesome and excellent jammed out second set.. Jerry was into the cool temps of Memorial Stadium in Seattle and played 6/13 in a leather bomber jacket (photos out there.). 6/14 they dropped into That Would Be Something which I loved though didn't recognize and my thought was "Hunter wrote a lyric so simple that Jerry couldn't forget it!" Later discovering it was Paul and "Bowl of Cherries" (McCartney). What a treat! 6/17 Eugene (first of three show run at Autzen that year) was the only show I missed during my years in the NW, and missing it was much to my regret. Rained hard that night and the other 2 shows were daytime with lots of sun. Close friend from CA who made it got a "drop" maybe 2 in the eye - it had been awhile but he was well versed in navigating that space and once he settled in loved that show. No SBD for 6/17, unfortunately. Set II Rain opener in the pouring Oregon night rain, Eyes, and Wheel > Attics out of Space. 6/19 with the fat 2nd set because they knew they would never play Autzen again because scene in camping and town etc. was rife with clueless rude slobs. huge shift in that regard from '93. Had to play Portland Meadows, a racetrack, in '95.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .