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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • simonrob
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    Europe '72 Dark Stars...

    5/11/1972 Rotterdam is one of my all time favourites.
    5/7/1972 Bickershaw was the one I was fortunate enough to to witness.

  • Sixtus_
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    Ok, All This Talk

    ...about Europe '72 Dark Stars. It's time to share this one again. I amassed detailed listens to all of them a few years back as I awaited Boxzilla:

    4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse.

    4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse.

    4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse.

    4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse.

    4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse.

    5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72.

    5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse.

    5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse.

    5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse.

    5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse.

    5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse.

    Final Verdict(s): It is a very close tie between 4/14 and the second half from 5/4. I put these on the pedestal due to the crazy, intense jams surrounding the Feelin Groovy sequences. They are just interstellar. Part of me also wanted to simply catalog which Dark Stars included a Feelin Groovy jam from the '72 trunk, so I feel my work is done and I can rest easy. I'd be delighted to hear if any others had similar, or more excitingly, differing thoughts.

    Sixtus

  • farhansaqib444
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    Update about Corona April 2020

    Nice overview about corona and I've found number about corona april 2020

    http://www.careermalls.com/corona-live-update-april-2020-death-rate-liv…

  • Dennis
    Joined:
    Stoltz & Coworkers

    To the coworker for whom without the rest of us would have no one to blame.

    5-Branch - nice summing up on last paragraph about Dark Star, Denmark.

  • stoltzfus
    Joined:
    some coworkers...

    get on my FUCKING NERVES.

    just had to say that.

  • stoltzfus
    Joined:
    Rubber Bowl

    or Bowl of Rubbers

    just so easy

  • stoltzfus
    Joined:
    Dark Star

    the apex of GD

  • Angry Jack Straw
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    4/14 Dark Star

    In my journey through the entire E72 tour, that has been the one song that has moved up considerably on my "favorites" list. I somehow forgot how good it was. I've taken to listening again on the off nights.

    One thing I find cool about this tour is the actual theaters in which the band played. I've spent a good deal of time this go-around reading more about the venues and looking at photos. Truly amazing places. That must have made the experience all the more special for those in attendance. They sure are nicer than the Rubber Bowl in Akron.

    The other thing I find interesting is the location of the shows. Aside from Denmark and Munich, all the shows are heavily concentrated in the Northeast corner of Europe. It seems as though they could have spread out a bit more.
    Hell, if you are going to play Munich and have five days off before your next show, you might as well play Salzburg.

  • Charlie3
    Joined:
    Interludes of Chaos

    For me, the chaotic interludes in Dark Stars just serve to make the return of the melody that much sweeter a release after the tension of the chaos. Sort of like that transition from slipping around in your own skin peaking to that sweet feeling afterglow for the last few hours, when it feels like your skin fits again and you recognize that person in the mirror.

  • Deadheadbrewer
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    10/16: LIG, Deal, and that second set!!

    :-O

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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Is it too early to ask if anyone scanned the artwork for DaP 34 and bonus disc? Apparently I'm one of the few who received their copy? According to the posts I've read

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my guess (and if anybody has covered this earlier my apologies for redundancy) - with Mail Innovations, which is a tag team with UPS doing the long haul and handing package off to USPS for delivery, there appear to be 2 tracking #s generated, one for each entity. If you have been provided with a USPS tracking #, as I was (and guessing many others here also), UPS has to haul the package to your local USPS hub, hand it over to USPS, and then your USPS tracking # suddenly registers with USPS as a package actually moving, rather than a tracking number that has simply been generated. So its waiting, waiting, waiting with a generated tracking #, and then suddenly it shows up with USPS a day or so before delivery some locale half way close.. Seems imperfect and inherently frustrating."My" DaP 34 was in limbo for 4-5 days, then showed up at the the USPS hub for my area as a moving package in their system, this weekend, and was delivered to local post office today. sadly, i wasn't around, so its still there. tomorrow will be a good day.

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No, It's not too early to ask, but JeffSmith hasn't received his copy yet. There have been scans shared here though, Kyle. Just hop back a few pages and you should find them...

I hope this helps... :-)

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Weir's comment at the beginnng of El Paso, courtesy of Kreutzmann taking off at breakneck pace is telling. Billy didn't really care for the cowboy songs and likely wanted it over, and is also antsy on the follower, To Lay Me Down.

Wonder why? Miami, 1974. Feels like a Johnny Depp movie.

Outstanding concert, though the sound is SO clear, crystalline and crisp, there's a certain amount of thick air missing (sorry, Bob).

I think to have been present and felt the air move would have enhanced this listen. That is not a complaint, only an observation. This setlist is supreme, the only dogs being Seastones and China Doll. China Doll is a casualty; it feels like a Lennon/McCartney song where Lennon rocked the verse and McCartney tanked the chorus.

Oh well. #16756 finally has a home in Denver. I actually listened to the bonus disc first; also brilliant, sans the lack of thick air.

\m/

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Thanks to all involved on this release, it’s a gem! Absolutely delightful throughout. It may not be the COVID-19 cure but it sure makes us feel a lot better!
Hope everyone waiting gets theirs soon!
Keep ‘em coming, Dave, more, more, more!!!

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And the tracking says "Pre-Shipment" on my subscription, and I grabbed an a la carte because I've always loved this show and am gonna give it to somebody who needs to hear it, and that one says "USPS Currently Awaiting Package". This does represent progress of a sort, perhaps, from the "Status Not Available" of a couple days ago, but it was the Bonus Disc one that I got screwed on last year. That was my first really bad experience with dead.net/Rhino as I got replacements for the ones lost in the warehouse move a couple weeks before DaP 32 came right at November 1. Hoping that a package awaits me at the mailbox tomorrow, and not more frustration.

Not that I lack for music, having just gotten the ABB Deluxe Edition of the 2/11, 13, 14/70 partial tapes Owsley made, along with the Doc and Merle box set Never the Same Way Once, also recorded by the alchemist, as well as Real Gone DP 36 and Road Trips 3.3 5/15/70. The wife was pleasantly surprised with how good they sounded on the acoustic portion, and was digging Good Lovin' as we took a little road adventure this past weekend.

Hope everybody gets their DaP's soon and in pristine condition, and stay safe, and crank up the music!

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....well, it was only fractured and just a little nervous from the fall, to be fair.
Curious about why it feels like a Depp movie though. Bolo. Is that you?

I have two different orders for Dave’s Picks 34 in which the status showed “USPS Currently Awaiting Package”. Tonight, one of those orders now says “Pre Shipment”. To me, both of these mean the same thing, a tracking number has been generated but the package has not left the warehouse. The other weird thing, this is the first time I’ve had a DAP shipment start and finish with USPS. Anybody else with this problem live in Maryland? I’m hoping for one of those “suddenly on my doorstep miracles”.

....cue the slogan for 2020.
But seriously. I've had DAP's handed off from UPS to USPS. I've had DAP's delivered solely by either. Had one delivered by marye on a bike.
Stop Making Sense - Talking Heads.

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What's with the avatar? It reminds me of a knitted illustration on some pot holders at my grandma's house. Just saying.

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Looks like the current VGuy avatar is a cover from one of the Spring '90 TOO shows. But as fast as VGuy has been cycling through avatars lately I fully expect it may be something different before I finish this post;)

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....one of the Spring TOO shows. Its tomorrow's pick of the day, with commentary, which can be found here
https://www.dead.net/forum/pick-day-discussion.
Courtesy of deadvikes. Ever since bolo started this project, im trying to reflect said pick with my avatar. Consider it a friendly public service announcement.
Carlos's grandma has good taste.

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get a day job boys and girls

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Ha! That's funny. I think that's a good idea. Pot holders with a SYF logo on the dead.net product page.

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I think I will jump in the fire for tomorrow's pick of the day. It's a good one for 1990. Althea has always been a favorite of mine.

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Get a day job boys and girls? What's next, you're gonna tell me to grow up and act my age?

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Like LedDed, I also went with the bonus disc first. I've had a ton of interruptions since its arrival this afternoon, and I refuse to give THIS SHOW a half listen. So I've listened to the half-hour Playing in the Band 3 times now. It's one of the best I've ever heard. I'm finally getting on to China Cat.

LedDed, what's this thick air thing you mentioned?

So far, aside from listening to the 3 Playing in the Bands and now enjoying the outstanding mix of China Cat Sunflower, I'm back to wondering if they can re-engineer all of the Dick's Picks '74 tapes to make them sound this good, especially DP 7 & 31.

Also Led Ded - whoah wait, timeout- Rider just had a fucking moment and a half.....holy shit, I just keep thinking Doc hearad this shit in the same room by the young peaking Dead.

Anyway Led Ded , I started writing about order huge Zeppelin ahead I wasn't High School. I don't remember if I clicked the save button or nodded off and never posted it. Anyway, at the time The Song Remains the Same was all that was available for live Zeppelin, and I thought they sounded like shit. Then I saw them at Live Aid and thought they sounded like shit. I also saw them as Page / Plant a couple of times and they sounded great but that was not a true Zeppelin incarnation. Then I bought How the West Was Won and thought, hmmm that's better - who'da thunk it. Now I see there is so much good YouTube content of them live from '75 to '79 it's incredible. And I had read the Hammer of the Gods in high school, Anna touched upon their dabbling supposedly into Satan worship, and I did listen to Stairway to Heaven backwards on my turntable with my high achool buddy, right at "there's still time to change the road you're on" and the backward masked words are definitely there. Then I saw the 2007 O2 Arena concert at Best Buy when it first came out and bought it without a second thought.
I was surprised that this setlist selection, so good it was. And then I put the fucker on in my car on the way home and thought holyshit, I couldn't believe how good it sounded. Plant would do a tour with Page in the 90s but not see a Zeppelin reunion through? I believe Jimmy Page will outlive us all and once all of the witnesses are dead begin aging backwards. He doesn't really look any older except for the white hair, which looks pretty cool on him. Then I saw a documentary with Jimmy and Lori Maddox and thought, well at least he was enjoying the ride.

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I received no shipping notice, was checking my email in bow and spam folder for the past week and nothing. Much to my chagrin # 12557 arrived in Northwest Ohio. Hope this puts some who are still awaiting at ease. It's on next, right now it's a bit of 5/6/80 on Today In Grateful Dead history...

@KeithFan2112 About the only thing Jeff Norman could add to DiP 7 and 31 is Plangent Processing, which I believe he first used with the multitracks for the Cow Palace release in 2007, three years after DiP 31 came out Note that because DiP 7 and 31 are, like all in the series, only 2-track recordings, there is only so much he or anyone else can do (and nothing he can do in connection with the mix, which is set in stone). EQ, compression, Plangent Processing, various overall things like that, but as I indicated, all of that except for the Plangent Processing was presumably done with the original release. I doubt they'll go back to any pre-2007 2-track release just to add the Plangent.

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Get off my lawn, hippie.

Edit: Shouldn't you be in school, get a haircut.

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While recording/mixing the Anthem Of The Sun L.P., Bob Weir was trying to tell producer Dave Hassinger what he wanted to hear in the mix. “Right here, I want the sound of Thick Air”.
This comment seemingly was the last (Jack) straw for Hassinger,, who promptly quit the project. Weir later stated that at the time, he couldn’t accurately describe what he wanted, but many years later, described it as “a mix of white noise & compression“. Go figure.

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You also thanks for letting me know...

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Anyone else notice that they printed a picture of Bobby in reverse, so that he appears to be left-handed? Sloppy.

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In reply to by L. Mo.

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....here's hoping he can play the slide better left-handed then.

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I highly highly highly recommend you go to the archive and listen to 5/6/70 today. One of my first tapes back in 82.

Oh how I wish it could be officializedly released.

The weather was apparently "too fucking cold", but wowzer. The music is HOT.

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My copy has supposedly been in north Houston, about 2 hours from me, since Sunday. There’s been no updates on tracking, but I have been eagerly checking the mail box since then with no luck. I really hope it shows up today because I’m ready to dive into this thing..

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stuck, lost, misplaced, missing, at post office, pending, what ever you want to call it, it still ain't here. Tracking says it's at the post office since 5/1, I guess it is so good, the mailmen have confiscated it and are listening to it before they rewrap and send to me? I don't know but I sure hope it gets here soon.
On a separate note, the t shirt is completely sold out, all sizes.

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Another musical innovator gone. The sound of Kraftwerk is the sound of the modern world

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This showed up for me on Monday along with DP 32 and Garcialive 13, banner day at the mailbox, but I haven't had a chance to listen before today. Currently on Let It Rock on disc 1 and so far so good. This is an excellent recording, kudos to Kidd Candelario. Everything is really balanced and the vocals are right where they should be, not sounding a little faded like some other '74 wall of sound recordings. And yeah, as others have noted, this is a really fine Cumberland ...

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LOL V-guy

Or maybe all these years Bobby has had the slide on his right hand.

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I, out of the blue, decide to post a greeting auf Deutsch (in German). (Guten Abend, Herr grateful gerd!)

then I find out from Colin that Deutscher Florian Schneider has passed.

SHEESH.

Trans Europe Express and Computer World will be played sometime today.

Europe...endless (oder, entlos)

AUTOBAHN "die Sonne scheint, mit Glitzerstrahl"

:__(

Here's a raise of the glass to you, Florian.

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To Lay Me Down is sounding fucking amazing.

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The monkey's got the locomotive under control! It's that coked-up Casey that will likely cause the train to jump the tracks. :) (just don't be there when it rolls over . . . )

VGuy, you're killing it with the humor today!

DaP 34 (oh, the SOUND!) arrived Friday, the Rolling Stones Mono Box (oh, the SOUND!) arrived Monday, and GarciaLive 13 (with t-shirt (AND a Let It Rock)) arrived yesterday. A Steal Your Feathers hoodie supposedly shipped from Generation T Monday, and my Dancing Bears face mask should be on its way. Good week at my mailbox.

Be well, all!

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Just got mine, and read Dave's notes about a person who knew someone who has since passed on, and contributed their photos. Then in the credits the photos are attributed to ForensicDoc! Our buddy! I have been scarce here and may have missed this being discussed.... I know Doc had some health issues a few years back.... is he OK? Not sure if Doc contributed a friend's photos, or if someone contributed Doc's photos. Hope he's OK! Please someone fill me in, either publicly or with a direct message if you know anything.

And yay for the Workingman's Dead re-release and the attached 2/21/71 2-disc Bonus material. Ordering mine RIGHT NOW! Woohoo!

I hope Doc's OK. He was always a passionate advocate for 1971 on these boards, and even started a complete 1971 show-by-show analysis - shared with me the transcript of what he had so far at the time, and it was a great read.

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Hello fellow heads! Hope everyone is doing well. Just started listening and as others have said, sound is phenomenal!! Only up to half-step, but yeah, good stuff. So I noticed from the photos(thanks doc and docs friend) jerry is playing the wolf. Anyone know when he started playing this? I know it was damaged and not back till englishtown? As someone who works at the post office I can tell y'all if it's there it gets delivered. It doesn't sit around. Dont know why,but that tracking is definitely fubar. Mine said delivered last friday but didnt get it till monday. Wish I could be more help about it,but that's all I got. Workingman's looks great with bonus show!

Sorry to read of his passing. I agree that Kraftwerk were true musical innovators. I was lucky enough to see them in 1975, just after they had a hit single with Autobahn. They were truly unlike any other band I had ever seen, both in terms of sound and presentation. The future started there. Just played Radio Activity - great album.

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Thanks for the heads up icecrmkonkid - I'm kind of in a wind tunnel with work these days, crazy busy - Haven't been lurking too much (I think that's natural after 7 years of activity in these boards - it get's kinda redundant, and lord knows I contributed my fair share and folks know where I stand on... well, everything! - LOL).

Doc, SO glad you're well! My heart sank when I read that comment from Dave and then saw you referenced.... Rumors of your demise have been greatly exaggerated....

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Strange. My dap has been at p.o. since may 1st with no movement too. I think new england has a stalled mail service since lots of people here are saying may 1st. Did you get yours yet sixtus? By the way I'm running with scissors.

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...Running with Scissors = Dangerous yet Tempting

I have not received any updates - and, I am in the same boat - stuck in Shrewsbury at the Post Office apparently, since the common date of May 1st. I did, however, actually receive an email reply from the USPS last evening at 840 PM noting: "Your inquiry has been forwarded to the appropriate management team for research and response. You can expect initial contact within one-business day." That 'one-business day' is fast approaching it's end and I'm not overly optimistic.

Good thing I have this giant Lego Pirate-shipwreck to build and keep me occupied wile listening to GD on Sirius - now that my work day has wrapped. Wait, who am I kidding. I've been sayin' Arrrrggh! for the past several hours....

Sixtus

As I recall the relationship, Hassinger's troubled work during Anthem of the Sun included a long, unproductive session in New York involving Constanten's prepared grand piano. There was lots of downtime, and Hassinger sat in the control room, pissed off at the band and perhaps dosed. And he'd forgotten the room's monitors were cranked. Upon which somebody with no warning suddenly dropped a spinning top toy onto the piano's soundboard inside, creating a huge, otherworldly noise, and causing Hassinger to leap from his chair in terror. The end of this remarkable musique concrete passage, I didn't notice until years later when I graduated from vinyl to cd, included multiple members of the band lightly tapping their fingertips on the piano strings during the fade into The Other One. Until then, this delighful passage always had been drowned out by the record's surface noise. The album also includes perhaps and probably the only recorded holy grail of trios -- harpsichord, celeste, glockenspiel -- and this coming from a primitive hard rock band just starting its recording career. Wow and phew.

To me, Anthem remains a favorite production achievement of all time. Half a century later I'm still discovering new delights hidden within. And I hated it for the first few years because my college roommate back in 1969 played it all the time. Now, I can't thank him enough. Mixed for the hallucinations they said. Right-o.

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Wait for the Workingman's Dead Hatchet. Besides.. running with scissors is so 1990's. Now running down the road with a Workingman's Dead hatchet in each hand.. now that will get peoples attention. Put a little fake blood drooling out of the corner of your mouth for good measure.. but don't overdo it. Just a little dribble will get the point across.

What were they thinking.. making us all buy hatchets. They will be here just as we awaken from our shelter in place marathon.. oh.. it's going to be a good summer, I can tell. Better pony up a couple grand to get a decent lawyer on retainer just in case. Hatchets and scissors. Rock, paper, scissors, hatchet anyone?

edit: Couldn't agree more about Anthem.. far and away my favorite GD album. I think it's a masterpiece. I had never heard that story of Hassinger before.. probably dosed? Put's a whole new light on the subject. Thanks for sharing.

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