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    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Le Minh

    Maybe it is a penalty for publishing Dave's Email.

    No soup for you!

  • DeadVikes
    Joined:
    10/30/80, 10/31/80

    GOGD,

    Sounds like a good idea. 10/30 tomorrow?

    My #35 still not in system. I thought I would have it by this weekend, but it now looking like mid August. Interested in what you all think of the release?

  • The Good Ole G…
    Joined:
    Popped The Tabs

    ICECRMCNKD - haha no doubt!

    DeadVikes - Sorry about dashing those dreams, and yeah that's a fact filled interview, lotsa stuff to process.
    If it makes you feel any better some of my dreams were dashed as well, 1970 is such an epic year, I'd always hoped there was more hiding somewhere, but after watching that, I'm not so sure.

    David Lemieux you must see the Festival Express tapes safely delivered to the Vault, this is our most desperate hour. Help me Vault@Dead.net, you're my only hope.
    Droid noises in the background.
    You must learn the ways of the Force if you're to come with me to the Vault.

    All this 1980's talk is making me want to listen to some of that stuff, might have to try and pick one of the existing full SBD shows for a revisit, 10/30 & 10/31, I'm looking at you.

    DaP 35 has arrived.

    I got some listening to do, I'm way behind. Too much research and not enough music is making me a very dull boy.

    You must do what you feel is right. Learn about the force.

  • icecrmcnkd
    Joined:
    Erased tapes

    Should have popped the tabs on those reels......

  • DeadVikes
    Joined:
    GOGD-1980 Box

    Thanks for posting that link. I watched the whole thing and my dreams are dashed. Well shit, why did they erase the tapes!

    It was interesting that later someone asked what show some of the songs came from on Dead Set and Dave said, great question, we don't know. And they made major edits to some of the songs.

    I guess it is time for me to move on from that. I am bummed, because those full shows would have been a huge treat in Multi Track.

    I am sure glad the vault is filled with other treasures.
    Be well all!

  • Slow Dog Noodle
    Joined:
    Cal Expo

    I'm really enjoying this 8-4-89 Cal Expo show. Great choice. 89 was so consistently good. Built to last is one of my favorites. Long 1st set. Pre-Drums Eyes and a Crazy Fingers!?

    Definitely release worthy.

  • The Good Ole G…
    Joined:
    Billy The Kid & The List

    Thanks!

    Wasn't sure if I was shouting into the wind, so your positive feedback is much appreciated :)

    As for The List, yes, yes, yes!
    I'd love that and I'd even help do it ;)
    I saw you mention that earlier and think it's a great idea.

    I've been fascinated with the story of the tapes since I got my first one.
    As it was handed to me, I asked "For Free?" and the response was "Yeah man, never sell them that's against the rules."

    This strange occurrence in the middle of the decade of greed, blew my 15 year old brain wide open.

    I've been fascinated ever since:
    1. Where do these recordings come from?
    2. How many are there?
    3. How can I get the best copies of them all?

    Those three questions & my curiosity about the answers continues to inspire me to this very day.

    What A Long Strange Trip It's Been!

    EDIT: JimInMD, agreed! Funny you mentioned 5/1/70 that was another one of Bob Minkin's cleverly chosen photographs, the master reels of that show appeared on the same page. Collector Heads are really really pretty neat.

  • JimInMD
    Joined:
    1970 Acoustic Stuff

    I wonder what the Alfred College stuff would sound like if they cleaned it up. That's a decent full show with an acoustic set. I always liked that one, but it's an East coast college with a terrific emphasis in art and ceramics of all kinds.. so to me it has good karma.

    https://archive.org/details/gd1970-05-01.sbd.miller.95683.sbeok.flac16

    There's other spring 1970 stuff as many have mentioned somewhat recently.

    Agree with Billy.. right on.

  • billy the kid
    Joined:
    Good ole Grateful Dead The List

    Thanks for the great information about the vault, your information always is well thought out and reliable. I would love a list of shows that are in the vault, it looks like you would too. I posted a couple of weeks ago that I wish Dead.net would print out such a list so that we could see it. They could print out one list a month for one year (list of the month). I think that people would really look forward to that list each month, I know I would. If people want to remain surprised about what's in the vault , then they don't have to look at the list. Again, thanks for all the great information you put out, your postings are always so interesting and positive.

  • The Good Ole G…
    Joined:
    Warfield Shows

    BTK: Yeah, so I think based on Dave's comments that some of the multi-track stuff still exists, some of it got wiped. And then there's also Betty's 2 Track mixes that exist, I think those are mostly acoustic sets, at least based on what circulates.
    I'm tempted to go through both runs and gather my notes on what SBDs are in circulation and which aren't, but I'm thinking that's a pretty good representation of what exists and what doesn't in the vault.

    DeadVikes: Yeah, here's a link to Dave talking about this on January 17th 2012 @ 33:48ish - http://www.ustream.tv/recorded/19834305

    It's a good watch and pretty informative. I stumbled on it looking into the 1970 tapes in the Vault, and it did answer my question on that as well.

    Unfortunately, he states that there are virtually no shows in the Vault from July 16 through December 1970, largely because of Owsley getting busted. I guess the Dead themselves were not running tape at all during this time. Might be old news for some, but I wanted to confirm it with my own ears.

    Clever Deadhead and Photographer Bob Minkin also gave us a clue to this on Page 221 of his book Live Dead with a picture of the 1970 reels in the Vault, in the picture there's a huge gap of reels between 7/16/70 - 12/27/70 :(

    Dang it.

    The above totally coincides with the tapes that circulate, mostly what exists in circulation from that time frame are either Fillmore East Crew SBDs (partials), FM Broadcasts, or Audience recordings.

    So, mystery solved? I'd still like a nice list of what's there and not, but yeah that might be my OCD.

    Since we're all getting older here, I think some time should be put towards figuring out what else exists from the Festival Express and to try and get that stuff and get it out there. I know there's more of that than what circulates.

    Unfortunately, I don't see any 1970 acoustic set stuff happening for American Beauty 50th, because it doesn't sound like it exists. Happy to be wrong.

    Alright, well there you have it, and that's the way it is Tuesday August 4, Two Thousand and Twenty, I'll be away on assignment and Dan Rather will be sitting in here for the next few years.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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In reply to by Strider 808808

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Strider...do you remember much about the ESP experiments at these shows?

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In reply to by daverock

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .