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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • icecrmcnkd
    Joined:
    “Hey Rocky, watch me levitate Garcia”

    Per your suggestions, doing the 9-18-87 anniversary.

    I suspect that everything in the Vault that sounds good will get digitized, and a lot has probably been done already since the tapes are degrading and the job needs to get completed. Also, storing digital copies at various geographic locations can be an insurance policy against things like the Universal Music warehouse fire, California Earthquake(s), etc. Futhurmore, I assume that when Dave is perusing potential releases he listens to a digital copy, not a cassette copy, then he picks a few shows to discuss at the next business meeting.

    Some will get the Full Norman.
    Some will even get Plangentized.
    Everything that gets digitized will be available for download and/or streaming in the future, we may just not be alive to spend the money on such.
    The Vault will become the Catalog.
    We are financing the digitization of the Vault by buying the new releases.
    So bust out Dennis’ wife’s credit card and keep buying.
    (Well, at least Dennis can bust out the credit card)

  • Oroborous
    Joined:
    Misery loves company, JK

    Yeah 1stshow I hadn’t planned to do it.I mean I’ve been meaning to, but, like many things nowadays, always low on roundtoits ; ). Reminds me of this guy we picked up on Ziggy Marley tour doing merch back in 96 I believe.
    Flew into DC, met PK from Jersey, counted stuff in at the 9:30 club, then just tried to keep up with ole PK. Out on town all night, then immediately had to drive to next show etc…
    Dude knows everyone everywhere and can get you ANYTHING you need in almost any city!
    Damn Rastas were asking him to get them weed everywhere as he had better connections lol
    Been a road dog forever! Anywho, somewhere in the mayhem we ran into a buddy of his from Virginia who decided one show wasn’t enough fun. He only ment to go to the next one, and every night kept saying “ok, this is the last one, then I have to get back”…we’ll this went on for over a week until finally, after Panama beach show we literally had to make him get on a bus and go home lol. Guy was helpful and we all had big fun, but the poor bastard was wearing the same clothes etc and didn’t have anything with him, totally spontaneous trip. Think after a couple daze we bought him some fresh underwear and gave him a couple tour shirts to change into lol.
    So that’s kinda how I started E72 this time, ok, I’ll do one more. Finally, though this isn’t a good time, time wise etc, figured, fug it, buy the ticket, take the ride! So, always more fun with a tour buddy!

    Yeah, I’m with you on 5/3. It is a damn good show, but I didn’t get as blown away as some…
    But I’ll need to reacquaint with it…top five, good luck. I can’t do it. Their all so good, sure I like some perhaps more, but their just different enough I can’t pick a top dog…
    Yeah, what a surprise, the French were the most vocal lol

    Yeah DV, im worried about the VIKS, Bills too, though they seemed like their old selves again this week. But like the Viks, ya never know what’s next lol. Rootin for underdog Lions, and Falcons, though I really like this kid Field with Da Bears…
    I’ll have to try and find that Dave article. He always says that and he doesn’t do it all the time, and they have mostly stayed clear of anniversaries, but he has been dipping liberally from that early possibilities list he mentioned back at the start of DaP.

    Those all sound familiar Jim, but I’m on a job site so can’t look up in my Db.
    Tempting all, but I’m on tour in Europe with ole 1stshow and don’t like to listen to other Dead until the trip is over…
    1970 is perhaps last frontier I haven’t really got the toe wet yet. Need another roundtoit!

  • DeadVikes
    Joined:
    Shows/Relix

    Hey OB, not off to a good start here in MN, but actually not that surprised. Go Bills!

    There is an interesting article in Relix with Dave L. that was posted last week I believe. Check it out.
    Dave claims there is no list and they don't generally release shows or box sets based on anniversaries. This year's box was just a coincidence. So, what does that mean for 2024? Not sure. Would love to see that October 74 Winterland box released. Who wouldn't?
    I thought the 74 Winterland shows were recorded by Bill Wolf as part of the Movie production agreement with United Artists. I believe everything is there and based on the material from the 2005 soundtrack, and bonus material, it is fantastic.

    Madison Square Garden 87. Those are some good shows Jim. Might have to join you on 9/18 as I have that 30 Trips show handy.

  • 1stshow70878
    Joined:
    5-3-72 Paris

    Huge and another damn near perfect show with 3 Other Ones! The crowd seems more engaged and yelling a bit more than some of the more polite audiences. And interestingly they didn't understand that the show wasn't over at set break. Read attendee Bob Welle's review in DeadbaseX and his cool viewpoint of having been cruising around EU and just luckily caught this one, wondering who are these new people on stage.
    After all these good ones in a row it's hard to see the almost Barton Hall fervor over this one though. I'm having a tough time doing a top 5 of the first 11 shows they are all so good but this one is certainly in there. Onward indeedy! Didn't expect anyone to join in my insanity to do them all so good on ya' Oro. Had to do it once in a lifetime, lol.
    Cheers

  • JimInMD
    Joined:
    Ha

    I was talking about a mini box of Feb '74 before they released 2/24 (and now 2/23), but I like the way you think.

    I always assumed, probably incorrectly, that there were problems with the recordings of much of the October 74 run. I know Owsley was very vocal that they had excessive bleeding from mic to mic, etc.

    As for something to listen to today.. not that I am strictly a Today in GD History person but 9/18/70, 9/18/74 and 9/18/87 were all excellent shows. 9/16/87 was surprisingly good for the period also.

    That's all I have for now.

  • Oroborous
    Joined:
    Ok, back to Europe

    Hit 5/7, 5/10, and 5/11 this WE. Of course I’ve forgotten the finer points and things I wanted to say, but I’ve not wanted to be overly analytical, or get distracted with notes, and instead, just get right, relax, and try to enjoy them. (Which has not been hard ; )
    5/7 is just too much! It’s not always the most precise or perfect of the tour, but that’s because it’s a freight train on steroids!
    I’ve always preferred full steam ahead Dead even when that leads to more worts, not that this one has many, perhaps just a few more noticeable than some of the more reserved, precise (hey, they were trying to make an album) shows.
    Actually, I think the album factor is one reason this tour is so good. They’re in a place where they’re ontop of their game and can let it rip, but keeping it just enough under raps to keep the consistency high for recording purposes.
    Win win, but 5/7 seems more about the live gig, the large miserable crowd that seems to really appreciate the effort etc, more than playing it straight for the tape machine?
    Choo Choo, all aboard! what a beast! Garcia starts out in 5th gear and doesn’t let up for almost 4 hours!
    Dark Star AND an Other One! Full on grease fest with six beauties, including a nice LL that fits the format better than going on too long, and a nice unusual Segway into GDTRFB. Clearly they were enjoying themselves in spite of the conditions? They joke about blowing the big ones, but not this time bubba!
    I’ve had this one so have heard it several times, but it was a real treat to sit outside in a warm but not super hot day and just groove on this one!
    Yesterday I hit 5/10 for the first time and unfortunately didn’t get quite the best listen, at least to the later parts.
    But I did enjoy it, even if it was perhaps a little more laid back than 5/7 etc. Hey they all can’t be rocket ships lol.
    The word that kept coming to me was Smooth…this show seemed smooth. They’re gelling as a unit so well by now, and the consistency is so good. Sure there’s a miscue or clam every once in awhile, (I dare you to find a show that there isn’t ; ) but the overall tightness, energy, musicianship is truly better or on par with any tour they ever did!
    Of course there’s the sweet He’s Gone they finally got right, and why it’s the one! Another Sing me as they’ve worked that one in the repertoire nicely. And if I remember correctly, this had another of those unusual Other Ones, kinda jazzy perhaps and similar to 4/16? Unfortunately this one’s a blur for various reasons including hitting 5/11 afterwards. I’ll definitely want to rehit this, 5/3, and the Wembleys after the tour…but for now I want to go in order…
    Ok, 5/11, this one for whatever reason has always been perhaps my favorite?
    Not saying it’s the best show of the tour, just for whatever reasons perhaps my favorite?
    Certainly the set list is part of it: Nice Playing if not huge opener, plenty o grease, including a cool and final Caution, with final WHO Do You Love tease, Nice Truckin ender to mix it up, and a very cool, perhaps unusual Dark Star!
    Maybe it’s just because I think this might have been the first ala cart show I bought when I hand to the head realized what I was missing not having these Dark Stars? (Now realizing same about the cool spacey TOO’s)
    Other One can get real repetitive but these ones are often very diverse and different! The weirder the better I say!
    Whatever the reasons, this show, even after taking the tour plunge, still resonates very strong for me? Hey, I even think the cover art might be my fav? Ok, maybe I’ll hit it again streaming while working, before moving onto 5/13 and 5/16, both I’ve never heard yet, so hoping I’ll get to spend some extra time with em during the week…
    ONWARD! Ok, who stole my Heineken Dark?

  • Oroborous
    Joined:
    More shows

    That’s all I ment.
    Everyone’s made good points, and there’s no easy answer.
    I was going for a conversation starter more than just to editorialize.
    Like most things, no easy answers.
    It’s just now that I’m all addicted to this collecting nonsense, I need as many RJ shows as they’ll give us, and I’m afraid things are going to start slowing down, and eventually it won’t be worth it to them, and so many great shows will never get fixed up and released. And don’t you worry 1stshow ole buddy, there’s still plenty of RJ shows in the vault.
    As a rabid nut trying to tag as many of em as I can before I croak, I’m here to tell ya there’s plenty of gold left in them there hills! Yes many are cassette, but the gang has been getting better and better every year at fixing em up!
    And, there’s still lots of DATs and still a decent amount of killer multitracks, all just rotting in the vault!

    I totally get what yer saying, but think of it this way: suppose the summer 78 box was never released and only a couple others from that year. If they came out and said “this is your one chance to get the 20 best of 78”, including those shows in the July box, would you not find some way to get it? For sure, not everyone is going to want all of em, but I think you’d be able to scrape up at least 10k folks who would want at least one or 2?
    Really they should be digitizing them all, or at least the top 20 or 30 from each year that haven’t been released, and have a system where they announce a certain number, or block at a time, and do pre orders, to have inventory control.
    Some shows might sell big, some not so much. Perhaps have a rule that shows that don’t meet a certain threshold won’t get released?
    I guess the solution would involve somehow having a cost effective way to prep them, but pre order so you don’t always have to have such big sales numbers for every show? Perhaps DL like you say, but that hasn’t worked so well, so far anyway…
    Again, no easy answers, and I totally understand other pov. I just would hate to see so much good music not get the treatment it deserves. And yeah, the archive is awesome, but there’s nothing like getting a great show that’s been fully fixed/Normaned!

    Hey DV, where ya been hiding? Good to see ya, and sorry, I won’t mention you know who. It has got to be really tough being a fan. It’d be one thing if they just stunk, but they have potential, if only they could stop beating themselves.
    A well, it’s early still…

  • DeadVikes
    Joined:
    Releases

    Would love to see more shows released. My preference is still CDs.
    It would be interesting to know what the terms of the contract are with Rhino? Are they able to release as much as they want or are there limits?
    Do they even have the ability to release more per year then they currently are? Is Jeffrey Norman able to mix and master much more than he is now. He might need help. Maybe you could assist OB?

    There are some shows they already mixed and mastered that could be released on CD. For example, the two shows from the first Road Trips that they released as digital downloads, 11/5 and 11/6 1979. Also, the shows from the download series.
    Would also be interested in more video. Why not release the shows from the MUATM. They did this with the 91 show in the Giants stadium box, but would love to see the others released at some point. The 91 Chicago show was really good.

    Okay, seems others are talking about 1988 for #48. We will see next month.

  • 1stshow70878
    Joined:
    Box discussion

    I'm a dinosaur as Oro describes it and know zero about streaming and how younger folks get their music, movies, and TV but I'm guessing the Dinos are the ones buying hard copy CDs. My question is, if the '80s and '90s scene was populated by more younger concertgoers in huge stadiums in numbers way beyond the earlier shows shouldn't there be a demand for those shows in a format they like? I'd bet lots of folks will buy a show they attended. Mickey's model may fit that some day. That said, I'm ignoring the fact that some earlier shows had attendance in the 100,000+ range (Englishtown?) but there were just a few of those. I know Dave said that the last increase to 25,000 copies per release would be the last increase and maybe that's the limit for profitability for hard copy. I'm guessing the download option would be more profitable regardless of sales numbers (if they could ever get the damn things to work!) as all you need is a bank of servers and a few tech savvy people to run it. Large box offerings could be done as a pick and choose your favorite with quantity discounts for more shows. I know I won't be buying twenty shows from individual years I don't like as much and there is likely some truth in the theory that a good portion of "the good stuff" has already been released. Seems like, as with many things, tech is going to have to save us in this dilemma. Affordability is key either way. I can't afford $500 boxes even if I like the offering. It's as simple as that. So Mickey, let's get digitizing! Us Dinos will just have to figure out how to download and stream.
    Cheers
    Oh, and the price of the downloads needs to come down. Currently makes no sense if the price is almost the same just without the shipping. No incentive to be green.

  • Oroborous
    Joined:
    Y’all are missing the point…

    I’m not talking about preferences, if I was, I’d be down with Conekids idea.
    I’m talking about the reality of only a somewhat limited number of boxes getting released.
    Their not going to do this forever!!!
    For example, say they only releases 8 or 10 more years at one box a year.
    With 3 show mini boxes that’s only 30 more shows. Plus say 40 more Dave’s. (4x10).
    There’s still way more than 70 great shows in that vault…
    My plan,
    25 for primal 67-70
    15 for 71
    20 for 72
    20 for 73 (at least!
    ? 74 might just be mostly scraps
    20? for 76? Maybe
    77 is already over represented so he can spit the last few out on DaP
    20 for 78
    20 for 79 and 80
    20 for 81 & 82
    20 for 83 & 84
    20 for 85 & 86
    20 for 87 & 88
    20 for 89 including fall tour (alpine should be a stand alone
    90 not sure you’d need to do 20 as it’s already fairly represented?
    20 for 91 & 92
    20 for 93-95
    These plus DaP and special separates and one might say we’ve received most of the best!
    Take pre orders plus run an extra 10% so your not stuck with inventory but have a few for Johnny come latelies…
    You could still make them “limited”…
    Release 2 a year, everybody wins cept maybe the finicky heads who probably won’t buy much more anyway…

    Voila, all hardcore heads gets represented,

    And remember when Mickey made his bold pronouncement about making all shows available (about the same time he said Phil must have got the liver of a jerk) .
    But I’m sure things won’t change, sales eventually will make cost prohibitive and the vault will go to waste, but hey at least we will have most of 77…and four versions of October 74…
    Think about the cruel reality of only 3 to 5 shows a year for only 8 more years….the horror!
    Tic toc…

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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Strider...do you remember much about the ESP experiments at these shows?

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .