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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    9/16/87

    I enjoyed this show. Recording is really good. You get good crowd noise, which I like. Nice Touch of Gray, Scarlet to start. Always enjoy a Dire Wolf, Brother Esau, really strong Let it Grow. Never been a huge fan of the Devil with a Blue Dress, Good Golly Miss Molly, luckily it didn't stay around too long. He's Gone delivers. Highlight of the second set for me was the Truckin, Wharf Rat. Good NFA with a GDTRFB reprise, really interesting. Definitely worth a listen and the 87 MSG run is a good run.

    Woke up to 9 more inches of snow here in MN on April Fool's Day.

  • icecrmcnkd
    Joined:
    I’ve heard Brent’s solo album

    Not very good.
    What a waste of good Fall ‘80 reels.

  • DeadVikes
    Joined:
    Jim and OB

    Jim, too funny! Yes, where is that Brent release. Just think if they recorded over the E72 reels? Where would we be.

    Interesting stuff OB, would love to learn more from that article. Maybe Cutler, Pearson, etc. made two track down mixes?

  • Oroborous
    Joined:
    On it DV

    Nice start, then…oh Bob lol

    7/16/72: yep, ruff tape, good show. Glad I checked it.
    3/29/68: another beauty. Nice recording, always dig a Sitting on Top, Death Don’t, and the usual suspects!
    I bet there’s more of these old shows they could use. What gives Dave, WE WANT OUR PRIMAL BOX 66-70!

    Haven’t made it to 3/29/69 yet…

    HOWDY JIMBO, good to see ya!

    DBL EDIT: I think they have cassettes of some of those shows.
    Pearson et el were part of the ultrasound crew and involved in the early R&D years with John Meyer. They cobbled together a bunch of stuff over the years, including a hybrid super system for the fall 80 shows. I have an old article some where (I think from modern recording magazine back then?) (shit, I should dig that out ) discussing the crazy stuff they were doing. Most folks don’t understand: technologically, the wall was child’s play compared to the Meyers ultrasound systems of the eighties onward. They started developing stuff way back in the early/mid seventies and we’re working behind the scenes for many years. They often would test new things they were working on in conjunction with the existing stuff. Literal work in progress! No different then pre and early wall shows etc.
    They cobbled a set up together for certain test shows when able I,e., I believe 12/31/78 is an example.
    The fall 80 shows were another big test run.
    Anyway, it was many years of R&D before the fully formed Ultrasound sweetness most folks took for granted from like 1983 onward, but these guys pioneered so many changes and inventions over the course of decades that most folks don’t realize. Howard Danchik is another ultrasound unsung hero. Had the pleasure to talk to Howard and he was kind of enough to discuss some stuff at the one show I worked 7/1/92, while we were under the stage turning amps on.
    I’m sure these guys wore many hats during such an important gig!
    What a crew!

  • JimInMD
    Joined:
    87

    Will try and fit that in today while I work.

    ha.. just noticing the good doctor was up and posting at 4:06 am yesterday steering us towards more primal dead. In this world of trouble, we need more primal dead and I thank him for that.

    As to the myriad of sound engineers working with the 1980 multi-tracks.. yes, I was aware but am still not sure what all that means. It looks like Betty and Dan worked the mix and the rest were involved in the recording. Certainly they had a sound truck out back for the whole run. My guess is all that work went into making those multi-tracks that were carefully erased to make room for the new Brent album that should be coming out any day now, I've been waiting a long for this.. it's going to be great.

    I suspect there is more than what Lemieux will tip his hat towards, but it is probably true that complete shows from this run might be just beyond our grasp unless recorded on cassettes. Just a guess though, we can always hold hope.

    How does that song go..... in this world of trouble, we've got love one another. Keep up the hope fellow heads.

  • DeadVikes
    Joined:
    9/16/87

    Okay, looks like we need a pick. How does 9/16/87 from the Madison Square Garden sound ? The 18th was the 30 Trips show.

    Unrelated, I was watching Dead Ahead a few nights ago and kept it on and watched the credits. First, they filmed both 10/30 and 10/31 nights. Would love to see the two full shows.

    Second, as I was watching the credits, it listed recorded by Bob Matthews, John Cutler, Wizard and Don Pearson. Those are some very interesting names for the time period as I did not know Cutler or Pearson had any affiliation with the band in 1980. I also didn't know Wizard or Bob Matthews were still working with the band on recordings at this point. Seemed to indicate this was a professional recording with a professional crew?

    Anyway, I know Dave bursted my bubble a couple of years ago, stated there will never be a multi track release of the Warfield/RCMH. However, I wonder if there are recordings somewhere from Pearson, Wizard? Wouldn't that be something?

  • Forensicdoceleven
    Joined:
    A gift in season is a double favor to the needy…..

    Wake up rockers!!!!

    Picks Of The Day:
    Carousel Ballroom March 29 1968
    Ice Palace, Las Vegas March 29 1969

    So soon, another Daily Double? Thanks Doc, I’ll take Primal Dead for $1000……

    When you go into the realm of a double role, you have to take it to another level to make it believable. With these two shows, the Dead clearly take it to that other level…..

    March 29, 1968: There’s a nice Miller remaster out there, is it a soundboard, or stage mics? Either way, quite listenable. Kick it off with some major grease. Death Don’t second song in. Stand-alone Dark Star. Greasy gooey jammy grand finale. Can we hope that there’s a “new and improved “ copy in those banana boxes?

    March 29, 1969: The band scorches Sin City with a wonderful psychedelic masterpiece. Grease and big jamming, what could go wrong?!! We had tapes of part of this way back in the day, and it was cherished. Now, worthy of official release, is it in those banana boxes too? Only time can tell…………..

    I have doubted myself on several Daily Double answers……

    Rock on!!

    Doc
    I have so many personalities, I live more than a double life………….

  • DeadVikes
    Joined:
    7/15/89 Deer Creek

    The first set started out good, but yes, there appears to be weirdness going on with the recording. Peggy O and Queen Janes were good and I thought the Bird Song was great.
    What happened in the second set? That Crazy Fingers seemed to be a struggle and don't know what happened to Jerry or the recording? But, there was a something going on.
    They sure bounced back at Alpine a couple days later.

  • bluecrow
    Joined:
    Deer Creek and 7/16/72

    Pretty damn funny that Dave had a slice of Deer Creek '89 up this morning. I haven't had a chance yet for that show but couldn't help but notice that set list from Crazy Fingers onward which is def my kind of sequence.

    I was only suggesting the Jam of the Week for 7/16/72 because of the lack of a recent circulating copy and knowing the vault source would be cleaner. I actually had the one circulating source as a POTD over a year ago. I know it starts with that somewhat weird unbalanced audience, had to have been recorded near/in front of a stack, which I could dig but others not so much, before it off and on transitions to the sbd. A crazy thing about the audience source is that all instruments and vocals are pretty well represented. The show isn't quite 7/18 but its solid '72 and which means some really really good music.

    Edit - And now going back to it, yeah I seem to remember that Playing absolutely rips, only 5 songs into the show. God I love it! Like I said way back when, there is something about this audience source that puts me right there! Wowza!! Maybe my favorite straight-into-the-heart-of-the-sun '72 Playings.

    And I love love love the Cold Rain and Snow that is song 2 of that audience ; ) And the Black Throated Wind that follows.

    Edit 2 - awesome closing jam of Not Fade Away >Going down the Road>Hey Bo Diddley with Dickey, Berry, and Jaimoe.

  • Oroborous
    Joined:
    Ha! Great minds…

    It’s like that bumper sticker: who are the Grateful Dead and why do they keep following me?

    7/15/89: decent one/two opener, though it appears Bobs having tech issues. Blues, nice PEGGY O, but Jer?, something seems not…quite in snap..? Micro synapses not syncing? Not bad, but…Hard to describe, just Queen J for instance he’s just…not..quite…usually owns these songs? Maybe I’m reading into too much? Whatevs?
    That’s how part of this show seemed: good show, but perhaps not quite summer 89 good?
    BIRD SONG they do a great job of nice unhurried swelling as a band in sync, smooth, not forcing it.
    Subtle but very nice.
    JG comes out second with Foolish Heart but again, ok, but…maybe trying too hard, holding the stick too tight?
    Same with Victim, ok but….
    Then Crazy Fingers it’s like Jer steps it up and they start to really, then…ooopps, then yeah…but by Truckin it’s like they know they have to catch up and from Smokestack onward the show rocks! Cool Drumz/space with Close Encounters tease, sweet China Doll, definitely felt like Jer was trying to make up for things, and to prove it he throws in a sweet Stella after a smoking Watchtower in the middle! Big R&R mags closer, and JG throws down again with a Brokedown, though not flawless, it’s a nice finish. Interesting show. Not quite sure overall how I feel about it? I can see why it has maybe been passed over? Good but again, perhaps a step back from some of its lofty neighbors?
    Of course still have Alpines and that cool Foxboro show, not to mention the Cali shows, and several fall tour nuggets, all just sitting there in multitrack glory…?

    Ok BC, trying this 7/16/72 but so far the tape is so so aud…
    Holy crap Weirs killing it on this Playing jam!

    So, funny. While grooving on tunes today I per chance was perusing that After All Is Said And Done book, and don’t cha know there on page 173 in the minutes from band meeting on 7/11/84 are several very interesting things. Among other things, First, was how ole Betty was suing both GDP for $25,800, and Brent specifically for $45,000, not insignificant for the times.
    Says GDP does not owe her, but does not mention about Brent. Guessing having to do with Brent’s solo album that they had been working on. Hell I probably knew what and have forgotten : (
    Also, item 12 discusses approval for additional lighting/projector for “Friday 13 July—Dark Star, second set”
    Berry interesting…
    I need to check this book out more. It’s been sitting here in my Xmass book pile and ive picked at it but it appears there’s more here than I first thought? Same with that Dylan Modern Song. Just been occasional picking at it, but great book non the less. Little bit on Truckin’ too.
    Onward!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

If we are going to do 11/8/69, I am going to have to carve out the requisite amount of time like we did Saturday.. no distractions, no cell phones, no texts, no questions, no one tapping me on my shoulder.. and not the dreaded words, "one more thing" .. and of course get in the proper frame of mind beforehand.

Honestly.. these two shows, add in 2/14/68, 2/13&14/70, sprinkle in FW 69 for good measure and I have taken a liking to 1/2/70 + Bonus disc and an honorable mention for what I think of when I want to get in the transportation business.

Boy does listening to these shows take a lot out of you.. perhaps that's why they wrote AB & WMD.. to slow things down just before we careened off that cliff and into mental oblivion.

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GMLSG sounds as smooth as butter,,,

re, Well... I just hit play but, I paused it. Jim, when is a good time for you I'll wait??

The planets seem perfectly aligned this Thursday. That seems enough time to plan.

That will give us some time to switch things up too.. play around the calendar, pick shows from different periods too.

Does that give us enough time to plan?

That's a pretty nifty number ya got there!

I am all for Dick's 16, but if we need to pause on it to soak up Jai-Alai, I get that too. Let's keep this thing going! I am all for GD from any era!

Today was a good day for 74 Dead around here. Shortly after my early morning Dave's 34 was delivered (at 6:30 am!) I got another package from Real Gone containing Dick's 31, which I looked into after all of the discussion around these parts.

I hope I don't over do the 74 stuff - wait, I don't think that will ever happen.

Peace

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In reply to by Thats_Otis

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....and the sound is already impeccable. And to quote Bobby "Its the real thing".
Just like Billy Sunday in a shotgun ragtime band. This pick came at the right time.

We can pause while the WOS gently peels the plaster from our ceilings.

Whatever works.

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In reply to by JimInMD

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Okay on the pause for the Picks. I will keep my own going tomorrow as my #34 is still in CA.. Okay, no whining here, that gets old.

Oh yah I might have chased a couple women around..., the waiting is the hardest part.

Week eight of this crap, be well people.

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No problem all good. Those who have received the 34 happy listening!

"New ones coming as the old ones go"

Alright, sounds like the Pick of The Day is in hold pattern as we wait for & listen to the Pick of The Dave.

#34 to be exact - 6/23/74 & 6/22/74 Bonus Disc

Roger that.

I'll proceed accordingly...

Sherman set the Wayback machine to June 1974, we're going to listen to the Wall of Sound.

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I love the overlap of old ( psychedelic ) & new ( country/workingmans ) . It’s the palindrome 69 major phase shifting. The sound of small venues compared to larger halls or outdoor concerts all have different ambience . Same goes for instruments ( Jerry’s guitars) . Gibson SG in 1969-70. A whole slew of different axes in 1971. Wall of Sound 1974, with Doug Irwin Wolf Guitar.
Suggesting different eras of GD has been educational, even heard / seen fresh, and in 2020. Who would have known fifty years ago.

RE: STRIDER 88

Interesting observation and I believe you've tapped into something.

Hypothesis:
Does inspiration then lead to a love of learning?

I would venture to guess.. Yes!

Prediction:
Being inspired by Grateful Dead music, if I listen to the Grateful Dead from many eras over and over and over, through the course of many days and years, I'll want to learn more and will be loving it!

Test Prediction:
Continue listening to lots and lots of Grateful Dead from many different eras and discuss with friends.. ad infinitum

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Perfect timing. I got an amp and speakers on the way. Had to take advantage of the 30% offer. I got the speak's for half price and ac line filter for free. I'll be putting off listening to 34 till I get set up.

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In reply to by fourwindsblow

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Carson, CA 5.5.90. 30th anniversary.My final Brent shows.
https://archive.org/details/gd1990-05-05.141262.sbd.miller.flac2496/05S…
Rumors were rampant these shows that Timothy Leary was backstage dosing everyone. The band does sound "fat and juicy", so I can see where it could be true. Phil was turned WAY up.
I remember hanging out with some hare krishnas after the show eating free rice.

Strider...I think Jerry started playing a strat at some gigs in 1969, and on through 1970, as well as the mighty SG. This always seemed to me to be a signifier of the bands gradual shift to a more country based sound. As you indicate, they could still turn on the psychedelic power in 1969 and 1970 - but the times they were a changing .

Whew.. saved from an 11/8/69 induced nervous breakdown.

Edit: Saved for now. It's always the bats that start these things. Well, a melty PITB, then the bats. Look out for Dark Star>The Other One>Dark Star's too. A sure sign that society is in collapse.

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Bats have got themselves a bad reputation lately. Hunter knew it long ago.

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DaveRock , I can only go on photographs before 1970. I believe you’re correct, Jerry would use a strat for some late 69-70 songs. Of the ten times I saw them in 1970 I only remember the Gibson SG. 1971 was all over the map. Starting with seeing the SG my last time same night as Mickeys last show 2/18/71. The next few nights was the peanut Alembic experimental . By April Jerry was playing a Les Paul and then the peanut some nights. First time I saw Jerry play a Fender Stratocaster was at the Felt Forum 12/4/71. Then 2-3 strats through 72/ 73. The Wolf was a real game changer.
This is a fresh way of listening the good ole Grateful Dead.

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In reply to by Strider 808808

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Strider...I am only going off photographs of course-I have nothing like the first hand experiences you are talking about. It must have been amazing to see them in 1970-1971-truly a mythical time. The photos I remember of him with a strat in 1969-70 are mainly in the Taping Compendium. Jerry is holding a sunburst strat in the picture accompanying the Feb 70 shows.
Its always interested me which guitars he played at shows-and Bob too, to a lesser extent. I watched the Festival Express dvd a few weeks ago, and Jerry is jamming with...a band who's name escapes me...but he is playing a tele. I don't think he played one of those very often.

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In reply to by daverock

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Good call Daverock, I need to watch that this weekend

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In reply to by Strider 808808

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Thanks for joining in on this one Vguy and Jim. Loved the cover last night Vguy. Recording is Multi Track excellence as all these shows are. Have not listened to this show in maybe three years. Of the three Omni shows, I usually pull 4/3/1990, maybe because of that glorious Shakedown opener.
Anyway, Vguy, agree with you on this show. Great first set, with a great Althea, to Lay me Down, Music Never Stopped. Even the Victim is good. China Rider, what did that guy say last night about Ship of Fools??
Great Truckin, Stella, Sugar Magnolia and one of favorite encores, It's All Over Now Baby Blue. Great show.

Check it out if you have not listened in a while.

Be well all!

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In reply to by DeadVikes

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....Victim -> Lay Me Down -> MNS is solid. Raucous Sugar Mags. And who doesn't like a Baby Blue? I know this guy does!

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*

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I'm half way through 4/1/90. Althea was playing on our boombox at a motel room at an airport at the giants show in '89 with my friends. Like anyone would care.

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He called us fools talking about potholders and other normal things. Strange.

I didn't make it through the whole show.. but made it beyond the Victim/Lay Me Down. Let it be known I LOVE To Lay Me Down, but the Victim was so much better ( a song I don't normally adhere to).

Anyway.. just had to comment. Not coherent enough to add much more than that.

Who's fucking idea was it to watch Festival Express anyway.. a great yet terrible idea all at the same time. Thank god nobody drives cars anymore. My liver and my lungs both suddenly hurt both at once.

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Man, it was HOT down there!

Anyway, just catching up. I did dabble with disc 2 of Dick's 16 the other night... that is some mind-altering stuff. It looks like yesterday was 4/1/90 - just started "Touch" now.

Today is Three from the Vault? Sounds good to me :)

Peace

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In reply to by Thats_Otis

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Sounds grate, and it’s not even Plangentized.

Smokestack Lightning! Grease it up.

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I’m there. And was there.

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I loved that Omni show! I didn't get either of the Spring 90 boxes, so this show was new to me (at least for a good, quality sit-down and listen.) I LOVED it! The band is so hot, Brent in particular was on fire, the Bobby tunes rocked, and there were so many high-quality Jerry ballads. I mean, a show that has a "Candyman" "To Lay Me Down" "Ship of Fools" "Stella Blue" AND "Baby Blue" - c'mon... all played very well too!

Just started on 2/19/71 - the first Billy-solo show. Was this chosen to celebrate Billy's b-day? Good choice! I haven't listened to this one in a while!

Peace

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I remember from 2/19/71 was, “where’s Mickey?”. Was disappointed at the beginning of the show. The level of musicianship had greatly evolved since 1967 or last time as five piece. They blew the roof off the Capitol Theater that night. Jerry played his Alembec experimental “peanut” guitar for the first time on 2/19 and continued to play it the next several nights.I went Thursday through Sunday nights. I vaguely remember Weir commenting on Sunday as it being slow. As I remember it was sold out all nights. Unlike November 1970 shows in Port Chester when I could buy tickets night of the shows at the box office. Fillmore East was harder to get Dead tickets and February 71 shows sold out in hours . I bought tickets by getting in line at 5 am on a December (1970) Saturday morning. “What’s become of the baby that cold December morn”. Blair Jackson was in that same ticket line. 70/71 was quite the phase shift. Keep em guessing.

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Strider...do you remember much about the ESP experiments at these shows?

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Nice pick Conekid!.
Always thought it was odd this came out in 2007 and with no real explanation why it took so long to get it out.

Great recording with A+ sound quality. Really good Truckin, Dark Hollow, China Rider. Really liked the Greatest Story, early Bird Song. Did somebody say, Easy Wind? This was great and I wish this got more play as well as New Speedway Boogie.
Great finish!

Strider, you were there, really cool.

Good to see you here Oroborous, I thought a Spring 1990 pick might peek your interest.

Otis, as a huge Brent fan, you should consider the Spring 1990 box sets. Highly recommend.

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I think this is the thread where Jim mention Victim -> Lay Me Down (1990-04-01). I'm a huge fan of Victim, this is a great one. I think this is the depths that, Just a Little LIght, Blow Away, Foolish Heart (if Jerry could remember words when he came out of jam :-) ) could have reached. Picasso Moon probably didn't have much too go! :-) But I really like a good Corinna.

Great Victim though, thanks for pointing it out.

Is there a better "Just a Little Light", than Dozin' at the Knick? Come on? Is there? Just took it off , best.

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Only that it was a random image , not all the time. I do remember Bob and Betty being set up on a side balcony booth. Saturday night was the major rave up night. NRPS finishing their set w Honkey Tonk Woman and the crowd going bonkers, balcony shaking. Weir, Pigpen and Pigs girl friend Veronica watched the end of the NRPS set from back stage right, Bobby shaking his head as if to say”tonight’s the night”. Highlights from 2/19 for me are Smokestack Lightning. Jerry’s use of the Alembec experimental peanut guitar looked amazing after he used his Gibson SG the night before. The peanut guitar was very small in its size but belted out a sweet big sound that was especially evident during Johnny B Goode, that had most of the audience up dancing. A few people at my high school would go one night only , but I was completely consumed.
Too bad there are not many (any)more 1970 tapes. Anything from either 1970 or 1971 is no less than spectacular .