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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
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    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
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    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by JimInMD

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....12.27.79 was the show where Jerry forgot an entire verse of China Doll. It happens. Not dissing Garcia. Just proud of my recollection. Grate show. Grate Terrapin to end.

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The return of China Rider!. Terrapin!
Would love to see some of these older releases remastered, although this is very unlikely to happen.

Where have you gone Bolo?

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Speaking of which, how about an old-fashioned Saturday doubleheader assignment in the hopes that we may actually see some baseball being played one of these days? I'm getting a little tired of watching games from 10 years ago, especially since I bet on the outcome and still lose!

So, Weir's "Ace" album (Saturday is the 48th anniversary
of the release date) and Garcia's first solo effort? A good set of headphones highly recommended for this listen. PITB on Ace is an absolute tour de force - the quiet section coming out of the jam is pure sonic butter. And the pedal steel work by Jerry on his album is some of the finest ever recorded, IMO.

Hope y'all are in good health. Stay safe as we ease back into "real" life, or some semblance of it.

48th Anniversary Weir & Garcia Double Header Saturday sounds fun.

Sounds like good music to come down on after friday's 5/15/70 50th Anniversary Trip!

Not seeing a pick for today, so I'm gonna pop in 5/13/72 this AM to get the anniversary theme trip started.

What about you all?

Mine arrived yesterday, so that was my pick of the day followed by another run through High-Life Frodo.

So, 5-11-77 and/or 12-29-77 for today.

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The Garcia/Weir doubleheader is a great idea. I've never spent much time with either album, even though I know I should love both. Also, I just got a pair of quarantine-headphones and this will be a good opportunity to give them a run. And a 5/15/70 friday -very sweet.

....I can't recall the last time I cranked Ace. Forgot BT Wind had horns. LOL. It's a good record to turn to 11. Garcia's 1st and 5.13.77 to follow. Then 5.13.72 if time allows. In that order.

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In reply to by Vguy72

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Yo bro, you're supposed to save Ace & Garcia double header for Saturday...

Start cranking 5/13/77... and then 5/13/72 today;)

BTW I listed to 2/11/89 I had those Drums marked with 4 stars from back in the day.. I bet that helped you along in your situation!!

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In reply to by The Good Ole G…

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....you're correct GOGD. Changing course. Inputing coordinates.
edit....let's throw Mickey's Rolling Thunder in the Saturday mix as well!!

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In reply to by Vguy72

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Roger, just want to keep you on course my friend, gotta keep the travelers traveling in the right direction.

Edit: Doh, The Thunder Machine is broken over here, I need the Thunder, Hmm...

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I don’t always keep current here but have we ever had a consensus as to who Bolo24 is?

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In reply to by Elbow49

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What, is the question!

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In reply to by Oroborous

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75-minute work phone call.

Now it’s 61 with blue sky and sun, and my dog wants to go outside and pee on all the neighbor’s mail boxes.

So, I’m going to wait for 5-13-77 until later today when happy hours start.
Sorry for the false start.

Anyway, people have been mentioning about recording the GD Hour as a source of cassette recordings. I only had one tape of GD Hour (I wanted full shows, even if the sound quality wasn’t as good) and it was a partial of 5-13-77, which included the Jerry solo/noodling and Other One. I was never able to find a tape of the whole show in good sound quality, so I was pretty happy when the Box came out.

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Bolo24 is Bolo24...of course!

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In reply to by The Good Ole G…

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Happy hours have started.

I going with a giant Mojito, which is a Mojito made in a 1-liter Paulaner Octoberfest mug, and sitting in the sun on the deck. It’s 65 and sunny now, was snowing last Saturday.

Woo Hoo!

You don't have to twist my arm to listen to this show. Of the two Chicago shows, this one kicks ass.

Bob T, regarding the banter before TMNS, are we missing some of the banter in the official release? Pretty soon we will a full band here. Dr. Shot, DR. Beechwood. So great.

Man, these guys had fun, that much is for sure.

Yes, just loved the way they played Jack A Roe in May of 1977.

Love the FOTD, finish the set with the Scarlet Fire! Come on.

Second set later.

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Bolo? Bolo is the person that makes little kids smile and giggle. Bolo is the person who strikes fear into the hearts of evil doers. Some say Bolo comes like the light of the morning. And like a wind, they have a name; Bolo. Around the fire at night, folks will speak of the time they met Bolo. Some in worried whispers. They're the person who gave Jerry a drink of water after an incredibly hot Fire on the Mountain. This one I know is true because I was there. Where ever you find a person looking for a “miracle” ticket, Bolo is there. Wherever a person is hungry Bolo is there with a soy burger. When you’re setting up camp the night before the big show and realize you forgot the coasters for your beer, Bolo is there. When you’ve hitchhiked for 2 days in the rain, that person that picked you up and handed you the fatty; Bolo. Bolo is an elemental being, hanging for a while in the flux between then and now. Most will be better for the chance encounter and probably will not realize who they just met.

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In reply to by icecrmcnkd

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I am not entirely sure who or what Bolo24 is. The only thing I am sure of is.. is that he is the one with the Nuclear Codes.

A bit of related trivia.. they only just recently released the identify of Bolo23.

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Vguy ups the ante this weekend with Rolling Thunder? I'm in! I've never really listened to that one but it's some of our favorite San Francisco hippies in Mickey Hart's barn circa 1972 - what could go wrong? Surprised to see it's still available on iTunes.

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Dark Star, and you get to hear Weir say "Thanks a whole hellav a lot" after he gets hit with a cup before encore??? Also a smoking Not Fade Away into an awesome Going down the Road... If we are burned out from Jai Alai Fronton I get it.... Bob t

Holy shit Bob T! Yes, for sure.

I have only listened to Dave's 34 once and it is really good. Such a unique show.

The MT May show from 1974 is probably now the second best 74 Dave's Picks released.

74 is so good. Certainly wish some of the early Dick's and RT trips were not complications but most of them are still so good. I get why some don't like going past 74.....
Anyway, for Friday we should try to do something other than an anniversary show......
How about 7/17/76?? Dave's #18, with bonus disc, with 7/16/76.

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In reply to by icecrmcnkd

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Now your talking. Have to spend time in the stereo room/office today so perfect, I can listen on the big boy system!
Finally did 5/7/72 a coupe days ago and wow I had forgotten what a beast this show is. Their ripping the whole show and man what a grease fest! The DS is good too, but I still like 5/11/72 better. Finally got to that yesterday. I don’t think the first half of the show is as good as others, but the last half is hard to beat, and I’ve akways had something for that DS....I had the loveliest time listening last evening; the light at that time of day, the sound and treats all dialed in, just a wonderful little respite from the current madness. A few hours of bliss. Dug it so much I stayed a little longer and broke out most of V2 Disc 2. Vault 2 has always been a favorite; awesome TIFTOO, New Potato and that monster Phil Jam....remember the first time I heard that, total mind fuck!
So yeah, I’m in for 5/14/74 today, thought all y’all were doing 5/15/70 tomorrow? and the three solos on Saturday?

I think that the plan was to listen to 5/15/70 tomorrow - Road Trips 3.3. It was mentioned by someone earlier in the week, then seconded by a number of other folks.

That being said, I am all for 7/17 and 7/16 1976 - 7/16 is my birthday, and I happen to love that release! As tomorrow is a Friday, perhaps we can squeeze in both, or save the 76 show for Saturday.

Peace

Edit: Oh yeah, Ace, Garcia, and Rolling Thunder are already lined up for Saturday... folks are jumping on dates early round here! :)

....Is in full swing.
They Played a lot of good shows on this date. This Vegas one was good.
https://archive.org/details/gd1993-05-14.140129.sbd.miller.flac2496
Was at this show. People got struck by lightning in the lot. Good times.
They also played this nifty show at the Greek Theatre in 1983. Good Rango Aud cleaned up by Miller.
https://archive.org/details/gd1983-05-14.fob.sonyecm220t.keshavan.mille…
Merramec Comm College 1970. This includes the NRPS set.
https://archive.org/details/gd1970-05-14.sbd.warner-evans.28716.sbeok.f…
Yes. May 14th delivers.
The Montana Scarlet -> Roses is fine stuff indeed. Must Have Been The Roses was the first song i heard after Jerry passed (in was on the cassette in my car at the time driving home from work), so that song has always had a special place in my heart since.

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In reply to by Oroborous

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That is right, my mistake. How can I forget that? That was Strider's pick.

Let's do the 76 show(s), Dave's 18 next week.

Wow, 74 is good!

Be well folks.

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Thanks - made my day!

Although I'm a little creeped out as it appears you've been stalking me for quite some time.

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In reply to by bolo24

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Not stalking, watching your back.

Vguy
>>>>Was at this show. People got struck by lightning in the lot. Good times.

Maybe needed a little something more before "Good times".
…...so besides that Mrs. Lincoln.....

PS - on the plus side most of us HAVE been struck by lightning on the inside! Lazy or otherwise.

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Sting was on The Tonight Show with Jay Leno back in the 90s when Leno commented about Sting opening for the Dead in the next couple days in Vegas. “It’s amazing how the Grateful Dead control the weather, every time they play there’s a cloud above the audience”.

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I was listening as this is a fifty year anniversary. Any acoustic Dead is rarified.
I only saw the Dead once in Nevada, the two days in April 91. Santana was awesome as a double bill. The jam with Carlos during Bird Song the second day stands out as a high point.
I used to have all my shows listed here on Dead.net when they mysteriously disappeared a year ago or so. Lucky I have my own record marked in the 50th year Dead Base that came out somewhat recent.

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In reply to by Strider 808808

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Started out the day making a 50th Anniversary compilation of 5/14/70 and then devouring it!!

RECIPE:
Just grab some bread and slap in shnid=34165 Acoustic SBD, shnid=136645 Electric SBD & Road Trips Vol 3.3 Bonus Disc and JAM! It's super Tasty and I highly recommend it.

Just about to head into some 5/14/74 WRS... Donna's double Yowl at the end of PITB startled me, I wasn't expecting two!

Looking forward to 5/15/70 tomorrow, only in Grateful Dead land would 5/14/70 be an average show..

What a Year, What a Show, What a Band!

Be Well All

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I was at the Vegas show when people got struck. I was also at RFK '95 when some heads got struck (hanging out under a tree of all places). Coincidently, I was struck by lightning in 1975, so the whole thing really freaked my parents out! Not a fun experience people, but to this day it doesn't scare me at all.

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They have fixed the shows attended feature. You can update those in your profile, provided you are able to remember. (Would be tough for me, if it were more than one show...lol)

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In reply to by wilfredtjones

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....of the Big Sky Dark Star is when things start to get....dark. Three minutes later, it's a jazzy primordial ooze. 1974 doesn't fuck around.
And that China Doll 🥰

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I love the Montana recording. I lived a few years in Montana starting in 1975. The University of Montana student newspaper the Kaiman ran a full page piece titled “we asked the Grateful Dead what they think about playing in Montana”. It had a photograph of mostly the roadies giving the finger to the camera.