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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • bluecrow
    Joined:
    5-11-72 Rotterdam

    I can lose my mind, so to speak, in any show from E72, and a whole lot of shows outside that tour over the many years, but that Rotterdam Dark Star > Sugar Mag > Caution > Trucking > Uncle John's will always be one my favorite passages from any show, any era.

    1stShow - check your DMs

  • Oroborous
    Joined:
    5/16, 18, and 23

    NIIIIICCCCCEEEE! Glad to hear you liked 5/11 1stshow. Yeah not exactly sure why that one always resonates so well for me. I hate “favorites” (like the Jim philosophy: last one heard is the favorite etc) and this tour has so many RJs is damn near impossible for me, but this one always just pops into my head when I think of E72!
    I’m sure the set list is part of it as you mention in why you liked 5/10 etc, and yes, that Dark Star is mos def RJ!

    Though I really dug the 5/18 DS too, hell, who am I kidding, all these DS are top shelf!
    I’ve had this show and have definitely spent time with the DS, but it was nice to dig deeper into the rest!
    Actually got to give this one a good sit down listen on the big boy stereo, always a plus ; )
    Not sure what it was about Germany, but they seemed to step it up each night.
    We get another DS but pared nicely here with a decent Dew. Sing Me as part of double encore was nice.
    Another nice but rare You Win Again, shame they didn’t keep on with that one? oh, a Sitting On Top!
    That was a nice fun addition if not mind blowing.
    A reminder of another thing I’ve noticed on the tour: it’s most definitely not the 60s Dead anymore, but they still have those flashback moments, they can still totally get that vibe and energy, and at times, if it wasn’t for the completely different sound they’ve cultivated, you might think it’s the 60s. (Besides the DS/TOO weirdness!)
    But it’s not, so they throw down more stellar versions of the new stuff and a perhaps light, but satisfying side o grease.

    Ah snap, I skipped 5/16 lol. Well, at this point they are all starting to roll into one, but that becomes helpful when you do hear a particular hot version of something as it seems to stand out enough to distinguish itself from the mob…
    Don’t recall much of that on 5/16, just yet another solid well played beauty. First time for this one so I gave it multiple whirls streaming at work. Certainly they were trying to reign it in a bit and keep it tight being on world radio broadcast, though as the tour rolls on nearer the conclusion, I have noticed a loosening up occasionally and perhaps slightly more imperfections, but that’s really taking a hard micro look as even with occasional blemishes these shows are all so good. Of course they had to get at least a little weirdness out there with another trippy TOO. Wonder what that would have been like: to randomly turn on your radio to THAT! Lol.
    Interestingly, no Good Lovin again, probably due to time restraints, or the fear of Pig getting to spicy on the radio lol.

    Continuing in a haze now with 5/23. I’ve had a copy of this, but it’s missing some tracks and seemed to have songs mixed in from other shows or some weirdness, so I stopped near end of first set and started over streaming. Interesting show as they continue to mix it up and add some new/old stuff in for variety. I didn’t get the best listen in, but it seemed a tiny bit subdued? I don’t know, can’t come up with right word, so I’ll,project. They seem like their relaxing just a bit like they know they’ve got some good stuff in the can so can mix it up and let go a bit? Or not,…? definitely need to hit this again later, but honestly getting burnt not so much on this Dead as not hearing any other eras. Too each their own but I can’t just listen to one kind of Dead exclusively, but that’s just me. But whatever, another great DS/Dew, perhaps a slightly more polished Dew? Oh oh oh, Mr Kotter, can’t forget the best Comes a Time so far, another fun Sittin On Top!,
    They mix it up with a fun Rockin Pneumonia (dedicated to my cousin Eecktar who’s currently laid up in a Hawaiian hospital with pneumonia and Covid as he’s been their working on some recording studio).
    As I say, not the best listen but all good, another enjoyable show!
    Ok, on to 5/24. This has been an elusive one. I remember being a POTD but only could find aud copy so skipped it, actually a couple times, but today we’re soldiering on and gonna finish it. Since I’ve heard so much about this one I’ll probably give it multiple whirls and check it out on Spotify at work (for better audio) for a couple days before I move on to the big 5/25 beast. So that’s where I’ll be for a bit, until next time,
    ONWARD!

    EDIT: Ha who says there’s no Dead heads in this tour! Ya can hear one singing and humming along at points on this 5/24 aud lol so there was at least one, and Murphy’s law he’s standing right near the mics lol

  • 1stshow70878
    Joined:
    5-10-72 Amsterdam (+ 5-11 Rotterdam)

    I really liked this one. Part of that may have been a good focused late night listen. Mix was slightly different with more Bob, maybe less Keith? That highlighted by Bob's interesting work in China>Rider too. They attempted to slow the tempo in the Rider part but not everyone caught the drift there. Maybe I liked it for the set list and song order again which I found appealing in more than one of the tour so far. It does seem to be the difference some times in what I perceive as a good show. Highlights: Loser, Big Boss Man, TOO which was extended and very spacey (one part had the cat looking at me like WTF?) in the first go, then a little jazzy Keith, then a lengthy somewhat quiet interlude before >Bobby McGee>TOO again. Maybe the best Sing Me Back Home so far of the tour. And a sweet but shorter Sugar Mag> NFA> GDTRFB> NFA again to end. Again DeadbaseX way off with setlist out of order and missing songs. Not really counting on that being right anymore. Still plugging away with Rotterdam next but may get stalled Mon. - Tue. with a trip to the Four Corners region. Need us some slickrock and petroglyphs before the weather starts turning.
    Cheers
    Edit: 5-11-72 Rotterdam. Jeez- Louise! I can see why Oro said this might be his favorite EU72. The whole 1st set is at that slow, let's get this perfect pace and is another killer set that starts with a Playin' so you know it's going to be good. Then this 2nd set starts with a Dew and is monumental with the best DS so far and one that is now in my top 5 of all time and the 2nd set jammed portion runs like 75 minutes! The final Caution/Who Do You Love is a great way to end that song's run. I googled best show of EU72 and this one came up often and is in the top 3 or 4 in most lists. Just a wowzer.

  • daverock
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    Icecrmcnkd

    Crumbs...sorry, I wasn't expecting that for an answer. Thanks for the heads up - nice that them upstairs read these posts.

  • icecrmcnkd
    Joined:
    Daverock

    The September GD Bulletin came out yesterday in an email.
    At the end there is a section Community Bits that briefly summarizes what it being discussed on these boards.

    It says:

    In the Pick of the Day, With Discussion thread, Daverock raises the interesting point that for Europe ’72, there weren’t so many Dead Heads in the audience — and that affected the band’s playing. Maybe for the better? What do you think?

  • daverock
    Joined:
    Icecrmcnkd

    Sorry - I'm not sure what that means!

  • icecrmcnkd
    Joined:
    GD Bulletin

    Daverock gets the call out.

  • daverock
    Joined:
    Bickershaw and repetition

    1stshow -no, I have never heard Hawkwind's set at Bickershaw. Curiously, I have never read anything about it either, not from the band or from people who were there. Simonrob was there - maybe he knows something.
    1972 was the year it all came together for Hawkwind, culminating in the Space Ritual tour in December. In fact - a timely thought - the 11 cd special deluxe edition of Space Ritual is out next Friday. Probably not good value for money unless you are really into it - they basically played the same set on that tour wherever they played - this new set features three of them. I'll be getting it - but the original album may be better value overall.

    Going back to The Dead's repetitive - or otherwise - song lists - they would have played to a different audience every night, for the most part, during E72, so maybe it mattered less than later on if they played the same songs a lot. Maybe that was the case for American gigs at first, too. It wasn't common practice in England in the 1970's to see the same band twice on the run, so I wouldn't think it was in America at first. As teenager, apart from anything else, I wouldn't have been able to afford it.

  • JimInMD
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    Repetitive, Sort of..

    With the exception of Copenhagen and London, they hit these cities just once and my guess is most locals had not had any real exposure to the touring Grateful Dead. Copenhagen is the real outlier, two hits at the same venue and similar second set setlists.

    I always assumed they wanted to make a presence in Europe and knowing people were not as exposed in the US, wanted to paint a strong picture for each city.

    So 51 years later listening to the whole tour, there is lots of repetition. But if you were there then, it was all brand new. That's how I digested it. They wanted to hit Europe with a cohesive picture of what they were doing then not knowing when or if they would return.

  • Oroborous
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    RE: repetition

    Yeah they always went heavy on what was new. Guessing partly for their own sanity/interest, and partly for the crowds.
    Not unlike Taylor Swift etc: make an album, go on the road to support it, rinse and repeat…of course like most things, they weren’t that formulaic, thank goodness lol. Plus, they were smart enough to figure out that it’s better to work stuff out on the road BEFORE you go into the studio to record it, especially when you do constantly tweak and re-invent them. So this tour was perhaps a bit of both lol.
    Also, (think we’ve discussed before?) folks didn’t tour so much back then, probably not at all in 1972 Europe?
    So they didn’t have to worry about that like they did later on.
    Sometimes I think they, or someone, just really enjoyed certain songs, so played en more.
    I’d say they played less repetitive in some ways as the years passed and they had more and more songs to choose from.
    Ok, maybe not Bob, he seemed to need to play everything to death lol. Speaking of, why Me&My Uncle every night! I mean they just put it out on the last live album only a year before! With so much new stuff as the Dead, and from WM and AB, AND both Bob and Jers recent solo albums, why Bob, why LOL ; ) Perhaps trying to bring more American “culture”?
    As far as reinterpreting songs, I think they always did that, though some more than others and with various results.
    I guess that’s yet another thing dependent on the listeners taste and chever way yer pleasure tends…
    But I’d bet the biggest factor on this tour was trying to get at least one good useable version of all the new material since they purposely chose this methodology to get the new songs out on a new album. That and mix in some familiar stuff as you never want to do all unknown songs. I could tell ya a story about doing that lol

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Check your PM, please

LTGTR and an excellent Stranger to start off nice. A sweet little Peggy O, perhaps slow, or is it that laid back hometown California mellow? Either is good. Shootem up polka time, followed by an always welcome Loser, status quo masterpiece, my 2nd Loose Lucy after Hamilton, which seemed looser than the first, but more fun this time around as I was with real life 20 yr old Loose Lucy!. Decent Cassidy with a Dough Knees to bring her home. Another neat, together, but unremarkable set. Status quo for this year. Seemed perhaps a little less enthusiasm then yesterday, but picks up as it continues.
Nice Victim to shake things up a bit and get er going, but the TOG is perhaps a tad behind the curve for this show? 2nd set LL Rain that Bob gets things stepped up a bit and sets the tone for nice terrapin, but unfortunately there’ll be no extra credit jam/weirdness tonight on the way to drums. Awesome long weird space which segway's nicely into Mr Fantasy/Hey Jude. Watchtower kicks it up before the nice bring down to Stella Blue. Lovelight and Black Muddy to send us home, which in this case was stealth, late night, poolside surrounded by palm trees at the hotel. Man to this “southern Canadian” palm trees was a pretty big deal! So far I think I like 6/8 overall but they both where like Otis and GOGD mentioned: decent, tight, status quo 90 shows with a definetly laid back home town vibe. (Meant in a good way). Spoke with my cousin who was there about his recollections and he agreed about the whole Cali vibe thing and to us north East nuts it was pretty cool.
Ok, manana we’ll finish Cal Ex up and I’ll share a humorous take from that night after at the hotel. I believe statue of limitations is over for hotel damage? Lol. Maybe I can find a photo of our motley crew having breakfast on the haight a day or two later?

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In reply to by Strider 808808

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Pretty cool Strider you were at the 6/9/77 show. How about you Bolo?

Where you guys in the Grateful Dead Movie?
Don't tell me you were the guy in the overalls eating chicklets.

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In reply to by DeadVikes

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You Just Wait...

The chiclet guy rules.

So does 6/9/77
Hot show for sure... Just a Dream.
Set 1 is solid '77 Dead until TMNS then it starts to turn the corner into Extraordinary.
Set 2 is wow just wow.
That Slipknot! it's gonna get some extra rotation tonight.
The Terrapin Station tunes are given some really good readings.
Estimated goes way out there, sounds like they'd been playing it forever, or at least every show all tour.
And then they slide a Terrapin in after St. Stephen for an extra Dose of fun before bringing it home with Sugar Mags.
They didn't have to do that, they could've just played Sugar Mags, but they really bring it to Winterland.
Great version of US Blues and OMSN too.

Hot Damn.. nice pick.
You can hear the fun.
That was fun.
And you all were there!

OB: You summed up 6/9/90 real nice.
And I nod in agreement with what you been laying down.
Looking forward to the party story and 6/10 show tomorrow.

Birthday Show for me :)

Thank You All And Good Night!

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I was referring to the several times seeing the Dead at Winterland but no not 6/9/77. First time seeing the Dead at that venue was February 1974 the night before the Dave’s Picks release show. Then four out of the five nights from October 1974. Missed the first night as I was hitchhiking down from Eugene. I’m in the Grateful Dead movie dancing in the crowd during Playing-Reprise. Then I was at 12/29/77 and 12/30/77 that was released as one of Dicks Picks.
My first time to Winterland was May 1973 to see Hot Tuna. Muddy Waters opened. Also saw Dave Mason there in 74.
Needed to set the record straight.

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My first show there was 11/10/73, missed very few after that. I listed the ones I went to on my page here, only because one of my buddies kept track of such things.

I have no way of remembering every show at other venues - way too many and my feeble brain doesn't retain details like that. And, yes, like many of you, I was very fortunate to be roaming this planet during that magical time.

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In reply to by bolo24

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Wow.. don't check your PMs for a day, get one from Bolo with an urgent sequence of instructions and the DJIA drops 300 points.

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This show is a winner from start to finish, it burns! It has my all-time favorite version of St. Stephen on it. I guess the story goes, that Hendrix was standing on the side of the stage but the Dead didn't let him up to play. The Dead had invited him out to practice with them and he never showed up. Pig Pen apparently didn't play, because his girlfriend was sick. This show was originally broadcast on Bay Area radio station KPFA, a fantastic listener sponsored radio station that you can get online, they play all kinds of great music. Phil Lesh used to work as an engineer at KPFA back in the early 1960s on a show called the Midnight Special , folk music show, and he brought Jerry Garcia on there to play some shows on the radio. Anyway,. 10/12/68 has always been of my favorite shows, hopefully Dave & Co. willl release it one day, put together a box set, two shows from 68, 69 and 70.

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In reply to by DeadVikes

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Everybody Has to Dance or Else.

10/12/68 at the Avalon Ballroom.

Anybody got any Avalon stories out there?

This is one of my all time favorites for sure :)
Love '68
Here we go.
Have a safe trip everybody!

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Sweet pick! I think I actually prefer 68 to 69 (please, no rotten tomatoes!) 10/12/68 is a perfect start to this blazing hot day... and I agree - it's time for Dave to release a 68 show - this one is certainly a contender!

Afterwards, I think I will finish out the Cal Expo 90 run with the 6/10 show. I've really been enjoying those this week.

Hope everyone is safe, happy, and staying cool!

Peace

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St Stephen is just crackling with energy, as is the whole show!

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Great show! I don't think I've listened to this in its entirety before. This is also my first time trying the Relisten app -(how nice!) I love the separation of the drummers in this music.

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In reply to by Gollum

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The "Jam" before Feedback is cool - starts off in "Other One" territory, then moves to something totally original, then gets very close to "Caution" - I bet they would have gone there if Pig hadn't been missing.

Feedback... and, goodnight!

Does anyone know if the "Morning Dew" that starts the set on this recording (at least the one that Bolo posted) is from this show? It doesn't seem to be on the setlist.

On to Cal Expo!

Peace

EDIT: It looks like "Dew" was the opener, but for some reason it was left off the set list.

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Today's pick was recorded over 50 years ago - half a century. In 5 decades, no other music created since then comes anywhere close to what I heard today. Normally, I'd probably add "IMHO" to the end of that last sentence. Not this time - it's an indisputable fact.

I had a non-head musician friend years ago question my over-the-top enthusiasm for the Dead, saying they were slow and sloppy, couldn't rock out, Garcia just "noodles" aimlessly, etc. In other words, the usual misinformed opinions we've all heard and read before.

I played "The Eleven" from this show for him on a really good sound system, sat back and watched his face morph from surprise to disbelief to joy and wonder. He was literally speechless for a good chunk of time before the expected "WOW" passed his lips. An instant convert! He still blames me for his "incurable disease" on a regular basis.

Gollum mentioned the drums. While one can intelligently debate the one- vs. two-drummer format from 1975 on, there is probably little dissension regarding the irreplaceable impact of Billy and Mickey abusing their instruments during the"primal" period. The whole band was a flat-out juggernaut during that time and the two drummers had a lot to do with that.

What a band. So grateful that we here all "get it."

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In reply to by bolo24

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....been Relistening for a while. Cool app. The right side sidebar lets you pick the source. Less clunky than the archive for sure. Sacrilege? Maybe.
10.12.68? I was five months old. Bring it to my diapers!!

I have several buddies that still refer to it as pots and pans.
They clearly don't get it.

So much unbelievable music! Still can't explain it to even family members.

But every day, I still want to listen to the treasuries we have.

More to come.

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In reply to by bolo24

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This was the year that drew me in. Back in the 70s, I had heard a few albums by the Dead, but it was only after I heard Anthem that it all clicked into place. After getting into that one, all the others started to make sense.

Incidentally, it was in October, as I understand it, that Pigpen and Bob were...strange as it may now seem...sacked. And those Mickey and the Hartbeat shows were played between October and December, without either of them in attendance. I used to think that was why Pigpen didn't play on 10/12/68. But I could clearly be wrong - both he and Bob played a lot of shows with the Dead during the same period as the Mickey and the Hartbeat shows.

What's on tap for today gents?

FourWinds, where are you?

I might check out 5/28/77, the last night of the Spring Tour. To Terrapin Release from 2007.

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In reply to by daverock

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Yesterday's 10/12/68 pick definitely took me places.

Places I'd been before, and new places as well.

As said here by others, some really wonderful stuff going on throughout this magical show as the band jettisons into a new universe & explores the improvisational music cosmos.

By October '68 Dark Star has begun to grow larger wings, but it's still a baby bird that will take flight and leave the nest soon. Of note in this version is Bear's recording (I believe) and Mickey's playing of the "Scratcher". It sounds as though Mickey's walking around on stage while he plays, at least that's how it sounds with Headphones, the instrument is truly circling around your head in this recording. How bad ass is that? And this is a bootleg from over 50 years ago!

However, while Dark Star is just beginning to really gain strength in it's legs, St. Stephen is Standing Proud & Tall and has possibly reached it's greatest height, this is an almost absolutely perfect version of the song, and if you listen to some of the earlier versions from the summer of that year ('68 mystery reels come to mind, possibly from Carousel June '68), it's some amazing growth that this song has gone through in appx 4 months! The audience already loves this song as evident when you put on 9/2/68, within the first notes on that version the crowd starts getting so excited it throws the band off with surprise. St. Stephen, with it's William Tell Bridge, will continue to be this height for a little while longer, but will begin to diminish and shrink with age in the following year. I'm not sure it ever gets much higher than this version.

That brings us to The Eleven, I think Bolo says it best, this version can convert a non-believer. So imagine what it does to all of us already at the church. This is an absolute ripping version of the song and all the long months of rehearsal are truly evident when you listen to the effortlessness of which they throw this song down.

And to complete the suite they seg seamlessly into a sultry Death Don’t. Listen to Jerry sing during Death Don't, man could that guy sing a song with emotion. People would criticize that voice, but I always thought it was the most wonderful voice of all ;)

Oh... and there's a Set 2!!!

Which just absolutely shreds your face off, if it was still left, hanging there by a thread.

This is manic air guitar, give you the chills, tears in your eyes, shake your head in wonder stuff here people!! I want to hear it again, and again and again!

So like I said, it took me places, I dived deep into some '68 after this 10/12 relisten, I had to hear the next night 10/13/68 SBD (not as good, but see for yourself), 10/20/68 30 Trips release (check the difference between the Dark Star’s), and 9/2/68 (interesting recording, I need to check back on this, my mind was melted at this point and life distracted me).

What a Trip!

And like mentioned here, this was all during a time when Pigpen & Bobby were on thin ice and "fired" from the band.
Fascinating.

I believe a ’68 release or box set was mentioned, it’s hard to think that we’ll get one based on what exists (appx 37 shows / fragments) and quite a few have been released. Sadly most of Summer ’68 is a black hole, as well as the touring at the end of the year. There are definitely shows that were recorded that we don’t have, whether or not they still exist or not is a bigger question, I know Bear recorded more than we have especially in regard to the later part of the year, but for now the trail stops there and I’m afraid it is a bit cold…

That all being said, if there was a ’68 box style release I’d vote for The Quick And The Dead tour in January - Feb ’68. Always loved that stuff, it’d be repetitive and have some warts and all feel, but shit I love it.

Love to hear thoughts on what you all would see as potentially release worthy. This 10/12/68 show should be a definite consideration.. if they can make it sound even better I’ll be the first to drop down some cash to get it!

You’re still here?? Crazy kids..

After I came to earth from that I continued our little Cal Expo ’90 relisten and loved it too. I think 6/10/90 is my favorite show from the run, but you know Playing In The Band usually makes me say that. The Jack Straw is definitely worth listening too. And Phil saying he’s not gonna quit the band and it’s all a bullshit lie, with Jerry saying yeah, the rest of us are, well.. that’s priceless.

What’re we gonna listen to today?

Edit: 5/28/77 you say... looks promising and it's been awhile.

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Thanks for all the great reviews of this show. I now know I will be stuck re-listening to this show for the next couple of weeks. That's the way this thread has worked for me. I can't always keep up with the daily schedule but I've gained a whole new appreciation for some shows, namely, the 2 DP #18 shows(2/3&5/78), DP#5 (12/26/79), the Cow12/31/76. It's just been taking me a couple of weeks to grok each pick. Thanks to everyone for contributing. This thread has been one of the few highlights of this lockdown!

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I really enjoyed revisiting this release today. I remember having some mixed feelings about it when it came out, but today it sounded fresh! I've always loved that "Sugaree", and the whole 3rd disc is pure Spring of 77 butter.

Good pick!

Peace

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In reply to by Thats_Otis

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I love this show. The sound quality to my ears is one of the best 77 releases to date. Jerry just seems to really be on fire the entire show. Kills it on Bertha, Sugaree is so good. New Minglewood Blues is a top 5 for me and the Brown Eyed Women is another high energy version. The Playing in the Band into Terrapin is hot. And the finish, NFA through US Blues is stellar.

I don't think this release gets a lot of talk, but it should.

And I think it is still available on this site for under $30!

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In reply to by DeadVikes

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How about leaving a random day, perhaps Sunday, as a day to revisit that show you missed but wanted to hit and talk about or any of the other show you were behind on? A day of peace and re-visitation/re-visualation.. A chance for the slackers to peek in on a show from a few days ago they squeezed in a day or three late.

Is something like that reasonable?

A day in support of the under achievers.

I remember when E72 came out.. I think in the fall, but I more or less started on 4/7 and struggled to keep up with the anniversary dates. Hearing the post from deadheadbrewer finally pulled me out of the closet. I can do a show every two to three days unless I have time carved out, without distractions, cell phones and it helps if I am able to indulge in a bit off external stimuli, especially the kind that warps space and time. Just saying...

In other words, I missed To Terrapin and am beating myself up about it. Heaven help the fool.

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In reply to by JimInMD

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Seems like a good idea Jim. The only way I am able to do this is I am still working at home.

And I don't think we can all make every show, although, I have tried. Some days I have to finish in the morning the next day.

However, the leader of this pack, Bolo, and the rest of the crew would have to give it the Thumbs Up.

And I am interested in your take on To Terrapin....

Still wonder what was going on back in 2007 to 2009 that they released some unreal stand alone shows.

Would love to see some more pop up again.

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In reply to by DeadVikes

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Ha.. my guess, they needed money.

I doubt if any of this needs to be that formal. Consensus is probably enough. A day of rest and reflection. Seems norml enough to me.

I missed 5/15/70 which was a biggie for me, and we never got around to 11/8/69 yet. I will be doing extra stimulus for both of those.. :D

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I'm the last person you should seek out for advice, permission, orders or any type of instruction.

Do you recall the recent failed overthrow of the Venezuelan government? I planned that.

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In reply to by bolo24

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a plume of ash billowed 2.5 miles above the Mt. Saint Helens volcano in Washington.

At 9:09 p.m. a much stronger explosion sent an ash column about 10 miles skyward.

This event caused the Portland Oregon area, previously spared by wind direction, to be thinly coated with ash.

Dead Heads who were attending the Grateful Dead's concert at Portland Memorial Coliseum still question whether the band had helped cause this while playing Fire On The Mountain that night.

Should we listen and see today?

There's a new Charlie Miller Upgrade on archive..

Let's do it GOGD.

I am going to have to figure out how to use that relisten app.

I don't know Bolo, I would listen to your advice.

Jim, money money money, money money! Mama, don't take me back to rob that bank again.

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In reply to by DeadVikes

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Okay, relisten app installed on my Sonos app. Wow, that is cool. Alabama Getaway opener sounds good.

Technical question for you all. It says it is a FLAC file. Does it really play as a FLAC file or is it MP3?

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how many listen, that much. I could never keep up with the pace!! I stab at single picks with morning coffee if someone really mentions something of interest. Listening to Alabama from 80, right now. Good Bama, short only 5-ish.

But once again, main reason here, musical conversation. I will check out the "new" Charlie copy, mine is ok.

Oh, if you hate plinky keys, stay away, Brent rips ups the plinks near the end :-)

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In reply to by DeadVikes

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Nice!

Definitely check out the Phase corrected SBD posted on 6/3/20 -
https://archive.org/details/gd1980-06-12.150005.sbd.phasefix.miller.fla…

Noticeable upgrade in quality for sure.
Hadn't had a chance to listen to this fix yet and it's sounding good.
Nice work as always Charlie!

Haven't checked out relisten, but I'd guess that it's playing an Mp3 file.
However, that is completely a guess.

It's Miller Time to start a Friday.
With Shakedown Stream to follow this evening with Bruce.

Not too shabby.

Happy Friday everyone!

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In reply to by Dennis

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Plinky Keys... Hahaha!

LOL that's funny.

If you hate Plinky Keys, you're gonna have a tough time with '79-'81 ish...

Wait, when did Plinky Keys disappear?

As far as I can tell they were always a little "Plinky" throughout Brent, super Plinky in the beginning, but even '84 and on.

I will say this, Brent sounded like Brent which I believe as a musician seems to be what they're going for.. a Unique sound.

EDIT: But yeah, this one is SUPER Plinky ;)

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Oh, hell yes!

I love 80, plinky keys and all! I suppose I understand why some fans don't like it, but I also feel like they are missing the forest for the trees. There are so many GREAT shows during the early part of Brent's tenure, especially 79-80. Oh well... I suppose they don't feel like they are missing anything.

I have a Google Class Meeting with my students (one of the last before summer) at 1:00 EST, so I will have to do my listening afterwards, but that just means that I can set up outside, grab some cold drinks, and really enjoy this one.

Miller Time on a Friday? I LOVE it!

I am all for a "catch-up day," but can I suggest it be a day other than Sunday? I feel like that and Saturday are more likely to be a time where we will have a better chance to all listen more-or-less together. Also, I've always believed in the mantra, "Never Miss a Sunday Show."

Question going forward - I know that when this started, the idea was to stick to official releases. Now that it has been going on, are folks ok with suggesting non-official releases? I know this has happened a few times (like today,) and I am fine with sticking mostly to the officials, but it is nice to get out there in the wilds sometimes to see what we can bring back. Plus, with the wealth of knowledge among you fine folk, I am sure that you all can show me some killer shows that I have never heard. Just a thought.

Happy Friday, DeadLand!

Peace

EDIT: I checked out "Alabama>Promised Land", and yes, this Miller transfer sounds sweet!

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I've always loved brent, the plinks always fit AND a B3 monster (imo).

I went back to archive for 6/12. Downloaded CM copy, I have an audience. I think this is a instance where the audience is better.

https://archive.org/details/gd1980-06-12.fob.menke.motb-0108.104967.fla…

Forget that. I just went back with the link you provided for the shiftless one. Yes much better, than the first sound board. But I guess the fob.menke one was good enough for Charlie to get a patch from.

Thanks for the heads up on archive update.

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This band is HOT!

Great pick! Thanks for the suggestion!!!

Peace

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13 years 4 months

In reply to by Vguy72

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Pee break and all.

On, "When all of your children, they all start to resent you." Seems perfectly appropriate.