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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • daverock
    Joined:
    a strange one

    I can't for the life of me see how anyone could take offence at Gary's last post. Surely its the intention behind what we say that matters, not the accidental outcome - and there was obviously no harm intended.

  • DeadVikes
    Joined:
    Today's Pick

    Been locked out of posting for the last four days. Nurse!

    So, it is working again. Was it something I said?

    How about about 6/13/80, from Seattle taped by our own Nitecat. Full disclosure I have never heard this show but it is getting rave reviews elsewhere. I believe he is Wiseman.

    Oh and 7/4/90 was a good show. Vocals a little funky Bob t was there. You saw a lot of good shows that summer Bob. Great Scarlet Fire.

    4/19/82- I hit this one not too long ago per a Jim pick. Great show and that Raven space had my dog hiding under the couch and my wife coming downstairs wondering what the hell I was listening to. Just Raven space!

  • JimInMD
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    Re: Love ya gfar..

    but ...damage done with the covid vaccine? You're not supposed to snort it or smoke the stuff.

    Saying in jest.. hoping to god all holy hell does not break out here. Tread carefully and perhaps consider safer topics like religion, politics, or Donna wails. I'm just not sure this one belongs here, actually I'm pretty sure it doesn't. There are many who read these posts that have lost loved ones and it's not a passing comment that will elude attention.

    I don't believe you meant any ill will and no offense meant in my comments.

  • Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • Gary Farseer
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    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • Gary Farseer
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    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Check your PM, please

LTGTR and an excellent Stranger to start off nice. A sweet little Peggy O, perhaps slow, or is it that laid back hometown California mellow? Either is good. Shootem up polka time, followed by an always welcome Loser, status quo masterpiece, my 2nd Loose Lucy after Hamilton, which seemed looser than the first, but more fun this time around as I was with real life 20 yr old Loose Lucy!. Decent Cassidy with a Dough Knees to bring her home. Another neat, together, but unremarkable set. Status quo for this year. Seemed perhaps a little less enthusiasm then yesterday, but picks up as it continues.
Nice Victim to shake things up a bit and get er going, but the TOG is perhaps a tad behind the curve for this show? 2nd set LL Rain that Bob gets things stepped up a bit and sets the tone for nice terrapin, but unfortunately there’ll be no extra credit jam/weirdness tonight on the way to drums. Awesome long weird space which segway's nicely into Mr Fantasy/Hey Jude. Watchtower kicks it up before the nice bring down to Stella Blue. Lovelight and Black Muddy to send us home, which in this case was stealth, late night, poolside surrounded by palm trees at the hotel. Man to this “southern Canadian” palm trees was a pretty big deal! So far I think I like 6/8 overall but they both where like Otis and GOGD mentioned: decent, tight, status quo 90 shows with a definetly laid back home town vibe. (Meant in a good way). Spoke with my cousin who was there about his recollections and he agreed about the whole Cali vibe thing and to us north East nuts it was pretty cool.
Ok, manana we’ll finish Cal Ex up and I’ll share a humorous take from that night after at the hotel. I believe statue of limitations is over for hotel damage? Lol. Maybe I can find a photo of our motley crew having breakfast on the haight a day or two later?

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In reply to by Strider 808808

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Pretty cool Strider you were at the 6/9/77 show. How about you Bolo?

Where you guys in the Grateful Dead Movie?
Don't tell me you were the guy in the overalls eating chicklets.

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You Just Wait...

The chiclet guy rules.

So does 6/9/77
Hot show for sure... Just a Dream.
Set 1 is solid '77 Dead until TMNS then it starts to turn the corner into Extraordinary.
Set 2 is wow just wow.
That Slipknot! it's gonna get some extra rotation tonight.
The Terrapin Station tunes are given some really good readings.
Estimated goes way out there, sounds like they'd been playing it forever, or at least every show all tour.
And then they slide a Terrapin in after St. Stephen for an extra Dose of fun before bringing it home with Sugar Mags.
They didn't have to do that, they could've just played Sugar Mags, but they really bring it to Winterland.
Great version of US Blues and OMSN too.

Hot Damn.. nice pick.
You can hear the fun.
That was fun.
And you all were there!

OB: You summed up 6/9/90 real nice.
And I nod in agreement with what you been laying down.
Looking forward to the party story and 6/10 show tomorrow.

Birthday Show for me :)

Thank You All And Good Night!

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I was referring to the several times seeing the Dead at Winterland but no not 6/9/77. First time seeing the Dead at that venue was February 1974 the night before the Dave’s Picks release show. Then four out of the five nights from October 1974. Missed the first night as I was hitchhiking down from Eugene. I’m in the Grateful Dead movie dancing in the crowd during Playing-Reprise. Then I was at 12/29/77 and 12/30/77 that was released as one of Dicks Picks.
My first time to Winterland was May 1973 to see Hot Tuna. Muddy Waters opened. Also saw Dave Mason there in 74.
Needed to set the record straight.

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My first show there was 11/10/73, missed very few after that. I listed the ones I went to on my page here, only because one of my buddies kept track of such things.

I have no way of remembering every show at other venues - way too many and my feeble brain doesn't retain details like that. And, yes, like many of you, I was very fortunate to be roaming this planet during that magical time.

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Wow.. don't check your PMs for a day, get one from Bolo with an urgent sequence of instructions and the DJIA drops 300 points.

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This show is a winner from start to finish, it burns! It has my all-time favorite version of St. Stephen on it. I guess the story goes, that Hendrix was standing on the side of the stage but the Dead didn't let him up to play. The Dead had invited him out to practice with them and he never showed up. Pig Pen apparently didn't play, because his girlfriend was sick. This show was originally broadcast on Bay Area radio station KPFA, a fantastic listener sponsored radio station that you can get online, they play all kinds of great music. Phil Lesh used to work as an engineer at KPFA back in the early 1960s on a show called the Midnight Special , folk music show, and he brought Jerry Garcia on there to play some shows on the radio. Anyway,. 10/12/68 has always been of my favorite shows, hopefully Dave & Co. willl release it one day, put together a box set, two shows from 68, 69 and 70.

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Everybody Has to Dance or Else.

10/12/68 at the Avalon Ballroom.

Anybody got any Avalon stories out there?

This is one of my all time favorites for sure :)
Love '68
Here we go.
Have a safe trip everybody!

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Sweet pick! I think I actually prefer 68 to 69 (please, no rotten tomatoes!) 10/12/68 is a perfect start to this blazing hot day... and I agree - it's time for Dave to release a 68 show - this one is certainly a contender!

Afterwards, I think I will finish out the Cal Expo 90 run with the 6/10 show. I've really been enjoying those this week.

Hope everyone is safe, happy, and staying cool!

Peace

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St Stephen is just crackling with energy, as is the whole show!

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Great show! I don't think I've listened to this in its entirety before. This is also my first time trying the Relisten app -(how nice!) I love the separation of the drummers in this music.

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The "Jam" before Feedback is cool - starts off in "Other One" territory, then moves to something totally original, then gets very close to "Caution" - I bet they would have gone there if Pig hadn't been missing.

Feedback... and, goodnight!

Does anyone know if the "Morning Dew" that starts the set on this recording (at least the one that Bolo posted) is from this show? It doesn't seem to be on the setlist.

On to Cal Expo!

Peace

EDIT: It looks like "Dew" was the opener, but for some reason it was left off the set list.

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Today's pick was recorded over 50 years ago - half a century. In 5 decades, no other music created since then comes anywhere close to what I heard today. Normally, I'd probably add "IMHO" to the end of that last sentence. Not this time - it's an indisputable fact.

I had a non-head musician friend years ago question my over-the-top enthusiasm for the Dead, saying they were slow and sloppy, couldn't rock out, Garcia just "noodles" aimlessly, etc. In other words, the usual misinformed opinions we've all heard and read before.

I played "The Eleven" from this show for him on a really good sound system, sat back and watched his face morph from surprise to disbelief to joy and wonder. He was literally speechless for a good chunk of time before the expected "WOW" passed his lips. An instant convert! He still blames me for his "incurable disease" on a regular basis.

Gollum mentioned the drums. While one can intelligently debate the one- vs. two-drummer format from 1975 on, there is probably little dissension regarding the irreplaceable impact of Billy and Mickey abusing their instruments during the"primal" period. The whole band was a flat-out juggernaut during that time and the two drummers had a lot to do with that.

What a band. So grateful that we here all "get it."

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In reply to by bolo24

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....been Relistening for a while. Cool app. The right side sidebar lets you pick the source. Less clunky than the archive for sure. Sacrilege? Maybe.
10.12.68? I was five months old. Bring it to my diapers!!

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I have several buddies that still refer to it as pots and pans.
They clearly don't get it.

So much unbelievable music! Still can't explain it to even family members.

But every day, I still want to listen to the treasuries we have.

More to come.

This was the year that drew me in. Back in the 70s, I had heard a few albums by the Dead, but it was only after I heard Anthem that it all clicked into place. After getting into that one, all the others started to make sense.

Incidentally, it was in October, as I understand it, that Pigpen and Bob were...strange as it may now seem...sacked. And those Mickey and the Hartbeat shows were played between October and December, without either of them in attendance. I used to think that was why Pigpen didn't play on 10/12/68. But I could clearly be wrong - both he and Bob played a lot of shows with the Dead during the same period as the Mickey and the Hartbeat shows.

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What's on tap for today gents?

FourWinds, where are you?

I might check out 5/28/77, the last night of the Spring Tour. To Terrapin Release from 2007.

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Yesterday's 10/12/68 pick definitely took me places.

Places I'd been before, and new places as well.

As said here by others, some really wonderful stuff going on throughout this magical show as the band jettisons into a new universe & explores the improvisational music cosmos.

By October '68 Dark Star has begun to grow larger wings, but it's still a baby bird that will take flight and leave the nest soon. Of note in this version is Bear's recording (I believe) and Mickey's playing of the "Scratcher". It sounds as though Mickey's walking around on stage while he plays, at least that's how it sounds with Headphones, the instrument is truly circling around your head in this recording. How bad ass is that? And this is a bootleg from over 50 years ago!

However, while Dark Star is just beginning to really gain strength in it's legs, St. Stephen is Standing Proud & Tall and has possibly reached it's greatest height, this is an almost absolutely perfect version of the song, and if you listen to some of the earlier versions from the summer of that year ('68 mystery reels come to mind, possibly from Carousel June '68), it's some amazing growth that this song has gone through in appx 4 months! The audience already loves this song as evident when you put on 9/2/68, within the first notes on that version the crowd starts getting so excited it throws the band off with surprise. St. Stephen, with it's William Tell Bridge, will continue to be this height for a little while longer, but will begin to diminish and shrink with age in the following year. I'm not sure it ever gets much higher than this version.

That brings us to The Eleven, I think Bolo says it best, this version can convert a non-believer. So imagine what it does to all of us already at the church. This is an absolute ripping version of the song and all the long months of rehearsal are truly evident when you listen to the effortlessness of which they throw this song down.

And to complete the suite they seg seamlessly into a sultry Death Don’t. Listen to Jerry sing during Death Don't, man could that guy sing a song with emotion. People would criticize that voice, but I always thought it was the most wonderful voice of all ;)

Oh... and there's a Set 2!!!

Which just absolutely shreds your face off, if it was still left, hanging there by a thread.

This is manic air guitar, give you the chills, tears in your eyes, shake your head in wonder stuff here people!! I want to hear it again, and again and again!

So like I said, it took me places, I dived deep into some '68 after this 10/12 relisten, I had to hear the next night 10/13/68 SBD (not as good, but see for yourself), 10/20/68 30 Trips release (check the difference between the Dark Star’s), and 9/2/68 (interesting recording, I need to check back on this, my mind was melted at this point and life distracted me).

What a Trip!

And like mentioned here, this was all during a time when Pigpen & Bobby were on thin ice and "fired" from the band.
Fascinating.

I believe a ’68 release or box set was mentioned, it’s hard to think that we’ll get one based on what exists (appx 37 shows / fragments) and quite a few have been released. Sadly most of Summer ’68 is a black hole, as well as the touring at the end of the year. There are definitely shows that were recorded that we don’t have, whether or not they still exist or not is a bigger question, I know Bear recorded more than we have especially in regard to the later part of the year, but for now the trail stops there and I’m afraid it is a bit cold…

That all being said, if there was a ’68 box style release I’d vote for The Quick And The Dead tour in January - Feb ’68. Always loved that stuff, it’d be repetitive and have some warts and all feel, but shit I love it.

Love to hear thoughts on what you all would see as potentially release worthy. This 10/12/68 show should be a definite consideration.. if they can make it sound even better I’ll be the first to drop down some cash to get it!

You’re still here?? Crazy kids..

After I came to earth from that I continued our little Cal Expo ’90 relisten and loved it too. I think 6/10/90 is my favorite show from the run, but you know Playing In The Band usually makes me say that. The Jack Straw is definitely worth listening too. And Phil saying he’s not gonna quit the band and it’s all a bullshit lie, with Jerry saying yeah, the rest of us are, well.. that’s priceless.

What’re we gonna listen to today?

Edit: 5/28/77 you say... looks promising and it's been awhile.

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Thanks for all the great reviews of this show. I now know I will be stuck re-listening to this show for the next couple of weeks. That's the way this thread has worked for me. I can't always keep up with the daily schedule but I've gained a whole new appreciation for some shows, namely, the 2 DP #18 shows(2/3&5/78), DP#5 (12/26/79), the Cow12/31/76. It's just been taking me a couple of weeks to grok each pick. Thanks to everyone for contributing. This thread has been one of the few highlights of this lockdown!

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I really enjoyed revisiting this release today. I remember having some mixed feelings about it when it came out, but today it sounded fresh! I've always loved that "Sugaree", and the whole 3rd disc is pure Spring of 77 butter.

Good pick!

Peace

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In reply to by Thats_Otis

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I love this show. The sound quality to my ears is one of the best 77 releases to date. Jerry just seems to really be on fire the entire show. Kills it on Bertha, Sugaree is so good. New Minglewood Blues is a top 5 for me and the Brown Eyed Women is another high energy version. The Playing in the Band into Terrapin is hot. And the finish, NFA through US Blues is stellar.

I don't think this release gets a lot of talk, but it should.

And I think it is still available on this site for under $30!

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How about leaving a random day, perhaps Sunday, as a day to revisit that show you missed but wanted to hit and talk about or any of the other show you were behind on? A day of peace and re-visitation/re-visualation.. A chance for the slackers to peek in on a show from a few days ago they squeezed in a day or three late.

Is something like that reasonable?

A day in support of the under achievers.

I remember when E72 came out.. I think in the fall, but I more or less started on 4/7 and struggled to keep up with the anniversary dates. Hearing the post from deadheadbrewer finally pulled me out of the closet. I can do a show every two to three days unless I have time carved out, without distractions, cell phones and it helps if I am able to indulge in a bit off external stimuli, especially the kind that warps space and time. Just saying...

In other words, I missed To Terrapin and am beating myself up about it. Heaven help the fool.

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Seems like a good idea Jim. The only way I am able to do this is I am still working at home.

And I don't think we can all make every show, although, I have tried. Some days I have to finish in the morning the next day.

However, the leader of this pack, Bolo, and the rest of the crew would have to give it the Thumbs Up.

And I am interested in your take on To Terrapin....

Still wonder what was going on back in 2007 to 2009 that they released some unreal stand alone shows.

Would love to see some more pop up again.

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In reply to by DeadVikes

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Ha.. my guess, they needed money.

I doubt if any of this needs to be that formal. Consensus is probably enough. A day of rest and reflection. Seems norml enough to me.

I missed 5/15/70 which was a biggie for me, and we never got around to 11/8/69 yet. I will be doing extra stimulus for both of those.. :D

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I'm the last person you should seek out for advice, permission, orders or any type of instruction.

Do you recall the recent failed overthrow of the Venezuelan government? I planned that.

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In reply to by bolo24

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a plume of ash billowed 2.5 miles above the Mt. Saint Helens volcano in Washington.

At 9:09 p.m. a much stronger explosion sent an ash column about 10 miles skyward.

This event caused the Portland Oregon area, previously spared by wind direction, to be thinly coated with ash.

Dead Heads who were attending the Grateful Dead's concert at Portland Memorial Coliseum still question whether the band had helped cause this while playing Fire On The Mountain that night.

Should we listen and see today?

There's a new Charlie Miller Upgrade on archive..

Let's do it GOGD.

I am going to have to figure out how to use that relisten app.

I don't know Bolo, I would listen to your advice.

Jim, money money money, money money! Mama, don't take me back to rob that bank again.

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In reply to by DeadVikes

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Okay, relisten app installed on my Sonos app. Wow, that is cool. Alabama Getaway opener sounds good.

Technical question for you all. It says it is a FLAC file. Does it really play as a FLAC file or is it MP3?

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how many listen, that much. I could never keep up with the pace!! I stab at single picks with morning coffee if someone really mentions something of interest. Listening to Alabama from 80, right now. Good Bama, short only 5-ish.

But once again, main reason here, musical conversation. I will check out the "new" Charlie copy, mine is ok.

Oh, if you hate plinky keys, stay away, Brent rips ups the plinks near the end :-)

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In reply to by DeadVikes

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Nice!

Definitely check out the Phase corrected SBD posted on 6/3/20 -
https://archive.org/details/gd1980-06-12.150005.sbd.phasefix.miller.fla…

Noticeable upgrade in quality for sure.
Hadn't had a chance to listen to this fix yet and it's sounding good.
Nice work as always Charlie!

Haven't checked out relisten, but I'd guess that it's playing an Mp3 file.
However, that is completely a guess.

It's Miller Time to start a Friday.
With Shakedown Stream to follow this evening with Bruce.

Not too shabby.

Happy Friday everyone!

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In reply to by Dennis

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Plinky Keys... Hahaha!

LOL that's funny.

If you hate Plinky Keys, you're gonna have a tough time with '79-'81 ish...

Wait, when did Plinky Keys disappear?

As far as I can tell they were always a little "Plinky" throughout Brent, super Plinky in the beginning, but even '84 and on.

I will say this, Brent sounded like Brent which I believe as a musician seems to be what they're going for.. a Unique sound.

EDIT: But yeah, this one is SUPER Plinky ;)

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Oh, hell yes!

I love 80, plinky keys and all! I suppose I understand why some fans don't like it, but I also feel like they are missing the forest for the trees. There are so many GREAT shows during the early part of Brent's tenure, especially 79-80. Oh well... I suppose they don't feel like they are missing anything.

I have a Google Class Meeting with my students (one of the last before summer) at 1:00 EST, so I will have to do my listening afterwards, but that just means that I can set up outside, grab some cold drinks, and really enjoy this one.

Miller Time on a Friday? I LOVE it!

I am all for a "catch-up day," but can I suggest it be a day other than Sunday? I feel like that and Saturday are more likely to be a time where we will have a better chance to all listen more-or-less together. Also, I've always believed in the mantra, "Never Miss a Sunday Show."

Question going forward - I know that when this started, the idea was to stick to official releases. Now that it has been going on, are folks ok with suggesting non-official releases? I know this has happened a few times (like today,) and I am fine with sticking mostly to the officials, but it is nice to get out there in the wilds sometimes to see what we can bring back. Plus, with the wealth of knowledge among you fine folk, I am sure that you all can show me some killer shows that I have never heard. Just a thought.

Happy Friday, DeadLand!

Peace

EDIT: I checked out "Alabama>Promised Land", and yes, this Miller transfer sounds sweet!

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I've always loved brent, the plinks always fit AND a B3 monster (imo).

I went back to archive for 6/12. Downloaded CM copy, I have an audience. I think this is a instance where the audience is better.

https://archive.org/details/gd1980-06-12.fob.menke.motb-0108.104967.fla…

Forget that. I just went back with the link you provided for the shiftless one. Yes much better, than the first sound board. But I guess the fob.menke one was good enough for Charlie to get a patch from.

Thanks for the heads up on archive update.

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This band is HOT!

Great pick! Thanks for the suggestion!!!

Peace

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In reply to by Vguy72

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Pee break and all.

On, "When all of your children, they all start to resent you." Seems perfectly appropriate.