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    clayv
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    During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

    But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

    Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

    And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

    As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

    Individually Numbered, Limited Edition of 12,000

    What's Inside:

    • 5 Previously Unreleased Complete Shows On 15 Discs
    • Boston Music Hall, Boston, MA 6/10/76
    • Boston Music Hall, Boston, MA 6/11/76
    • Beacon Theatre, New York, NY 6/14/76
    • Beacon Theatre, New York, NY 6/15/76
    • Capitol Theatre, Passaic, NJ 6/19/76
    • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
    • Mastered in HDCD by Jeffrey Norman
    • Restoration and Speed Correction by Plangent Processes

     

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  • JimInMD
    Joined:
    Brewer..

    Check PMs

  • Deadheadbrewer
    Joined:
    Vikes, Oro, and IceCream

    Thank you all for the birthday wishes! IceCream, the funny thing is that I work for myself from home, so could listen to GD all darn day. But I usually don't, because I'm "saving" the shows for late night, full-focus listening sessions. But I'm realizing that those evenings are few and far between, so I should start just jamming the Dead into every moment I can. Listened to 3/18/95 today while working, and it's a darn fine show.

    But last night, after the fam-damily was in bed, I got tuned up and put in disc 3 of DaP 33 (anyone still remember that one?) :) I had listened to only the first two discs before, and HOLY MOLY!! That Estimated-->Eyes-->Saint Stephen!! That is some of the best stuff I've heard.

    p.s. Last night I returned to DaP disc 3 to finish it. Wow. Every version on this disc is a candidate for BOAT. The Black Peter?! Nuts. Everyone is doing unique and challenging things in this second set. Best SHOW of all time . . . ?

  • JimInMD
    Joined:
    Random GD Musings

    Almost finished w/ the second show in the box.

    I don't think this box will change anyone's mind on the year, i.e. if you aren't a 76 person this won't change your mind. Unlike July 78, these shows are well known and good recordings did circulate. ...but boy does this box sound good.

    One other random observation.. I have listened to this in my car, in my truck, on my iPod (w/ good headphones), in my living room, in my kitchen and in the tub with my good Sennheiser's. This thing shines brightest with headphones, the way Betty listened to it while she recorded it. I guess if I monkeyed around with an EQ, I could get Phil's bass to phil the room on the big boy speakers, but on headphones it shines right out of the shrink wrap. Or perhaps spend another ten grand and get a bigger, bad ass system then the one I have.

    Of course, I could be wrong.. but those are my thoughts of the moment. I'd love to hear other people comments on the sound that have different/better systems than what I have and compare to headphone sound.

    The sound quality comments remind me of the first listen reports from Dave's Picks 15, April 22, 1978 Nashville TN. The sound quality of this box is the big deal. It's practically perfect in every way.

    Ok.. back to your regularly scheduled Friday mayhem.

  • KeithFan2112
    Joined:
    Wilfred T

    I've listened to the whole thing on headphones and the coughing is going on between just about every song on 6/10, then a few more times on one or more of the other shows. For some reason I assumed it was Bobby.

    I switched away from June 1976 for a day and then was right back on it today. Dog woke me up at 2:22 a.m. and I listen to the whooole thing. Now that's something I've never done before - five consecutive shows. Now I'm listening to Dave's Picks Volume 2. Doesn't sound tinny at all, I presume because I've worn out that spot in my hearing range today. This is some Truckin' => MLB => Spanish Jam => Wharf Rat. I'm jonesing for Dark Star though, so if mixed in the one from Dave's Picks Volume 9. I pretty much need to get a Dark Star, Bird Song, and China Rider in on a daily basis. I'm also feeling like Mississippi Half Step from 5/25/77 and the quacking duck Scarlet Fire from 5/17.

    Oh and I got in the Road Trips 1973 bonus disc 12/6/73 with that 43 minute Dark Star. Hot stuff, can't get enough. Need to go check out the tapers section.

    Hendrixfreak - I'm pretty sure one of us would be dead if we have grown up together. 200 yard dashes LOL, that only happened after alcohol with me. The other stuff, LOL, that led me and my college buddies into the regular hopping of a cargo train that used to stop a few hundred yards from a bar we used to frequent, and then again a few hundred yards from our off-campus house. At least that's the way it played out the first dozen times. Lucky 13 took us all the way from Salisbury Maryland to some unknown Farmland in Virginia. I don't know if they had a new driver that week or what but it did not stop near our house as usual. When we realized we were in it for the long haul, my buddy rolled a joint on the back of the train. That takes some talent. Keep in mind we're on the back of this thing hanging on for dear life. They don't look like they're going that fast when they drive through town, but when you're actually on the thing contemplating jumping off, 35 MPH feels awfully fast. But to roll a joint with one arm looped through a rail on the back, where there's this pocket of wind free space, like the eye of a hurricane - sheer talent. Wish I could claim that one for myself. I guess my toughest joint rolling exercise occurred Pink Floyd's Division Bell Tour in the high winds of the 700 level at Vet stadium in Philadelphia. Very high winds up there, but time is of the essence because they kicked off unexpectedly with Astronomy Domine. One of the high-pressure situation was at the TLA in Philadelphia seeing Guided by Voices since 2004. Ran into the bass player and Robert Pollard after the show. I probably shouldn't tell this story.....

  • JimInMD
    Joined:
    Then There's Chicago...

    So we have the Tower Theatre shows and Chicago. I always liked the last show in Chicago a lot too. Great Playin' Sammy and that Mission in the Rain is stupendous.

    Between the two cities there are eight shows. mmmm…. I bet the reels exist and I bet they sound pretty much just as good.

  • bob t
    Joined:
    20 Days in June of 1976

    I don't think June 3, 4 Portland shows sound like Boston 6/9 through the end of Chicago 6/29 shows. I know there are issues with the boards and the recordings from Portland. The Orpheum shows from 7/12 through 7/18 also have a different feel also. Those 17 shows between June 9 and June 29 1976... One of my favorite periods..... bob t

  • hbob1995
    Joined:
    1/2 price

    I just ordered two and it went through for the price of one. I have the email confirmation.
    I will gift them at Xmas. Certainly is weird though.

    Rock on

  • daverock
    Joined:
    Half price

    It still looks like full price to me. I just entered the order up to the point when you are supposed to enter your credit card details, and at that stage its still seems to cost $149.99.

  • hendrixfreak
    Joined:
    I almost forgot Colt Park, Aug 76

    How could I forget? We did so much tootskie that afternoon, we coulda crashed Casey Jone's train with no help from no damn monkey...

    Wasn't there some kind of violence or rioting or maybe just gate crashing during the show? Vague memory.

    After the show my buddy Tommy and I ran something like a 200-yard dash to see who was mas machista after four hours of spleef and blow. I'm about a foot taller than old Tom-o, but he had less wind resistance. Still can't remember who won. But we rocked. Oh boy did we rock it in those days. I was 18 and a wizened Deadhead of five years standing. Or sitting. Or snorting. Whatever.

    Be safe folks. Gonna roll a fatty tonight, pour the Jameson and spin the Capitol first. If only there was real "Help on the way..."

  • stoltzfus
    Joined:
    Apparently covid has infiltrated this website

    ...

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During the mid-1970s, the Grateful Dead saga was unfolding like a Greek classic. The Sisyphean Wall Of Sound had nearly broken the band. From it spawned a Medusa head of countless side projects, all deliciously fruitful but woefully not the same as the whole. The chorus lay in wait, pondering the reemergence of their heroes, and wondering if "THE LAST ONE" had really been it...

But in early 1976, Apollonian light and healing would shine upon our intrepid wanderers once again. No more epic battles for the people with cops and lines and tightness, the Dead would return triumphant in smallness, playing intimate theaters and renting equipment along the way. No more ticket scams and greedy promoters, they'd give back with first ever mail-order ticket program, one that had a few kinks to work out but eventually served the fans well.

Musically, June 1976 signaled a Golden Age of harmony and prosperity for the Dead. It marked an Odysseusian-like return for Mickey Hart. Donna Jean was in lock-step with the sirens' call. Jerry and Bob delivered orphic delight with solo musings like "Mission In The Rain" (the only tour they ever played it on), "The Wheel," and "Cassidy," emboldened by group effort. There was fresh repertoire from Blues For Allah, breathing new life to the Dead's continually morphing sound - as Weir once said of the '76 tour, they wanted to play "a little bit of all of it." Old favorites were re-envisioned with cascading tempos and unique sequencing, making the crowd question if they'd ever heard these songs before. And there was comfort and joy in the familiarity of watching the band make it up as they went along. By all means, it was clear that the bacchanalia of live Dead would reign on.

And now the revelry from this epoch, evidenced by the near-studio quality sound captured on two-track live recordings by Betty Cantor-Jackson, lives on, bolstered by Jeffrey Norman's HDCD mastering. It's housed for posterity in a handsome box featuring original art work by Justin Helton. It’s documented in liners by Jesse Jarnow and photos by Grant Gouldon. And it’s ready for a spot on your shelf. 

As part of our pre-order for this Dead.net exclusive boxed set, we'll be delivering downloads of each listening party - one for each show included in JUNE 1976 - to purchasers from now until the March 20th release. Order at any time before release and you'll receive all the listening parties to date.

Individually Numbered, Limited Edition of 12,000

What's Inside:

  • 5 Previously Unreleased Complete Shows On 15 Discs
  • Boston Music Hall, Boston, MA 6/10/76
  • Boston Music Hall, Boston, MA 6/11/76
  • Beacon Theatre, New York, NY 6/14/76
  • Beacon Theatre, New York, NY 6/15/76
  • Capitol Theatre, Passaic, NJ 6/19/76
  • Sourced from Two-Track Master Tapes, Recorded By Betty Cantor-Jackson
  • Mastered in HDCD by Jeffrey Norman
  • Restoration and Speed Correction by Plangent Processes

 

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Some periods have setlists that didn't vary much, but it would be a crime not to release box sets from those periods simply because there is significant repetition in the setlists. So sez I.

It still hasn’t arrived, so Dead Net customer service has now offered me a replacement. I am told that it will be at least six weeks before it arrives here. I will pay customs fees on the first one that turns up! I am not entirely sure how a box this size goes AWOL, and this is the first time I’ve ever had issues with a delivery from the USA, having been buying stuff from across the pond for nearly 40 years now. It had better be worth it!!!!😀

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Looking most forward to the anniversary day run through of this set.

Starting with Road Trips Vol 4 N 5 into the Boston Music Hall run.

I like that Dave put this out. Same kind of energy from '77. A little more exploring and raw with less predictable segways and setlist slot placements.

What a great era. I used to kind of gloss past this to the more known and widely circulated. What a treat.

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17 years 5 months
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Segue is sometimes confused with Segway. Segue is a verb that means "to move without stopping from one topic, song, etc., to another." Segway, on the other hand, is a trademarked name for an electric transportation device.

Grammar police, Segway division.

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I read somewhere once that the inventor of the Segway died after his malfunctioned and went off the side of a cliff (with him riding it) :-O

-edit- Cursory google research shows it was the owner of the company, not the inventor that passed away in this unfortunate fashion. But still, :-O

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9 years
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My current cd player has finally given its all to rock and roll. Anyone has recommendation for a HDCD player? Preferably multi-discs function??

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In reply to by simonrob

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Hi SimonRob,

The package arrived in Finland at 27.5 and I paid custom duties immediately but Finnish Post Company needed another (new) fee, which I was not aware of. Anyway, I got the 76 package yesterday and I am currently listening to it. Wonderful, I am really very happy of the music and how the Dead sounds. I would recommend the 76 package to anybody.

Regards, Juha Pekka

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Good to hear you finally received it, Juha. Getting hit for both customs and postal charges is a bit much but nothing to be done about it but to pay up. Now you can sit back and enjoy it.

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14 years 9 months
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My best advice to you is to forget about HDCD capability and purchase a quality CD player that fits your budget. I have spent hours agonizing over HDCD possibilities the past few years, but have discovered that I don't hear a difference. I finally got a Cambridge Blu-Ray player with HDCD capability, but that decoding can be turned off. I went back and forth with one of the RFK box shows one day, using HDCD, then not. I didn't notice a difference, and in my hours of research found few people who thought HDCD was still a good thing, given the better DACs and mastering processes available to sound engineers these days.

Very few manufacturers are bothering with HDCD any longer, so the quest to find a player gets more difficult every year. You end up spending tons or purchasing a very old player. Or, you could just pick up a nice changer that fits your budget, then use the time you WOULD have spent agonizing over finding an HDCD player listening to the Good Ol' Grateful Dead! :) My most recent CD player purchase does NOT have HDCD. Honestly, I would pick up an inexpensive Onkyo CD changer, then run the digital out through a nice DAC, like the Maverick Tube Magic D2.

BTW--I no longer believe in or care about SACD capability either. And I don't purchase hi-rez music files.

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In reply to by jpkamari

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My box set has finally arrived in Manchester UK, almost three months to the day from posting. I must have gotten lucky cos I didn’t pay any customs fees at all (unlike Dave’s Picks 34, which is a fraction of the size and weight - go figure!) Thanks are due to Dead Net Customer Service in their help in getting this resolved. Yay!

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In reply to by Deadheadbrewer

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Thank you for the advice! I ended up getting a Sharp bookshelf 5-cd changer to save on space. Nice little setup but hope to upgrade in the future.

My ears aren't cut out to be an audiophile. So this will do for now.

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Send me a private message if you want some help setting up an inexpensive stereo system. For not much, one can get some very good sound.

And the easiest and cheapest way to reach 80% of audio perfection is to simply get a good set of open-back headphones, like the Grado 80s. For that $100, plus maybe $15 more for an extension cable, you will be receiving nearly everything audio has to offer, in my opinion. CAN you spend more on all kinds of gadgets and trickery? Certainly. Will all that spending improve your sound in an appreciable manner? Questionable. Those Grados through your new Sharp system will be nearly the equivalent of a pair of $300 speakers hooked to a $200 amp.

Now, sometimes you do want to listen without the headphones, and that's where we should talk, if you start wanting to upgrade . . .

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
...if anyone remembers, I posted about this when the ‘Giants Boxset’ Boxset was first released. 🙏❤️💀🌹

https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…
*** https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

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I see this forum has grown quiet, but I just want to say I LOVE THIS BOX! I've more or less finished two passes on it and it will be a go to box for many years to come. One of my favorite things is Jerry's guitar sound, which is sometimes sweet and rich, and sometimes kinda snakey.

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Agree with the sentiment Nitecat, there is a lot to love about this box, the sound quality is fantastic and the playing is sublime. I dig that '76 sound. The Help - Slip - Franklin's from these shows are all top shelf, they just keep pulling me back into another listen. Currently spinning the 6/19/76 show again, and once again it does not disappoint.

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The packaging and booklet are very well done, The CD cases have cool artwork on them.

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In reply to by MadDoc

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I ordered this recently, since there are less than 1K to go, and I have to say, I'm really pleased with the appearance of this set. It showed up quickly, having avoided the initial rush to get it, and it's a beautiful package. Sounds good so far. I know I'll get much enjoyment out of these tunes, of course.

For those who wondered about the booklet: this is not a defect. I'm in the publishing business, and I know that most paperbacks these days are what's called "perfect bound," which means the pages are glued in. Open the book completely, crease the spine, and you'll leave a mark; open and close it enough, and the pages will start to fall out.

This booklet is more like a very slim version of an old paperback, where the pages are held by string. That means you can open it up and flip through it many times for years to come, with no worries that the pages will fall out. It's both an aesthetic decision and a practical one. So it may look weird on the spine--it's not a paperback?--but it's a quality move. Very nice, and much appreciated on my end.

Looking forward to cranking up that Crazy Fingers!

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Just surpised it hasn't sold out yet. It is much much better than I was anticipating - really getting 1976 now.

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i just received my copy. it came in an outer box that had clearly been reused. some of the old labels were torn off, others were partially covered by newer labels. the tape was poorly replaced, but worst of all, the inner box had the cellophane torn and the box was scratched.

i’m so disappointed. for $150 i expect a better product.

these are the first CDs i’ve ordered from this site...if they all come like this, i don’t know that i’ll order again.

i’ve emailed the fulfillment company. hopefully i’ll hear back soon.

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send me a PM with your order details and I'll see what the Doc can do about this.
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format
( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html )

and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192
( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled."

I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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I am a relatively new deadhead (5 years or so) and had never really focused on 1976 because in some ways it seemed like it was a warm up for the greatness of 1977. At first listen to the box set, I thought there were some great moments, but it really didn’t change my opinion (I admit likely because of my bias going in). However, I put the June 14 Beacon show in the regular rotation and found myself coming back to it regularly, so I decided to re-listen to the whole set and my goodness, what a great batch of shows this is. Every show is very well played and every night had greatness as well. Several of these shows are in the regular rotation now and even as a newbie, I can see how the band was progressing from these shows, to the early 77 shows (I love the Swing show), which then progress to the spring and fall 77 shows.

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