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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • Chuck
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    Shipping Notice

    Got the Shipping Notice. Said it will arrive Friday May 1st. coming from California

    Saw the Dead hundreds of times between 1968 and 1995. Best years and Shows are from 1968 to 1974...second best times were 1976 to 1978. Early 1980's were still good but never got the magic from 1974 and earlier shows late 80's and early 90's were good too. only a few shows from mid 80's and Mid 90's were "so so" because of Jerry's condition.

    I like any years for releases of shows between 1965 and 1995 as long as the sound quality is good. Those shows from the Fillmore East that lasted until Sunrise will always be among my Favorites, Jersey City 73 Watkins Glen 73 Philly Civic center 74 ALL GOOD

    Chuck

  • icecrmcnkd
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    Shipping notice received

    Looks like it’s coming USPS the whole way. USPS hasn’t received it yet. Wonder if it’s coming from Gnarlywood or Franklin.

    Nappy, you lightweight, you missed a good show. The remastered version from a few years ago sounds way better than the CD I got in the 90’s.

    Disc golf tournie at Sixtus’?

  • Forensicdoceleven
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    When you combine boring with fear, you have fun

    Most fun show?

    Maybe Lewiston 9/6/80. Great day of music (not just the Dead, although they did play a fine show), outdoors in Maine, tons of fun.

    SPAC 6/27/85 was also fun. Only show I went to solo. Rode out on the bike, beautiful day, sat on the lawn and just enjoyed the heck out of the music. Rode down to Hershey the next day, maybe a better show but not as much fun.............

    Most intense shows, anybody???
    6/26/74
    9/27/76
    5/7/77
    10/12/84
    10/20/84

    Rock on!!!

    Doc
    Celebrate 4/28/71!

  • nappyrags
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    @DaveRock & Bowie

    regarding your fave Bowie boot, Santa Monica Civic '72...Being a So Cal resident I went to many a show at The Civic...I actually had a ticket for this show along with another three of my buds...unfortunately we had gathered way earlier than usual at a friend's house for a little pre-gig partying.... I imbibed a in a little too much alcohol and as I wasn't very much of a drinker when it came time to leave my pals left me snoring on the couch...they claimed to to try to wake me but I always thought it a bit suspicious that they gave my ticket to the prettiest young lady at the party and took her...oh well...

  • cactus68
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    Got the tracking number this…

    Got the tracking number this morning. I did the subscription.
    I’m psyched for this release. The SBD/AUD matrix on archive.org is really great. I love the sonic clarity of soundboards and the atmosphere of audience.

    Interesting note. When Zeppelin were touring in ‘72 Jimmy page set up three audience mikes . A track dedicated to each audience Mike. I love that setup. Soundboard clarity plus audience atmosphere.

  • JimInMD
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    Ha.. Just re-read this thread

    ...and saw AJS's clarification that his intention was not to talk about your worst show.. I hadn't read the whole thing and replied to the most recent post.

    But I was thinking before I went back to bring up the most fun had a show as a nice pivot. Not to be confused with Best Show seen, the Most Fun. An easy one for me.. 6/20/83, Merriweather Post Pavilion. The great flood.

    Noah where art though.

    There must have been special pixie dust in the brew that night. If you've ever seen Fantasia, think the moment in the film midway through the Sorcerer's Apprentice where Mickey Mouse discovers he has magical powers but doesn't understand he cannot fully control them and things get away from him, and fast. Great water reference in the film too. That's what things were like that night.

    Far from the best show I have seen but far and away the most fun. That storm! The energy, then the storm got down right scary, it must have rained four or more inches during the show, it was a deluge.. and the band kept playing on. Very Phil Centric and Loud... There must have bene something in my tea that night because most of memories were more related to the mayhem then the music and we had to literally swim home as we had walked to the show and all the highways and roads were quite flooded by the time show had ended. So imagine swimming home from a dead show with the fungus just beginning to wear off scratching your head and trying to piece back together what had just happened.

    More fun than a frog in a glass of milk.

  • Sixtus_
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    Shipping & Sport

    ....got my notice, looks like this is starting to drop - a burst of sunshine among dark days!

    And incidentally Dave is playing portions of this on Sirius right now as I type (it's a repeat play from yesterday but even so -Cumberland is sounding fantastic).

    In other news, I installed a 9-hole very legit disc golf course at my house over the past weekend, baskets & all. It allows you to walk the entire property while also honing your disc-chucking chops. All holes are Par 3, except for the third hole, which his an uphill Par 5. This is a perfect social distancing sport. Who's around?

    Hope All are Well
    Sixtus

  • Forensicdoceleven
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    I'm very inspired by outer space

    Morning, rockers!!!

    Wasn't supposed to be at work today, but lol here I am....................

    So, is today the anniversary of the greatest dead show ever played????

    Rock on my friends!!

    Doc
    P.S. As I recall, 4/1/85 was also kind of a stinker, the Dead played their own April Fool's Day joke on us.........

  • Dennis
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    Thanks & The Crowd

    Sixtus - Agreed, I always felt lucky to be at a dead show. Like you had a chance to watch magic happen.

    Daverock - the crowd. Lord knows this conversation has occurred here before, but, yeah, why the hell do you go to a concert and then talk the whole time. Especially during a quite passage. Jerry searching out the dark corners of Stella and some asshole gotta yell, "JERRY". Yeah I'm sure he needed that inspiration to carry on.

    Finally just listened to that Wharf Rat folks have been whining over, come on, it's okay. :-)

  • daverock
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    Spiral Light

    Frank..yes, I remember it well. I subscribed from about 1986-1996. I have just been up in the attic to have a look at the few remaining copies I have left, and there only seem to be two up there. But lo and behold, in issue 35, there you are-credited in the section marked "Help On The Way". I was quite sorry to see you hadn't actually written article in it-or in the other one I have. I wondered what happened to all those people who wrote for that fanzine. I had one article published-but I no longer have it.

    Going back to the 1981 and 1990 London shows-the 1981 shows did seem a lot more sedate, as I remember them. The atmosphere was no different from any of the other concerts I saw. A band on stage, people sitting or standing in their appointed or assumed place-a few people dancing about-everybody facing the stage.
    In 1990, when I arrived-again on 1/11/90, people around me seemed to be cheering or shouting, even though nothing was happening on stage. When the band came on the crowd were very noisy-throughout both sets. Even during quiet songs-I can remember people around me shouting and cheering during Stella Blue. The atmosphere was more like that at a football game than at any other concert I had seen. It might be a gross misunderstanding...but the people around me seemed more interested in making their presence felt than they were in listening to the music. Maybe just a different way of enjoying a show.

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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In reply to by CaseyJanes

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. How’s it hanging! Hope all is well 👌🏻

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In reply to by nappyrags

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So can we buy it or what?

I wanna keep it forever and ever...

Old school, I know but streaming isn't permanent.

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I wonder if they will put a physical copy out of this.

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....very interesting. Stream only format. 2 1/2 hrs. Only 4 minutes deadicated to Cumberland though :(

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In reply to by The Good Ole G…

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Agreed, don't see it anywhere.

I like physical copies also. NOTHING streams forever.

If it's being given away, send us a link to a mp3 location. (at minimum)

Maybe at the very minimum, send a link to DaP subscriptions. (oh, that maybe a little self serving, sorry)
But I have no fear, a link will be provided AND a resourceful Head will get them down and out.

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They said they found these in a bunch of unlabled boxes, maybe 6/17/75 and 6/11/69 were also in those boxes, or maybe more live 1970 shows.

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Nice synchronicity of having to listen to that slab of pure cheese in the dentist's office, because whenver I hear "Summer of '69" it's like having a tooth pulled.

I listen to classic rock radio in the background all day at work. I can't be too engaged in it, like constantly selecting and changing music, etc., so the local rock station just plays songs all day long. It's mostly ok, hell, they even play the Dead every once in awhile even if it's usually "Touch Of Grey."

Probably the cheesiest, absolutely most cringe-inducing vehicle of sonic crappiness has to be Bruce Springsteen's, "Born In The USA." The keyboards are the cheesiest ever, and the Boss wailing over it in that I've-really-got-to-take-a-dump voice of his is just too much, not to mention the full-on patriotic velveeta of the lyrics.

There are a few others that rankle me, like anything by Bon Jovi, but I think "USA" takes the cake.

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I fully agree with ledded. The most puke inducing music on the planet. Especially 'thunder road'.

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....did you know he was a draft dodger? Born In The USA ok. But won't fight for it. My 2 cents.

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Ever see the Burns Doc 'The Vietnam War'? I wouldn't want to fight in that shit either. Government lies to you and knows it can't win, yet drafts it's young men into the meat grinder. Sign me up! :-P

Not a huge fan of Springsteen's music, but until your number comes up you never know what you will do.

This my country right or wrong jingo bullshit is how we ended up where we are now. Cough cough. USA!

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In reply to by wilfredtjones

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I would think that Bruce Springsteen has quite a few rivals in the awful record category in classic rock. Pity they don't have station for real rock n' roll. Or maybe surreal rock n' roll.

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Born in the USA....now I’m no Bruce fan, yes he’s a good entertainer, and he wrote some good songs, but his actual talent as a musician etc is limited, and that band sounded like a wedding band, not a R&R band. But.....But, I really enjoyed his mostly solo On Broadway special. You could actually hear the lyrics and he is a good entertainer and story teller. He ought to perform like that all the time. And I’m not sure, but I believe Born In USA is actually an anti USA song not a wave that flag,....I think?

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Yes, I have heard that it was subversively a protest song. Looking at the lyrics I don't know how that could have been. It's quite obvious when you read them. Maybe since the only words anyone could probably understand was the refrain was why it became misunderstood as a 'patriotic' song. :-)

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I would like to add, I respect Springsteen as a songwriter. Like it or not, feel a part of it or not, he has given voice to a great number of Americans. I'm kind of iffy about that voice in totality, but I'm a big fan of songs like Cover Me, I'm On Fire, Brilliant Disguise, State Trooper (chilling!), Radio Nowhere and others.

It's a mixed bag and he's so prolific, I'd probably say I'm a real fan of 5 to 10 percent of his recorded output. Saw him live right after 9/11, and he only played like two hits and they were the cheese! Born To Run and the aforementioned nationalist jingo "USA." He'd just released that political album and spent so much time on the soapbox. Yes, I agree with his politics, but it was such a drag! We bought those tickets to go rock out live not attend a partisan rally.

The best songs are full of ambiguities and sometimes the writers themselves change their mind about what the words mean over time, and this is a good thing. "USA" touches on the horrors of war, but also that chorus was like a redneck Chevy truck commercial.

No matter. You don't generally get where Bruce is without learning a hell of a lot about your craft, working very hard and earning your connection to your audience. No disrespect to the Boss or any of his fans - I just can't take the "cheese."

\m/

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Our 4th of July if you were wondering. Eh.

Have a grateful weekend averyone and stay safe.

PS. Sounds like hockey is on it's way for those still interested! Can't wait!

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Yeah, yeah, I agree, He supposedly has these great lyrics, but you can’t understand them especially over the smashing garbage can lids and Casio toy keyboard, or the overly eq’d piano., and three guitars mostly playing nothing....shit sounds like a wedding band to me, and no disrespect to the big man, but he wasn’t no Coltrane.... that’s why I dug that Solo On Broadway we saw on Netflix....you could actually hear the lyrics and he’d sometimes set up the songs or meanings. I’ve never been a fan, but in this format he was awesome!

EDIT: Happy Canada Day to our fine brothers and sisters in the great white north! (Cue the beer hunter music from the Great White North movie with Bob and Doug, hosers! ) Hey, I’m part Canadian so I can say that lol

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Hey Dennis & Billy The Kid...check your PM's....

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Today I had to drive into town (Flagstaff, AZ 90 miles one way) to pick up a new external Hard Drive as one of my drives ate it a couple of days ago...it was an 8TB drive that I've had for a few years...I learned the hard way about ten years ago of backing up the back ups so no music was lost, only time & Ca$h...my drive takes me through Ponderosa Pine forests as I climb up and over the south end of the San Francisco Peaks, but even at that altitude and forest we're pretty much considered high desert...so I played this anniversary show, a Hunter Seamons Matrix...

GRATEFUL DEAD
SEATTLE CENTER COLISEUM
SEATTLE, WA
JULY 1, 1979

JERRY GARCIA - Lead Guitar, Vocals
MICKEY HART - Drums
BILL KREUTZMANN - Drums
PHIL LESH - Electric Bass, Vocals
BRENT MYDLAND - Keyboards, Vocals
BOB WEIR - Rhythm Guitar, Vocals

CD ONE
1 - TUNING (3:47)
2 - MISSISSIPPI HALF-STEP UPTOWN TOODELOO > (8:31)
3 - FRANKLIN’S TOWER (13:33)
4 - MAMA TRIED > (2:34)
5 - MEXICALI BLUES (5:55)
6 - PEGGY-O (9:53)
7 - MINGLEWOOD BLUES (8:25)
8 - STAGGER LEE (8:12)
9 - EL PASO (5:50)
10 - BROWN EYED WOMEN (7:15)
11 - PASSENGER (5:51)

CD TWO
1 - TUNING (2:00)
2 - DON’T EASE ME IN (5:09)
3 - SAMSON AND DELILAH (11:32)
4 - SUGAREE (16:38)
5 - TERRAPIN STATION > (12:03)
6 - PLAYING IN THE BAND > (13:53)
7 - DRUMS > (9:27)

CD THREE
1 - SPACE > (3:43)
2 - STELLA BLUE > (10:42)
3 - TRUCKIN’ > (9:29)
4 - AROUND AND AROUND (11:10)
5 - SHAKEDOWN STREET (8:40)

Mission successful ...new drive in hand and my ears are ringing...

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Nappyrags, thank you for sending me that information on the Workingmans dead outakes. I tried to send you a pm back about it , but I don't know that it went through. I downloaded the file you sent me but my Kindle Fire would'nt let me open it. I'm not very computer savy, so it's probably something I did wrong. I'm much better with a pick and shovel then I am with a computer. Anyways, thanks again man.

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Thanks JRF,,,, let me wipe the tears, there, better. Great cover, great guitar by Tom. A few years back there was a special "music cares". They had people doing Bruce songs, while thanking him. Anyway, Tom Morello and Jim James (from My Morning Jacket), knock this bitch out of the park with jamming at the end. (Alabama Shakes did an incredible job on Adam Raise a Cain)

All the Bruce talk yesterday and it seemed not much Bruce love here :-) I like Bruce (I have to, I'm from Jersey), but really I found Bruce at a low point in my life and his songs gave me hope. And Darkness on the Edge of Town, maybe his best album. The River next. (is a dream a lie if it don't come true, or is it something worst). His happier songs (bouncy?) remind me of the roller rink, and I grew up there. :-)

Tonight I'll be on that hill 'cause I can't stop,
I'll be on that hill with everything I got,
With lives on the line where dreams are found and lost,
I'll be there on time and I'll pay the cost,
For wanting things that can only be found
In the darkness on the edge of town.

Nappy - Thanks for email, down and done. FYI - I too just bought a new HD. Got a 10tb Seagate. My old one didn't croak, but I outgrew (kinda). In any event, now I got some working room :-)

We got any old main frame computer people out there? IBM 360 days. The old 2314's disk units were 30 meg drives and they were about the size of a washing machine and ran 200,000 bucks each. Today 10TB sits on the corner of my desk!!! Progress!!

Final Jeopardy question - Is a 10 TB drive heavier when full?

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In reply to by Dennis

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I was actually watching a concert on blu ray with Bruce Springsteen in the band earlier this week - the so called Black and White Night by Roy Orbison. Bruce sings back up vocals and plays perfectly adequate rhythm guitar. He doesn't come off too well trading solos with James Burton-but apart from Albert Lee, I can't think of anyone who would.

He also co-wrote the immortal Because the Night with, and of course sung by Patti Smith. One of the great singles of the late 70s. I have never heard any of his albums though. The bits and bobs I have heard by him with his band don't sound too promising, I have to say.

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Well, you all have forced me to chime in. My first reaction to the negative Springsteen dialogue was to get defensive. Thankfully, I remembered that we all don’t have to like the same music all the time. I dislike a number of bands discussed here, but never felt a great need to bring it up.
I was mid-late teens when Bruce released his first few albums, so lyrically, I could relate( a LOT). Being an east coast kid helped also(I believe). He is not a technically great musician, but as a showman, I put him way, way up there. Some of my favorite parts of his shows were the between song stories he told. I could really relate. And this “wedding band” stuff. I don’t agree, but usually, when people slam stuff they don’t like or understand, they use these typically pejorative generalizations.
I always loved his use of organ & piano live, it sounded fantastic to me. And the band had at times, a stone heavy “Neanderthal” thump, which I also liked. In any case, after The River album, I was pretty much done with Bruce, I no longer related as much to the lyrics, and he did get REAL poppy.
Sometimes I think one has to hear an artist at just the right time & place to “get it”.
It was good to hear from DAVEROCK, who’s opinion I always respect. I believe that some bands don’t cross over well, UK to US, and vice-versa. Not sure why, but it may be culturally driven. I LOVE, LOVE, LOVE , a ton of UK & European bands, yet others, I just don’t get. No big deal I suppose.
We (thankfully) are all allowed to like & dislike whatever bands we choose. In this forum, we generally share a lot of the same likes. So, I don’t really feel the need to defend Bruce, I still pretty much only listen to the first 5 albums.
But it’s in the WAY that some folks deride, that shows a bias & maybe even a little bitterness.
When it comes to music, I’m only about beauty, love, and especially, discovery.
That Tom Joad clip gave me goose flesh, and the lyrics are so appropriate TODAY!!

P.S. one of my favorite things about music is I get to listen & love so many different styles. The Beatles, GFR, Black Sabbath, Miles Davis, Cream, Steppenwolf, John Coltrane, Terry Riley, XTC, The Grateful Dead(!!), Bill Frisell, Johnny Cash, The Carter Family, Steve Reich, Kraftwerk, Iron & Wine, James Gang, Deep Purple, Doc Watson, Steve Marcus, Jack DeJohnette...I really could go on for days.
Music is the BEST!!!!!!
C’mon WD 50th, and Dave’s 35!!
Stay safe and healthy all.

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Well said. I'll never understand why some feel the need to shit on things, especially something so subjective as music, ... other than they love to get a negative reaction from others. It's gotten pretty thorny around here lately.

We all learned it through fairy tales, but it still holds true today: Don't feed the trolls.

Peace

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Born In the U.S.A.--Incredibly powerful ANTI-jingoist song. The fact that it comes across as a wrap-your-head-in-the-flag anthem is part of its brilliance. The song is actually coming down on jingoists who exhort us into war, then crap all over the soldiers by voting for politicians who strip away veteran benefits.

Please listen to Bruce's first two albums, THEN tell me you don't care for him! :)

Has he gotten schlocky since Tunnel of Love? In my mind, yes. But to discredit everything through Tunnel is a bit drastic. Not many rockers put out great albums for decades and decades . . . and check out some of his 70s live shows. Wow.

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Dennis, thank you very much. I hope you have a great day.

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In reply to by Mr. Ones

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Mr Ones - spot on as usual. It seems true that music I have liked for decades is at least partly due to the time and place when I first heard it. Maybe great music needs a receptive listener to make it truly make it great. And to criticize an artist shows the limitations of the listener rather than the musician concerned.
A lot of music I liked as a teenager still sounds great to me - but if I played it to one of my friends who is over 60, who had never heard it before, I am sure they wouldn't get it. Albums like "Electric Warrior" Paranoid" and "Space Ritual" weren't made with retired people in mind. But if you were 16 and its 1973...
I would also agree that some music travels better abroad than others.

Billy the Kid...thanks for posting that clip showing Jerry jamming with James Burton. Great stuff - I have never seen that before.

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In reply to by stoltzfus

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Still waiting for Dap 34. It's a bummer. 63 days have gone since shipping.
Having a Hebedanz Anna-Fest Bier to compensate.
Just Listened to 1971-07-02, Fillmore West. It was also a great year. I really enjoyed!!!
Gerd

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In reply to by Deadheadbrewer

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Yes it is not really jingoist, Born in the U.S.A., and I do like Bruce S.. Yet I do understand that not everyone does. Criticism is fine and often funny. That Lee Greenwood song is not really jingoistic either but rather it is just kind of corny. No offense intended to anyone.

P.S. Bruce's Gypsy Biker is quite a good anti-war song (Iraq) and very moving.

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Good call! Man, it's been forever since I tuned that one in. Probably on tape, an early show to my collection.

Thanks for mentioning.

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Shipping notice 5/26. Actually shipped 6/22. I was watching the street, but missed the mail carrier, so it sat for a spell in a black mailbox in the direct sun on the hottest, sunniest MN day yet this summer. Hope the vinyl didn't melt! #2017.

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Hello, I recently got a Spring 1990 The Other One Box except it came without the 144 page book. I was wondering If anyone had an extra book they would be willing to sell me here. I see individual shows from this set posted on eBay from time to time so assume they may be out there. If you got an extra or know where to find one please PM me. Many thanks

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In reply to by Cactus_Jack

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Big Hello to JRF and thanks for that awesome TJ with Morello. One of those instances when it caught me off guard and just right.

BILLY THE KID: ditto, thanks for the awesome postS. Can you see how happy Jerry was? I swear as magnificent as the Dead is I sometimes feel I’d rather watch JG with other folks in low profile situations, which is what I did for a while after your Sweetwater songs. Los Lobos, Santana, you name it he could step in and just fly. Think back to all the awesome projects he was working on in the later years that had little or nothing to do with the Dead and it’s really quite a list of really great stuff. As has been speculated before.....have to wonder what might of been if they would have just taken some time off and/or not toured so much. Did the Dead inadvertently kill Jerry?...

6/21/84: I was there, and don’t recall much except we dropped right on the international border going over the peace bridge, and yeah, that was a blistering Scarlet/Fire, oh and the Band was good, and fun on the encores including I think my first Big Boss Man?

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