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    clayv
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    "To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

    ¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

    *Limited to 2 per order. Very limited quantity available.

    Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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  • unkle sam
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    74 burn out?

    I don't think that's it, this show has been around for years, everyone has some kind of copy of this show, bootleg or archive release or downloaded from etree, or an old tape maybe, but most of us have a copy of this show. This could be the reason it's not sold out yet, with so many of us deadheads at home, this should have been sold out in hours, but it's not. I would love to see an 80's show for 35 (1980 is one of my favorite years). Or a fall 72 show, or a europe 81 show (Barcelona) or europe 90 show, or a killer 69 show. So many possibilities, so much to chose from, Dave has a difficult but glorious job.

  • Dschian
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    Re. partial 'recycling'

    I, for one, would not at all mind a full show such as 6/18/74, of which I have the Road Trips excerpt edition, containing some 'recycling,' being released as a DaP or otherwise, as it would be a supreme official selection as a complete performance, and may benefit subtly (or more) from potential mastering advances since its release. Can't think of any other examples off the top of my mind right now, but a full epic show should NOT be held back as a release due to previous official excerpts. Well, actually one example- this Miami show!! I'm so glad that the fact that a bit of it got released on So Many Roads did not prevent its official release. For '74 in particular, I've been thrilled by nearly every release so far in this or the other series.

  • hendrixfreak
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    Thoughts on future releases...

    I see a couple themes to Dave L's madness in selecting releases, some he has stated, others I (think) I observe.

    Dave has said that the prevalence of a certain tape among collectors would not keep him from releasing a show for which he has a master in good shape. To wit: Red Rocks July '78, Cornell, '77, etc.

    When Dave sees a rarity roll in with returned tapes, he's sometimes quick to release it. When MG returned some tapes (I believe this was the stash), Dave "swiftly" (within a year or so?) released 4-18-70 of acoustic Dead with a solo Pigpen set. I'm trying to think of another example.... maybe if I remember correctly DaPs 6, 10, 19, and 30 (late '69, early '70) -- call that an example where returned tapes got released over a pretty long span of time. Not sure whether the Warfield acoustic sets released for RSD last year were always in the vault or were "returned tapes." I'd guess the former, as I think we heard they were the only complete acoustic shows still extant.

    Dave has several means of delivering small surprises: RSD, vinyl (damn I want that polished up Oct '68 tape going out with the "graphic novel"), and the 50th anniversary re-releases.

    On that last front, the tracks offered on the 1st LP (an entire '66 show), Anthem (a full set from Anthem's formative period) and Aoxomoxoa (various tracks across three nights). Also on the rerelease of WD and AB long ago, Dave released individual, related tracks from a much longer span of shows. Wondering what he'll do with 1970's scarcity of tapes regarding the upcoming re-re-release of WD and AB.

    DaP series offers an opportunity for relatively random picks, while the boxes have ranged from multi-year set at Giants Stadium to the PNW theme (another location-based selection) to the relatively recently returned June '76 shows. Another relevant element, to my mind: Dave is, however loosely, keeping an eye on long stretches in which no tapes have been released, so to fill in the historical record -- where possible, while ignoring mid-80s perhaps due to recording quality. Yet he also has to keep his powder dry by conserving a few '67, '68 and '70 tapes that he'll want to sprinkle over the years. He doesn't want to run out of a certain year, though he's obviously milked early '72 for all it's worth with the Academy compilations and the E72 box.

    So Dave likes to mix it up. And getting legal clearances may be a long-term project, ala 6-10-73.

    Plus, consider the wealth of material that Dave has at his fingertips. There are multiple written guides to the choice shows, he has a confidential circle that includes Blair Jackson, Nick Meriwether, David Gans, etc. for suggestions. And as Dave navigates the vault, he has to consider which shows might be held back for a box and which runs will be divvied up for individual DaPs.

    Sheet, he must be having fun. Throw in the video archives and Bolo's occasional teases. Bam, that makes our guesswork nigh impossible. We also don't know what's in the vault versus circulating tapes. But in some cases we do. There are some unplumbed depths in that vault. Two are early-mid April '71 and Sept-Oct 1972 (hint hint).

    Any thoughts, anyone?

  • bluecrow
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    Jai Alai & Earth Day

    Thanks Unkle Sam for the nice post on Earth Day and some background on the Jai Alai Fronton. Its been a beautiful spring our way and have been spending a lot of garden time these past few weeks in the isolation mode. Nearby plant nurseries closed, so no tree buying for now, but I do have 2 or 3 peach pits that I want to plant, and today would be a perfect day. They came from another volunteer peach, a tiny little tree. Last year it had a few peaches, and they were quite possibly the best I've ever eaten. The flesh was an incredible magenta color, like nothing I've seen before. We don't get peaches every year because of late frost, but fingers crossed. From the photos I've seen Jai Alai Fronton looks like an absolutely wild venue to have seen a show, especially a Wall of Sound Show. So far I haven't seen any photos of the WoS from these shows, maybe there's some with the release. '74 always high of my list, totally psyched. Now just need for Dave to set free the International Amphitheater show from July!

  • LetsGoCaps
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    Plenty Left InThe Vault

    It was nice to hear Dave say there is still plenty of top notch stuff left in the vault....with no end in sight. Hopefully plenty that I’ve never laid ears on. I do hope we get 4/17/71 someday soon! Pigs best show in my opinion.

    Dave’s comment did get me thinking. At what point do you guys think we will start to see recycling of previously released material? By this I mean, the release of a full show that has already been partially released. Example would be a full show release of 6/18/74, any of 74 farewell shows, or 9/19 or 20/90. Yes the Dark Star > US Blues from this Show is on SMR, but only 19 minutes. So, I don’t think this one falls in to that category.

    Part of me would welcome it so I could have the full show. Another part of would feel somewhat taken advantage of.

    Thoughts?

  • bob t
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    To go along with what Billy posted... Spring 77 tour

    Started today in Philly 43 years ago!!!

  • billy the kid
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    4/22/79 Anniversary

    This show would make a great release. It could be released at the same time as 2/17/79, another great show. Keith and Donna's last show, released with Brent's first show. Both of these shows are winners.

  • icecrmcnkd
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    Wow, not sold out yet

    Did Rhino find the right number of copies, or is there 74 burn-out because of the PNW Box?

    Well, if that 80’s pick for DaP35 sells out right away we’ll know that it is 74 burn-out.

  • unkle sam
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    Earth day and Jai Alai

    First off, Happy Earth Day everyone, looks like the earth is getting a break this earth day, maybe the only good thing about the virus. Being a retired horticulturalist I have planted my share of trees and shrubs and flowers and this virus is not going to stop me from doing what I do every Earth Day, plant another tree. Lately I have been planting fruit trees, apples and cherry and peach, but in the past I have planted many a different kind of tree, from ornamental trees to flowering trees to oak trees, it's all good, they are the front line in keeping the atmosphere clean. I usually buy a tree from a nursery or garden center, but this year, I have started an apple tree from seed and it is now late enough in the year to take her outside and plant her with her other brothers and sisters that I have planted in the past. Yes, it's a little baby, but from this one seed, I will get a beautiful, flowering, fruit producing tree in about 7 years. Seems like a long time, but when I look back at the other trees I have planted, and enjoy the flowers and fruit from them, I know that eventually, this one will also produce flowers and fruit if not for me, for others to enjoy for years to come. It's easy to start a seed, just takes some patience to get it to the planting in the ground stage, but it is worth it when years down the road, you get to bite into that beautiful fruit.
    I have had a copy of this Miami show from 74 for years, having lived in Florida for over 38 years, I have seen some shows in a Jai Alai Fronton, just not this show. I caught Little Feat with Lowell in 78 at the Fronton in Orlando, caught U2 when they were unknowns at the same Fronton in 79. The Fronton in Miami is the largest one still operating and seats about 5100 people. What a great place to see a show and I can imagine this show was a real killer. The playing area is surrounded by 3 very tall walls and the audience looks on from the side with the front of the court being to the audiences right and the back of the court to their left. The three sides of the court are padded which makes for great sound acoustics. Back in the 70's I knew some guys in the service who bet on these players and they had a system. They would watch the players, they would give "tells" of who would win and in what order by bouncing the ball in sequences like 2 bounces, then hold, then 3 bounces, etc... They had spotters in the audience that would take these ques an run with them to the betting window and place their bets, winning some pretty good sums of money. If you knew these guys, you could get in on the fix, if not, it was all just luck to pick a winner and very seldom did a novice win. How my friends did it was they would watch the audience and the betting window, usually these spotters would come up and bet at the last possible minute and if you were behind them in line, you placed the same bet as they did. Worked for my friends more than 50% of the time. Of course, that was 40 some years ago and most of those old cheaters are long gone now. It was a very fast game and it could be over before you knew it, just that fast sometimes. That ball was very hard and if it hit you, you knew it, hence the Cesta was made out of wicker and had a padded glove on the inside to take the sting out of fielding that ball. Saw a few players get hit with the ball, you could tell it hurt, it would put those guys on the ground. After a while, the sport lost it's charm for me and I quit going, but it was fun for a while. I prefered concerts in those little arenas ever since. This is a killer show, and the bonus disc is the cherry on top, and that limited edition t shirt is very nice, love the back design. This shirt will sell out in no time, along with the remaining discs. I highly recommend this show and the shirt, get them while you can.

  • wissinomingdeadhead
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    Volume 35

    Fall '72

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"To my ears, the best Dead shows are those that not only fit the criteria that make them amongst the best of a year, but that are also completely unique for their era—shows that fit perfectly into their year of performance, but also fall somewhat outside of the norm for that year. Harpur College, Veneta, Cornell, Cape Cod, and Augusta are all shows that are objectively excellent, and if they are not the best from their respective years of performance, they are certainly unique. Miami 6/23/74 falls into that category: not only one of the very best shows from this outstanding year, but also one of the most interesting and unique. It’s certainly worthy of many, many deep listens." - David Lemieux

¡Ándale, ándale! ¡Arriba, arriba! We're back with a hot one from Miami, F-L-A. DAVE’S PICKS VOLUME 34 features the complete show from the Jai Alai Fronton, 6/23/74, one with unparalleled sound quality due in equal parts to the Wall Of Sound and the beautiful sonic clarity of Kidd Candelario's tapes. The first set is chock full of dynamite takes on classics like "Ramble On Rose," "Mississippi Half-Step," and "Cumberland Blues." The second set delivers on the JAMS - one leading into a gorgeous "Ship Of Fools," one rare instrumental version of "Dark Star," and a "Spanish Jam," this is Miami after all! The show also offers up a "first" and an "only" - the former, a Seastones set featuring Phil and Ned Lagin and the latter, the sole Grateful Dead performance of Chuck Berry's "Let It Rock."

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.34: JAI ALAI FRONTON, MIAMI, FL 6/23/74 has been mastered from the 7.5 IPS reel-to-reel tapes to HDCD specs by Jeffrey Norman. ¡Agarrarlo mientras esta calientito! (Get it while it's hot!)

*Limited to 2 per order. Very limited quantity available.

Subscribed to Dave's Picks? With this release, you'll also get a bonus disc with selections from Miami 6/22/74. Excellente!

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Not sure if the negative rebuttals regarding the Boss are directed at me? But I feel I need to reply.
First, I said more positive things about him than negative. I emphatically stated he’s a great songwriter, entertainer/performer, storyteller, and that my understanding was that Born in the USA was a anti jingo song.
I also, like others, mentioned that his awesome talent is not so much as a musician, (meaning comparatively to say JG), but with these above mentioned awesome skills.
What I did say was that I’m just not a big fan, especially of the band, and more specifically I’ve never liked their sound. Jerry once said he couldn’t get into the Doors because they sounded too brittle to HIM....does that mean he’s just using a pejorative generalization? NO, it just means he didn’t like the way they sounded so couldn’t really get past that!
Same here folks! In fact if anyone is making generalizations it was not me. Some Rubes said some unsubstantiated down and dirty things about Bruce, but I actually tried to explain WHY I don’t like their sound, and thus have never been able to move past that, and therefore,.....here’s the funny part, the point I was ironically, really trying to express was how much his on Broadway solo performance on Netflix blew me away and changed my perspective!
So to assume I’ve never listened (I’ve listened to Bruce for over forty years wether I wanted to or not on the radio or elsewhere, including living with the misses for 23 years as she’s a huge fan!), so to make such an assumption : that I’ve not listened and thus don’t know what I’m talking about, just because I have a difference of opinion, is actually doing exactly what your accusing me of!
Also, I don’t think I was shitting on anything, and if I was, I apologize. I admit I could of been a tad less harsh, but if you know me that was some-what exaggerated for humorous affect, and yes, to hopefully elicit more discourse?
So I’m totally bummed that my personal colorful critique of a 80s pop band caused such a reaction. And yes, I understand most of his best work was before then, and he continued to do so well after the 80s, but to me, sorry, when somebody mentions Bruce, that’s my first thought, that Born in the USA thin pop sound, with no improvisation or any of the things I find important in music. And so yes, as people often do so as to hopefully make a point without having to ramble on like this and micro explain, I used a general phrase, wedding band, to make a point, but I can certainly continue to pontificate why I don’t like their sound etc if you like, but hopefully I’ve made my point. Simply, my personal opinion of WHY I don’t like them, so what?
Because as most here know, opinions are like A-holes, everyone’s got one, but some of ours work too much...
Again, I apologize for the way I expressed my opinion, but not that I expressed one. I mean come on, that’s a lot of what we do here, we express our thoughts, and hope we get positive feedback, or respectful discourse, which to me can be just as fun, bantering differing ideas about, than everybody always agreeing about everything....
So Mr Ones et el, I totally agree with everything you said up until you personally insulted me!
Buts it’s ok, it’s all good, I can take criticism. I’ve been taking it my whole life. It’s part of being a fuck up LOL
So peace be with you as LMG would say, and again, please except my apologies if I’ve offended anyone!

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WORKINGMAN'S DEAD (50TH ANNIVERSARY DELUXE EDITION)

...*** FOR THE COMMITTED
AND THE CURIOUS
Gather round every Thursday as we tell the tales of Grateful Dead days of yore! The Good Ol' Grateful Deadcast, the first official podcast of the Grateful Dead, is devoted to exploring the music and mythology behind one of the most enduring, progressive, and influential bands in the history of recorded music. Here, we invite you to delve into the band’s enormous mythology in digestible chunks. Think you know it all? We'll probe corners of the band’s history you never knew existed. No topic will be off limits.
Hosts Rich Mahan and Jesse Jarnow will take the lead, picking up special guests from the Dead universe along the way. Upcoming episodes will feature interviews with Dennis McNally, David Lemieux, David Nelson, Bill “Grateful Red” Walton and Trixie Garcia, amongst many others.
To celebrate the 50th anniversary of WORKINGMAN'S DEAD, we're kicking things off with an eight-episode arch that examines each song on the album individually.
May the long strange trip continue across the pod! 🙏❤️💀🌹

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I honestly don’t think anyone was out of line expressing their opinions. No need whatsoever for anyone to apologize.

For what it’s worth, I was never a fan. To steal a line I heard years ago; Springsteen is like my sex life. Lots of effort, but not much talent.

It’s the Fourth of July , so everyone should just relax and have a beer. No such luck for me. I agreed to join my underage daughter in a three month sabbatical from drinking and dessert. Poor timing for me, especially considering that our air-conditioning went out today.

Thanks for the Festival Express link. What a neat movie. My favorite part was when the camera panned the crowd and there was Garcia right up front watching another band perform. The other cool thing about the movie is the intensity on the band members’ faces. They were really into what they were doing.

Glug, glug.

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As AJS stated, there’s no need for an apology. It is literally impossible to hurt my feelings, especially in writing. I love disagreement, and I’m not afraid of opinions opposite of my own.
I’ve re-read my post more than once, and I cannot see a “personal insult” to you or anyone else. One of the many points I was trying to convey was that there’s nothing wrong with disliking ANY artist, as was stated earlier, music and love of It is ENTIRELY subjective. I just don’t think we need to use adjectives that are detrimental. I can disagree with you about an artist, but that doesn’t make either one of us right or wrong. As Dan Fogelberg once said, “if even one person likes an artist, that legitimizes that artist“. I really did not want to stir the pot.
So please, don’t apologize to me. Unless you steal something from me, it’s not necessary.
And besides Oro, I enjoy 98% of your posts. Keep ‘em coming. Arguments are ok, respectful arguments are better. And besides, you don’t want to make me list another 30 or 100 artists I like!!

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"Did the Grateful Dead inadvertently kill Jerry? That's a good question and one that has been asked many times and discussed alot over the last 25 years. Wow, 25 years since Jerrbear left us. In my opinion, Jerry loved to party and play and be in the moment, the Grateful Dead fed that jones right up to the end. He loved us all so much, he played until he couldn't play anymore, and still kept trying. Did the Dead help in his demise? perhaps, but it was also all of it, the life, the drugs, the parties, the pressure....it's hard to say except that I still miss him dearly. Love you Jer
I sometimes wonder to myself what the world would be like if Jerry was still alive, I believe he had a calming effect on the universe and when he left us, a lot of that kind, calm went with him.

Thanks Daverock for the CD's, Tangerine Dream weekend coming up.

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That energy that Jerry manifested at his highest resonance is still beaming down, and there are plenty of others who are attuned to it. The Dalai Lama, maybe. Try and get on that higher plane. Garcia was an exceptionally strong receiver, with a background full of intense psychedelic experiences. He was completely open. That can be a difficult existence and it's probably why he dove so headlong into narcotics.

The band talked about getting off the road more so Jerry could heal. But really, that book was already written and it was always going to end the way it did. The important thing is we still have the music. I'm comfortable saying Jerry Garcia gave his life to, and for, the music.

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You folks are probably aware of this. Honoring the fifth anniversary, Fans is webcasting all three Chicago Fare Thee Well performances this Sunday morning starting at 9 am ET.

https://fans.com/livestream/20200705-fare-thee-well/?utm_source=2020070…

Not sure if it's still happening, but dead.net put some of the FTW media on sale 40% off. I waited five years eying the box set and pounced!

Stay well , all and happy fourth celebration of our democracy.

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The 2nd set 'the other one' has a perfectly placed scream at 2:10. Is this donna or a fan. It's pretty awesome. It must be donna.

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Maybe one of my relatives...I can’t be held responsible.

Today...been hittin up that St Paul show from 7/3/78

Oro...have you checked your PM?

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Well, my list is now down to the top 5. In no particular order, Dire Wolf, Uncle John's Band, Cumberland Blues, Easy Wind and Ripple Next week we will annouce the final top two. Stay tuned, as the anticipation mounts.

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Happy 4th to the great Dead fan base here from your friends North of the 49th. Whatever the other 193 nations fling your way, we know there is no better and loyal compadre than the USA. FIrst to lend a hand up, not a push down, so wave that flag, so much to be proud of! Like the Dead, maybe the odd wrong note or off show, but overall, in a class by itself! Cheers!

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Holding to my defiant tradition of not playing shows on their anniversary dates, today's random pic was 5/18/72. Just exactly perfect on this sunny Southern California afternoon.

Stay safe, gang.

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In reply to by stoltzfus

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a merman I should turn to be

Excellent track

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This is the presale week, correct?
Who has some info? ….hoping for 7/13/84 PLEAS

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....was browsing Netflix yesterday when i saw that they have Airplane!. It had been a while since i've seen it so i fired it up. Wife walks in and asks, "What's this your watching?" "Airplane!', i said. "What?" was her response. Blown away. My wife had never seen Airplane!. Well, i was up to the task and took care of that scary situation. My wife's sense of humor is odd to say the least, and i think many of the jokes went over her head, but she enjoyed it.
"Looks like i picked wrong week to stop sniffing glue."

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My dads first name.

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Charlie Daniels opened for the Grateful Dead on 4/22/79, at Spartan Stadium. He also played on Bob Dylan's Nashville Skyline album.

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How much do you want to bet Dave messes with our expectations and chooses 7/14 or 7/15? :-) LOL

Last year Dave’s #31 was announced on the 2nd Tuesday of July...7/16/19. So could we see the rollout for DaP 35 a week from tomorrow? Tomorrow never knows, as the song goes

Hoping to get mine too.. I've listened to the 2/21/71 Capitol show a couple times, but not in it's Full-Norman, Plangentized glory.

A quick sidebar, did a family camping trip at an isolated place in the mountains near home and felt a little pleasure using my WMD's hatchet cutting hickory just to fire the still (and feed the campfire). I needed one anyway, why not a high-end Swedish made mini-axe. A little pricey but not much (if any) more expensive than buying one of their standard, non WMD versions.. They seem to be quite well made. Yes, I know.. a little tacky my brother noticed and it cracked him up, to me it was worth it just for that. Something else to be made fun of during the holidays.

We should celebrate Working Mans Dead, a great album and the beginning of one of the greatest periods of Grateful Dead music. Consider me one of those that considers Dicks Picks 8 one of the greatest releases and among the best shows ever performed. 1970 was a peak year and I personally love the songwriting from that period. Classic Americana Grateful Dead.

Rant over, back to your regularly scheduled Day Job encore.

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*Listen back to Bob Dylan and The Grateful Dead’s mammoth 74 track rehearsal session, 1987!
https://faroutmagazine.co.uk/bob-dylan-the-grateful-dead-rehearsal-sess…

https://archive.org/details/gd1987-06-01.sbd-rehearsals.fraser.97489.sh…

...I mentioned this when the ‘Giants’ Boxset was
first released. This is PRIMO! I Love it my brothers and sisters, PRIMO! ;) keep on truck’n & remember to Smile Smile Smile everyone because you love the Grateful Dead & the Grateful Dead Loves You!!! 🙏❤️💀🌹

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Looks like it is available again, just ordered it. Tried to on first day but no bonus disc... bob t

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Like a lot of you i've been filling in some gaps in my library by picking up the re-released road trips from Real Gone Music. Oakland 1979 just landed so im taking it for a spin now. This one sounds great and is a nice companion to the recent Dave's from Uptown in Chicago a few weeks before. I have to say that the Road Trips sound quality is much better than the Uptown show and there seems to be more energy to this performance than Uptown.

Set 1 starts off with a 16 minute Sugaree. Set 1 is only 7 songs but there's some good playing. Second set starts off with a nice Alabama -> Greatest Story and im listening to a nice Terrapin -> Playing right now. Im glad i picked this one up.

Right on man.. it sounds great, it's one of the few Betty Boards from '79. That and Dicks Picks Picks 5, 12/26/79 are must haves and make great companions. When DiP 5 came out, on my first listen.. I was totally floored. 12/28 to my ears is not quite as good, but at a certain point we are splitting hairs. If it speaks to you, it's good.

Glad you got it or how does the saying go, so glad you made it....

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In reply to by billy the kid

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Charlie Daniels was a chauvinist and racist. I know I won't miss him. Good riddance!! He was nothing like Jerry.

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In reply to by tysonsupina

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Picked up a used Dick's Pick No 8 today for $20 at my fave used bookshop in town today...also filled some gaps in my classical collection...I'm a cello buff so I got some goodies for $5 a pop....didn't have to spend any $$$ either... a friend who had lived here in the park for nearly 37 years moved to Prescott and left us a ton of books...we went through them, kept a bunch and took the rest to the bookstore where I got a couple of hundred bucks in trade credit...whee!!!!...and it's a celebration day as my Oncologist gave me the good to go (ten years cancer free now) so I think I'll order Dickus Pickus 33...now that was a great weekend even if we did nearly die on the way home going down Highway 99 ...ahhh youth and stupidity go hand in hand....

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In reply to by nappyrags

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Great News. And the DiP 8 score is great too.. perhaps the best of the best???

Billy & Jim...this one was a little nerve wracking to say the least...three weeks ago I got my annual C-Scan and was told there was something showing in one of the areas (aortic lymph nodes) that had been a problem in my original diagnosis...so I've been kinda going around the house hoping and hoping...today I had a pet scan done which showed no sign of any cancer...it was weird watching the scan on screen seeing my insides lit up like that....whew!!!

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11 years 10 months

In reply to by nappyrags

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forgive me if this has been mentioned already but there's a new Bear's Sonic Journal!!!! Commander Cody & His Lost Planet Airmen – Bear’s Sonic Journals: Found in the Ozone Live at The Family Dog...love me some Airmen

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10 years 6 months
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Rock on brother! SO FINE to hear! You made my day and I'll be grinning for a while!

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5 years
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Thanks for the info on Comander Cody, I'll go pick one of those up right now. Bear always puts out an excellent product.

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