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    clayv
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    Sweet liberty! We're venturing into the depths of 80s Dead with the complete show from 4/20/84 at the Philadelphia Civic Center and we're placing bets you'll think this one is more than fine. A strong contender for our mega 30 TRIPS AROUND THE SUN boxed set, 4/20/84 missed the cut by virtue of its setlist being a wee bit too similar to the years before and after. As DAVE'S PICKS VOLUME 35, it's found its time to shine. The first set delivers yin yang harmony between Jerry and Bobby songs, yielding driven and powerful takes on tracks like "Feel Like A Stranger," "Cold Rain And Snow," and "Brown-Eyed Women." The second set begs the question - will we ever stop peaking? - with a monumental "Scarlet>Fire," a ripping "Samson and Delilah," a "Space" that pulls shapes that know no names, and that "Morning Dew" - get.in.to.it! And because this one might have ended just a little too soon, we've packed disc 2 and 3 with knock-your-socks-off bonus material from most of the second set from the previous night, 4/19/84. Grab ahold while you can!

    Limited to 22,000 numbered copies, DAVE’S PICKS VOL.35: PHILADELPHIA CIVIC CENTER, PHILADELPHIA 4/20/84 has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out. 

    *Limited to 2 per order. Very limited quantity available.

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  • Vguy72
    Joined:
    PSA. Data breach at WMA....

    ....i got a letter in the mail yesterday notifying me of a cybersecurity incident involving a number of e-commerce websites operated by Warner Music Group.
    Quote...." On August 5, 2020, we learned that an unauthorized third party had compromised a number of US-based e-commerce websites WMG operates but that are hosted and supported by an external service provider. This allowed the unauthorized third-party to potentially acquire a copy of the personal information you entered into one or more of the affected website(s) between April 25, 2020 and August 5, 2020.
    While we cannot definitely confirm that your personal information was affected, it is possible that it might have been as your transaction(s) occurred during the period of compromise. If it was, this might have exposed you to a risk of fraudulent transactions being carried out using your details."
    Does say later that payments made through PayPal were not affected.
    I use PayPal.
    Anyone else get this letter??

  • billy the kid
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    Rolling Stones

    To many Double IPAs

  • billy the kid
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    Rolling Stones. Voodoo Lounge tour

    I've only seen the Rolling Stones play live one time, it was 1994 at the Voodoo Lounge tour. I really enjoyed the show. They opened the show with Not Fade Away. Apparently, they had a place there for famous people called the Voodoo Lounge, and I read that Garcia and Weir were both in there during the show. Anyways, I thought the Stones sounded great.

  • LedDed
    Joined:
    Goats Head Stones

    I love the Rolling Stones. I had my old man's eight tracks in the early seventies... I remember when Some Girls came out and we would continually be snatching the house copy of it back and forth from each other. I was 10.

    Seen them live several times, most recently last summer at Mile High Stadium. I have never felt that the Stones were a great live band. They're all over the goddamn place... they never sound much like their records. Which is neither here nor there, depending on what you're looking for, but they went from the raw (Get Yer Ya-Ya's Out!) to the aforementioned late 70's / early 80's affairs with sped up tempos, to the glossed over machine they became on Steel Wheels to date.

    Point being, I didn't buy the Brussels Affair when it came out as I already have so many live Stones albums and rarely play them - except for Twenty Flight Rock and Going To A Go-Go off Still Life.

    I bit on the iTunes version of this. The audio is cleaned up nicely, there are a number of unearthed gems and it is a great Mick Taylor live show. I've been playing it for two days now. I think it was like twenty bucks and change. For anyone on the fence, I say, go for it.

  • daverock
    Joined:
    Something else I didn't know...

    Keith - that Waiting For A Friend dates from 1973. Yes, that should have been included with the extras for sure.

    Probably because I kept on seeing them - the last time was 2007, I think, I do like some of their live recordings from the 1990s up to about 2007. One thing I would highly recommend...to anyone reading this with soul...is the live versions of Gimme Shelter featuring Lisa Fischer. She truly soars through the heavens on this song. I last heard it on the blu ray Bridges to Beunos Ares, bought last week, ( which also features Bob Dylan and Mick Jagger duetting on Like A Rolling Stone - shambolic!), and it is truly amazing. Another great version is on the Totally Stripped box set- from Amsterdam 1995. The sound is incredible on this-Keith Richards sounds as though he is in the room with you - which might or might not be a good thing. One of the remarkable things about the Bridges to Beunos Ares blu ray is the massive crowd, which goes absolutely bananas from the first song.

  • KeithFan2112
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    Morning Daverock

    What I wouldn't give to have seen them with Mick Taylor! Yes they were outstanding onstage in those days, and to be honest, I never would have known it if I hadn't stumbled on the "Ladies and Gentlemen the Rolling Stones" movie concert a year or two before they released Brussels Affair.

    I was watching VH-1 or AXS (one of those music TV stations), and wham, he'll right in the middle of the opener, Brown Sugar. The thing they caught me first was that Mick Jagger was actually singing, not huffing and puffing out the lyrics. Up until that time I had only heard live albums from the Ron Wood era: Love You Live, Still Life, and Flashpoint, all of which pretty much featured a band whizzing through songs, sloppy as can be. I assumed Mick Jagger was simply just a studio singer, and pretty much the same of Keith as a guitar player. I enjoyed the Hits From The Ron Wood years, but certainly not the live content.

    I had been a fan of the Brian Jones and especially the Mick Taylor years for quite some time without ever hearing the band play live from '71 - '73. Then along came the movie concert from '72 on TV, and whoa - Mick was singing! Actually singing. Keith was at his legendary best, which I had also taken as myth, and Mick Taylor was everything and more on stage (he quietly sat back and played his ass off loudly, and with all the virtuoso we hear from him in the studio). Keith (by his own admission) once famously spent a couple of hours in the studio improvising a bridge or solo, or something, and was really just at his wits end trying to land the right notes. Taylor wasn't there, but he eventually showed up, listened for a couple of minutes, picked up his guitar and played exactly what Keith was struggling for. This was close to the end of Mick's tenure with the band; Keith turned to him and only half-jokingly said, "that's why I hate you man." Mick was light years ahead of the rest of the band musically.

    The Goats Head box would be worth it for any casual to serious Stones fan who doesn't already own The Brussels Affair. My commentary on that show was strictly in comparison to the '72 Ladies and Gentlemen release. If I didn't already have Brussels, I would snatch up the box on release day. It would have been nice for them to have included the embryonic Waiting on a Friend. I was also hoping for the rumored extended version of Dancing with Mr D.

  • KeithFan2112
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    Morning Daverock

    What I wouldn't give to have seen them with Mick Taylor! Yes they were outstanding onstage in those days, and to be honest, I never would have known it if I hadn't stumbled on the "Ladies and Gentlemen the Rolling Stones" movie concert a year or two before they released Brussels Affair.

    I was watching VH-1 or AXS (one of those music TV stations), and wham, he'll right in the middle of the opener, Brown Sugar. The thing they caught me first was that Mick Jagger was actually singing, not huffing and puffing out the lyrics. Up until that time I had only heard live albums from the Ron Wood era: Love You Live, Still Life, and Flashpoint, all of which pretty much featured a band whizzing through songs, sloppy as can be. I assumed Mick Jagger was simply just a studio singer, and pretty much the same of Keith as a guitar player. I enjoyed the Hits From The Ron Wood years, but certainly not the live content.

    I had been a fan of the Brian Jones and especially the Mick Taylor years for quite some time without ever hearing the band play live from '71 - '73. Then along came the movie concert from '72 on TV, and whoa - Mick was singing! Actually singing. Keith was at his legendary best, which I had also taken as myth, and Mick Taylor was everything and more on stage (he quietly sat back and played his ass off loudly, and with all the virtuoso we hear from him in the studio). Keith (by his own admission) once famously spent a couple of hours in the studio improvising a bridge or solo, or something, and was really just at his wits end trying to land the right notes. Taylor wasn't there, but he eventually showed up, listened for a couple of minutes, picked up his guitar and played exactly what Keith was struggling for. This was close to the end of Mick's tenure with the band; Keith turned to him and only half-jokingly said, "that's why I hate you man." Mick was light years ahead of the rest of the band musically.

    The Goats Head box would be worth it for any casual to serious Stones fan who doesn't already own The Brussels Affair. My commentary on that show was strictly in comparison to the '72 Ladies and Gentlemen release. If I didn't already have Brussels, I would snatch up the box on release day. It would have been nice for them to have included the embryonic Waiting on a Friend. I was also hoping for the rumored extended version of Dancing with Mr D.

  • daverock
    Joined:
    Blues with a feeling

    Billly the Kid - excellent cut by Little Walter. I have never heard anyone who made a harmonica sound so expressive-wonderful tone. Having said that, apart from Charlie Musslewhite ( and even there, I am not familiar with his music) I have never even heard of the other harp players you refer to. Some checking out to do, I think.

    Keith - I enjoyed reading your thoughts on Goats Head Soup. I was 16 when that came out, and as I had a ticket to see them the month it came out-September 1973 - I thought I'd buy it to get some idea of what they sounded like. It was the first Stones album I got - I just had a vague memory of their singles at this point. In comparison with contemporaneous offerings by David Bowie, Black Sabbath Hawkwind etc it sounded quite middle of the road. The only track that really rocked was Starfucker. I can remember the press making much of the fact that Mick Jagger was now 30, and whether he was now too pooped to pop ( seemingly unaware that many of the new glam breed were about the same age).
    But live...they were amazing !-a fantastic night. Suddenly, Goats Head Soup shot up in my estimation and I began buying all their other albums. Today, I rank it with the 4 others from Beggars Banquet onwards-although most people rate it less highly than the 4 that came before it.

    This new edition looks like the rip off of the year. As you say, Brussels Affair has already been released as a download. The price of it is ridiculous, too. It all meant so much to me at the time though, that I am still sort of tempted.

  • billy the kid
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    Sad Hours/ Little Walter/ Dave Rock

    . https://m.youtube.com/watch?v=5xj7gwFOvcM. Send this one out to Dave Rock , over in England. I also dedicate this to Charlie Musselwhite, Gary Smith, Mark Ford and Rick Estrin, the greatest blues harmonica players alive.

  • KeithFan2112
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    Goats Head Bummer

    Thanks for posting this article. Every six months or so I check to see if there are any plans for the type of reissue of this album that Sticky Fingers and Exile received. Those two records had fantastic unreleaseded live tracks and studio outtakes.

    What a disappointment to hear they're simply re-releasing The Brussels Affair as the companion piece. I already own the digital copy that was on the Rolling Stones website 8 years ago. It would be like reissuing American Beauty with the Download Series show from October '71. No sense in re-spending money on that - it's already been engineered and mastered professionally. Strike 1.

    The author of the article is correct in saying that the two standout tracks from The Brussels affair are You Can't Always Get What You Want and Midnight Rambler. Probably the two best live versions of those songs. Beyond that, the album is a starfucker less than Ladies and Gentlemen The Rolling Stones (this was the movie from the Exile on Main St tour that was in movie theaters shortly after the Exile tour, and then shelved for 30 years; eventually it was released on Blu-ray and then later on CD). Brussels is a great live show, don't misunderstand me, but Ladies and Gentlemen is from a year earlier, has almost the exact same setlist, and is played a little bit tighter and sung a little bit better). The primary difference is more Goats Head songs that don't measure up to the songs they replace from the Exile concert (which itself is the best of four shows). Beyond Doo x5 (Heartbreaker) and Dancing with Mr. D, the live Goats Head tracks don't really do much for me. Did I mention they already released this almost 10 years ago? Strike 2.

    The author of the article stated he could "imagine how much of a bummer Goats Head Soup must have felt in the moment. But for those of us who came along later, and without the generational baggage, Goats Head Soup has an incredible, melancholic beauty".
    I was a year-and-a-half-old when this record came out, and I have to disagree with him on this point. It has three great songs on it and a whole lot of missed opportunities that separate it from the previous four albums. It was so close to greatness too (Can You Hear The Music, Hide Your Love, and 100 Years Ago almost caught it) - bloody shame. By and large it does not rock, it does not transition mood easily or frequently enough, and as the author also pointed out, there are too many guest musicians (it feels very un-Stonesy). If it rocked more they could have gotten away with it; but it is primarily a morose downer, as the author implied. If I wanted melancholy I would listen to The Cure. Strike 3.

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Sweet liberty! We're venturing into the depths of 80s Dead with the complete show from 4/20/84 at the Philadelphia Civic Center and we're placing bets you'll think this one is more than fine. A strong contender for our mega 30 TRIPS AROUND THE SUN boxed set, 4/20/84 missed the cut by virtue of its setlist being a wee bit too similar to the years before and after. As DAVE'S PICKS VOLUME 35, it's found its time to shine. The first set delivers yin yang harmony between Jerry and Bobby songs, yielding driven and powerful takes on tracks like "Feel Like A Stranger," "Cold Rain And Snow," and "Brown-Eyed Women." The second set begs the question - will we ever stop peaking? - with a monumental "Scarlet>Fire," a ripping "Samson and Delilah," a "Space" that pulls shapes that know no names, and that "Morning Dew" - get.in.to.it! And because this one might have ended just a little too soon, we've packed disc 2 and 3 with knock-your-socks-off bonus material from most of the second set from the previous night, 4/19/84. Grab ahold while you can!

Limited to 22,000 numbered copies, DAVE’S PICKS VOL.35: PHILADELPHIA CIVIC CENTER, PHILADELPHIA 4/20/84 has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out. 

*Limited to 2 per order. Very limited quantity available.

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In reply to by Colin Gould

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Sorry to hear Peter Green passed. To hear the live “Rattlesnake Shake” from early FM recordings - such as Live in Boston - was to hear Thunder itself. A gifted guitarist, but unfortunately a troubled soul. RIP.

Any Husker Du fans 'round here?

Bob Mould's next band Sugar...I got a copy of Copper Blue about a weeknhalf ago. Some good tracks

Husker Du:

Zen Arcade
New Day Rising
Flip Your Wig

If you want to hear some high-octane psychedelia, check out Reoccurring Dreams on Youtube....14+ minutes of fun.

....hmm. I visited a reddit post yesterday about Fleetwood Mac. Posted that the Peter Green Mac was the better Mac. Feedback was 50/50. Then this.
I still don't believe in coincidences.
Husker Du is good. As are the Minutemen and Seven Seconds.

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He replaced Eric Clapton in John Mayall's Bluesbreakers, and played on the "Hard Road" album from 1967. That's the only album I have with him on, and its a good solid blues album. Maybe not quite a spectacular as the Clapton driven Beano album from the previous year-but its worth hearing.
I saw him live once at a blues festival, Bishopstock, round about 2003. That was quite sad, really. He seemed disengaged and all the main solos and audible guitar parts were played by someone else. Peter didn't sing or talk to the audience, as I remember it. He just seemed sort of propped up there, with a guitar hung round his neck. Yet they used his name to advertise the band. The price of being a living legend, I suppose.
I have only heard Fleetwood Mac's singles with Peter on-and they do seem to be significantly better than the MOR band from later in the 70s.

That was the only Husker Du album I ever owned. I don't know how typical it was , but I used to like it. I was surprised when I first heard it how melodic it was-buzz saw guitars and enough energy to detonate a factory...but also quite poppy in way. A good way.

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My favorite Peter Green tune (with Fleetwood Mac)

"I can't help about the shape I'm in
Can't sing, I ain't pretty and my legs are thin
But don't ask me what I think of you
I might not give the answer that you want me to"

https://www.youtube.com/watch?v=J0ag8DkipmQ

RIP blues man.......

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I am a big Peter Green fan. After he left the band he founded, Fleetwood Mac, he did go on to make several solo albums, quite nice stuff. The early releases with him and Danny Kirwin were peak early Mac. I saw Peter once at the Fillmore, he was a little subdued. RIP Peter.

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did some 7/24/87 and 7/26/87 view from the vault can't wait for this release and rz thanks for the california earthquake never knew or heard but if only two were played they should be released cool cool stay cool and love early fleetwood mac with peter green have some cds for that and when saw Tom Petty at the pepsi center they ripped oh well...well oh well rip

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Several months after the Dead’s 69 run at the Ark In Boston, Peter Green and Fleetwood Mac held court at the Boston Tea Party across town in 1970. Love those BTP releases, and listen to them a lot. Peter Green was a true guitar God who will be missed. The music remains. Be at peace Peter.

The Dead played 6 shows at the BTP in 69. Including New Years Eve, a rare NYE show outside the Bay Area.

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George Harrison said Albatross was the inspiration behind Sun King from Abbey Road. Now that's a piece of music! I would have been okay if it went on another 5 minutes, but I guess sometimes it's the small bits that keep you wanting for more. It's a perfect union of bass and guitar melodies. I imagine this is what codeine would sound like if it had a voice. Rain has a similar effect, though obviously more upbeat (and one of Ringo's finer moments).

I sense French Roast and Jai-Alai 6/23 in my immediate future.

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Sounds like a good performance here. Audio is just okay, but I'm sure once I treat it with some Poweramp magic it'll get a little better.

It's interesting- I recently read that Betty Cantor Jackson used to record those 70 shows on her private board. Not sure who paid for the actual tapes, but it does sort of answer the nagging question I've had in my mind for a while now - how is it possible that audio quality degraded so badly in the 80s. It also explains how the tapes that were sold off at auction from her unpaid storage bin warrant in so official Grateful Dead Vault somewhere.

But anyway, I really like the keyboard sound Brent uses on Feel Like a Stranger here. It's not too far from Dave's Picks 8 from 11/30/80, which is my favorite version; this may be my second fav.

The track list on here is superb. Hopefully they're on top of things throughout.

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I think the best music has already been played and the greatest musicians are dead and gone. That's not to say there is no new good music happening and no great musicians out there. I think for Blues , Country, Rock & Roll, Jazz and Blugrass the best music has been played. There are some exceptions of course as far as musicians go, but for the most part the legends are all gone.

The music and culture of the 20th century may have been unimaginable to the 19th century mind, so maybe the music of the 21st century will be similarly unimaginable to the 20th century mind. Which most of us still have. With new technologies, new instruments...new drugs...who knows what might happen?

baah humbug. These new kids and their (furry) tennie shoes, loud music with long jams and their long hair. Music hasn't improved since a bit since Glenn Miller, Bennie Goodman. ahh. the golden era.
Boy the old Lasalle ran great.. those were the days.

So turn it down, get a haircut and get off my grass, hippies.

:D (hopefully not to be confused with fact or any resemblance of an honest opinion)

Oh, RIP Brent. You are missed.

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I’m sure Beethoven fans said “All the best music has been created” after he died. One would hope that a Beatles, Grateful Dead, Miles Davis would come along at least every hundred years or so.
I must be crazy ‘cause I’m starting to get excited about Dave’s 35. It’ll be great to have another ‘80’s show to love(at least I hope so).
Even a ‘68-‘72 Head can revel in a fantastic show from ANY era.

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In reply to by Mr. Ones

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Imagine if Beethoven dosed. Deaf or not, we would have gotten another symphony. I bet it would have been real and spectacular.

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Rewatching and listening to Blow Away from 09/29/89 Shoreline as I read your post, VGuy.

RIP Indeed. Let it Blow Away.

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I don't know anything about Beethoven or Classical music, so has there been someone who is as famous or as influential in Classical Music as Beethoven was since he died, just speaking about Classical music. I'm curious.

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I'm going to say Rachmaninov, or Dvorak. Or Chopin, or Schumann or Liszt or Paganini. Or Stravinsky, Debussy or finally Copland. Although, I am partial to Sor (the Beethoven of the guitar), Giuliani, Carcassi, Brouwer and Villa-Lobos... :-)

Absolutely agree with you on the btp mac stuff. We're lucky to have a good amount of FM music from them at that point. It was a dump but they certainly had some great bands

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In reply to by That Mike

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I've racked my brain but other than an old blues song involving women I can't think of a song about self gratification being so popular on radio. Any thoughts?

I know this will come off hasher than I mean but....some things are not funny, they way the CCP treat its people especially minorities is beyond the pale. I am not some woke sjw who needs a safe space at every turn, but sometimes people including myself need to be reminded of the evil out there.

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In reply to by Vguy72

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Go with the website. The bonus is another complete show. Got home from the hospital yesterday now that doc newsom decided my necessary op elective and there it was. Listened to both twice already. Very clean

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...about self gratification on the radio - the Divinyls song I Touch Myself got some airplay in the early '90s and was a catchy little tune, and let's not forget Pictures of Lily by the Who. Not sure who Maryanne With the Shaky Hand was using her shaky hand on, herself or another, but that might be another self gratification tune depending on your interpretation of the lyrics.

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In reply to by Charlie3

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Oh, that's a good one.

That chick brought the ol' shelehlee out of the closet...

But anyway...give a listen to 5 15 70 today, folks.

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Yeah, the Divinyls vocalist had a voice that really made the song.

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Snafu, I just said that I felt that the best music has already been played. I didn't say that there was no new music being played or that there was no really good music being played. I'll just keep that to Blues and Rock & Roll, I still believe that. There is
nobody out there that can come close to Jiimi Hendrix, or the Grateful Dead from 1969 - 1972. As far Blues music, I don't even need to give it a second thought, the best Blues music has been played. You've probably heard of the great harmonica player Rick Estrin, well he said , there are a lot of good harp players, a few great harp players, a couple of excellent harp players, but the best harmonica players are dead and gone.

I think everyone thinks that about everything at some point.

Think you could handle better than the best Dead ever Done?

I'll go with Frank -

Best is yet to come and babe won't that be fine
You think you've seen the sun but you ain't seen it shine

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In reply to by Charlie3

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Good picks I forgot about pictures

To each etc. but even though they're both dead SRV and Fz played years after Jimi and were at least as good if not better. Jimi was great of course but part of the greatness was showman ship which isn't playing.

Thinking about it, I would agree with you in the sense that we may have seen the best in blues...in its current form. What we don't know, is if someone will come up with a new form of expression within the idiom. Its quite believable that someone might have thought that in the 1920s that it was impossible to improve on the blues and jazz of Bessie Smith or Louis Armstrong. And in the way that they played, those people may have been right. What they wouldn't have accounted for would have been the different approaches of Robert Johnson, Charlie Parker, Jimi Hendrix...and many others. I like to think there are more twists and turns ahead. Blues musicians who are informed by the past, but are able to use new skills, instruments and technologies to advance the form. Would it still be blues? Could be! Muddy Waters and Jimi Hendrix were.

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47 years ago today the Dead did their famous sound check at Watkins Glen. Hendrix Freak, were you at this, or Strider were you there?

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Snafu, I saw Stevie Ray Vaughn play twice, once at the San Francisco Blues Festival in 1979, and once at a Wavey Gravey event called.Cowboys for Indians, he played solo acoustic. . You're right he was absolutely fantastic.

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A friend asked me what I had been reading lately, so I thought I would share my latest reads:

Guitar King: Michael Bloomfield's Life in the Blues by David Dann-excellent read if you are into Bloomfield
California Dreaming by Michele Philips - OK with some insight into how fast the Mama's and Papa's took off and then broke up
Rod Serling: His Life, Work and Imagination by Nicolas Parisi - Excellent detailed look at behind the scenes of the Twilight Zone
Simple Dreams by Linda Ronstadt - a great read, very funny and honest, tells her story and the story of the beginnings of Country Rock
Carrie Fisher: A Life on the Edge by Sheila Weller - If you admire Carrie, this is a great book telling her story

The easiest, most fun read is Linda's.

I am now beginning to read the Beatles Anthology, a huge book, authorized by them and in their own words.

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A sentiment that has been shared by many (including The Greg Kihn Band and their Breakup Song). To put it another way, "It's good to be in something from the ground floor. I came to late for that and I know. But lately, I'm getting the feeling that I came in at the end. The best is over." I suspect this is a generational thing, although I confess that the high point of this feeling came for me in the '80s when there just really wasn't a lot of new music that I dug. I dug some '80s stuff, but not a lot.

Lately, I'm finding a lot of new stuff to dig, although it is not the classic rock sound of yore, nor is it a Dead clone. Mostly, it's artists doing something I haven't really heard before, or doing something old with a new twist. Sturgill Simpson, Khruangbin, Leon Bridges, Flaming Lips, Tame Impala and St. Paul and the Broken Bones would be a few examples of newer artists that I dig. So nobody is gonna do what Hendrix or the Dead did better than the original, I agree with that, but there will be artists finding new forms and styles that will be just as cool in their own way. And honestly, if I only had one artist to listen to, or only one style of music available, it would get old no matter how good it is.

Edit: Or, since I've been on a little Who kick lately, "Rock is dead they say. Long live rock".

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My own latest music reads include Patti Smith's memoirs "Just Kids" and "M Train". And just yesterday I finished Holly George-Warren's excellent Janis Joplin biography "Janis: Her Life And Music".

The latter brought back bittersweet memories. I was fortunate enough to see her perform twice. The first was on the Cheap Thrills tour in '68 and the second time was at Woodstock.

Such a tragic loss to her fans along with Pigpen, Hendrix, and Jim Morrison.

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Richard Wagner died about 60 years after Beethoven who died around 1827 and wagner around 1887. Wagner was considered new age classical who said that "I am going to produce classical music that is much more interesting and new age than Beethoven's boring and sleep inducing symphonies." He said something like this back in the day.

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In reply to by carlo13

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I've been a huge Wagner fan all of my life thanks to my parents playing classical music in our home.

I've seen his operas performed any number of times and like the Grateful Dead, I'm happy to travel great distances to see one. Last summer we made a train journey from Seattle to see his epic four-opera cycle "Der Ring Des Niebelungen" at San Francisco Opera.

Wagner the man was quite unpleasant (anti-semite, philanderer, swindler, etc) but he was a brilliant composer and created the combination of music linked to on-stage action that we see applied today in musical scores for motion pictures.

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Carlo13, the Grateful Dead were huge fans of Wagner, and they even cancelled a couple of shows in 1985 so they could attend the performance of the Ring Opera in S.F. I saw the Dead shortly after at the Greek Theatre, it was a blast!

....I've started, over the waning weeks of the 'Summer of Sixtus'**, the newly released read: "Action Park - Fast Times, Wild Rides, and the Untold Story of America's Most Dangerous Amusement Park", which is a MAJOR callback to my youth (yooot!) in the late '70's and early/mid-80's when spending time in NJ and at 'The Shore' - which always did its best to emulate the death-defying antics via water slides but never approached the true point-of-no-return that was Action Park. My assumption is that there are at least one or two peeps here that had experienced the unadultered chaos of Action Park. I still remember the commercials and visits, which made me buy this breezy, sarcastic, comical, adventurous, very fun book.

** 'Summer of Sixtus' has officially come to an end as today was my first day at my new Pharma gig. No complaints on this end, it's good to be back in the driver's seat.

Looking forward to DP 35 big time, gimme some Philly.

Be Well People.
Sixtus

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Right on, a blast from the past. I grew up across the border from Vernon, NJ in a then rural area of Orange County, NY and went to Accident Park when it was just the Alpine Slide, and maybe a couple of times later. Injuries abounded there, from the minor to the life alteringly tragic. Take a look at the water slide loop that these yahoos came up with, the Cannonball Loop, no engineering or water-ride experience appear to be involved, just the back of a napkin and an idea of what a loop looks like.

Love the fun random connections that come up on these threads.

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