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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Fun show for sure, nice representation of a solid ’84 show.
Whenever I hear a good ’84 show, I always think, hmm wonder what the rest of that tour was like.
I guess that’s the magic that kept the Dead on the road for so long.

Great Set 1 with real nice Bird Song, and like many have commented a top Jack Straw, best of the ‘80s? best after hiatus? However you want to quantify it, it get’s a lot of best talk.

The Shakedown > Samson got the 30 Days treatment in 2017.
A relative newly dusted off Smokestack Lightning with a real sweet jam after, short drums > space (is there a reel flip in here I’m missing, might have to research). Great post Drums set list Wheel > TOO > Black Peter > Lovelight. And last of 2 Revolutions for the year. First Black Peter into Lovelight? First of the infamous Amy Boards.

It was a nice return from my 1970 wormhole that I entered on 7/24 with the 9/20/70 show, went deep on that one, even ventured into the land of the PERRO session tapes, fun trip. Completely enjoyable and fascinating.

Nice Pick!

You all getting shipping notices?

What’s next?

10/21/83 you say..

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In reply to by JimInMD

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Yes, the 83 30 Trips show, let's do it.
I remember this being a good show.

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Well, I've heard it said there's something wrong in my head, now.

And the doctors can't seem to figure it out. Been on the shelf for a couple months with an odd malady - more or less constant dizzy, spacey feeling, which family and friends quickly pointed out seems par for the course for me (yeah, love you guys, too).

It feels kind of like I've had a couple of pretty strong mai tais. Not the worst feeling in the world, and I get the "buzz" without having to spend money on libations! Or a round trip ticket to Hawaii.

But, I've had to be horizontal a good bit of the time, can't really exercise, drive, etc. The best way to explain it is that I've been living inside of a 2 month long Dark Star>Seastones>Drums>Space>Feedback. With a Samba encore - Yikes!

Anyway, things have improved over the last several days, and I'm gradually returning to civilized society, although that seems to be slipping away lately out here on the west coast.

So, I'm only five dozen shows behind the rest of you. I should be able to catch up by the end of the weekend! And I nominate 9/19/2003 for a listen one of these days - a terrific post-GD show.

Cheers and good health to all.

Edit: Man, I really have been out of the loop for a bit. Neon Nikes - really??

Good to see you back in the mix Bolo. Man, good to hear things are getting better. A little Black Peter?

We will have to cut you some major slack on the past picks.

2003? You will have to help us out with that pick.

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In reply to by DeadVikes

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Or perhaps Mexicali Blues.

I think what Bolo was trying to say is Dave's Picks 36 is 04/16/78 Huntington Civic Center - Huntington, WV.

It was the Peggy-O reference that made me think of this show, and then when you see the first set ends in Scarlet>Fire. ..well, oh.. and get better Bolo from whatever ales you. Great to see you back, be good get or stay healthy.

Edit: Or it could be I am full of shit and think we are due for a '78. Either way, it's a win.

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A Classic. And so it is.

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Bolo - it can be a bit restricting, having dizzy spells. I acquired them-with attendant feelings of nausea about 5 years ago. No one was quite sure why-possibilities included a reaction to prescription drugs, having low blood pressure and an imbalance in my ears. Nothing was decided, so I just carry on as I am. I find I am alright if I don't look down. So I don't.

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In reply to by bolo24

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Hey Bolo, glad you're feeling better and that doesn't sound fun.
And in regards to the west coast, You know the nearer your destination, The more you're slip slidin' away.

Hot tip on the 9/19/03 show... anybody got the SBD of this one out there?

It looks like that whole Dead tour was released on some limited edition Summer Getaway CDs, so I thought'd I'd check.

I've never listened to the Joan Osborne stuff, this show is sounding pretty dope and so naturally.. the SBD came to mind :) Some things never change in regard to collecting music.

Dug the 1983 yesterday and looks like some early 1973 for today, don't mind if I do.
Shipping notice received over here.
The Beach Boys mighta said and we'll have fun fun fun...

Be well all.. lmk about that 9/19/03 show if somebody got's it.

Oh! She's singing on Rueben & Cherise, gotta go bye.

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I might just have them.. I need to look. I recall having a lot, perhaps of 2003 and none from 2004.. not sure why I gave up after 2003???

I will look tonight.

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In reply to by JimInMD

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Thanks Jim!

I found a bunch of the others, but not 9/19/03.

It's cool stuff!

LMK if you're looking for anything and if I have it I'm happy to work up a lil trade.

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I like the way you work it.

Your guys partnership is pretty cool, nice job fellas.

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I'm afraid today's website glitches were probably my fault. As part of a rather complex NDA with my "employer," I am required to give them advance notice before I post on any website. In my compromised state of mind, I forgot to do so. I'd explain, but it's complicated. And dangerous.

In the unlikely event that anyone did a screen capture of my previous post, I strongly urge you to reboot your computer, change the locks on your door and stay away from the windows.

Also, I have the SBD of 9/19/2003 (WAV format) if you need it. Not sure how I would send that digitally - pretty big file.

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In reply to by bolo24

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....HCS -> Jam -> Bobby McGee. Yeah. I member that.

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In reply to by Vguy72

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Great sound.. It's been a while since I listened to this show. Makes me think we have much more 1973 coming our way the next few years.

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In reply to by JimInMD

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Thanks for joining me on these one Jim, GOGD, Vguy and hopefully the rest of you. Gollum, you should be a fan of this show. Oroborous, I know you love this one.

This release really changed my view of releases. This is by far the most played Dave's Picks for me. Not saying it is the best ever, just the most played. Sound quality is A++. There are zero flaws in the entire release.
The Deal just kills it, so far my favorite China-Rider. The transition is unreal and I have not heard anything come close. Of course that doesn't mean it doesn't exist. Box of Rain! So many highlights. Love the HCS. Why did they retire this song and when did they retire it? Love the WRS prelude into eyes. Did that ever happen again? And such a great finish.

Yes, Jim, I sure hope we get more 73. Dave's 16 is killer, Scooby Doo, and Dave's 32 at the Spectrum is so good. Love the variety. That He's Gone, Truckin, into the Jam- Dark Star into Sing me back home is super special!

So let's hope they have more 73 in the Vault. So many good shows.

Be well and let me know where we are going next.

No shipping notice here in MN, but that is
no surprise. I am usually 1 week behind.

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Yes, I surely do love 4/2/73 Deadvikes. I'm trying to keep up with the daily picks but have been dragging ass a bit this week. I'm still knee deep in Sunday's pick 2/11/70! I always avoided 2/11 because of the special guests. I guess I'm wary of outsiders. That's silly, of course, and it's just a great show. The whole Star-Spanish-Lovelight jam is sweet and meaty like a butt steak.

The three Spring 73 Dave's Picks are among my very favorites, too! I'd love it if we got some more 73 DaP's- maybe 8/1/73 or 9/11/73? I think those Dark Stars might be underrated because of sound quality (I dunno?).

I'm enjoying y'alls comments. Some day I'll catch up with you guys...

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Sent you a PM

Thanks Bolo!

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Sure do Love Spring '73

4/2/73 is solid top to bottom without a doubt. Really like when Phil still sung on Half-Step, even (especially?) when his voice is cracking (12/19/73 comes to mind as the standard to measure against), just ain't the same without that little bit of wonderful. Great great stuff here people. No complaints at all. Wave That Flag stuck out as it had me bobbin' along. And the Jam in Eyes that Jerry gets into at 14 minutes is the stuff I keep coming back for again and again and again.

No secret that PITB is an absolute favorite, possibly my #1 favorite, but def in the top 5. This one is great per usual.
But I had a flash yesterday on it's life cycle.

So you know how Dark Star had it's most epic versions from 1969-1970, IMO of course, I mean it's always great, but 1969-1970 those Stars are just universes of greatness, peak versions shall we say. It stays in the rotation, and is played great, but they're not 1969-1970 Stars. I'd say this is when Jerome was most excited about it, which makes all the difference to me.

Playing In The Band seems to have a similar life cycle in that regard and it's peak is arguably 1972-1973, again it stays in the rotation, and is played great, but they're not 1972-73 Playings (sp?). Anyhooo.. just wanted to say that cause that's what I was thinking about as I drifted through yet another magnificent PITB from '73.

Plus the coffee's kicking in and I don't really want to do the other stuff I should do today, so yeah I'm procrastinating.

And if you made it this far, congrats! You are a trouper.

That 2003 The Dead stuff was ringing my bell yesterday, those set lists had me at Born Cross-Eyed, another top 5 song for me.

What's on the haps for today?

PS - I probably wouldn't click on the RAW RAGE link below, that sounds a bit sketchy..
Spammers does anybody really go for that?

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Interesting that people gravitate towards 4-2-73. I think the three Dave's picks from spring '73 are a really nice triad. Between them you have pretty much everything they were playing at the time.

You've got 3-28-73, Dave's Picks 16, affectionately known around these parts as Scooby Doo House. Recorded by Kidd, opening with a Cumberland -> Here Comes Sunshine, all the expected 1st set goodies, and a 43-minute Dark Star into Eyes deep in the second set. This recording doesn't sound as warm to me as Dave's Picks 21 - 4-2-73 at the Garden.

On this one Rex Jackson gets the credit for recording. Which is interesting since she and Betty were more or less a team during this period weren't they? maybe this accounts for the slightly warmer sound, which is generally attributed to Betty's recordings. This show has a great 1st set China-Rider and a fantastic 17 minute Playing in the Band to close out the 1st set. Set two has a nice slinky Mississippi, and the aforementioned Sunshine -> Jam -> Bobby McGee is unique as far as i know. The jam is a little dissonant for my tastes but no biggie. I believe this is the Eyes where garcia sings "There follows his wagon behind him thats loaded with kale".

Then comes my favorite of the bunch, Dave's 32. Both Rex and Kidd get the recording credit on this one, and it seems to me to fit right in between the previous two shows sonically. most of the 1st set is typical, but still very well played and the set has a great flow to it. I really dig the chorus like effect that Bobby was using on this tour - notably on Looks Like Rain. This show just seems to go on and on and the 3rd disc is special: He's Gone -> into a nearly 40 minute Truckin-> Dark Star (sans vocals) and then a Sing Me Back Home.

Just a fantastic show. The only thing this triptych is missing is a big Other One, which hopefully we'l lget soon in another Spring '73 release. This is my absolute favorite time for the band. Pig is gone, but i think that freed them up in a sense, and you can hear it in the playing, which is adventurous. And they have a ton of new material to learn and hone. I get it that some of the 1st sets are repetitive, but I usually just hone in on Bobby or Phil, who are always playing something unexpected. Bring on more '73. I'd love some more fall shows too, which might be a bit more complicated to release becasue of the guest horn players.

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In reply to by Slow Dog Noodle

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Well put slow dog. They are all great shows.. 4/2 has a little pixie dust mixed in with the mix, so it probably gets a little extra hype for that.

With the number of unreleased '74 shows just beginning to thin out.. 73 is going to come into the foreground eventually. I bet we get a good dose of 73 over the next year.. year and a half.

Anyone get Philly yet?

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In reply to by JimInMD

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No, in fact still no shipping notice for me.

Who has a pick for us today?

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In reply to by DeadVikes

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Just an idea...

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9 years

In reply to by JimInMD

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Started 4-2-73 this morning driving into work.
Sounded mighty fine.
Sound quality of releases just keeps getting better. Time to Plangentize/Normanize 12-18-73.

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16 years 11 months
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Anniversary and one of the the Dave's Picks i actually know the number of 2!!!! Looking forward to watching Egypt tonight even though I have the release!! Good weekend everyone. Bob t

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8 years

In reply to by JimInMD

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Sounds like a great idea Jim, I have been gone all day. Just catching up. Capitol Center! Let's do it.

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13 years 11 months
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I've never understood why this Dark Star never gets any love. I remember in my tape trading days thinking that it ranked alongside 6/10 as the peak 73 Dark Stars. My old tape had crummy sound. I haven't heard the upgraded archive versions yet.

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4 years 11 months
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It's an absolute killer of a Dark Star! Dave & Co, when you gonna release 8/1/73, 2/9/73 and 5/26/73, I aint getting any younger.

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8 years 10 months

In reply to by billy the kid

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8/1/73 sounds good to me.

What a guy, Hey Garcia!

Man these folks at Dead.net, JerryGarcia.com, etc... have been busy during this pandemic, can barely keep up and that's all I'm doing. Totally Hardcore.

Releases, Shakedown Streams, Studio Outtakes, Dead Casts, Birthday Parties, Holy Shit!
I'm impressed.

Enjoy the Day you all, looking forward to some epic Dark Star action.

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16 years 11 months
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Well audience tape only on Archive...... I wonder if a Board is in the Vault.... Starting with the Playing right now in second set.... don't think I will be awake for whole show... be good all.... bob t

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8 years

In reply to by JimInMD

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Let's keep the train rolling along.
I am going to check out 11/28/80 from the 30 Trips release. Sending out the 1980 vibe in the dimming hopes of a 1980 box.

Loved the 3/14/90 revisit. Always have room for a Spring 1990 release. Black Peter!

Be well folks and everybody hang loose.

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13 years 4 months

In reply to by DeadVikes

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Ha.. listened to this 2 or 3 days ago (the day we did Worcester '83), so it should count.. ??.

Great little show.

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8 years

In reply to by JimInMD

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Jim, funny, for sure it counts. And it is a short show, finished it off before lunch. Really laid back show. Only 18 songs. Really like the Passenger, Deep Elem, LLR is good and the Deal is hot. To Lay Me Down is excellent, very well played and the Terrapin into Drums is well played. Black Peter! Sugar Mag US Blues closer.

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9 years

In reply to by DeadVikes

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Well, this fall is the 40th anniversary, and we did get Warfield Acoustic last year which caused a lot of speculation about a Fall ‘80 Box.

Sign me up!

Conekid, yes, that has always been the hope for me after they started releasing the big box sets like E72, and the two Spring 1990 box sets, I thought it was only a matter of time. Here we are the 40th anniversary!

I know Glasser did not work on the June 76 Box, so I am hoping he was busy on something else??

And I have heard all the rumors, the tapes don't exist, they recorded over them after they released Dead Set and Reckoning, or For the Faithful. I think I still have my For the Faithful LP.
Anyway, I don't think that is true. Three reasons. They rereleased Dead Ahead with new bonus songs in the 2000s and expanded Dead Set and Reckoning in 2004 or 2007, can't remember the exact year, with all new bonus material from the run. So, there has to be something there.

Somebody knows around here.

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13 years 4 months

In reply to by Vguy72

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I have had him pretty occupied doing roofing repairs on my house. But it's going to rain the next several days, so he should be back in the studio cranking out 1980 gems as far as I'm concerned!

It does seem odd, the 1980 dilemma. I guess it's mostly true, but man.. they didn't even keep the single reel masters? Something must left worth releasing in the tool shed.

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9 years

In reply to by JimInMD

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That appeared out of nowhere, so hopefully some SBD reels were in the ABCD stash.

Yeah, the reels weren’t in the vault because they were in the storage shed.
Fingers crossed.....

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8 years

In reply to by JimInMD

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Conekid, that would be cool. From the lists I have read, I am not sure they received anything more the acoustic sets from October 9 and 10.
Jim, you mention I guess it is mostly true. Can you elaborate on that?

Who has a pick for today?

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8 years 10 months

In reply to by DeadVikes

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Hi-Ya, chiming in on the 1980 stuff, in 2012 DL said the following:

“Recorded every show from Warfield & Radio City Music Hall to Multitrack. Unfortunately a lot of that was erased in the early 80s. Nonetheless there’s material there.”

A number of the Acoustic sets were part of the Betty Boards that were returned, I'm assuming those were two-track mixes though and not multi-track.

Not sure if there's any info about the wiping of the original tapes. If anybody has info on that story let me know.

In other news, looks like new DaP V35 might be arriving soon... fingers x'd.

And lastly 5/29 & 5/30/71 look kinda cool...

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13 years 4 months

In reply to by DeadVikes

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Those were general comments.. I have no facts to back them up. I just can't believe this there is nothing left on the shelves from those tours.

Lemieux.. if you listening, check in that unlabeled banana box in the back of the room with the Blues for Allah painting. We think you missed some reels.

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8 years

In reply to by JimInMD

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Sounds like a winner to me. Cal Expo.

I am in the camp of hope for 1980. Time will tell.
Thanks for the information guys, this is better than the alternative.

GOGD, did you have a link for Dave's comments?

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4 years 11 months
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To bad they erased those tapes, I'm happy to hear that some survived. I'm. happy they released the 10/9/80 and 10/10/80 acoustic sets, I was at both those shows , so that might mean they still have the electric sets for those shows. Both those shows were killer shows,electric and acoustic , so hopefully the electric sets will we the light of day and be.released.

BTK: Yeah, so I think based on Dave's comments that some of the multi-track stuff still exists, some of it got wiped. And then there's also Betty's 2 Track mixes that exist, I think those are mostly acoustic sets, at least based on what circulates.
I'm tempted to go through both runs and gather my notes on what SBDs are in circulation and which aren't, but I'm thinking that's a pretty good representation of what exists and what doesn't in the vault.

DeadVikes: Yeah, here's a link to Dave talking about this on January 17th 2012 @ 33:48ish - http://www.ustream.tv/recorded/19834305

It's a good watch and pretty informative. I stumbled on it looking into the 1970 tapes in the Vault, and it did answer my question on that as well.

Unfortunately, he states that there are virtually no shows in the Vault from July 16 through December 1970, largely because of Owsley getting busted. I guess the Dead themselves were not running tape at all during this time. Might be old news for some, but I wanted to confirm it with my own ears.

Clever Deadhead and Photographer Bob Minkin also gave us a clue to this on Page 221 of his book Live Dead with a picture of the 1970 reels in the Vault, in the picture there's a huge gap of reels between 7/16/70 - 12/27/70 :(

Dang it.

The above totally coincides with the tapes that circulate, mostly what exists in circulation from that time frame are either Fillmore East Crew SBDs (partials), FM Broadcasts, or Audience recordings.

So, mystery solved? I'd still like a nice list of what's there and not, but yeah that might be my OCD.

Since we're all getting older here, I think some time should be put towards figuring out what else exists from the Festival Express and to try and get that stuff and get it out there. I know there's more of that than what circulates.

Unfortunately, I don't see any 1970 acoustic set stuff happening for American Beauty 50th, because it doesn't sound like it exists. Happy to be wrong.

Alright, well there you have it, and that's the way it is Tuesday August 4, Two Thousand and Twenty, I'll be away on assignment and Dan Rather will be sitting in here for the next few years.