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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I am at an impasse with some of the partially released 74 shows.. I think I need to reconstruct the full shows using pieces of the official releases and supplement any missing parts from the best available source.

What were they thinking???

Edit: David Lemieux as a kid.. "Look at all these reels.. I bet we can releases dozens and dozens of songs...."

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Already on the end of set one of 9/11/74, Playing just started...23 minutes to end the first set. Then a 41minute Phil & Ned where a big chunk is with the band before going into a great Eyes of the World into Wharf Rat... (44 minutes of Eyes and Wharf Rat) .. 108 minutes of jazzy, jammed pure 74 bliss. bob t

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That long jammy section with Ned is niiiice. I wasn't even aware of it before. Good call BobT and Daverock.

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In reply to by Gollum

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and who could ask for more than another 1974.

I am not listening to the composites of these again though.. I want to rebuild the complete shows.

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some of my favorite releases back in the day were the 1974 multi-show highlight releases, and of course same goes for DiP 4 Fillmore East. Still find them solid and very enjoyable. however - i definitely would like to see full show releases of those shows barring any significant reel issues.

Bluecrow Hat Trick - continuous deep listen to all three discs in a single release. much as I can ask for nowadays.

prayers to fire affected brothers and sisters out in California, Oregon, & Washington - heartbreaking

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Loading up the phone with the Dead, putting all of 1972 on now.

Do some rain dances & send some good vibes towards the west coast.

We need all the help we can get.

Be Well All

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Dark Star>Morning Dew included!!! I finished the last Alexandra Palace show (9/11/74), favorite of the 3 shows. I know this September 73 tour isn't everyone's favorite because of the horns, but I like them... Have a great weekend. Bob t

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Always enjoyed his work, in and out of the Grateful Dead, all around, the faster we go the rounder we get. Rolling Thunder, Diga Rhythm Band, New Riders of the Purple Sage, Dead and Company. Prolific musician and workingman.
Excited about upgraded Betty Cantor recording of 2/18/71. Also when American Beauty was released my old friend Jimi tripped out on the lettering on the cover. Was the first person I remember to see “American Reality”. More than we ever dreamed it would become , reality.

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Where in the hell is Bolo? It has been a long time.

And Otis?

GOGD, did you find a complete listing of the 375 reels from ABCD?

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To my ears, perhaps the best of the fall '73 mini tour with horns. Definitely worth a listen. Might not be the most popular release if it were to ever see the light of day, but well worth the listen. I am right there with BobT, an enjoyable and noteworthy show from an enjoyable and noteworthy tour.

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In reply to by icecrmcnkd

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PITB > Terrapin > PITB sandwich
I'm in!

Funny, I was just listening to So Many Roads comp disc 1 as I hadn't heard it in forever and was putting all GD releases on my phone in case we had to split.

BTW anybody got the 9/26/90 GD rehearsals that D Gans put on the Best of the GD Hour sampler CD?
Jam Out of Terrapin > PITB
I'd like to hear that there stuff, got the Hornsby stuff from 9/28 but never heard the above.

DV: No ABCD list as far as I can tell, but there's a nice list of Betty Boards in one of the Taper's Compendiums, I'll have to look for it when I have a minute.

Alright, Be Well All.
And that TLMD outtake on So Many Roads is worth visiting the next time you get a minute.
Sublime stuff.

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just finishing up concert where Phil says "this is the quiet part folks".... bob t

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In reply to by JimInMD

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In fact, I like the whole Hornsby era.

But a Fall ‘91 Box would be cool.
Oakland?
MSG?
Boston?

Which to choose?
May have to draw straws.

I will check it out. A little MSG. Thanks Conekid. Yes, 91 certainly shines. A lot of great shows.

Oh and it is a Pearson Healy recording, even better.

Thanks for looking into that GOGD. Hope everything goes okay for you out there.

Stay well folks.

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In reply to by DeadVikes

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Agree, most of 91 decently recorded for the most part. Oft maligned, but not deservedly so. Bruce brought a lot of energy and in some ways brought Garcia back to life.

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In reply to by JimInMD

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Since the CD-R case in my living room containing 90’s shows I burned more than 10 years ago is open, I tossed in 3-30-94.
The ScarletFirePlayingDarkStar is awesome and worthy of official release.

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Nice pick. I'm not too familiar with this show. Well, it seems a couple folks on the archive claim this Dark Star is one of the greatest of all time. You never really know, do you?! I'm listening to a matrix now. The live music shutdown has given me a new appreciation for audience tapes.

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In reply to by Gollum

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...."Greatest Dark Star Ever Played."
I have no idea. Most are above average. So there you go.

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In reply to by Vguy72

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Big Fan of this show!

IMO top 5 PITB as well as Dark Star.
Well worth the Trip.

This was my goto Bike Ride show for awhile, worked every time!
It's a traveler, and it'll take you places.

Def one of my favorite 1972 shows.

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In reply to by The Good Ole G…

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Good to hear from you GOGD.

Were losing a bit of steam here.

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In reply to by DeadVikes

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Won't You Carry Meeeeeeee!

Couldn't resist.

Thanks DV, been glancing in, but there's been just a few distractions. (insert eyeroll, face palm, the scream etc)

Meant to praise 9/16/72 yesterday, (nice work Bob T!)
Definitely check out the partial SBD portion, it's one of my personal favorites for sure.

If anybody has the FLAC files of the SBD easily accessible and wants me to patch that transition between Dark Star & Brokedown send em over, I've wanted to do that for awhile, but only have the Mp3 files.

Alright, be well all, and keep it goin', this is a fun little place to visit :)

Finished my third or fourth listen of this gem. I love how some releases seem to get better with each listen and this one fits that bill. The whole show rocks, so many highlights. As others have mentioned Disc 3 is very special. The He's Gone-Truckin-Jam-Dark Star into the final three songs are just awesome.

Yes, #32,#33 and #34 are pretty sweet. Looking forward to what Dave has in store for #36. Okay, my money is going with 72 or April 78.

Stay well all.

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In reply to by DeadVikes

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Have to think it will be either 69, 72 or perhaps spring '78.

...what's on for today?

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In reply to by DeadVikes

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DV - Yeah, as far as GD releases, we're in the golden age!

FWIW I still think we'll see a Pigpen Era release for DaP V36 circa '68-'70. Most likely '69.

Alright, I know the following for certain:
I'm jonesing to find out if I'm right or wrong :)

Announced in October right? Any theories on the date of the announcement ;)

VGUY - Either is cool w me!

I don't think I listened to the Pearson Upgrade of 5/30/92 either.

Too Much Dead Bros!!!

EDIT: 10/17/82 it is, look at that set list bro!
Post Space> Throwin'> GDTRFB> Wheel> Other One> Wharf Rat> Good Lovin'. Who does that?
The GD in '82 that's who!
We can do 5/30/92 tomorrow.

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In reply to by The Good Ole G…

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Here’s what’s been released so far...

Here’s a Breakdown of Dave’s Picks
(First #) = Year:
(2nd =)Total Releases from this year/
(3rd = )How Many Releases since last pick from this year../
(4th =)Release # of last pick from this year

80: 1 / 27 / #8
69: 2 / 25 / #10
81: 1 / 15 / #20
78: 3 / 12 / #23
72: 3 / 11 / #24
71: 3 / 9 / #26
83: 1 / 8 / #27
76: 3 / 7 / #28
70: 2 / 5 / #30
79: 1 / 4 / #31
73: 4 / 3/ #32
77: 5 / 2/ #33
74: 5 / 1 / #34
84: 1 / - / #35

80 is past due, what about Gainesville? Course that’s not happen with the fourth pick...
69 is past due! Good bet except I don’t think they’ll go for fourth pick...
81, same as above..
So that leaves 72 and 78. I’m going with 78.
Of course there never seems to be enough 77...
Some day you’d think we’d get a 91, but not fourth pick...

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In reply to by The Good Ole G…

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Last year #32 was announced on 22nd October and the 2020 subscription was announced on 30th October.
My guess would be 20th October for #36.

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In reply to by Colin Gould

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CG - Damn!
That's more than a month....

This pandemic is really warping time.
I didn't realize a pandemic could be so psychedelic, but I've definitely been tripping since March.

Good Stuff and nice sleuthing. I appreciate it, even if it spiked my jones.

Jeez, lotsa drug references ;)

OB - I'ma gonna grok on that there hypiothesissss thingy there for a minute. Nice work bro.

I still call Pigpen era!

Yes, 1980 is of course extremely underrepresented, don't get me started on that. No idea what they are doing with 1980.

I think they will give us the heads up announcement the week before the seaside chat on October 20. Release date is October 30, which usually means I should have mine by November 15.

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10/31/69, if not now, when.

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Never have done this before, but on 3rd show of tour today, 9/17/72 Baltimore.... (Dicks Picks something)... started with the Boston show back on the 14th on Monday... bob t

You probably already thought of this, but it seems like 10/2/72 should get included too.

I wanna do that.
Best Part: Playing In The Band on every show!!!!

Sept '72 is some epic stuff.

Said it before, but I think '72 is my fave year.

Europe box announcement got me back into collecting the Dead after like 10 year hiatus.
After Europe box was released '72 was the first year that I collected all existing shows for.

Kinda envious there Bob T, gonna have to follow your lead one these here days.
Enjoy!

I'm listening to...
A tutorial.
Knowledge is good, but envy is not.

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In reply to by DeadVikes

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...of what year? :D

Fall '72. Interesting idea.. I've done E72 in sequence a couple times. The last time I did it.. I had to break out into a different era for a palate cleanse.

Did anyone commit to something for today?

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In reply to by JimInMD

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Jim -

VGUY and I are checking out 10/17/82 - New Miller Audience (might not be as good as the other audience.. not sure what I think yet, anyhow it just popped up)
Also mentioned 5/30/92 (possibly tomorrow though)
Bob T - Going deep with September '72 tour journey.

November what year = Doh!